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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

“Days Of The Week In Latin” • Feria II, Feria III, Feria IV, Feria V, Feria VI

Jeff Ostrowski · April 29, 2021

OW WELL do you know your “days of the week” in Latin? At one time, Catholic bishops wanted all Christian countries to use these names (instead of pagan names), but I think Portugal was the only country faithful to that desire:

SUNDAY = “Dominica”

MONDAY = “Feria II” … or Feria Secunda

TUESDAY = “Feria III” … or Feria Tertia

WEDNESDAY = “Feria IV” … or Feria Quarta

THURSDAY = “Feria V” … or Feria Quinta

FRIDAY = “Feria VI” … or Feria Sexta … or Parasceve

SATURDAY = “Sabbatum”

The Church usage follows the Jewish, inasmuch as:

SATURDAY is the sabbath • “sabbatum” (Hb שבת; Gk Σάββατο)
SUNDAY is the first day after the sabbath (Hb ראשון: cf. Jn 20.19, 26; Ac 20.7; 1 Co 16.2), but is now called The Lord’s Day • “dies dominica” (Gk [ἡ] Κυριακή [ἡμέρα]: cf. Ap 1.10)
MONDAY is the second day • “feria secunda” (Hb שני; Gk Δευτέρα)
TUESDAY is the third day • “feria tertia” (Hb שלישי; Gk Τρίτη)
WEDNESDAY is the fourth day • “feria quarta” (Hb רביעי; Gk Τετάρτη)
THURSDAY is the fifth day • “feria quinta” (Hb חמישי; Gk Πέμπτη)
FRIDAY is the sixth day • “feria sexta” (Hb שישי), but is sometimes called “preparation day” • “parasceve” (Gk Παρασκευή: cf. Jn 19.14), i.e. the day of preparation for the sabbath

The black and white illustrations in the Brébeuf hymnal often display the zodiac (“sun and moon with happy and sad face”) in pictures of our Savior’s crucifixion:

A wise priest explains this:

The zodiac signs begin to appear in crucifixion scenes in the East, e.g. Syria, in the VIth century, and it seems they are a reference to Mt 27/45, Lk 23/44-5 and Mk 15/33 which are also regarded by later commentators and “spiritual writers” (as they used to be called in pulpit oratory) as fulfillment of the prophecy Amos 8/9-10 Vulg. For example, Legenda Aurea 53 cites Bernard of Clairvaux commenting on the Good Friday Reproaches, explaining the price Christ paid for redeeming those who belittle the Redemption: a price higher than gold or silver, sun or moon, or one of the Angels … tenebrae factae sunt etc.

And one more for good measure, again taken from the Brébeuf hymnal:

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

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Filed Under: Articles Tagged With: Latin Days of the Week, Week Days In Latin Last Updated: April 29, 2021

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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President’s Corner

    Good Friday Flowers
    Good Friday has a series of prayers for various parties: the pope, catechumens, pagans, heretics, schismatics, and so forth. In the old liturgical books, there was no official ‘name’ for these prayers. (This wasn’t unusual as ‘headers’ and ‘titles’ for each section is a rather modern idea.) The Missal simply instructed the priest to go to the Epistle side and begin. In the SHERBORNE MISSAL, each prayer begins with a different—utterly spectacular—flower. This PDF file shows the first few prayers. Has anyone counted the ‘initial’ drop-cap flowers in the SHERBORNE MISSAL? Surely there are more than 1,000.
    —Jeff Ostrowski
    Music List • (3rd Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 3rd Sunday of Lent (8 March 2026). If such a thing interests you, feel free to download it as a PDF file. This feast has magnificent propers. Its stern INTROIT (“Óculi mei semper ad Dóminum”) is breathtaking, and the COMMUNION (“Qui bíberit aquam”) with its fauxbourdon verses is wonderful. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski

Quick Thoughts

    “Dies Irae” • A Monstrous Translation
    It isn’t easy to determine what Alice King MacGilton hoped to accomplish with her very popular book—A Study of Latin Hymns (1918)—which continued to be reprinted in new editions for at least 34 years. This PDF file shows her attempt to translate the DIES IRAE “in the fewest words possible.” There’s a place for dynamic equivalency, but this is repugnant. In particular, look what she does to “Quærens me sedísti lassus.”
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski
    Grotesque Pairing • “Passion Chorale”
    One of our rarest releases was undoubtably this PDF scan of the complete Pope Pius XII Hymnal (1959) by Father Joseph Roff, a student of Healey Willan. One of the scarcest titles in existence, this book was provided to us by Mr. Peter Meggison. Back in 2018, we scanned each page and uploaded it to our website, making it freely available to everyone. Readers are probably sick of hearing me say this, but just because we upload something that doesn’t necessarily mean it’s wonderful or worthy of imitation. We upload many publications precisely because they are ‘grotesque’, interesting, or revealing. Whereas the Brébeuf Catholic Hymnal had an editorial board that was careful and sensitive vis-à-vis pairing texts with tunes, the Pope Pius XII Hymnal (1959) seems to have been rather reckless in this regard. Please take a look at what they did with the PASSION CHORALE and see whether you agree.
    —Jeff Ostrowski

Random Quote

“One can still have silence even during the Canon, since one is not obliged to recite the Canon audibly at all times. A quieter, less powerful tone of voice will always permit an opportunity for personal, silent prayer.”

— Joseph Cardinal Frings (25-jan-1968), patron of “Consociatio Internationalis Musicae Sacrae” (papal church music association)

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  • “Dies Irae” • A Monstrous Translation

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