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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

“Days Of The Week In Latin” • Feria II, Feria III, Feria IV, Feria V, Feria VI

Jeff Ostrowski · April 29, 2021

OW WELL do you know your “days of the week” in Latin? At one time, Catholic bishops wanted all Christian countries to use these names (instead of pagan names), but I think Portugal was the only country faithful to that desire:

SUNDAY = “Dominica”

MONDAY = “Feria II” … or Feria Secunda

TUESDAY = “Feria III” … or Feria Tertia

WEDNESDAY = “Feria IV” … or Feria Quarta

THURSDAY = “Feria V” … or Feria Quinta

FRIDAY = “Feria VI” … or Feria Sexta … or Parasceve

SATURDAY = “Sabbatum”

The Church usage follows the Jewish, inasmuch as:

SATURDAY is the sabbath • “sabbatum” (Hb שבת; Gk Σάββατο)
SUNDAY is the first day after the sabbath (Hb ראשון: cf. Jn 20.19, 26; Ac 20.7; 1 Co 16.2), but is now called The Lord’s Day • “dies dominica” (Gk [ἡ] Κυριακή [ἡμέρα]: cf. Ap 1.10)
MONDAY is the second day • “feria secunda” (Hb שני; Gk Δευτέρα)
TUESDAY is the third day • “feria tertia” (Hb שלישי; Gk Τρίτη)
WEDNESDAY is the fourth day • “feria quarta” (Hb רביעי; Gk Τετάρτη)
THURSDAY is the fifth day • “feria quinta” (Hb חמישי; Gk Πέμπτη)
FRIDAY is the sixth day • “feria sexta” (Hb שישי), but is sometimes called “preparation day” • “parasceve” (Gk Παρασκευή: cf. Jn 19.14), i.e. the day of preparation for the sabbath

The black and white illustrations in the Brébeuf hymnal often display the zodiac (“sun and moon with happy and sad face”) in pictures of our Savior’s crucifixion:

A wise priest explains this:

The zodiac signs begin to appear in crucifixion scenes in the East, e.g. Syria, in the VIth century, and it seems they are a reference to Mt 27/45, Lk 23/44-5 and Mk 15/33 which are also regarded by later commentators and “spiritual writers” (as they used to be called in pulpit oratory) as fulfillment of the prophecy Amos 8/9-10 Vulg. For example, Legenda Aurea 53 cites Bernard of Clairvaux commenting on the Good Friday Reproaches, explaining the price Christ paid for redeeming those who belittle the Redemption: a price higher than gold or silver, sun or moon, or one of the Angels … tenebrae factae sunt etc.

And one more for good measure, again taken from the Brébeuf hymnal:

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

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Filed Under: Articles Tagged With: Latin Days of the Week, Week Days In Latin Last Updated: April 29, 2021

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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President’s Corner

    Why A “Fugue” Here?
    I believe I know why this plainsong harmonizer created a tiny fugue as the INTRODUCTION to his accompaniment. Take a look (PDF) and tell me your thoughts about what he did on the feast of the Flight of Our Lord Jesus Christ into Egypt (17 February). And now I must go because “tempus fugit” as they say!
    —Jeff Ostrowski
    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski
    “Reminder” — Month of October (2025)
    Those who don’t sign up for our free EMAIL NEWSLETTER miss important notifications. Last week, for example, I sent a message about this job opening for a music director paying $65,000 per year plus benefits (plus weddings & funerals). Notice the job description says: “our vision for sacred music is to move from singing at Mass to truly singing the Mass wherein … especially the propers, ordinaries, and dialogues are given their proper place.” Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski

Quick Thoughts

    “American Catholic Hymnal” (1991)
    The American Catholic Hymnal, with IMPRIMATUR granted (25 April 1991) by the Archdiocese of Chicago, is like a compendium of every horrible idea from the 1980s. Imagine being forced to stand all through Communion (even afterwards) when those self-same ‘enlightened’ liturgists moved the SEQUENCE before the Alleluia to make sure congregations wouldn’t have to stand during it. (Even worse, everything about the SEQUENCE—including its name—means it should follow the Alleluia.) And imagine endlessly repeating “Alleluia” during Holy Communion at every single Mass. It was all part of an effort to convince people that Holy Communion was historically a procession (which it wasn’t).
    —Jeff Ostrowski
    “Canonic” • Ralph Vaughan Williams
    Fifty years ago, Dr. Theodore Marier made available this clever arrangement (PDF) of “Come down, O love divine” by P. R. Dietterich. The melody was composed in 1906 by Ralph Vaughan Williams (d. 1958) and named in honor of of his birthplace: DOWN AMPNEY. The arrangement isn’t a strict canon, but it does remind one of a canon since the pipe organ employs “points of imitation.” The melody and text are #709 in the Brébeuf Catholic Hymnal.
    —Jeff Ostrowski
    Did they simplify these hymn harmonies?
    Choirs love to sing the famous & splendid tune called “INNSBRUCK.” Looking through a (Roman Catholic) German hymnal printed in 1952, I discovered what appears to be a simplified version of that hymn. In other words, their harmonization is much less complex than the version found in the Saint Jean de Brébeuf Hymnal (which is suitable for singing by SATB choir). Please download their 1952 harmonization (PDF) and let me know your thoughts. I really like the groovy Germanic INTRODUCTION they added.
    —Jeff Ostrowski

Random Quote

Giovanni Doni is known for having changed the name of note “Ut,” renaming it “Do.” He convinced his contemporaries to make the change by arguing that 1) “Do” is easier to pronounce than “Ut,” and 2) “Do” is an abbreviation for “Dominus,” the Latin word for the Lord, Who is the tonic and root of the world. There is much academic speculation that Giovanni Doni also wanted to imprint himself into musical canon in perpetuity because “Do” is also ulteriorly an abbreviation for his family name.

— Giovanni Battista Doni died in 1647AD

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