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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

“Days Of The Week In Latin” • Feria II, Feria III, Feria IV, Feria V, Feria VI

Jeff Ostrowski · April 29, 2021

OW WELL do you know your “days of the week” in Latin? At one time, Catholic bishops wanted all Christian countries to use these names (instead of pagan names), but I think Portugal was the only country faithful to that desire:

SUNDAY = “Dominica”

MONDAY = “Feria II” … or Feria Secunda

TUESDAY = “Feria III” … or Feria Tertia

WEDNESDAY = “Feria IV” … or Feria Quarta

THURSDAY = “Feria V” … or Feria Quinta

FRIDAY = “Feria VI” … or Feria Sexta … or Parasceve

SATURDAY = “Sabbatum”

The Church usage follows the Jewish, inasmuch as:

SATURDAY is the sabbath • “sabbatum” (Hb שבת; Gk Σάββατο)
SUNDAY is the first day after the sabbath (Hb ראשון: cf. Jn 20.19, 26; Ac 20.7; 1 Co 16.2), but is now called The Lord’s Day • “dies dominica” (Gk [ἡ] Κυριακή [ἡμέρα]: cf. Ap 1.10)
MONDAY is the second day • “feria secunda” (Hb שני; Gk Δευτέρα)
TUESDAY is the third day • “feria tertia” (Hb שלישי; Gk Τρίτη)
WEDNESDAY is the fourth day • “feria quarta” (Hb רביעי; Gk Τετάρτη)
THURSDAY is the fifth day • “feria quinta” (Hb חמישי; Gk Πέμπτη)
FRIDAY is the sixth day • “feria sexta” (Hb שישי), but is sometimes called “preparation day” • “parasceve” (Gk Παρασκευή: cf. Jn 19.14), i.e. the day of preparation for the sabbath

The black and white illustrations in the Brébeuf hymnal often display the zodiac (“sun and moon with happy and sad face”) in pictures of our Savior’s crucifixion:

A wise priest explains this:

The zodiac signs begin to appear in crucifixion scenes in the East, e.g. Syria, in the VIth century, and it seems they are a reference to Mt 27/45, Lk 23/44-5 and Mk 15/33 which are also regarded by later commentators and “spiritual writers” (as they used to be called in pulpit oratory) as fulfillment of the prophecy Amos 8/9-10 Vulg. For example, Legenda Aurea 53 cites Bernard of Clairvaux commenting on the Good Friday Reproaches, explaining the price Christ paid for redeeming those who belittle the Redemption: a price higher than gold or silver, sun or moon, or one of the Angels … tenebrae factae sunt etc.

And one more for good measure, again taken from the Brébeuf hymnal:

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

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Filed Under: Articles Tagged With: Latin Days of the Week, Week Days In Latin Last Updated: April 29, 2021

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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President’s Corner

    Music List • (Palm Sunday, 2026)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for Palm Sunday—a.k.a. “Dominica in palmis de Passione Domini”—which is 29 March 2026. Please feel free to download it as a PDF file if such a thing interests you. The OFFERTORY (Impropérium exspectávit cor meum) is quite moving. Even though the COMMUNION ANTIPHON is relatively simple, the Fauxbourdon makes it sound outstanding.
    —Jeff Ostrowski
    Easter • Would You Sing This Hymn?
    He who examines Laudes Dei: a hymnal for Catholic congregations (St. Louis, 1894) will discover this pairing of a hymn for Easter. For the record, this isn’t the only Catholic hymn book to marry that text and melody; e.g. Saint Mark’s Hymnal for Use in the Roman Catholic Church in the United States (Peoria, 1910) does the same thing. Sometimes an unexpected pairing—chosen with sensitivity—can be superb, forcing singers to experience the text in a ‘fresh’ and wonderful way. On the other hand, we sometimes encounter something I’ve called “PERNICIOUS HYMN PAIRINGS.” If you find the subject in intriguing, feel free to peruse an article I published in May of 2023. As always, my email inbox is open if you have a bone to pick with my take.
    —Jeff Ostrowski
    Pipe Organ “Answers” in Plainsong?
    In 2003, I copied a book by Félix Bélédin (d. 1895), who was titular organist—from 1841 to 1874—at the Cathedral of Saint John the Baptist in Lyon (France). In 2008, we scanned and uploaded the book to the Lalande Online Library. Nobody knows for sure when the book was published; some believe it first appeared in the 1840s. In any event, one who examines this excerpt, showing GLORIA IX might wonder why it says the organ answers in plainsong. However, the front of the book explains, telling the organist explicitly when to “respond in plainchant.” This is something called organ alternatim. Believe it or not, the pipe organ would take turns with the choir, playing certain texts instrumentally instead of having them sung. I’m not very well-versed in this—pardon the pun—but if memory serves, ORGAN ALTERNATIM was frowned upon by the time of Pope Saint Pius X. Nevertheless, French organists kept doing it, even after it was explicitly condemned as an abuse.
    —Jeff Ostrowski

Quick Thoughts

    “Gregorian Chant Quiz” • 24 March 2026
    How well do you know your Gregorian hymns? Do you recognize the tune inserted into the bass line on this score? For many years, we sang the entire Mass in Gregorian chant—and I mean everything. As a result, it would be difficult to find a Gregorian hymn I don’t recognize instantly. Only decades later did I realize (with sadness) that this skill cannot be ‘monetized’… This particular melody is used for a very famous Gregorian hymn, printed in the LIBER USUALIS. Do you recognize it? Send me an email with the correct words, and I promise to tell everybody I meet about your prowess!
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski

Random Quote

“It is difficult to imagine a more unjust situation than abortion, and it is very difficult to speak of obsession in a matter such as this, where we are dealing with a fundamental imperative of every good conscience—the defense of the right to life of an innocent and defenseless human being.”

— Pope St. John Paul II

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  • Pipe Organ “Answers” in Plainsong?

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