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Jesus said to them: “I have come into this world so that a sentence may fall upon it, that those who are blind should see, and those who see should become blind. If you were blind, you would not be guilty. It is because you protest, ‘We can see clearly,’ that you cannot be rid of your guilt.”

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Views from the Choir Loft

“Days Of The Week In Latin” • Feria II, Feria III, Feria IV, Feria V, Feria VI

Jeff Ostrowski · April 29, 2021

OW WELL do you know your “days of the week” in Latin? At one time, Catholic bishops wanted all Christian countries to use these names (instead of pagan names), but I think Portugal was the only country faithful to that desire:

SUNDAY = “Dominica”

MONDAY = “Feria II” … or Feria Secunda

TUESDAY = “Feria III” … or Feria Tertia

WEDNESDAY = “Feria IV” … or Feria Quarta

THURSDAY = “Feria V” … or Feria Quinta

FRIDAY = “Feria VI” … or Feria Sexta … or Parasceve

SATURDAY = “Sabbatum”

The Church usage follows the Jewish, inasmuch as:

SATURDAY is the sabbath • “sabbatum” (Hb שבת; Gk Σάββατο)
SUNDAY is the first day after the sabbath (Hb ראשון: cf. Jn 20.19, 26; Ac 20.7; 1 Co 16.2), but is now called The Lord’s Day • “dies dominica” (Gk [ἡ] Κυριακή [ἡμέρα]: cf. Ap 1.10)
MONDAY is the second day • “feria secunda” (Hb שני; Gk Δευτέρα)
TUESDAY is the third day • “feria tertia” (Hb שלישי; Gk Τρίτη)
WEDNESDAY is the fourth day • “feria quarta” (Hb רביעי; Gk Τετάρτη)
THURSDAY is the fifth day • “feria quinta” (Hb חמישי; Gk Πέμπτη)
FRIDAY is the sixth day • “feria sexta” (Hb שישי), but is sometimes called “preparation day” • “parasceve” (Gk Παρασκευή: cf. Jn 19.14), i.e. the day of preparation for the sabbath

The black and white illustrations in the Brébeuf hymnal often display the zodiac (“sun and moon with happy and sad face”) in pictures of our Savior’s crucifixion:

A wise priest explains this:

The zodiac signs begin to appear in crucifixion scenes in the East, e.g. Syria, in the VIth century, and it seems they are a reference to Mt 27/45, Lk 23/44-5 and Mk 15/33 which are also regarded by later commentators and “spiritual writers” (as they used to be called in pulpit oratory) as fulfillment of the prophecy Amos 8/9-10 Vulg. For example, Legenda Aurea 53 cites Bernard of Clairvaux commenting on the Good Friday Reproaches, explaining the price Christ paid for redeeming those who belittle the Redemption: a price higher than gold or silver, sun or moon, or one of the Angels … tenebrae factae sunt etc.

And one more for good measure, again taken from the Brébeuf hymnal:

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

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Filed Under: Articles Tagged With: Latin Days of the Week, Week Days In Latin Last Updated: April 29, 2021

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Common” Responsorial Psalm?
    I try to avoid arguing about liturgical legislation (even with Catholic priests) because it seems like many folks hold certain views—and nothing will persuade them to believe differently. You can show them 100 church documents, but it matters not. They won’t budge. Sometimes I’m confronted by people who insist that “there’s no such thing” as a COMMON RESPONSORIAL PSALM. When that happens, I show them a copy of the official legislation in Latin. I have occasionally prevailed by means of this method.
    —Jeff Ostrowski
    “Music List” • 5th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 5th Sunday of Easter (18 May 2025). If such a thing interests you, feel free to download it as a PDF file. The Communion Antiphon was ‘restored’ the 1970 Missale Romanum (a.k.a. MISSALE RECENS) from an obscure martyr’s feast. Our choir is on break this Sunday, so the selections are relatively simple in nature.
    —Jeff Ostrowski
    Communion Chant (5th Sunday of Easter)
    This coming Sunday—18 May 2025—is the 5th Sunday of Easter, Year C (MISSALE RECENS). The COMMUNION ANTIPHON “Ego Sum Vitis Vera” assigned by the Church is rather interesting, because it comes from a rare martyr’s feast: viz. Saint Vitalis of Milan. It was never part of the EDITIO VATICANA, which is the still the Church’s official edition. As a result, the musical notation had to be printed in the Ordo Cantus Missae, which appeared in 1970.
    —Jeff Ostrowski

Quick Thoughts

    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt
    The Funeral Rites of the Graduale Romanum
    Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.
    —Daniel Tucker

Random Quote

“We decided to entrust this work to learned men of our selection. They very carefully collated all their work with the ancient codices in Our Vatican Library and with reliable, preserved or emended codices from elsewhere. Besides this, these men consulted the works of ancient and approved authors concerning the same sacred rites; and thus they have restored the Missal itself to the original form and rite of the holy Fathers.”

— ‘Pope St. Pius V (Quo Primum, 1570)’

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