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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Do You Know This Easter Hymn?

Jeff Ostrowski · April 20, 2021

E UNDERSTAND liturgical concepts best when we’ve personally witnessed them or grown up with them. Reading about them in a book isn’t the same. That is why it’s difficult for Catholics in 2021 to comprehend how brief the Communion Rite used to be. Enemies of the Extraordinary Form often refer to the “25-minute Low Mass” in the “bad old days” of Catholicism. They fail to realize that Holy Mass is much shorter when the people don’t receive Holy Communion. 1 We spoke about vernacular hymns at the Extraordinary Form High Mass already. (Be sure not to skip the comment by Father Fortescue in 1917, where he said that—technically speaking—nothing prevents the distribution of Holy Communion at any Mass.)

When Surprises Occur :

We have six Masses each Sunday, and one of our priests had to be out of town last Sunday. That left only one priest to distribute Holy Communion (since one of our Masses is in Ventura). Holy Communion took about 30 minutes! We were scrambling to find hymns. For at least two of the Masses, we must have sung about 50 verses from seven different hymns—at least it felt that way! I can’t wait until we can have rehearsals again, so we can learn more Latin motets.

In the past, we have used this very common version of an Easter hymn. You probably know that one. That one takes the text of “Regina Caeli” (which was originally a Christmas song, believe it or not) and matches it to “Regina Caeli Jubila.” But yesterday, we did the other version found in the Brébeuf hymnal—which is a direct translation of the original Latin. Do you know it?

We also sang #39 from the Brébeuf hymnal, a superb translation of “Ad Cœnam Agni Providi” by Robert Campbell of Skerrington. Mr. Campbell was an Anglican who later converted to the True Faith. I think he’d be pleased with this setting:

*  Mp3 Download • HARMONIZED PLAINSONG
—Ad Cenam Agni Providi sung to ORIENTIS PARTIBUS.

You will notice that setting is basically harmonized plainsong, which I hope to discuss more in a future post. In the past, we have touched upon that subject a little bit.

The choir was sight-reading in that recording, and (needless to say) there are things that could be improved—but that’s okay! When we are allowed to have rehearsals again, we’ll have items we can work on! The important thing is that we are teaching and training singers who will eventually “take the reins” and continue the tradition. All for the glory of God!


NOTES FROM THIS ARTICLE:

1   I experienced such Masses—where the priest alone receives Holy Communion—when the Archbishop of Los Angeles prohibited lay people from receiving Holy Communion last year, due to Covid-19. If you doubt what I am saying about Catholics receiving Holy Communion outside of Mass, click here and scroll down.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Ad Coenam Agni Providi, Harmonized Gregorian Chant, High Mass with Vernacular, Regina Caeli Jubila, Regina Caeli Laetare Last Updated: April 22, 2021

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Why A “Fugue” Here?
    I believe I know why this plainsong harmonizer created a tiny fugue as the INTRODUCTION to his accompaniment. Take a look (PDF) and tell me your thoughts about what he did on the feast of the Flight of Our Lord Jesus Christ into Egypt (17 February). And now I must go because “tempus fugit” as they say!
    —Jeff Ostrowski
    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski
    “Reminder” — Month of October (2025)
    Those who don’t sign up for our free EMAIL NEWSLETTER miss important notifications. Last week, for example, I sent a message about this job opening for a music director paying $65,000 per year plus benefits (plus weddings & funerals). Notice the job description says: “our vision for sacred music is to move from singing at Mass to truly singing the Mass wherein … especially the propers, ordinaries, and dialogues are given their proper place.” Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski

Quick Thoughts

    “American Catholic Hymnal” (1991)
    The American Catholic Hymnal, with IMPRIMATUR granted (25 April 1991) by the Archdiocese of Chicago, is like a compendium of every horrible idea from the 1980s. Imagine being forced to stand all through Communion (even afterwards) when those self-same ‘enlightened’ liturgists moved the SEQUENCE before the Alleluia to make sure congregations wouldn’t have to stand during it. (Even worse, everything about the SEQUENCE—including its name—means it should follow the Alleluia.) And imagine endlessly repeating “Alleluia” during Holy Communion at every single Mass. It was all part of an effort to convince people that Holy Communion was historically a procession (which it wasn’t).
    —Jeff Ostrowski
    “Canonic” • Ralph Vaughan Williams
    Fifty years ago, Dr. Theodore Marier made available this clever arrangement (PDF) of “Come down, O love divine” by P. R. Dietterich. The melody was composed in 1906 by Ralph Vaughan Williams (d. 1958) and named in honor of of his birthplace: DOWN AMPNEY. The arrangement isn’t a strict canon, but it does remind one of a canon since the pipe organ employs “points of imitation.” The melody and text are #709 in the Brébeuf Catholic Hymnal.
    —Jeff Ostrowski
    Did they simplify these hymn harmonies?
    Choirs love to sing the famous & splendid tune called “INNSBRUCK.” Looking through a (Roman Catholic) German hymnal printed in 1952, I discovered what appears to be a simplified version of that hymn. In other words, their harmonization is much less complex than the version found in the Saint Jean de Brébeuf Hymnal (which is suitable for singing by SATB choir). Please download their 1952 harmonization (PDF) and let me know your thoughts. I really like the groovy Germanic INTRODUCTION they added.
    —Jeff Ostrowski

Random Quote

It would be contrary to the Constitution to decree or even to hint that sung celebrations, especially of the Mass, should be in Latin.

— Annibale Bugnini attacking “Sacrosanctum Concilium” (§36)

Recent Posts

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  • “Three Reasons To Shun Bad Hymns” • Daniel B. Marshall
  • “Puzzling Comment” • By A Respected FSSP Priest
  • New Bulletin Article • “12 October 2025”
  • “Reminder” — Month of October (2025)

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