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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Do You Know This Easter Hymn?

Jeff Ostrowski · April 20, 2021

E UNDERSTAND liturgical concepts best when we’ve personally witnessed them or grown up with them. Reading about them in a book isn’t the same. That is why it’s difficult for Catholics in 2021 to comprehend how brief the Communion Rite used to be. Enemies of the Extraordinary Form often refer to the “25-minute Low Mass” in the “bad old days” of Catholicism. They fail to realize that Holy Mass is much shorter when the people don’t receive Holy Communion. 1 We spoke about vernacular hymns at the Extraordinary Form High Mass already. (Be sure not to skip the comment by Father Fortescue in 1917, where he said that—technically speaking—nothing prevents the distribution of Holy Communion at any Mass.)

When Surprises Occur :

We have six Masses each Sunday, and one of our priests had to be out of town last Sunday. That left only one priest to distribute Holy Communion (since one of our Masses is in Ventura). Holy Communion took about 30 minutes! We were scrambling to find hymns. For at least two of the Masses, we must have sung about 50 verses from seven different hymns—at least it felt that way! I can’t wait until we can have rehearsals again, so we can learn more Latin motets.

In the past, we have used this very common version of an Easter hymn. You probably know that one. That one takes the text of “Regina Caeli” (which was originally a Christmas song, believe it or not) and matches it to “Regina Caeli Jubila.” But yesterday, we did the other version found in the Brébeuf hymnal—which is a direct translation of the original Latin. Do you know it?

We also sang #39 from the Brébeuf hymnal, a superb translation of “Ad Cœnam Agni Providi” by Robert Campbell of Skerrington. Mr. Campbell was an Anglican who later converted to the True Faith. I think he’d be pleased with this setting:

*  Mp3 Download • HARMONIZED PLAINSONG
—Ad Cenam Agni Providi sung to ORIENTIS PARTIBUS.

You will notice that setting is basically harmonized plainsong, which I hope to discuss more in a future post. In the past, we have touched upon that subject a little bit.

The choir was sight-reading in that recording, and (needless to say) there are things that could be improved—but that’s okay! When we are allowed to have rehearsals again, we’ll have items we can work on! The important thing is that we are teaching and training singers who will eventually “take the reins” and continue the tradition. All for the glory of God!


NOTES FROM THIS ARTICLE:

1   I experienced such Masses—where the priest alone receives Holy Communion—when the Archbishop of Los Angeles prohibited lay people from receiving Holy Communion last year, due to Covid-19. If you doubt what I am saying about Catholics receiving Holy Communion outside of Mass, click here and scroll down.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Ad Coenam Agni Providi, Harmonized Gregorian Chant, High Mass with Vernacular, Regina Caeli Jubila, Regina Caeli Laetare Last Updated: April 22, 2021

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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President’s Corner

    Dom Pothier • Photo from 1904
    Dom Paul Cagin, in a 1904 publication (L’oeuvre de Solesmes dans la restauration du chant grégorien) made sure to include a beautiful image of Dom Pothier, the legendary abbot of St-Wandrille. Also shown is a very young Dom André Mocquereau. Auguste Pécoul—considered the spiritual “son” of Abbat Prosper Guéranger of Solesmes—wrote as follows on 24 June 1901: “To forestall any confusion, let us remember that there is just one Gregorian notation—that restored, according to the ancient manuscripts, by the eminent Abbot of Saint-Wandrille, Dom Pothier.” ✠
    —Jeff Ostrowski
    PDF • “3-Voice Motet” (Father De Laet)
    I believe 99% of our readers will recognize this hymn tune. Perhaps Father Edgard De Laet should have called it a ‘hymn’ instead of a ‘motet for three voices’—but he’s technically correct, since MOTET is defined as: “a short piece of sacred choral music, typically polyphonic and unaccompanied.” The even verses are for three voices, as you will see if you download the PDF score at #20245. The odd verses may be song a cappella SATB or unison with organ.
    —Jeff Ostrowski
    PDF Download • “Hymn for 2 Voices”
    Readers who click on this video will see that it starts with verses of the “Pange Lingua” hymn by Saint Thomas Aquinas (d. 1274) arranged for two voices. However, there’s a polyphonic refrain (“Tantum Ergo”) for three voices, taken from Kevin Allen’s Motecta Trium Vocum. If your choir is very small, this piece is for you! You can download the PDF score free of charge—and you can also utilize the rehearsal videos for each individual voice—by navigating yourself to #20323.
    —Jeff Ostrowski

Quick Thoughts

    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    “Reminder” — Month of January (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

When a friend speaks of his accomplishments and triumphs, he stands at a distance from our heart. When he shares his weaknesses and failings, he’s very near.

— Archbishop Fulton J. Sheen

Recent Posts

  • Dom Pothier • Photo from 1904
  • PDF Chart • “Plainsong Rhythm”
  • PDF • “3-Voice Motet” (Father De Laet)
  • PDF Download • “Hymn for 2 Voices”
  • (January 2026) • “Children Singing Plainsong”

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