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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Vesting Prayers • Part 9 of 9

Fr. David Friel · March 29, 2021

EVERAL years ago (in 2015), I posted a series of reflections (links below) on the vesting prayers prayed by the priest as he dons the various parts of his liturgical garb. At that time, I did not include the dalmatic, which is the outer vestment proper to the deacon. Having received a reader’s request, however, I am now adding another installment to this series, presenting and reflecting on the vesting prayer that accompanies the dalmatic.

Much like the priest’s chasuble, the deacon’s dalmatic is a vestment for Mass, not for the other Sacraments or devotions, when it would often be appropriate for the deacon to wear a cope. It is a sleeved vestment, worn over the alb, cincture, and stole. Although it is not uncommon to see deacons assisting at Mass vested only in alb and stole, this is not envisioned by the rite. The dalmatic should always be worn when one is available, and parishes that enjoy the service of a deacon ought to have dalmatics available in each liturgical color.

It should be noted, moreover, that the dalmatic is neither solely nor originally a diaconal vestment. It originated, rather, as a pontifical vestment worn by the bishop of Rome beneath his chasuble. According to the Liber pontificalis, it was Pope Sylvester I (314-335) who “decreed that deacons should wear dalmatics in church, and that their left arms should be covered with pallia half wool, half linen.” 1

Still today, on solemn occasions, the bishop may wear the dalmatic underneath the chasuble. For bishops, as for deacons, the dalmatic is a symbol of service. Thus, when the bishop performs the mandatum on Holy Thursday, he removes his chasuble, but not his dalmatic (see Caeremoniale episcoporum, no. 301).

The prayer to be offered as the deacon (or bishop) dons the dalmatic is as follows:

Indue me, Domine, indumento salutis et vestimento laetitiae; et dalmatica iustitiae circumda me semper.

Clothe me, O Lord, with the garment of salvation and the vestment of gladness, and encompass me always with the dalmatic of justice.

This prayer makes clear allusion to a passage from the Book of Isaiah. Using nuptial imagery to describe the new life of the restored Jerusalem, the prophet writes:

I will greatly rejoice in the LORD,
my soul shall exult in my God;
for He has clothed me with the garments of salvation,
He has covered me with the robe of righteousness,
as a bridegroom decks himself with a garland,
and as a bride adorns herself with her jewels. (Isaiah 61:10, RSV)

There are also echoes of St. Paul’s famous exhortation to put on the armor of God:

Stand therefore, having girded your loins with truth, and having put on the breastplate of righteousness, and having shod your feet with the equipment of the gospel of peace; besides all these, taking the shield of faith, with which you can quench all the flaming darts of the evil one. And take the helmet of salvation, and the sword of the Spirit, which is the word of God. (Ephesians 6:14-17, RSV)

As in the case of the chasuble, dalmatics come in several styles. Very commonly, however, they are adorned with two vertical stripes, and frequently with either two crossbars or a solid square on front and back. Images of Saint Stephen invariably depict him dressed in such a dalmatic.

Juan de Juanes, “Saint Stephen accused of Blasphemy” (c. 1555-1562)

Something similar can also be seen in many depictions of the Annunciation, which often portray the angel Gabriel vested as a deacon. This is very appropriate, since Gabriel is the bearer of glad tidings and, at his word, the Word of God becomes incarnate.

Hans Memling, “The Annunciation” (c. 1465-1470)

Ravenna, a city renowned for its ancient churches filled with mosaics, had apparently adopted the dalmatic from Rome by the sixth century. This can be said on the basis of an important mosaic on the side of the apse at San Vitale, which depicts Justinian with Archbishop Maximianus. The archbishop and his deacons are portrayed wearing dalmatics with two stripes.

Side Apse Mosaic at San Vitale, Ravenna

The deacons, moreover, are seen carrying a paten, a Book of Gospels, and a thurible.

Without a doubt, the dalmatic is a very worthy vestment, rich in history and symbolism. Praying the vesting prayer associated with the dalmatic is sure to inspire the deacon (or bishop) who wears it to live more justly, seeking salvation more earnestly and radiating more fully the gladness of Christ.

Part 1 • Introduction

Part 2 • The Hand Washing

Part 3 • The Amice

Part 4 • The Alb

Part 5 • The Cincture

Part 6 • The Maniple

Part 7 • The Stole

Part 8 • The Chasuble

Part 9 • The Dalmatic


NOTES FROM THIS ARTICLE:

1   The Book of Pontiffs (Liber Pontificalis): The ancient biographies of the first ninety Roman bishops to AD 715, rev. ed., trans. Raymond Davis, Translated Texts for Historians 6 (Liverpool: Liverpool UP, 2010), no. 34.7, p. 15.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

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Filed Under: Articles Tagged With: Traditional Catholic Vestments, Vesting Prayers Last Updated: March 29, 2021

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About Fr. David Friel

Ordained in 2011, Father Friel is a priest of the Archdiocese of Philadelphia and serves as Director of Liturgy at Saint Charles Borromeo Seminary. —(Read full biography).

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President’s Corner

    “Music List” • 14 September (Holy Cross)
    Readers have expressed interest in perusing the ORDER OF MUSIC I prepared for 14 September 2025, which is the Feast of Exaltation of the Holy Cross. If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the spectacular feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    New Bulletin Article • “14 September 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 14 September 2025) discusses OFFERTORY ANTIPHONS and contains a wonderful quote by Archbishop Fulton J. Sheen.
    —Jeff Ostrowski
    PDF Download • Draft Copy (Pamphlet)
    A few days ago, I posted a draft copy of this 12-page pamphlet with citations about the laity’s “full, conscious, and active participation.” Its basic point or message is that choir directors should never feel embarrassed to teach real choral music because Vatican II explicitly ordered them to do that! We’ve received tons of mail regarding that pamphlet, with many excellent suggestions for improvement. Please feel free to chime in!
    —Jeff Ostrowski

Quick Thoughts

    Karl Keating • “Canonization Questions”
    We were sent an internet statement (screenshot) that’s garnered significant attention, in which KARL KEATING (founder of Catholic Answers) speaks about whether canonizations are infallible. Mr. Keating seems unaware that canonizations are—in the final analysis—a theological opinion. They are not infallible, as explained in this 2014 article by a priest (with a doctorate in theology) who worked for multiple popes. Mr. Keating says: “I’m unaware of such claims arising from any quarter until several recent popes disliked by these Traditionalists were canonized, including John XXIII, Paul VI, and John Paul II. Usually Paul VI receives the most opprobrium.” Mr. Keating is incorrect; e.g. Father John Vianney, several centuries ago, taught clearly that canonizations are not infallible. Archbishop Fulton J. Sheen would be another example, although clearly much more recent than Saint John Vianney.
    —Corpus Christi Watershed
    Vatican II Changed Wedding Propers?
    It’s often claimed that the wedding propers were changed after Vatican II. As a matter of fact, that is a false claim. The EDITIO VATICANA propers (Introit: Deus Israel) remained the same after Vatican II. However, a new set of propers (Introit: Ecce Deus) was provided for optional use. The same holds true for the feast of Pope Saint Gregory the Great on 3 September: the 1943 propers (Introit: Si díligis me) were provided for optional use, but the traditional PROPRIA MISSAE (Introit: Sacerdótes Dei) were retained; they weren’t gotten rid of. The Ordo Cantus Missae (1970) makes this crystal clear, as does the Missal itself. There was an effort made in the post-conciliar years to eliminate so-called “Neo-Gregorian” chants, but (contrary to popular belief) most were retained: cf. the feast of Christ the King, the feast of the Immaculate Conception, and so forth.
    —Corpus Christi Watershed
    Solemn “Salve Regina” (Chant)
    How many “S” words can you think of using alliteration? How about Schwann Solemn Salve Score? You can download the SOLEMN SALVE REGINA in Gregorian Chant. The notation follows the official rhythm (EDITIO VATICANA). Canon Jules Van Nuffel, choirmaster of the Cathedral of Saint Rumbold, composed this accompaniment for it (although some feel it isn’t his best work).
    —Corpus Christi Watershed

Random Quote

“The plan to definitively abolish the traditional Tridentine Mass … if it is true, seems to me to be an insult to the history of the Church and to Sacred Tradition, a diabolical project that seeks to break with the Church of Christ, the apostles, and the saints.”

— The Vatican’s chief liturgist (appointed by Pope Francis) from 2014-2021

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