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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Vesting Prayers • Part 9 of 9

Fr. David Friel · March 29, 2021

EVERAL years ago (in 2015), I posted a series of reflections (links below) on the vesting prayers prayed by the priest as he dons the various parts of his liturgical garb. At that time, I did not include the dalmatic, which is the outer vestment proper to the deacon. Having received a reader’s request, however, I am now adding another installment to this series, presenting and reflecting on the vesting prayer that accompanies the dalmatic.

Much like the priest’s chasuble, the deacon’s dalmatic is a vestment for Mass, not for the other Sacraments or devotions, when it would often be appropriate for the deacon to wear a cope. It is a sleeved vestment, worn over the alb, cincture, and stole. Although it is not uncommon to see deacons assisting at Mass vested only in alb and stole, this is not envisioned by the rite. The dalmatic should always be worn when one is available, and parishes that enjoy the service of a deacon ought to have dalmatics available in each liturgical color.

It should be noted, moreover, that the dalmatic is neither solely nor originally a diaconal vestment. It originated, rather, as a pontifical vestment worn by the bishop of Rome beneath his chasuble. According to the Liber pontificalis, it was Pope Sylvester I (314-335) who “decreed that deacons should wear dalmatics in church, and that their left arms should be covered with pallia half wool, half linen.” 1

Still today, on solemn occasions, the bishop may wear the dalmatic underneath the chasuble. For bishops, as for deacons, the dalmatic is a symbol of service. Thus, when the bishop performs the mandatum on Holy Thursday, he removes his chasuble, but not his dalmatic (see Caeremoniale episcoporum, no. 301).

The prayer to be offered as the deacon (or bishop) dons the dalmatic is as follows:

Indue me, Domine, indumento salutis et vestimento laetitiae; et dalmatica iustitiae circumda me semper.

Clothe me, O Lord, with the garment of salvation and the vestment of gladness, and encompass me always with the dalmatic of justice.

This prayer makes clear allusion to a passage from the Book of Isaiah. Using nuptial imagery to describe the new life of the restored Jerusalem, the prophet writes:

I will greatly rejoice in the LORD,
my soul shall exult in my God;
for He has clothed me with the garments of salvation,
He has covered me with the robe of righteousness,
as a bridegroom decks himself with a garland,
and as a bride adorns herself with her jewels. (Isaiah 61:10, RSV)

There are also echoes of St. Paul’s famous exhortation to put on the armor of God:

Stand therefore, having girded your loins with truth, and having put on the breastplate of righteousness, and having shod your feet with the equipment of the gospel of peace; besides all these, taking the shield of faith, with which you can quench all the flaming darts of the evil one. And take the helmet of salvation, and the sword of the Spirit, which is the word of God. (Ephesians 6:14-17, RSV)

As in the case of the chasuble, dalmatics come in several styles. Very commonly, however, they are adorned with two vertical stripes, and frequently with either two crossbars or a solid square on front and back. Images of Saint Stephen invariably depict him dressed in such a dalmatic.

Juan de Juanes, “Saint Stephen accused of Blasphemy” (c. 1555-1562)

Something similar can also be seen in many depictions of the Annunciation, which often portray the angel Gabriel vested as a deacon. This is very appropriate, since Gabriel is the bearer of glad tidings and, at his word, the Word of God becomes incarnate.

Hans Memling, “The Annunciation” (c. 1465-1470)

Ravenna, a city renowned for its ancient churches filled with mosaics, had apparently adopted the dalmatic from Rome by the sixth century. This can be said on the basis of an important mosaic on the side of the apse at San Vitale, which depicts Justinian with Archbishop Maximianus. The archbishop and his deacons are portrayed wearing dalmatics with two stripes.

Side Apse Mosaic at San Vitale, Ravenna

The deacons, moreover, are seen carrying a paten, a Book of Gospels, and a thurible.

Without a doubt, the dalmatic is a very worthy vestment, rich in history and symbolism. Praying the vesting prayer associated with the dalmatic is sure to inspire the deacon (or bishop) who wears it to live more justly, seeking salvation more earnestly and radiating more fully the gladness of Christ.

Part 1 • Introduction

Part 2 • The Hand Washing

Part 3 • The Amice

Part 4 • The Alb

Part 5 • The Cincture

Part 6 • The Maniple

Part 7 • The Stole

Part 8 • The Chasuble

Part 9 • The Dalmatic


NOTES FROM THIS ARTICLE:

1   The Book of Pontiffs (Liber Pontificalis): The ancient biographies of the first ninety Roman bishops to AD 715, rev. ed., trans. Raymond Davis, Translated Texts for Historians 6 (Liverpool: Liverpool UP, 2010), no. 34.7, p. 15.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

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Filed Under: Articles Tagged With: Traditional Catholic Vestments, Vesting Prayers Last Updated: March 29, 2021

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About Fr. David Friel

Ordained in 2011, Father Friel is a priest of the Archdiocese of Philadelphia and serves as Director of Liturgy at Saint Charles Borromeo Seminary. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    PDF Download • Communion for Sunday
    The COMMUNION ANTIPHON with fauxbourdon psalm verses for this coming Sunday (3 May 2026) is elegant and poignant. It’s such a shame it only comes every three years. This piece—along with all the musical scores for this coming Sunday, which is the 5th Sunday of Easter (Year A)—can be downloaded free of charge from the flourishing feasts website. By the way, how is it already 2026?
    —Jeff Ostrowski
    Season’s End Repertoire
    Looking at the REPERTOIRE SHEET until the end of the choral season, I see that I’ve fallen behind schedule. (The last three months have been extraordinarily busy.) As you know, I have been providing organ harmonies for all the ENTRANCE CHANTS—as well as rehearsal videos—and you can see I’m behind where I planned to be. Now I must make up lost ground. However, the choir picks up the ENTRANCE CHANT with ease, so I’m sure it will all work out. My ‘unofficial’ harmonizations are being posted each week at the flourishing feasts website.
    —Jeff Ostrowski
    PDF Download • “Funeral Procession”
    From a mediæval Book of Hours, I was sent this glorious depiction of a Roman Catholic funeral procession by Simon Bening (d. 1561). The image resolution is extremely high. I’m not sure I know of a more beautiful illustration of a mediæval church. And I love how the servers are wearing red and pink cassocks!
    —Jeff Ostrowski

Quick Thoughts

    PDF Download • “Anima Christi”
    I received a request for an organ accompaniment I created way back in 2007 for the “Anima Christi” Gregorian Chant. You can download this PDF file which has the score in plainsong followed by a keyboard accompaniment. Many melodies have been paired with “Anima Christi” over the centuries, but this is—perhaps—the most common one.
    —Jeff Ostrowski
    PDF • “Liturgical Law” (467 Pages)
    On Good Friday during the middle ages, the pope privately recited THE ENTIRE PSALTER. If you don’t believe me, see for yourself by reading this passage by Dom Charles Augustine Bachofen (d. 1943). His famous book—called “Liturgical Law: A Handbook Of The Roman Liturgy”—was published by the Benjamin Herder Book Company, which was the American arm (operating out of St. Louis, Missouri) of one of the world’s most significant Catholic publishers. Dom Charles Augustine Bachofen was born in Switzerland but spent his career between the Benedictine monasteries at Conception (Missouri) and Mount Angel (Oregon). His 1931 masterpiece, Liturgical Law can be downloaded as a PDF file … 467 pages!
    —Jeff Ostrowski
    “Gregorian Chant Quiz” • 24 March 2026
    How well do you know your Gregorian hymns? Do you recognize the tune inserted into the bass line on this score? For many years, we sang the entire Mass in Gregorian chant—and I mean everything. As a result, it would be difficult to find a Gregorian hymn I don’t recognize instantly. Only decades later did I realize (with sadness) that this skill cannot be ‘monetized’… This particular melody is used for a very famous Gregorian hymn, printed in the LIBER USUALIS. Do you recognize it? Send me an email with the correct words, and I promise to tell everybody I meet about your prowess!
    —Jeff Ostrowski

Random Quote

The 1960s reformers had no chance of success since their goal was “recasting from top to bottom—and in a few months!—an entire liturgy which had required twenty centuries to develop.”

— Professor Louis Bouyer, close friend of Pope Saint Paul VI

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