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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

A Short Reflection for Holy Week: On Love

Keven Smith · March 29, 2021

UST A FEW QUICK THOUGHTS this week because I’m sure most of you are busy planning rehearsals and making final preparations for Triduum liturgies. There’s no shortage of books on Our Lord’s Passion and death. But as I prepare spiritually for what lies ahead over the next week, I keep recalling a passage from Spiritual Excellence: How to Make Progress in Prayer and Love by Fr. Alban Goodier, S.J.

Fr. Goodier (1869-1939) is one of my beloved “old Jesuits.” I’ve greatly enjoyed his books and those of Fr. Raoul Plus, S.J., Fr. Narciso Irala, S.J., and others. Although most modern Jesuits don’t have a reputation for orthodoxy, these early-20th century authors found a way to write in an engaging, accessible style without compromising truth.

In his essay, “Determine whether your love is true,” Fr. Goodier argues that we don’t learn to love by reading about love; we learn to love by loving. To develop a loving nature, Fr. Goodier advises, we must think little of ourselves, allow ourselves to be affected by joy and sorrow (though always moderated by reason), and have the courage to act.

How, though, can we ensure our love is true and pure? The test follows from these same principles. If it’s true love, we continue giving it without considering any potential pleasurable consequences. True love stirs us so that we act based on more than just cold reason. True love never rests, longing to give even more than it possesses while knowing that this love will be its own and only reward.

Fr. Goodier acknowledges that some readers will find this concept appalling. For the rest of us, he closes the chapter on these stunning words, which I hope will help you persevere as you pour yourself into Holy Week liturgies:

[T]he germ of love is in every human heart. The pity of it is that in some it is nipped and frostbitten before it has had time to come to maturity.

But foster the spark, and it will enkindle. At first, it will thrill you with its glow. You will know it by its heat, by the ease with which it aids you to face a trouble, by the joy you find in doing. But later, be prepared for sacrifice.

When the flower has bloomed and the fruit is setting, then, gardeners tell us, is the time of trial. When you have made a certain way, and you have laughed and sung along the road, then will love begin to lead through darker ways, and whither you do not wish to go. It will ask of you surrenders for which you had not bargained.

It will disappoint you. It will fail to recognize you when you come face-to-face. It will leave your noblest actions unrequited, the noblest powers of your soul undeveloped. It will misinterpret your best motives, will envy your worthiest deeds, will crush you with sarcasm, will embitter you with mistrust, and suspicion, and dislike, and an assumption of contempt. At critical moments it will turn its back upon you and will ignore you when you are down. If you appeal for help, it will cry out against you. It will see you wounded on the road and pass you by; crucified, and say it was only your dessert; dripping your life’s blood out, and coldly wait the end.

And then, when it has killed you, then you will come to know. “He that loses his life for my sake shall find it.” When it has purified you, when there is left not a spark of that mean thing self, when you no longer look for relief, for consolation, for comfort, but only for strength to go on, then will come the revelation. Then you will know that which, by any other training, eye can never see, nor ear hear, nor can it enter into the heart of man to conceive.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

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Filed Under: Articles Tagged With: Holy Week Last Updated: March 29, 2021

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About Keven Smith

Keven Smith, music director at St. Stephen the First Martyr, lives in Sacramento with his wife and five musical children.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Dom Pothier • Photo from 1904
    Dom Paul Cagin, in a 1904 publication (L’oeuvre de Solesmes dans la restauration du chant grégorien) made sure to include a beautiful image of Dom Pothier, the legendary abbot of St-Wandrille. Also shown is a very young Dom André Mocquereau. Auguste Pécoul—considered the spiritual “son” of Abbat Prosper Guéranger of Solesmes—wrote as follows on 24 June 1901: “To forestall any confusion, let us remember that there is just one Gregorian notation—that restored, according to the ancient manuscripts, by the eminent Abbot of Saint-Wandrille, Dom Pothier.” ✠
    —Jeff Ostrowski
    PDF • “3-Voice Motet” (Father De Laet)
    I believe 99% of our readers will recognize this hymn tune. Perhaps Father Edgard De Laet should have called it a ‘hymn’ instead of a ‘motet for three voices’—but he’s technically correct, since MOTET is defined as: “a short piece of sacred choral music, typically polyphonic and unaccompanied.” The even verses are for three voices, as you will see if you download the PDF score at #20245. The odd verses may be song a cappella SATB or unison with organ.
    —Jeff Ostrowski
    PDF Download • “Hymn for 2 Voices”
    Readers who click on this video will see that it starts with verses of the “Pange Lingua” hymn by Saint Thomas Aquinas (d. 1274) arranged for two voices. However, there’s a polyphonic refrain (“Tantum Ergo”) for three voices, taken from Kevin Allen’s Motecta Trium Vocum. If your choir is very small, this piece is for you! You can download the PDF score free of charge—and you can also utilize the rehearsal videos for each individual voice—by navigating yourself to #20323.
    —Jeff Ostrowski

Quick Thoughts

    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    “Reminder” — Month of January (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

“Glorious among virgins, high above the stars, thou dost nourish at thy breast as a child him who created thee.” (Fortunatus)

— English translation by Dr. Adrian Fortescue (d. 1923)

Recent Posts

  • Dom Pothier • Photo from 1904
  • PDF Chart • “Plainsong Rhythm”
  • PDF • “3-Voice Motet” (Father De Laet)
  • PDF Download • “Hymn for 2 Voices”
  • (January 2026) • “Children Singing Plainsong”

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