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Views from the Choir Loft

A Short Reflection for Holy Week: On Love

Keven Smith · March 29, 2021

UST A FEW QUICK THOUGHTS this week because I’m sure most of you are busy planning rehearsals and making final preparations for Triduum liturgies. There’s no shortage of books on Our Lord’s Passion and death. But as I prepare spiritually for what lies ahead over the next week, I keep recalling a passage from Spiritual Excellence: How to Make Progress in Prayer and Love by Fr. Alban Goodier, S.J.

Fr. Goodier (1869-1939) is one of my beloved “old Jesuits.” I’ve greatly enjoyed his books and those of Fr. Raoul Plus, S.J., Fr. Narciso Irala, S.J., and others. Although most modern Jesuits don’t have a reputation for orthodoxy, these early-20th century authors found a way to write in an engaging, accessible style without compromising truth.

In his essay, “Determine whether your love is true,” Fr. Goodier argues that we don’t learn to love by reading about love; we learn to love by loving. To develop a loving nature, Fr. Goodier advises, we must think little of ourselves, allow ourselves to be affected by joy and sorrow (though always moderated by reason), and have the courage to act.

How, though, can we ensure our love is true and pure? The test follows from these same principles. If it’s true love, we continue giving it without considering any potential pleasurable consequences. True love stirs us so that we act based on more than just cold reason. True love never rests, longing to give even more than it possesses while knowing that this love will be its own and only reward.

Fr. Goodier acknowledges that some readers will find this concept appalling. For the rest of us, he closes the chapter on these stunning words, which I hope will help you persevere as you pour yourself into Holy Week liturgies:

[T]he germ of love is in every human heart. The pity of it is that in some it is nipped and frostbitten before it has had time to come to maturity.

But foster the spark, and it will enkindle. At first, it will thrill you with its glow. You will know it by its heat, by the ease with which it aids you to face a trouble, by the joy you find in doing. But later, be prepared for sacrifice.

When the flower has bloomed and the fruit is setting, then, gardeners tell us, is the time of trial. When you have made a certain way, and you have laughed and sung along the road, then will love begin to lead through darker ways, and whither you do not wish to go. It will ask of you surrenders for which you had not bargained.

It will disappoint you. It will fail to recognize you when you come face-to-face. It will leave your noblest actions unrequited, the noblest powers of your soul undeveloped. It will misinterpret your best motives, will envy your worthiest deeds, will crush you with sarcasm, will embitter you with mistrust, and suspicion, and dislike, and an assumption of contempt. At critical moments it will turn its back upon you and will ignore you when you are down. If you appeal for help, it will cry out against you. It will see you wounded on the road and pass you by; crucified, and say it was only your dessert; dripping your life’s blood out, and coldly wait the end.

And then, when it has killed you, then you will come to know. “He that loses his life for my sake shall find it.” When it has purified you, when there is left not a spark of that mean thing self, when you no longer look for relief, for consolation, for comfort, but only for strength to go on, then will come the revelation. Then you will know that which, by any other training, eye can never see, nor ear hear, nor can it enter into the heart of man to conceive.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

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Filed Under: Articles Tagged With: Holy Week Last Updated: March 29, 2021

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About Keven Smith

Keven Smith, music director at St. Stephen the First Martyr, lives in Sacramento with his wife and five musical children.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Luis Martínez Must Go!
    Sevilla Cathedral (entry dated 13 December 1564): The chapter orders Luis Martínez, a cathedral chaplain, to stay away from the choirbook-stand when the rest of the singers gather around it to sing polyphony—the reason being that “he throws the others out of tune.” [Excerpt from “The Life of Father Francisco Guerrero.”]
    —Jeff Ostrowski
    Urgent! • We Desperately Need Funds!
    A few days ago, the president of Corpus Christi Watershed posted this urgent appeal for funds. Please help us make sure we’re never forced to place our content behind a paywall. We feel it’s crucial that 100% of our content remains free to everyone. We’re a tiny 501(c)3 public charity, entirely dependent upon the generosity of small donors. We have no endowment and no major donors. We run no advertisements and have no savings. We beg you to consider donating $4.00 per month. Thank you!
    —Jeff Ostrowski
    “Booklet of Eucharistic Hymns” (16 pages)
    I was asked to create a booklet for my parish to use during our CORPUS CHRISTI PROCESSION on 22 June 2025. Would you be willing to look over the DRAFT BOOKLET (16 pages) I came up with? I tried to include a variety of hymns: some have a refrain; some are in major, others in minor; some are metered, others are plainsong; some are in Spanish, some are in Latin, but most are in English. Normally, we’d use the Brébeuf Hymnal—but we can’t risk having our congregation carry those heavy books all over the city to various churches.
    —Jeff Ostrowski

Quick Thoughts

    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed
    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed

Random Quote

“The following question is asked by the Most Reverend Lord Bishop of the Diocese of Chur: May this Diocese’s ancient custom be continued of having the Celebrant in Sung Masses (excepting more solemn Masses) intone the Credo and when he is finished reciting it going on immediately to the offertory and finishing it while the credo is being sung by the choir?” (Dubium of Dec 1909)

— 11 December 1909

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