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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

A Short Reflection for Holy Week: On Love

Keven Smith · March 29, 2021

UST A FEW QUICK THOUGHTS this week because I’m sure most of you are busy planning rehearsals and making final preparations for Triduum liturgies. There’s no shortage of books on Our Lord’s Passion and death. But as I prepare spiritually for what lies ahead over the next week, I keep recalling a passage from Spiritual Excellence: How to Make Progress in Prayer and Love by Fr. Alban Goodier, S.J.

Fr. Goodier (1869-1939) is one of my beloved “old Jesuits.” I’ve greatly enjoyed his books and those of Fr. Raoul Plus, S.J., Fr. Narciso Irala, S.J., and others. Although most modern Jesuits don’t have a reputation for orthodoxy, these early-20th century authors found a way to write in an engaging, accessible style without compromising truth.

In his essay, “Determine whether your love is true,” Fr. Goodier argues that we don’t learn to love by reading about love; we learn to love by loving. To develop a loving nature, Fr. Goodier advises, we must think little of ourselves, allow ourselves to be affected by joy and sorrow (though always moderated by reason), and have the courage to act.

How, though, can we ensure our love is true and pure? The test follows from these same principles. If it’s true love, we continue giving it without considering any potential pleasurable consequences. True love stirs us so that we act based on more than just cold reason. True love never rests, longing to give even more than it possesses while knowing that this love will be its own and only reward.

Fr. Goodier acknowledges that some readers will find this concept appalling. For the rest of us, he closes the chapter on these stunning words, which I hope will help you persevere as you pour yourself into Holy Week liturgies:

[T]he germ of love is in every human heart. The pity of it is that in some it is nipped and frostbitten before it has had time to come to maturity.

But foster the spark, and it will enkindle. At first, it will thrill you with its glow. You will know it by its heat, by the ease with which it aids you to face a trouble, by the joy you find in doing. But later, be prepared for sacrifice.

When the flower has bloomed and the fruit is setting, then, gardeners tell us, is the time of trial. When you have made a certain way, and you have laughed and sung along the road, then will love begin to lead through darker ways, and whither you do not wish to go. It will ask of you surrenders for which you had not bargained.

It will disappoint you. It will fail to recognize you when you come face-to-face. It will leave your noblest actions unrequited, the noblest powers of your soul undeveloped. It will misinterpret your best motives, will envy your worthiest deeds, will crush you with sarcasm, will embitter you with mistrust, and suspicion, and dislike, and an assumption of contempt. At critical moments it will turn its back upon you and will ignore you when you are down. If you appeal for help, it will cry out against you. It will see you wounded on the road and pass you by; crucified, and say it was only your dessert; dripping your life’s blood out, and coldly wait the end.

And then, when it has killed you, then you will come to know. “He that loses his life for my sake shall find it.” When it has purified you, when there is left not a spark of that mean thing self, when you no longer look for relief, for consolation, for comfort, but only for strength to go on, then will come the revelation. Then you will know that which, by any other training, eye can never see, nor ear hear, nor can it enter into the heart of man to conceive.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

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Filed Under: Articles Tagged With: Holy Week Last Updated: March 29, 2021

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About Keven Smith

Keven Smith, music director at St. Stephen the First Martyr, lives in Sacramento with his wife and five musical children.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Music List • (Palm Sunday, 2026)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for Palm Sunday—a.k.a. “Dominica in palmis de Passione Domini”—which is 29 March 2026. Please feel free to download it as a PDF file if such a thing interests you. The OFFERTORY (Impropérium exspectávit cor meum) is quite moving. Even though the COMMUNION ANTIPHON is relatively simple, the Fauxbourdon makes it sound outstanding.
    —Jeff Ostrowski
    Easter • Would You Sing This Hymn?
    He who examines Laudes Dei: a hymnal for Catholic congregations (St. Louis, 1894) will discover this pairing of a hymn for Easter. For the record, this isn’t the only Catholic hymn book to marry that text and melody; e.g. Saint Mark’s Hymnal for Use in the Roman Catholic Church in the United States (Peoria, 1910) does the same thing. Sometimes an unexpected pairing—chosen with sensitivity—can be superb, forcing singers to experience the text in a ‘fresh’ and wonderful way. On the other hand, we sometimes encounter something I’ve called “PERNICIOUS HYMN PAIRINGS.” If you find the subject in intriguing, feel free to peruse an article I published in May of 2023. As always, my email inbox is open if you have a bone to pick with my take.
    —Jeff Ostrowski
    Pipe Organ “Answers” in Plainsong?
    In 2003, I copied a book by Félix Bélédin (d. 1895), who was titular organist—from 1841 to 1874—at the Cathedral of Saint John the Baptist in Lyon (France). In 2008, we scanned and uploaded the book to the Lalande Online Library. Nobody knows for sure when the book was published; some believe it first appeared in the 1840s. In any event, one who examines this excerpt, showing GLORIA IX might wonder why it says the organ answers in plainsong. However, the front of the book explains, telling the organist explicitly when to “respond in plainchant.” This is something called organ alternatim. Believe it or not, the pipe organ would take turns with the choir, playing certain texts instrumentally instead of having them sung. I’m not very well-versed in this—pardon the pun—but if memory serves, ORGAN ALTERNATIM was frowned upon by the time of Pope Saint Pius X. Nevertheless, French organists kept doing it, even after it was explicitly condemned as an abuse.
    —Jeff Ostrowski

Quick Thoughts

    “Gregorian Chant Quiz” • 24 March 2026
    How well do you know your Gregorian hymns? Do you recognize the tune inserted into the bass line on this score? For many years, we sang the entire Mass in Gregorian chant—and I mean everything. As a result, it would be difficult to find a Gregorian hymn I don’t recognize instantly. Only decades later did I realize (with sadness) that this skill cannot be ‘monetized’… This particular melody is used for a very famous Gregorian hymn, printed in the LIBER USUALIS. Do you recognize it? Send me an email with the correct words, and I promise to tell everybody I meet about your prowess!
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski

Random Quote

In the ’60s, I thought this emphasis on congregational singing was to encourage good Catholic hymns like “Immaculate Mary” and so forth … but after the Council, they threw them out, too!

— ‘Fr. Valentine Young, OFM (2007)’

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  • Pipe Organ “Answers” in Plainsong?

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