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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

A Short Reflection for Holy Week: On Love

Keven Smith · March 29, 2021

UST A FEW QUICK THOUGHTS this week because I’m sure most of you are busy planning rehearsals and making final preparations for Triduum liturgies. There’s no shortage of books on Our Lord’s Passion and death. But as I prepare spiritually for what lies ahead over the next week, I keep recalling a passage from Spiritual Excellence: How to Make Progress in Prayer and Love by Fr. Alban Goodier, S.J.

Fr. Goodier (1869-1939) is one of my beloved “old Jesuits.” I’ve greatly enjoyed his books and those of Fr. Raoul Plus, S.J., Fr. Narciso Irala, S.J., and others. Although most modern Jesuits don’t have a reputation for orthodoxy, these early-20th century authors found a way to write in an engaging, accessible style without compromising truth.

In his essay, “Determine whether your love is true,” Fr. Goodier argues that we don’t learn to love by reading about love; we learn to love by loving. To develop a loving nature, Fr. Goodier advises, we must think little of ourselves, allow ourselves to be affected by joy and sorrow (though always moderated by reason), and have the courage to act.

How, though, can we ensure our love is true and pure? The test follows from these same principles. If it’s true love, we continue giving it without considering any potential pleasurable consequences. True love stirs us so that we act based on more than just cold reason. True love never rests, longing to give even more than it possesses while knowing that this love will be its own and only reward.

Fr. Goodier acknowledges that some readers will find this concept appalling. For the rest of us, he closes the chapter on these stunning words, which I hope will help you persevere as you pour yourself into Holy Week liturgies:

[T]he germ of love is in every human heart. The pity of it is that in some it is nipped and frostbitten before it has had time to come to maturity.

But foster the spark, and it will enkindle. At first, it will thrill you with its glow. You will know it by its heat, by the ease with which it aids you to face a trouble, by the joy you find in doing. But later, be prepared for sacrifice.

When the flower has bloomed and the fruit is setting, then, gardeners tell us, is the time of trial. When you have made a certain way, and you have laughed and sung along the road, then will love begin to lead through darker ways, and whither you do not wish to go. It will ask of you surrenders for which you had not bargained.

It will disappoint you. It will fail to recognize you when you come face-to-face. It will leave your noblest actions unrequited, the noblest powers of your soul undeveloped. It will misinterpret your best motives, will envy your worthiest deeds, will crush you with sarcasm, will embitter you with mistrust, and suspicion, and dislike, and an assumption of contempt. At critical moments it will turn its back upon you and will ignore you when you are down. If you appeal for help, it will cry out against you. It will see you wounded on the road and pass you by; crucified, and say it was only your dessert; dripping your life’s blood out, and coldly wait the end.

And then, when it has killed you, then you will come to know. “He that loses his life for my sake shall find it.” When it has purified you, when there is left not a spark of that mean thing self, when you no longer look for relief, for consolation, for comfort, but only for strength to go on, then will come the revelation. Then you will know that which, by any other training, eye can never see, nor ear hear, nor can it enter into the heart of man to conceive.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

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Filed Under: Articles Tagged With: Holy Week Last Updated: March 29, 2021

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About Keven Smith

Keven Smith, music director at St. Stephen the First Martyr, lives in Sacramento with his wife and five musical children.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Good Friday Flowers
    Good Friday has a series of prayers for various parties: the pope, catechumens, pagans, heretics, schismatics, and so forth. In the old liturgical books, there was no official ‘name’ for these prayers. (This wasn’t unusual as ‘headers’ and ‘titles’ for each section is a rather modern idea.) The Missal simply instructed the priest to go to the Epistle side and begin. In the SHERBORNE MISSAL, each prayer begins with a different—utterly spectacular—flower. This PDF file shows the first few prayers. Has anyone counted the ‘initial’ drop-cap flowers in the SHERBORNE MISSAL? Surely there are more than 1,000.
    —Jeff Ostrowski
    Music List • (3rd Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 3rd Sunday of Lent (8 March 2026). If such a thing interests you, feel free to download it as a PDF file. This feast has magnificent propers. Its stern INTROIT (“Óculi mei semper ad Dóminum”) is breathtaking, and the COMMUNION (“Qui bíberit aquam”) with its fauxbourdon verses is wonderful. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski

Quick Thoughts

    “Dies Irae” • A Monstrous Translation
    It isn’t easy to determine what Alice King MacGilton hoped to accomplish with her very popular book—A Study of Latin Hymns (1918)—which continued to be reprinted in new editions for at least 34 years. This PDF file shows her attempt to translate the DIES IRAE “in the fewest words possible.” There’s a place for dynamic equivalency, but this is repugnant. In particular, look what she does to “Quærens me sedísti lassus.”
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski
    Grotesque Pairing • “Passion Chorale”
    One of our rarest releases was undoubtably this PDF scan of the complete Pope Pius XII Hymnal (1959) by Father Joseph Roff, a student of Healey Willan. One of the scarcest titles in existence, this book was provided to us by Mr. Peter Meggison. Back in 2018, we scanned each page and uploaded it to our website, making it freely available to everyone. Readers are probably sick of hearing me say this, but just because we upload something that doesn’t necessarily mean it’s wonderful or worthy of imitation. We upload many publications precisely because they are ‘grotesque’, interesting, or revealing. Whereas the Brébeuf Catholic Hymnal had an editorial board that was careful and sensitive vis-à-vis pairing texts with tunes, the Pope Pius XII Hymnal (1959) seems to have been rather reckless in this regard. Please take a look at what they did with the PASSION CHORALE and see whether you agree.
    —Jeff Ostrowski

Random Quote

At papal Masses, the regulations against tardiness were more stringent than at Masses celebrated by cardinals or bishops. Giovanni Maria Nanino records that any singer who is not in his place—and in his vestments—by the end of the repetition of the “Introit” will be fined eight vinti. At papal Vespers, the singer who is not present at the “Gloria Patri” of the first psalm pays a fine of fifty balocchi.

— Giovanni M. Nanino (d. 1607), Papal “Maestro di Cappella”

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