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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

“Glad Trad” vs. “Rad Trad”

Jeff Ostrowski · March 20, 2021

COTT HAHN recently made a distinction between “glad trads” and “rad trads.” Perhaps someday I will have an opportunity to comment on that, although I’m not sure anyone cares how I feel. For the moment I can only say—from personal experience—that many of the Rad Trads have faded away, while the Glad Trads have grown exponentially since my family began attending the Traditional Latin Mass in the early 1990s. Nevertheless, Rad Trad authors still exist on the internet, and some of them are extremely ferocious and dangerous. 1 They harm the Catholic Church very much.

When Father Isaac Jogues became a willing captive of the Iroquois, he underwent suffering and humiliation too terrible for words. Some of the experiences he endured were rather strange. For instance, he was kept in a tiny room—without clean drinking water—in the scorching summer heat. For months he sat there, in extreme pain, reading the Imitation of Christ by Thomas à Kempis over and over again. This ordeal was somewhat strange; he was alone, dressed in lay clothing, missing several fingers, probably very bored. On a much smaller scale, we in 2021 are called to do something strange. We must avoid reading the ravings of Rad Trads. We must never respond to them or acknowledge them, because they crave attention and “clicks.”

An Example: An ex-parishioner has spent the last few years spreading nasty rumors about my parish and our FSSP priests. He attacks us because we have Mass in a tent. (We have thousands of parishioners and can’t squeeze in our tiny little church—that’s why we’re trying to raise money to build a new church and we’ve already raised 3 million dollars.)

This malicious numbskull claims that our Masses are “invalid” because they happen underneath a tent. He calls our Masses “tent-revivals.” But check out this manuscript from the 14th century:

It looks like our church! Even though we have six Masses each Sunday, we just can’t fit all the people who want to attend.

Trusting In God: We will get a church in God’s good time. It’s not for us to question why God allows certain things to happen. Over the last year, our government has printed trillions of dollars—and I know people who have gotten rich off “Covid relief” in a very dishonest way. But Our Lord has asked: For what shall it profit a man, if he gain the whole world, and suffer the loss of his soul?


NOTES FROM THIS ARTICLE:

1   I know several who are cowardly hypocrites who live in an alternate reality…but that’s another story for another day!

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

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Filed Under: Articles Tagged With: Latin Mass, Traditional Latin Mass Last Updated: March 20, 2021

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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President’s Corner

    PDF Download • “Offertory” for this Sunday
    This coming Sunday, 12 October 2025, is the 28th Sunday in Ordinary Time (Year C). Its OFFERTORY ANTIPHON (PDF) is gorgeous, and comes from the book of Esther, as did the ENTRANCE CHANT last Sunday. Depending on a variety of factors, various hand-missals (all with Imprimatur) translate this passage differently. For instance, “príncipis” can be rendered: King; Prince; Lion; or Fierce lord. None is “more correct” than another. It depends on what each translator wants to emphasize and which source text is chosen. All these pieces of plainsong are conveniently stored at the blue-ribbon feasts website.
    —Jeff Ostrowski
    Why A “Fugue” Here?
    I believe I know why this plainsong harmonizer created a tiny fugue as the INTRODUCTION to his accompaniment. Take a look (PDF example) and tell me your thoughts about what he did on the feast of the Flight of Our Lord Jesus Christ into Egypt (17 February). And now I must go because “tempus fugit” as they say!
    —Jeff Ostrowski
    “Reminder” — Month of October (2025)
    Those who don’t sign up for our free EMAIL NEWSLETTER miss important notifications. Last week, for example, I sent a message about this job opening for a music director paying $65,000 per year plus benefits (plus weddings & funerals). Notice the job description says: “our vision for sacred music is to move from singing at Mass to truly singing the Mass wherein … especially the propers, ordinaries, and dialogues are given their proper place.” Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski

Quick Thoughts

    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski
    “American Catholic Hymnal” (1991)
    The American Catholic Hymnal, with IMPRIMATUR granted (25 April 1991) by the Archdiocese of Chicago, is like a compendium of every horrible idea from the 1980s. Imagine being forced to stand all through Communion (even afterwards) when those self-same ‘enlightened’ liturgists moved the SEQUENCE before the Alleluia to make sure congregations wouldn’t have to stand during it. (Even worse, everything about the SEQUENCE—including its name—means it should follow the Alleluia.) And imagine endlessly repeating “Alleluia” during Holy Communion at every single Mass. It was all part of an effort to convince people that Holy Communion was historically a procession (which it wasn’t).
    —Jeff Ostrowski
    “Canonic” • Ralph Vaughan Williams
    Fifty years ago, Dr. Theodore Marier made available this clever arrangement (PDF) of “Come down, O love divine” by P. R. Dietterich. The melody was composed in 1906 by Ralph Vaughan Williams (d. 1958) and named in honor of of his birthplace: DOWN AMPNEY. The arrangement isn’t a strict canon, but it does remind one of a canon since the pipe organ employs “points of imitation.” The melody and text are #709 in the Brébeuf Catholic Hymnal.
    —Jeff Ostrowski

Random Quote

“Life need not mean something. Life is something. And what is it? It is: —the present moment (the only one I really have); —my body and soul; —the task at hand; Almighty God, (source of everything) asks just one thing: that I put my body and my soul into this one moment, this one task … that I might do it as God desires it to be done.”

— Based on an article by Robert Keim

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