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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

“Glad Trad” vs. “Rad Trad”

Jeff Ostrowski · March 20, 2021

COTT HAHN recently made a distinction between “glad trads” and “rad trads.” Perhaps someday I will have an opportunity to comment on that, although I’m not sure anyone cares how I feel. For the moment I can only say—from personal experience—that many of the Rad Trads have faded away, while the Glad Trads have grown exponentially since my family began attending the Traditional Latin Mass in the early 1990s. Nevertheless, Rad Trad authors still exist on the internet, and some of them are extremely ferocious and dangerous. 1 They harm the Catholic Church very much.

When Father Isaac Jogues became a willing captive of the Iroquois, he underwent suffering and humiliation too terrible for words. Some of the experiences he endured were rather strange. For instance, he was kept in a tiny room—without clean drinking water—in the scorching summer heat. For months he sat there, in extreme pain, reading the Imitation of Christ by Thomas à Kempis over and over again. This ordeal was somewhat strange; he was alone, dressed in lay clothing, missing several fingers, probably very bored. On a much smaller scale, we in 2021 are called to do something strange. We must avoid reading the ravings of Rad Trads. We must never respond to them or acknowledge them, because they crave attention and “clicks.”

An Example: An ex-parishioner has spent the last few years spreading nasty rumors about my parish and our FSSP priests. He attacks us because we have Mass in a tent. (We have thousands of parishioners and can’t squeeze in our tiny little church—that’s why we’re trying to raise money to build a new church and we’ve already raised 3 million dollars.)

This malicious numbskull claims that our Masses are “invalid” because they happen underneath a tent. He calls our Masses “tent-revivals.” But check out this manuscript from the 14th century:

It looks like our church! Even though we have six Masses each Sunday, we just can’t fit all the people who want to attend.

Trusting In God: We will get a church in God’s good time. It’s not for us to question why God allows certain things to happen. Over the last year, our government has printed trillions of dollars—and I know people who have gotten rich off “Covid relief” in a very dishonest way. But Our Lord has asked: For what shall it profit a man, if he gain the whole world, and suffer the loss of his soul?


NOTES FROM THIS ARTICLE:

1   I know several who are cowardly hypocrites who live in an alternate reality…but that’s another story for another day!

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

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Filed Under: Articles Tagged With: Latin Mass, Traditional Latin Mass Last Updated: March 20, 2021

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    PDF Download • “For Pentecost Sunday”
    Yesterday morning, I recorded myself singing the ENTRANCE CHANT for Pentecost Sunday while simultaneously accompanying myself on the pipe organ. Click here to see how that came out. At the end of the antiphon, there’s a triple Allelúja and I just love the chord at the end of the 2nd iteration. The organ accompaniment—along with the musical score for singers—can be downloaded free of charge at the flourishing feasts website. For the record, the antiphon on Pentecost Sunday doesn’t come from a psalm; it comes from the book of Wisdom.
    —Jeff Ostrowski
    PDF Download • “Organ Accompaniment”
    Over the past few years, I’ve been harmonizing all the vernacular plainsong Introit settings by the CHAUMONOT COMPOSERS GROUP. This coming Sunday—10 May 2026—is the 6th Sunday of Easter (Year A). The following declaration will probably smack of “blowing my own horn.” However, I’d rank this accompaniment as my best yet. In this rehearsal video, I attempt to sing it while simultaneously accompanying myself on the pipe organ. The musical score [for singers] as well as my organ accompaniment can be downloaded free of charge from the flourishing feasts website.
    —Jeff Ostrowski
    “Gregorian Chant Quiz” • 4 May 2026
    A few days ago, the CORPUS CHRISTI WATERSHED Facebook page posted this Gregorian Chant quiz regarding a rubric for the SEQUENCE for the feast of Corpus Christi: “Lauda Sion Salvatórem.” There is no audience more intelligent than ours—yet surprisingly nobody has been able to guess the rubric. Drop me an email with the right answer, and I’ll affirm your brilliance to everyone I encounter!
    —Jeff Ostrowski

Quick Thoughts

    “Thee” + “Thou” + “Thine”
    Few musicians realize that various English translations of Sacred Scripture were granted formal approval by the USCCB and the Vatican for liturgical use in the United States of America. But don’t take my word for it! Here are four documents proving this, which you can examine with your own eyes. Some believe the words “Thine” and “Thou” and “Thee” were forbidden after Vatican II—but that’s incorrect. For example, they’re found in the English translation of the ‘Our Father’ at Mass. Moreover, the Revised Standard Version (Catholic Edition) mentioned in those four documents employs “Thine” and “Thou” and “Thee.” It was published with a FOREWORD by Westminster’s Roman Catholic Archbishop (John Cardinal Heenan).
    —Jeff Ostrowski
    “Reminder” — Month of May (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    Simplified Version • “Canon in D” (Pachelbel)
    I published an article on 11 November 2023 called Wedding March For The Lazy Organist, which rather offhandedly made reference to a simplified version I created in 2007 for Pachelbel’s Canon. I often use it as a PROCESSIONAL for weddings and quinceañeras. Many organists say they “hate” Pachelbel’s Canon. But I love it. I think it’s bright and beautiful. I created that ‘simplified version’ for musicians coming to grips with playing the pipe organ. It can be downloaded as a free PDF if you visit Andrea Leal’s article dated 15 August 2022: Manuals Only: Organ Interludes Based on Plainsong. Specifically, it is page 84 in that collection—generously offered as a free PDF download. Johann Pachelbel (d. 1706) was a renowned German organist, violinist, teacher, and composer of over 500 works. A friend of Bach’s family, he taught Johann Christoph Bach (Sebastian Bach’s eldest brother) and lived in his house. Those who read Pachelbel’s biography will notice his connection to two German cities adopted as famous hymn tune names: EISENACH and ERFURT.
    —Jeff Ostrowski

Random Quote

“It is the choir that can make the most valuable contribution to the liturgy; it is through the choir that significant numbers of the congregation can make a significant and valuable offering in the community’s act of worship. The choir links directly academic excellence, artistic creation, disciplined attention and self expression in the making of something fitting for the worship of God.”

— Father Daniel Higgins, Choirmaster at Saint Edmund’s College, Ware

Recent Posts

  • “Unfair Characterization” • (But Good Question)
  • “Thee” + “Thou” + “Thine”
  • PDF Download • “For Pentecost Sunday”
  • “Reminder” — Month of May (2026)
  • “Englished” Gregorian Chant • 5 Considerations

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