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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

PDF Download • EF “Singing Cues” (1-Page Sheet)

Andrea Leal · March 9, 2021

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In this series of articles, we explore the ways in which you can start a Traditional Latin Mass in your city, how you can overcome obstacles, and provide resources you can use to further your cause.

OR THOSE intrepid souls diligently working to bring the Extraordinary Form Mass to their city for the first time, I have a little gift to help you along in providing the music. Because the Traditional Latin Mass (“TLM” or “Extraordinary Form”) is often a strange new world for those making the switch from the Novus Ordo, it can be difficult to know exactly when to sing what. If you’re just starting out with the TLM, you will definitely want to download these two documents:

*  PDF Download • SIMPLE GUIDE TO SING THE TLM
—Please leave feedback & corrections in the Facebook Combox!

*  PDF Download • Singing Cues “At A Glance”
—Please leave feedback & corrections in the Facebook Combox!

Notice: If you are considering whether you could start a Traditional Latin Mass in your city, you will want to first read about what is required in order to start it up, or if you have a TLM but are encountering problems, you can read about how to overcome common obstacles to establishing a stable TLM.

Do Not Be Afraid

For those tasked with providing music for the liturgy, there is a distinct learning curve. The prospect of leading music for the Extraordinary Form can certainly be intimidating! But I want to encourage you not to be too nervous. It’s easy for me to say this now that I have been leading music for the Extraordinary Form for a number of years. I remember the day I realized I was going to have to lead it for the first time and how much that freaked me out. I suffered from stage fright for years as a young violinist, and leading a choir in public definitely sounded like a disaster waiting to happen. But when I expressed this to our priest, his reaction was interesting. He was not at all concerned about my nerves. He sort of shrugged and said, “Oh, it’s not that hard.” And it turns out that he was right. Once you figure out what cues to look for, it is very simple. With the guide I’ve give you above, you should have no problem doing wonderfully at leading the Mass!
Remember that there are many free online resources to help you along the journey from Novus Ordo to Missa Cantata.

Roll your Sleeves Up and Get to Work

Starting a Traditional Latin Mass requires serious effort and music is a huge part of that. There will, of course, be challenges. Not only do you have to recruit singers, but you have to teach them to sing Gregorian chant cohesively. Piece of cake, right? You will quickly find that although everyone is singing the same thing, it might not sound exactly like one voice. There are a few reasons why that might be the case, so if you have taught everyone the right notes but it still doesn’t sound much like chant, you may want to read my article on troubleshooting your chant.

Although it takes a lot of work, there is a lot you can do to help yourself. This is absolutely within your grasp. And even if a TLM in your city isn’t imminent, you can start learning now and be ready for when the time comes by using these free resources:

A Good Way To Learn:
You can take Gregorian Chant Lessons which will teach you to read and sing Gregorian chant at your own pace.

The Best Way To Learn:
Gregorian Chant Practice Recordings will help you learn the propers for the Masses.

Bookmark This:
This fabulous online tool will help you create psalm tone propers if the full propers are too difficult at the beginning. To print your selections, check the boxes you want to print and then hit the “PDF” button. That will save the file to your computer so you can print it.

For Polyphony:
Polyphonic sheet music and practice recordings can be used for when your newly developed choir is ready to tackle choral music.

For When We Get Past Covid:
Sacred Music Symposium

If you’re actively trying to start up a TLM, explore these resources:

Resources for Altar Servers – A variety of helpful books and resources for altar servers, including training materials.

PDF Download: Ceremonies of the Roman Rite Described (Fortescue)  or purchase a copy to keep as a handy reference for the rubrics.

Psallite Sapienter – A Musician’s Guide to the Extraordinary Form

Liturgical Ordo – The liturgical calendar of Masses for the year

Canticum Clericorum Romanum – All Epistles and Gospels written out in chant form for the full liturgical year. This is used in seminaries to learn how to chant these parts of the Mass, so it can also be helpful for a diocesan priest who is just learning how to chant the Epistle and Gospel.

1962 Missale Romanum – The priest will need this, as it contains the texts for Holy Mass in Latin.

Altar Cards – These contain some of the prayers that are said at Mass and serve as a memory aid.

Sacristan’s Manual to help you learn how to set up the altar.

Next article in this series:
Next Article in this Series: How to Start your own Latin Mass Society

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

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Filed Under: Articles Tagged With: Starting TLM Series Leal Last Updated: March 9, 2021

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About Andrea Leal

Andrea Leal is a wife and homeschooling mother of 6 children. She serves as choir director for the Traditional Latin Mass in Las Vegas.—(Read full biography).

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President’s Corner

    PDF Download • “Offertory” for this Sunday
    This coming Sunday, 12 October 2025, is the 28th Sunday in Ordinary Time (Year C). Its OFFERTORY ANTIPHON (PDF) is gorgeous, and comes from the book of Esther, as did the ENTRANCE CHANT last Sunday. Depending on a variety of factors, various hand-missals (all with Imprimatur) translate this passage differently. For instance, “príncipis” can be rendered: King; Prince; Lion; or Fierce lord. None is “more correct” than another. It depends on what each translator wants to emphasize and which source text is chosen. All these pieces of plainsong are conveniently stored at the blue-ribbon feasts website.
    —Jeff Ostrowski
    Why A “Fugue” Here?
    I believe I know why this plainsong harmonizer created a tiny fugue as the INTRODUCTION to his accompaniment. Take a look (PDF example) and tell me your thoughts about what he did on the feast of the Flight of Our Lord Jesus Christ into Egypt (17 February). And now I must go because “tempus fugit” as they say!
    —Jeff Ostrowski
    “Reminder” — Month of October (2025)
    Those who don’t sign up for our free EMAIL NEWSLETTER miss important notifications. Last week, for example, I sent a message about this job opening for a music director paying $65,000 per year plus benefits (plus weddings & funerals). Notice the job description says: “our vision for sacred music is to move from singing at Mass to truly singing the Mass wherein … especially the propers, ordinaries, and dialogues are given their proper place.” Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski

Quick Thoughts

    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski
    “American Catholic Hymnal” (1991)
    The American Catholic Hymnal, with IMPRIMATUR granted (25 April 1991) by the Archdiocese of Chicago, is like a compendium of every horrible idea from the 1980s. Imagine being forced to stand all through Communion (even afterwards) when those self-same ‘enlightened’ liturgists moved the SEQUENCE before the Alleluia to make sure congregations wouldn’t have to stand during it. (Even worse, everything about the SEQUENCE—including its name—means it should follow the Alleluia.) And imagine endlessly repeating “Alleluia” during Holy Communion at every single Mass. It was all part of an effort to convince people that Holy Communion was historically a procession (which it wasn’t).
    —Jeff Ostrowski
    “Canonic” • Ralph Vaughan Williams
    Fifty years ago, Dr. Theodore Marier made available this clever arrangement (PDF) of “Come down, O love divine” by P. R. Dietterich. The melody was composed in 1906 by Ralph Vaughan Williams (d. 1958) and named in honor of of his birthplace: DOWN AMPNEY. The arrangement isn’t a strict canon, but it does remind one of a canon since the pipe organ employs “points of imitation.” The melody and text are #709 in the Brébeuf Catholic Hymnal.
    —Jeff Ostrowski

Random Quote

“In my opinion, there should be reached the aim that all priests could continue to use the old Missal.”

— ‘Cardinal Ratzinger, Letter to Wolfgang Waldstein (14 December 1976)’

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