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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

PDF Download • EF “Singing Cues” (1-Page Sheet)

Andrea Leal · March 9, 2021

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In this series of articles, we explore the ways in which you can start a Traditional Latin Mass in your city, how you can overcome obstacles, and provide resources you can use to further your cause.

OR THOSE intrepid souls diligently working to bring the Extraordinary Form Mass to their city for the first time, I have a little gift to help you along in providing the music. Because the Traditional Latin Mass (“TLM” or “Extraordinary Form”) is often a strange new world for those making the switch from the Novus Ordo, it can be difficult to know exactly when to sing what. If you’re just starting out with the TLM, you will definitely want to download these two documents:

*  PDF Download • SIMPLE GUIDE TO SING THE TLM
—Please leave feedback & corrections in the Facebook Combox!

*  PDF Download • Singing Cues “At A Glance”
—Please leave feedback & corrections in the Facebook Combox!

Notice: If you are considering whether you could start a Traditional Latin Mass in your city, you will want to first read about what is required in order to start it up, or if you have a TLM but are encountering problems, you can read about how to overcome common obstacles to establishing a stable TLM.

Do Not Be Afraid

For those tasked with providing music for the liturgy, there is a distinct learning curve. The prospect of leading music for the Extraordinary Form can certainly be intimidating! But I want to encourage you not to be too nervous. It’s easy for me to say this now that I have been leading music for the Extraordinary Form for a number of years. I remember the day I realized I was going to have to lead it for the first time and how much that freaked me out. I suffered from stage fright for years as a young violinist, and leading a choir in public definitely sounded like a disaster waiting to happen. But when I expressed this to our priest, his reaction was interesting. He was not at all concerned about my nerves. He sort of shrugged and said, “Oh, it’s not that hard.” And it turns out that he was right. Once you figure out what cues to look for, it is very simple. With the guide I’ve give you above, you should have no problem doing wonderfully at leading the Mass!
Remember that there are many free online resources to help you along the journey from Novus Ordo to Missa Cantata.

Roll your Sleeves Up and Get to Work

Starting a Traditional Latin Mass requires serious effort and music is a huge part of that. There will, of course, be challenges. Not only do you have to recruit singers, but you have to teach them to sing Gregorian chant cohesively. Piece of cake, right? You will quickly find that although everyone is singing the same thing, it might not sound exactly like one voice. There are a few reasons why that might be the case, so if you have taught everyone the right notes but it still doesn’t sound much like chant, you may want to read my article on troubleshooting your chant.

Although it takes a lot of work, there is a lot you can do to help yourself. This is absolutely within your grasp. And even if a TLM in your city isn’t imminent, you can start learning now and be ready for when the time comes by using these free resources:

A Good Way To Learn:
You can take Gregorian Chant Lessons which will teach you to read and sing Gregorian chant at your own pace.

The Best Way To Learn:
Gregorian Chant Practice Recordings will help you learn the propers for the Masses.

Bookmark This:
This fabulous online tool will help you create psalm tone propers if the full propers are too difficult at the beginning. To print your selections, check the boxes you want to print and then hit the “PDF” button. That will save the file to your computer so you can print it.

For Polyphony:
Polyphonic sheet music and practice recordings can be used for when your newly developed choir is ready to tackle choral music.

For When We Get Past Covid:
Sacred Music Symposium

If you’re actively trying to start up a TLM, explore these resources:

Resources for Altar Servers – A variety of helpful books and resources for altar servers, including training materials.

PDF Download: Ceremonies of the Roman Rite Described (Fortescue)  or purchase a copy to keep as a handy reference for the rubrics.

Psallite Sapienter – A Musician’s Guide to the Extraordinary Form

Liturgical Ordo – The liturgical calendar of Masses for the year

Canticum Clericorum Romanum – All Epistles and Gospels written out in chant form for the full liturgical year. This is used in seminaries to learn how to chant these parts of the Mass, so it can also be helpful for a diocesan priest who is just learning how to chant the Epistle and Gospel.

1962 Missale Romanum – The priest will need this, as it contains the texts for Holy Mass in Latin.

Altar Cards – These contain some of the prayers that are said at Mass and serve as a memory aid.

Sacristan’s Manual to help you learn how to set up the altar.

Next article in this series:
Next Article in this Series: How to Start your own Latin Mass Society

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

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Filed Under: Articles Tagged With: Starting TLM Series Leal Last Updated: March 9, 2021

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About Andrea Leal

Andrea Leal is a wife and homeschooling mother of 6 children. She serves as choir director for the Traditional Latin Mass in Las Vegas.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    New Bulletin Article • “14 September 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 14 September 2025) discusses OFFERTORY ANTIPHONS and contains a wonderful quote by Archbishop Fulton J. Sheen.
    —Jeff Ostrowski
    PDF Download • Draft Copy (Pamphlet)
    A few days ago, I posted a draft copy of this 12-page pamphlet with citations about the laity’s “full, conscious, and active participation.” Its basic point or message is that choir directors should never feel embarrassed to teach real choral music because Vatican II explicitly ordered them to do that! We’ve received tons of mail regarding that pamphlet, with many excellent suggestions for improvement. Please feel free to chime in!
    —Jeff Ostrowski
    “Entrance Chant” • 23rd (Ordinary Time)
    This coming Sunday, 7 September 2025, is the 23rd Sunday in Ordinary Time (Year C). You can download the “Entrance Chant,” conveniently located at the feasts website. I also recorded a rehearsal video for it (freely available at the same website). The Communion Chant includes gorgeous verses in FAUXBOURDON. I attempted to create a rehearsal video for it, and it’s been posted at the feasts website, called by some: “church music’s best kept secret.”
    —Jeff Ostrowski

Quick Thoughts

    Karl Keating • “Canonization Questions”
    We were sent an internet statement (screenshot) that’s garnered significant attention, in which KARL KEATING (founder of Catholic Answers) speaks about whether canonizations are infallible. Mr. Keating seems unaware that canonizations are—in the final analysis—a theological opinion. They are not infallible, as explained in this 2014 article by a priest (with a doctorate in theology) who worked for multiple popes. Mr. Keating says: “I’m unaware of such claims arising from any quarter until several recent popes disliked by these Traditionalists were canonized, including John XXIII, Paul VI, and John Paul II. Usually Paul VI receives the most opprobrium.” Mr. Keating is incorrect; e.g. Father John Vianney, several centuries ago, taught clearly that canonizations are not infallible. Archbishop Fulton J. Sheen would be another example, although clearly much more recent than Saint John Vianney.
    —Corpus Christi Watershed
    Vatican II Changed Wedding Propers?
    It’s often claimed that the wedding propers were changed after Vatican II. As a matter of fact, that is a false claim. The EDITIO VATICANA propers (Introit: Deus Israel) remained the same after Vatican II. However, a new set of propers (Introit: Ecce Deus) was provided for optional use. The same holds true for the feast of Pope Saint Gregory the Great on 3 September: the 1943 propers (Introit: Si díligis me) were provided for optional use, but the traditional PROPRIA MISSAE (Introit: Sacerdótes Dei) were retained; they weren’t gotten rid of. The Ordo Cantus Missae (1970) makes this crystal clear, as does the Missal itself. There was an effort made in the post-conciliar years to eliminate so-called “Neo-Gregorian” chants, but (contrary to popular belief) most were retained: cf. the feast of Christ the King, the feast of the Immaculate Conception, and so forth.
    —Corpus Christi Watershed
    Solemn “Salve Regina” (Chant)
    How many “S” words can you think of using alliteration? How about Schwann Solemn Salve Score? You can download the SOLEMN SALVE REGINA in Gregorian Chant. The notation follows the official rhythm (EDITIO VATICANA). Canon Jules Van Nuffel, choirmaster of the Cathedral of Saint Rumbold, composed this accompaniment for it (although some feel it isn’t his best work).
    —Corpus Christi Watershed

Random Quote

“The council did not say Latin should be abolished. It said Latin should be used. […] While at Ecclesia Dei, I once received a letter from a chancery office in the United States, asking me if I didn’t know that the council had abolished Latin!”

— Cardinal Mayer, Prefect (1985–1988) of the Vatican’s Congregation for Divine Worship

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