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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Alleluia, Dulce Carmen – sing it while you can!

Veronica Brandt · January 26, 2021

Late last year I thought I’d make some resources for each Sunday’s Latin Gospel reading. It’s been fun. It does tend to make me confused though, as I am often thinking about the reading for the following Sunday. Thus I somehow thought last Sunday was Septuagesima.

This has been good though, as I have been able to think about the Farewell to Alleluia before it disappears.

Many years ago, I wrote a short article for Corpus Christi Watershed on this Farewell. At the bottom, the editor Mr Jeff Ostrowski left this cryptic comment.

Editor’s Note • There is actually an entire (liturgical) hymn which says “farewell” to the Alleluia. The Campion Missal cites a few verses in a very subtle way. Here’s a challenge: Did anyone notice which page? Which page number? Let us know by using the CONTACT tab at the top.

I totally missed this at the time – or forgot about it – but coming back now I had to solve the puzzle. I’ll put the page number in the footnotes to give you time to figure it out.

So, there’s this hymn in Latin:

Alleluia, dulce carmen,
Vox perennis gaudii,
Alleluia vox suavis,
Est choris cælestibus,
Quem canunt, Dei manentes
In domo per sæcula.

Alleluia læta, mater
Concinis Ierusalem,
Alleluia vox tuorum
Civium gaudentium :
Exules nos flere cogunt
Babylonis flumina.

Alleluia non meremur
Nunc perenne psallere,
Alleluia nos reatus
Cogit intermittere,
Tempus instat, quo peracta
Lugeamus crimina.

Unde laudando precamur
Te beata Trinitas,
Ut tuum nobis videre
Pascha des in æthere,
Quo tibi læti canamus
Alleluia iugiter. Amen.

This was translated by John Mason Neale in 1851 as:

Alleluia, song of sweetness,
Voice of joy, eternal lay;
Alleluia is the anthem
Of the Choirs in Heav’nly day,
Which the Angels sing, abiding
In the House of God alway.

Alleluia thou resoundest,
Salem, Mother ever blest;
Alleluias without ending
Fit yon place of gladsome rest;
Exiles we, by Babel’s waters
Sit in bondage and distress’d.

Alleluia we deserve not
Here to chant forevermore:
Alleluia our transgressions
Make us for a while give o’er,
For the holy time is coming
Bidding us our sins deplore.

Trinity of endless glory,
Hear Thy people as they cry;
Grant us all to keep Thy Easter
In our Home beyond the sky,
There to Thee our Alleluia
Singing everlastingly. Amen.

There is a modern tune called Dulce Carmen which goes really well with the English. However, being a Gregorian chant nut, I had to look for the chant for the Latin.

I have a copy of J M Neale’s book The Hymnal Noted which has the chant tunes paired with the English texts. So after all his painstaking work translating Latin into English, here I am lifting the old melodies and putting them back with the Latin text.

And here are the results:

    * *  Alleluia, Dulce Carmen – reunited with the chant

And the recording for those folk who like recordings:


NOTES FROM THIS ARTICLE:

1   page 79

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

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Filed Under: Articles Last Updated: January 26, 2021

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About Veronica Brandt

Veronica Brandt holds a Bachelor Degree in Electrical Engineering. She lives near Sydney, Australia, with her husband and six children.—(Read full biography).

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President’s Corner

    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski
    PDF • “Cantus Mariales” (192 pages)
    Andrea Leal has posted an absolutely pristine scan of CANTUS MARIALES (192 pages) which can be downloaded as a PDF file. To access this treasure, navigate to the frabjous article Andrea posted Monday. The file is being offered completely free of charge. The beginning pages of the book have something not to be missed: viz. a letter from Pope Saint Pius X to Dom Pothier, in which the pope calls Abbat Pothier “a man versed above all others in the science of liturgy, and to whom the cause of Gregorian chant is greatly indebted.”
    —Jeff Ostrowski
    Music List • (2nd Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 2nd Sunday of Lent (1 March 2026). If such a thing interests you, feel free to download it as a PDF file. This feast has magnificent propers. Its somber INTROIT is particularly striking—using a haunting tonality—but the COMMUNION with its fauxbourdon verses is also quite remarkable. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski

Quick Thoughts

    Extreme Unction
    Those who search Google for “CCCC MS 079” will discover high resolution images of a medieval Pontificale (“Cambridge, Corpus Christi College, MS 079”). One of the pages contains this absolutely gorgeous depiction of the Sacrament of Extreme Unction.
    —Corpus Christi Watershed
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

[Speaking about the Silent Canon, with audible “per ómnia”] — “So in all such cases it is usual for the otherwise silent celebrant occasionally to sing a clause aloud, to show how far he has arrived.”

— Father Fortescue (pages 313-314) • “A Study of the Roman Liturgy”

Recent Posts

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  • PDF • “Cantus Mariales” (192 pages)
  • PDF Download • Fourteen (14) Versions of the Splendid Hymn: “Salve Mater Misericordiae”
  • Fulton J. Sheen • “24-Hour Catechism”
  • Music List • (2nd Sunday of Lent)

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