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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Alleluia, Dulce Carmen – sing it while you can!

Veronica Brandt · January 26, 2021

Late last year I thought I’d make some resources for each Sunday’s Latin Gospel reading. It’s been fun. It does tend to make me confused though, as I am often thinking about the reading for the following Sunday. Thus I somehow thought last Sunday was Septuagesima.

This has been good though, as I have been able to think about the Farewell to Alleluia before it disappears.

Many years ago, I wrote a short article for Corpus Christi Watershed on this Farewell. At the bottom, the editor Mr Jeff Ostrowski left this cryptic comment.

Editor’s Note • There is actually an entire (liturgical) hymn which says “farewell” to the Alleluia. The Campion Missal cites a few verses in a very subtle way. Here’s a challenge: Did anyone notice which page? Which page number? Let us know by using the CONTACT tab at the top.

I totally missed this at the time – or forgot about it – but coming back now I had to solve the puzzle. I’ll put the page number in the footnotes to give you time to figure it out.

So, there’s this hymn in Latin:

Alleluia, dulce carmen,
Vox perennis gaudii,
Alleluia vox suavis,
Est choris cælestibus,
Quem canunt, Dei manentes
In domo per sæcula.

Alleluia læta, mater
Concinis Ierusalem,
Alleluia vox tuorum
Civium gaudentium :
Exules nos flere cogunt
Babylonis flumina.

Alleluia non meremur
Nunc perenne psallere,
Alleluia nos reatus
Cogit intermittere,
Tempus instat, quo peracta
Lugeamus crimina.

Unde laudando precamur
Te beata Trinitas,
Ut tuum nobis videre
Pascha des in æthere,
Quo tibi læti canamus
Alleluia iugiter. Amen.

This was translated by John Mason Neale in 1851 as:

Alleluia, song of sweetness,
Voice of joy, eternal lay;
Alleluia is the anthem
Of the Choirs in Heav’nly day,
Which the Angels sing, abiding
In the House of God alway.

Alleluia thou resoundest,
Salem, Mother ever blest;
Alleluias without ending
Fit yon place of gladsome rest;
Exiles we, by Babel’s waters
Sit in bondage and distress’d.

Alleluia we deserve not
Here to chant forevermore:
Alleluia our transgressions
Make us for a while give o’er,
For the holy time is coming
Bidding us our sins deplore.

Trinity of endless glory,
Hear Thy people as they cry;
Grant us all to keep Thy Easter
In our Home beyond the sky,
There to Thee our Alleluia
Singing everlastingly. Amen.

There is a modern tune called Dulce Carmen which goes really well with the English. However, being a Gregorian chant nut, I had to look for the chant for the Latin.

I have a copy of J M Neale’s book The Hymnal Noted which has the chant tunes paired with the English texts. So after all his painstaking work translating Latin into English, here I am lifting the old melodies and putting them back with the Latin text.

And here are the results:

    * *  Alleluia, Dulce Carmen – reunited with the chant

And the recording for those folk who like recordings:


NOTES FROM THIS ARTICLE:

1   page 79

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

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Filed Under: Articles Last Updated: January 26, 2021

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About Veronica Brandt

Veronica Brandt holds a Bachelor Degree in Electrical Engineering. She lives near Sydney, Australia, with her husband and six children.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Sanctus VIII” • Organ Accompaniment
    A few days ago, I composed this organ harmonization for SANCTUS VIII. This Mass is traditionally called Missa de ángelis or “Mass of the angels.” In French, it is Messe de Anges. You can evaluate my attempt to simultaneously accompany myself on the pipe organ (click here) while singing the melody. My parish is currently singing this setting.
    —Jeff Ostrowski
    Music List • (5th Sund. Ordinary Time)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for this coming Sunday, 8 February 2026, which is the 5th Sunday in Ordinary Time (Year A). If such a thing interests you, feel free to download it as a PDF file. You will probably notice it isn’t as ‘complete’ or ‘spiffy’ as usual, owing to some difficulties which took place this week.
    —Jeff Ostrowski
    PDF • “Communion” (5th Sunday in Ordin.)
    The COMMUNION ANTIPHON for this coming Sunday, 8 February 2026—which is the 5th Sunday in Ordinary Time (Year A)—is truly delightful. You can download the musical score completely free of charge. This text will be familiar to altar boys, because it’s PSALM 42. The Feder Missal makes the following claim about that psalm: “A hymn of a temple musician from Jerusalem: he is an exile in a heathen land, and he longs for the holy city and his ministry in the Temple there. The Church makes his words her own.”
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of Febr. (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

Thus the priest-celebrant, putting on the person of Christ, alone offers sacrifice, and not the people, nor clerics, nor even priests who reverently assist. All, however, can and should take an active part in the Sacrifice. “The Christian people, though participating in the Eucharistic Sacrifice, do not thereby possess a priestly power,” We stated in the Encyclical Mediator Dei (AAS, vol 39, 1947, p. 553).

— Pope Pius XII (2 November 1954)

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  • “Let the Choir Have a Voice” • Jeff Ostrowski’s Essay on Choral Music in the Catholic Mass

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