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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Alleluia, Dulce Carmen – sing it while you can!

Veronica Brandt · January 26, 2021

Late last year I thought I’d make some resources for each Sunday’s Latin Gospel reading. It’s been fun. It does tend to make me confused though, as I am often thinking about the reading for the following Sunday. Thus I somehow thought last Sunday was Septuagesima.

This has been good though, as I have been able to think about the Farewell to Alleluia before it disappears.

Many years ago, I wrote a short article for Corpus Christi Watershed on this Farewell. At the bottom, the editor Mr Jeff Ostrowski left this cryptic comment.

Editor’s Note • There is actually an entire (liturgical) hymn which says “farewell” to the Alleluia. The Campion Missal cites a few verses in a very subtle way. Here’s a challenge: Did anyone notice which page? Which page number? Let us know by using the CONTACT tab at the top.

I totally missed this at the time – or forgot about it – but coming back now I had to solve the puzzle. I’ll put the page number in the footnotes to give you time to figure it out.

So, there’s this hymn in Latin:

Alleluia, dulce carmen,
Vox perennis gaudii,
Alleluia vox suavis,
Est choris cælestibus,
Quem canunt, Dei manentes
In domo per sæcula.

Alleluia læta, mater
Concinis Ierusalem,
Alleluia vox tuorum
Civium gaudentium :
Exules nos flere cogunt
Babylonis flumina.

Alleluia non meremur
Nunc perenne psallere,
Alleluia nos reatus
Cogit intermittere,
Tempus instat, quo peracta
Lugeamus crimina.

Unde laudando precamur
Te beata Trinitas,
Ut tuum nobis videre
Pascha des in æthere,
Quo tibi læti canamus
Alleluia iugiter. Amen.

This was translated by John Mason Neale in 1851 as:

Alleluia, song of sweetness,
Voice of joy, eternal lay;
Alleluia is the anthem
Of the Choirs in Heav’nly day,
Which the Angels sing, abiding
In the House of God alway.

Alleluia thou resoundest,
Salem, Mother ever blest;
Alleluias without ending
Fit yon place of gladsome rest;
Exiles we, by Babel’s waters
Sit in bondage and distress’d.

Alleluia we deserve not
Here to chant forevermore:
Alleluia our transgressions
Make us for a while give o’er,
For the holy time is coming
Bidding us our sins deplore.

Trinity of endless glory,
Hear Thy people as they cry;
Grant us all to keep Thy Easter
In our Home beyond the sky,
There to Thee our Alleluia
Singing everlastingly. Amen.

There is a modern tune called Dulce Carmen which goes really well with the English. However, being a Gregorian chant nut, I had to look for the chant for the Latin.

I have a copy of J M Neale’s book The Hymnal Noted which has the chant tunes paired with the English texts. So after all his painstaking work translating Latin into English, here I am lifting the old melodies and putting them back with the Latin text.

And here are the results:

    * *  Alleluia, Dulce Carmen – reunited with the chant

And the recording for those folk who like recordings:


NOTES FROM THIS ARTICLE:

1   page 79

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

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Filed Under: Articles Last Updated: January 26, 2021

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About Veronica Brandt

Veronica Brandt holds a Bachelor Degree in Electrical Engineering. She lives near Sydney, Australia, with her husband and six children.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    PDF Download • Introit (2nd Sn. Ord.)
    This coming Sunday, 18 January 2026, is the 3rd Sunday in Ordinary Time (Year A). The ENTRANCE CHANT is set according to the fourth mode, which sounds ‘serious’ or ‘dark’ or ‘haunting’ or ‘mysterious’—and its English adaptation corresponds to the authentic version (“Omnis terra adóret”) found in the GRADUALE ROMANUM. In this rehearsal video (click here) I attempt to sing the melody while simultaneously accompanying myself on the organ. I encourage you to print off the organ accompaniment (PDF) and play through it, because the harmonies are delightful.
    —Jeff Ostrowski
    Spectacular Communion Setting!
    The FAUXBOURDON setting of the Communion for the Baptism of the Lord (which will occur this coming Sunday) strikes me as quite spectacular. The verses—composed by the fifth century Christian poet, Coelius Sedulius—come from a long alphabetical acrostic and are deservedly famous. The feast of the LORD’S BAPTISM was traditionally the octave day of Epiphany, but in the 1962 kalendar it was made ‘more explicit’ or emphasized. The 1970 MISSALE ROMANUM elevated this feast even further.
    —Jeff Ostrowski
    PDF • “Music List” (Sunday, 11 January)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for Feast of the Baptism of the Lord (SUNDAY, 11 January 2025). If such a thing interests you, feel free to download it as a PDF file. The FAUXBOURDON verses for the Communion Antiphon—to say nothing of the antiphon itself—are breathtaking. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the monumental feasts website alongside the official texts in Latin.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of January (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski
    PDF Download • “In Paradisum” in English
    We always sing the IN PARADISUM in Latin, as printed on this PDF score. I have an appallingly bad memory (meaning I’d be a horrible witness in court). In any event, it’s been brought to my attention that 15 years ago I created this organ accompaniment for the famous and beautiful ‘IN PARADISUM’ Gregorian chant sung in English according to ‘MR3’ (Roman Missal, Third Edition). If anyone desires such a thing, feel free to download and print. Looking back, I wish I’d brought the TENOR and BASS voices into a unison (on B-Natural) for the word “welcome” on the second line.
    —Jeff Ostrowski

Random Quote

“Every experienced choirmaster’s work is founded on the following three axioms: (1) Few boys have a really good natural voice; (2) No boy is able to control his voice and produce good tone without training; (3) Most boys have a good ear, and considerable imitative capacity. It is on the last of these axioms that the choirmaster must begin his work.”

— Sir Richard Runciman Terry (1912)

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