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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

(Ladies Singing Low) • “Adding Fifths Above”

Jeff Ostrowski · January 21, 2021

ISHOP RUDOLF GRABER, who participated in the Second Vatican Council, asked in 1985: “Where do the conciliar texts speak of communion in the hand, for example, or where do they enjoin the so-called altar facing the people, which is scant testimony to that ‘giving perfect glory to God’ which the liturgy constitution says (paragraph 5) is the goal and purpose of worship? The answer is: Nowhere.” From the testimony of Father Robert Skeris, we learn that Graber went on to mention other items in the same category: elimination of the subdiaconate and the four minor orders; the monotonous enumeration of “Sundays in ordinary time”; de facto abandonment of Latin as liturgical language of the western Church; elimination of the second imposition of hands during priestly ordination, and many others. If Bishop Graber (1903-1992) were alive, he might be surprised to see that so many “pre-conciliar” items—Communion under one species and replying AMEN, congregational singing, extraordinary ministers, the congregational Pax, and so forth—have now been forbidden by the same bishops who previously said such items were absolutely crucial.

Covid-19 has caused choirmasters enormous difficulties. Here in Los Angeles, we have been “locked down” since March: restaurants closed, gyms closed, parks closed, nightly police curfew, and so on. There are constant changes to what we are permitted to do. Last Sunday, we sang some plainsong accompanied by the organ. Here’s an excerpt:

*  Mp3 Download • Kyrie IV (excerpt)
—Organ Accompaniment taken from the Saint Edmund Campion Missal.

We tried to add a little “solemnity” to this piece by having the ladies sing a perfect fifth above on every other verse, as you can (marker 0:22) hear:

(That style mimics “organum” but—despite what some erroneously claim—it isn’t. Authentic organum is a mixture of fifths, fourths, and octaves.)

When Does Christmas End?

When does the season of Christmas end? Dom Prosper Guéranger was quite clear: “We apply the name of CHRISTMAS to the forty days, which begin with the Nativity of our Lord, December 25th, and end with the Purification of the Blessed Virgin, February 2nd.” In my article on the difficult Christmas feasts, we spoke about how the Consilium ad Exsequendam Constitutionem de Sacra Liturgia [“Commission to implement the Constitution on the Sacred Liturgy”] could not decide when the Christmas season ended. Bishop Graber spoke of the monotonous enumeration of “Sundays in ordinary time”—that’s because prior to the Second Vatican Council, Sundays had a “marked character” (either post Epiphaniam or post Pentecosten). In the Ordinary Form, “tempus per annum” begins after the Feast of the Baptism of the Lord, and many people think shortening the season of Christmas like that is an impoverishment. As far as the Extraordinary Form is concerned, the season of Christmas lasts until 2 February.

We are not allowed to sing English during the High Mass, so we often sing Latin words to the melodies in the Brébeuf hymnal. Sometimes the Brébeuf Hymnal “demonstrates” how this can be done by providing English and Latin:

Here’s how that piece sounds—recognize the tune?

*  Mp3 Download • Brébeuf Hymn #761
—We are not allowed to sing English during the High Mass.

When it comes to great hymns for Christmas, Epiphany, and Ordinary Time (“per annum”), the Brébeuf hymnal is peerless. If that book had been available when I started as a Church musician, my life would have been so much easier and perhaps I wouldn’t have the physical problems I currently do, which were a result of extreme stress. I cannot think of any Catholic hymnal that comes close to the Brébeuf in terms of quality…it truly is on a pedestal.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

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Filed Under: Articles Last Updated: January 21, 2021

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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President’s Corner

    “Reminder” — Month of November (2025)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    “Offertory” at Catholic Funerals
    I have argued that the OFFERTORY—at least in its ancient form—is more of a responsory than an antiphon. The 1962 Missal specifically calls it “Antiphona ad Offertorium.” From now on, I plan to use this beautiful setting (PDF) at funerals, since it cleverly inserts themes from the absolution of the body. Tons more research needs to be done on the OFFERTORY, which often is a ‘patchwork’ stitching together various beginnings and endings of biblical verses. For instance, if you examine the ancient verses for Dómine, vivífica me (30th Sunday in Ordinary Time) you’ll discover this being done in a most perplexing way. Rebecca Maloy published a very expensive book on the OFFERTORY, but it was a disappointment. Indeed, I can’t think of a single valuable insight contained in her book. What a missed opportunity!
    —Jeff Ostrowski
    “In Paradisum” • Gregorian Chant
    As a RECESSIONAL on All Souls’ Day (November 2nd), we will sing In Paradísum Dedúcant Te Ángeli (PDF). When it comes to Gregorian Chant, this is one of the most popular “songs.” Frankly, all the prayers and chants from the traditional REQUIEM MASS (Missa exsequialis or Missa pro defunctis) are incredibly powerful and never should’ve been scuttled. Click here to hear “In Paradisum” in a recording I made this afternoon. Professor Louis Bouyer spoke of the way Bugnini “scuttled the office of the dead” in this fascinating excerpt from his memoirs. In his book, La riforma litugica (1983), Bugnini bragged—in quite a shameful way—about eliminating the ancient funeral texts, and even admitted those venerable texts were “beloved” (his word) by Catholics.
    —Jeff Ostrowski

Quick Thoughts

    Gospel Options for 2 November (“All Souls”)
    We’ve been told some bishops are suppressing the TLM because of “unity.” But is unity truly found in the MISSALE RECENS? For instance, on All Souls (2 November), any of these Gospel readings may be chosen, for any reason (or for no reason at all). The same is true of the Propria Missæ and other readings—there are countless options in the ORDINARY FORM. In other words, no matter which OF parish you attend on 2 November, you’ll almost certainly hear different propers and readings, to say nothing of different ‘styles’ of music. Where is the “unity” in all this? Indeed, the Second Vatican Council solemnly declared: “Even in the liturgy, the Church has no wish to impose a rigid uniformity in matters which do not implicate the faith or the good of the whole community.”
    —Corpus Christi Watershed
    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski
    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski

Random Quote

“The Chasuble, or upper garment, represents the purple garment which the soldiers put upon Jesus Christ, and the heavy cross that He carried on His blessed shoulders to Mount Calvary.”

— Guide for the Laity (1875)

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