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Jesus said to them: “I have come into this world so that a sentence may fall upon it, that those who are blind should see, and those who see should become blind. If you were blind, you would not be guilty. It is because you protest, ‘We can see clearly,’ that you cannot be rid of your guilt.”

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Views from the Choir Loft

(Ladies Singing Low) • “Adding Fifths Above”

Jeff Ostrowski · January 21, 2021

ISHOP RUDOLF GRABER, who participated in the Second Vatican Council, asked in 1985: “Where do the conciliar texts speak of communion in the hand, for example, or where do they enjoin the so-called altar facing the people, which is scant testimony to that ‘giving perfect glory to God’ which the liturgy constitution says (paragraph 5) is the goal and purpose of worship? The answer is: Nowhere.” From the testimony of Father Robert Skeris, we learn that Graber went on to mention other items in the same category: elimination of the subdiaconate and the four minor orders; the monotonous enumeration of “Sundays in ordinary time”; de facto abandonment of Latin as liturgical language of the western Church; elimination of the second imposition of hands during priestly ordination, and many others. If Bishop Graber (1903-1992) were alive, he might be surprised to see that so many “pre-conciliar” items—Communion under one species and replying AMEN, congregational singing, extraordinary ministers, the congregational Pax, and so forth—have now been forbidden by the same bishops who previously said such items were absolutely crucial.

Covid-19 has caused choirmasters enormous difficulties. Here in Los Angeles, we have been “locked down” since March: restaurants closed, gyms closed, parks closed, nightly police curfew, and so on. There are constant changes to what we are permitted to do. Last Sunday, we sang some plainsong accompanied by the organ. Here’s an excerpt:

*  Mp3 Download • Kyrie IV (excerpt)
—Organ Accompaniment taken from the Saint Edmund Campion Missal.

We tried to add a little “solemnity” to this piece by having the ladies sing a perfect fifth above on every other verse, as you can (marker 0:22) hear:

(That style mimics “organum” but—despite what some erroneously claim—it isn’t. Authentic organum is a mixture of fifths, fourths, and octaves.)

When Does Christmas End?

When does the season of Christmas end? Dom Prosper Guéranger was quite clear: “We apply the name of CHRISTMAS to the forty days, which begin with the Nativity of our Lord, December 25th, and end with the Purification of the Blessed Virgin, February 2nd.” In my article on the difficult Christmas feasts, we spoke about how the Consilium ad Exsequendam Constitutionem de Sacra Liturgia [“Commission to implement the Constitution on the Sacred Liturgy”] could not decide when the Christmas season ended. Bishop Graber spoke of the monotonous enumeration of “Sundays in ordinary time”—that’s because prior to the Second Vatican Council, Sundays had a “marked character” (either post Epiphaniam or post Pentecosten). In the Ordinary Form, “tempus per annum” begins after the Feast of the Baptism of the Lord, and many people think shortening the season of Christmas like that is an impoverishment. As far as the Extraordinary Form is concerned, the season of Christmas lasts until 2 February.

We are not allowed to sing English during the High Mass, so we often sing Latin words to the melodies in the Brébeuf hymnal. Sometimes the Brébeuf Hymnal “demonstrates” how this can be done by providing English and Latin:

Here’s how that piece sounds—recognize the tune?

*  Mp3 Download • Brébeuf Hymn #761
—We are not allowed to sing English during the High Mass.

When it comes to great hymns for Christmas, Epiphany, and Ordinary Time (“per annum”), the Brébeuf hymnal is peerless. If that book had been available when I started as a Church musician, my life would have been so much easier and perhaps I wouldn’t have the physical problems I currently do, which were a result of extreme stress. I cannot think of any Catholic hymnal that comes close to the Brébeuf in terms of quality…it truly is on a pedestal.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

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Filed Under: Articles Last Updated: January 21, 2021

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Music List” • 6th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 6th Sunday of Easter (25 May 2025). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and propers for this Sunday are provided at the the feasts website.
    —Jeff Ostrowski
    “Gloria in Spanish” • Free Accompaniment
    Several people have requested an organ accompaniment for the GLORY TO GOD which prints the Spanish words directly above the chords. The Spanish adaptation—Gloria a Dios en el cielo—as printed in Roman Misal, tercera edición was adapted from the “Glória in excélsis” from Mass XV (DOMINATOR DEUS). I used to feel that it’s a pretty boring chant … until I heard it sung well by a men’s Schola Cantorum, which changed my view dramatically. This morning, I created this harmonization and dedicated it to my colleague, Corrinne May. You may download it for free. Please let me know if you enjoy it!
    —Jeff Ostrowski
    How Well Does ICEL Know Latin?
    This year, the Feast of Saints Peter and Paul (29 June 2025) will fall on a Sunday. It’s not necessary to be an eminent Latin scholar to be horrified by examples like this, which have been in place since 1970. For the last 55 years, anyone who’s attempted to correct such errors has been threatened with legal action. It is simply unbelievable that the (mandatory) texts of the Holy Mass began being sold for a profit in the 1970s. How much longer will this gruesome situation last?
    —Jeff Ostrowski

Quick Thoughts

    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt
    The Funeral Rites of the Graduale Romanum
    Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.
    —Daniel Tucker

Random Quote

“What really matters in life is that we are loved by Christ and that we love Him in return. In comparison to the love of Jesus, everything else is secondary. And, without the love of Jesus, everything is useless.”

— Pope John Paul II (1979)

Recent Posts

  • “Music List” • 6th Sunday of Easter (Year C)
  • “Can the Choir Sing Alone at Mass?” • Yes! And Here’s Why That Matters
  • “Gloria in Spanish” • Free Accompaniment
  • How Well Does ICEL Know Latin?
  • Nobody Cares About This! • 1887 Rheims-Cambrai Gradual included “Restored” Plainsong

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