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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

(Ladies Singing Low) • “Adding Fifths Above”

Jeff Ostrowski · January 21, 2021

ISHOP RUDOLF GRABER, who participated in the Second Vatican Council, asked in 1985: “Where do the conciliar texts speak of communion in the hand, for example, or where do they enjoin the so-called altar facing the people, which is scant testimony to that ‘giving perfect glory to God’ which the liturgy constitution says (paragraph 5) is the goal and purpose of worship? The answer is: Nowhere.” From the testimony of Father Robert Skeris, we learn that Graber went on to mention other items in the same category: elimination of the subdiaconate and the four minor orders; the monotonous enumeration of “Sundays in ordinary time”; de facto abandonment of Latin as liturgical language of the western Church; elimination of the second imposition of hands during priestly ordination, and many others. If Bishop Graber (1903-1992) were alive, he might be surprised to see that so many “pre-conciliar” items—Communion under one species and replying AMEN, congregational singing, extraordinary ministers, the congregational Pax, and so forth—have now been forbidden by the same bishops who previously said such items were absolutely crucial.

Covid-19 has caused choirmasters enormous difficulties. Here in Los Angeles, we have been “locked down” since March: restaurants closed, gyms closed, parks closed, nightly police curfew, and so on. There are constant changes to what we are permitted to do. Last Sunday, we sang some plainsong accompanied by the organ. Here’s an excerpt:

*  Mp3 Download • Kyrie IV (excerpt)
—Organ Accompaniment taken from the Saint Edmund Campion Missal.

We tried to add a little “solemnity” to this piece by having the ladies sing a perfect fifth above on every other verse, as you can (marker 0:22) hear:

(That style mimics “organum” but—despite what some erroneously claim—it isn’t. Authentic organum is a mixture of fifths, fourths, and octaves.)

When Does Christmas End?

When does the season of Christmas end? Dom Prosper Guéranger was quite clear: “We apply the name of CHRISTMAS to the forty days, which begin with the Nativity of our Lord, December 25th, and end with the Purification of the Blessed Virgin, February 2nd.” In my article on the difficult Christmas feasts, we spoke about how the Consilium ad Exsequendam Constitutionem de Sacra Liturgia [“Commission to implement the Constitution on the Sacred Liturgy”] could not decide when the Christmas season ended. Bishop Graber spoke of the monotonous enumeration of “Sundays in ordinary time”—that’s because prior to the Second Vatican Council, Sundays had a “marked character” (either post Epiphaniam or post Pentecosten). In the Ordinary Form, “tempus per annum” begins after the Feast of the Baptism of the Lord, and many people think shortening the season of Christmas like that is an impoverishment. As far as the Extraordinary Form is concerned, the season of Christmas lasts until 2 February.

We are not allowed to sing English during the High Mass, so we often sing Latin words to the melodies in the Brébeuf hymnal. Sometimes the Brébeuf Hymnal “demonstrates” how this can be done by providing English and Latin:

Here’s how that piece sounds—recognize the tune?

*  Mp3 Download • Brébeuf Hymn #761
—We are not allowed to sing English during the High Mass.

When it comes to great hymns for Christmas, Epiphany, and Ordinary Time (“per annum”), the Brébeuf hymnal is peerless. If that book had been available when I started as a Church musician, my life would have been so much easier and perhaps I wouldn’t have the physical problems I currently do, which were a result of extreme stress. I cannot think of any Catholic hymnal that comes close to the Brébeuf in terms of quality…it truly is on a pedestal.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

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Filed Under: Articles Last Updated: January 21, 2021

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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President’s Corner

    💲 5.00 💵
    Our tiny 501(c)3 nonprofit organization exists solely by generous readers who donate $5.00 per month. We have no endowment; we have no major donors; we run no advertisements; we have no savings. A donor wrote to us: “I so appreciate all you do and have done, and your generosity is unprecedented. I am honored to be able to make a monthly contribution.” Another monthly donor says: “Thank you for everything CC Watershed does. We are able to add so much solemnity to Holy Mass due to the resources made available here.” Can you spare a few dollars each month to help us survive?
    —Corpus Christi Watershed
    Dom Pothier • Photo from 1904
    Dom Paul Cagin, in a 1904 publication (L’oeuvre de Solesmes dans la restauration du chant grégorien) made sure to include a beautiful image of Dom Pothier, the legendary abbot of St-Wandrille. Also shown is a very young Dom André Mocquereau. Auguste Pécoul—considered the spiritual “son” of Abbat Prosper Guéranger of Solesmes—wrote as follows on 24 June 1901: “To forestall any confusion, let us remember that there is just one Gregorian notation—that restored, according to the ancient manuscripts, by the eminent Abbot of Saint-Wandrille, Dom Pothier.” ✠
    —Jeff Ostrowski
    PDF • “3-Voice Motet” (Father De Laet)
    I believe 99% of our readers will recognize this hymn tune. Perhaps Father Edgard De Laet should have called it a ‘hymn’ instead of a ‘motet for three voices’—but he’s technically correct, since MOTET is defined as: “a short piece of sacred choral music, typically polyphonic and unaccompanied.” The even verses are for three voices, as you will see if you download the PDF score at #20245. The odd verses may be song a cappella SATB or unison with organ.
    —Jeff Ostrowski

Quick Thoughts

    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    “Reminder” — Month of January (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

It is unworthy that the stone holds Him, Who encloses everything in His hand, Locked in by the forbidding rock. (“Indígnum est cujus claudúntur cuncta pugíllo | Ut tegat inclúsum rupe vetánte lapis.”)

— SALVE FESTA DIES (Eastertide)

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  • Dom Pothier • Photo from 1904
  • PDF Chart • “Plainsong Rhythm”
  • PDF • “3-Voice Motet” (Father De Laet)
  • PDF Download • “Hymn for 2 Voices”

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