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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

(Installment #12) “Catholic Hymnals” • Veronica Moreno

Veronica Moreno · November 7, 2020

Editor’s Note: Each contributor is reflecting upon Comparison of 15 Traditional Catholic Hymnals. Rather than rehashing Mr. Craig’s article, they were given freedom to “expand upon” this vast subject. Click here to read all the installments that have appeared so far.

KNOW MAMAS, we just began the school year and have barely gotten past All Saint’s Day, but ADVENT is nigh! In an attempt to tackle planning before the hustle and bustle of Thanksgiving (and all that proceeds), I’ve compiled a list of hymns and chants that you can browse through, at your own leisure, and choose a few to start learning with the kiddos during hymn and chant study! You can refer back to my previous article if you have any questions about what a hymn and chant study is…or how to implement it in your own domestic monastery!

This is by no means an exhaustive list, but I think its a solid start to having an array of Advent hymns and chants to sing with the family throughout Adventide. You can access all these hymns and chants via hymnals, CD compilations, or good ole’ YouTube (parents ONLY please).

The Brébeuf Hymnal

First up is the lovely Brébeuf Hymnal, which contains beautiful Catholic hymns for the entire liturgical year. This hymnal alone contains ten Advent hymns, including some of our favorites. (If you want to know how the Brébeuf compares to other Catholic hymnals, please check out Daniel Craig’s comparison of 15 traditional hymnals.) Most of the Brébeuf Advent hymns have been recorded for your listening (and learning!) pleasure, complete with SATB parts if you feel adventurous and want the family to work on harmonization skills! The Advent songs found on the Brébeuf Hymnal website and in the “Snippets Index” include:

•   VIDEO   •   Hymn #182   |   “Conditor Alme Siderum”

•   VIDEO   •   Hymn #653   |   “O Come, O Come, Emmanuel”

•   VIDEO   •   Hymn #654   |   “On Jordan’s Bank the Baptist’s Cry”

•   VIDEO   •   Hymn #655   |   “Hark! A Voice in Urgent Warning”

•   no video yet   •   Hymn #656   |   “The Coming of our God”

•   VIDEO   •   Hymn #657   |   “O Come, Divine Messiah”

•   no video yet   •   Hymn #658   |   “Lo! He Comes with Clouds Descending”

•   VIDEO   •   Hymn #659   |   “The Heavens, Savior, Open Tear”

•   no video yet   •   Hymn #660   |   “Gabriel Saluting, Heaven Thee Recruiting”

•   VIDEO   •   Hymn #661   |   “Come, Thou Long Expected Jesus”

Take special notice of the ancient “Conditor Alme Siderum,” a hauntingly beautiful 7th century hymn, which is found in its original and altered (1687) forms. The Brébeuf provides a plethora of tunes for this popular Advent hymn, not to mention a few different translations by Msgr. Ronald Knox and Robert Campbell of Skerrington. So, if you’re already familiar with the most popular tune used, you can learn a new melody with the same awesome lyrics! For example, a few of the hymn tunes used for this text include: WHITEHALL, KEMPEN, LA ROCHELLE, MONKLAND, and more!

Also, let’s not forget that “O Come, O Come, Emmanuel” and “Hark! A Voice in Urgent Warning” (“Vox Clara Ecce Intonant”) are hymns commonly sung in Latin and can be found via a quick Google search. Additionally, for those interested in something a bit more challenging, here you can find a 2 voice setting of “Veni Veni Emmanuel,” which is the original, ancient melody!

Marian hymns

Since our Blessed Mother Mary plays a vital role in the Advent narrative, it’s no surprise that including Marian hymns can be a fruitful addition to this time of preparation. Below are just a handful of Marian hymns that would be beautiful additions for Adventide singing.

“Alma Redemptoris Mater” is one the four seasonal Marian antiphons that are sung to conclude Compline throughout the liturgical year. It is said to be written by Blessed Hermann of Reichenau (1013-1054), a Benedictine monk and scholar. The chant is sung from the first Sunday in Advent until Candlemas (2nd of February) and the lyrics are quite beautiful to meditate on or have the children recite, in Latin or English. Below is a beautiful translation by the great St. John Henry Newmann:

Mother of the Redeemer, who art ever of heaven
The open gate, and the star of the sea, aid a fallen people,
Which is trying to rise again; thou who didst give birth,
While Nature marveled how, to thy Holy Creator,
Virgin both before and after, from Gabriel’s mouth
Accepting the All hail, be merciful towards sinners.

V: The angel of the Lord declared unto Mary
R: And she conceived by the Holy Spirit.

This chant has a solemn and simple tone, both beautiful. I’m most familiar with the simple tone and my children learned it quickly.

“Ave Maria” may be one of the best known texts, in the secular and Catholic world. The beautiful “Hail Mary” prayer, set to Shubert’s “Ellens dritter Gesang” is most popular, but the simple chant is quite mesmerizing. I personally prefer the Gregorian chant version, but this is just my humble opinion. “Ave Maria” is a quick meditation on the words spoken at the Annunciation and the Visitation (first two Joyful Mysteries) – the beginning of our Lord’s journey on earth – and a great piece to sing during the first weeks of Advent.

In the same vein, the “Magnificat” tells of our Lady’s words – her canticle – praising the Lord’s infinite goodness after the Angel Gabriel has delivered news of the Incarnation. What a brilliant moment for us to reflect upon; the moment our one, true Hope became flesh and dwelt among us. It is easy for me to imagine Mary’s awe and wonder at the Annunciation, perfectly articulated in these beginning verses:

My soul proclaims the greatness of the Lord;
my spirit rejoices in God my savior.
For he has looked upon his handmaid’s lowliness;
behold, from now on will all ages call me blessed.
The Mighty One has done great things for me, and holy is his name. (Luke 1:46-49)

This year we are learning the medieval carol “Angelus ad Virginum,” which describes the Annunciation. The original carol is said to have had 27 stanzas and was even referred to in “The Miller’s Tale” from Chaucer’s 14th century Canterbury Tales. The carol has a bright and bouncy sound, which makes it fun for the children to learn, but there are some melodic differences depending on which version you find and listen to. Here is the rendition we have enjoyed!

 

The music teacher at my elementary school (run by the wonderful Carmelite Sisters of the Most Sacred Heart of Los Angeles) always included the following song for our Christmas program: “The Angel Gabriel From Heaven Came.” As a child, the hymn was a favorite of mine because of the vivid description of the Angel Gabriel and its majestic “Gloria” at the end of each verse. It’s a traditional Basque carol that was translated into English by Sabine Baring-Gould, has a captivating melody, and was based on the medieval hymn, “Angelus ad Virginem” (mentioned above). For those with dramatically inclined children, this hymn would be a great opportunity for them to dress up and ‘act out’ the words. Who wouldn’t enjoy dressing up as Mother Mary and a winged seraph with “eyes as flame”?

Last But Not Least

Adding the “Angelus” prayer into your Advent traditions would be an excellent idea. The “Angelus” is a short and sweet prayer, traditionally prayed at noon, that allows us a moment to stop and pay homage to God and Mary in the midst of our busy day. Its comprised of verses from the Gospel account of the Incarnation alternating with the Hail Mary. This is a small way that my family tries to order our day around prayer, in addition to a family rosary and prayers before/after meals. Additionally, my colleague has created a pdf and practice video of a plainsong setting of the Angelus, attributed to Dom Charpentier, OSB.

* *  PDF Booklet • THE ANGELUS (Dom Charpentier, OSB)

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

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Filed Under: Articles Tagged With: Traditional Catholic Hymnals Last Updated: November 10, 2020

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About Veronica Moreno

Veronica Moreno is married to a teacher and homeschools five children. She has been cantor at her local Catholic parish for over a decade.—(Read full biography).

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President’s Corner

    PDF Download • “Organ Accompaniment”
    Over the past few years, I’ve been harmonizing all the vernacular plainsong Introit settings by the CHAUMONOT COMPOSERS GROUP. This coming Sunday—10 May 2026—is the 6th Sunday of Easter (Year A). The following declaration will probably smack of “blowing my own horn.” However, I’d rank this accompaniment as my best yet. In this rehearsal video, I attempt to sing it while simultaneously accompanying myself on the pipe organ. The musical score [for singers] as well as my organ accompaniment can be downloaded free of charge from the flourishing feasts website.
    —Jeff Ostrowski
    “Gregorian Chant Quiz” • 4 May 2026
    A few days ago, the CORPUS CHRISTI WATERSHED Facebook page posted this Gregorian Chant quiz regarding a rubric for the SEQUENCE for the feast of Corpus Christi: “Lauda Sion Salvatórem.” There is no audience more intelligent than ours—yet surprisingly nobody has been able to guess the rubric. Drop me an email with the right answer, and I’ll affirm your brilliance to everyone I encounter!
    —Jeff Ostrowski
    “Rare Photographs” • Hannibal Bugnini
    On 2 September 2025, we included in this article extremely rare photographs of Archbishop Hannibal Bugnini taken in Iran circa 1979. Bugnini had initially been banished by the pope to Uruguay, but he refused to obey. [This is interesting, since Bugnini relied upon ‘blind obedience’ when it came to modifications of the ancient liturgy.] After he refused to obey the order from the pope, Hannibal Bugnini was banished to Iran. You can also watch a short video of Hannibal Bugnini in Iran, dated 10 November 1979. That’s about a week after the USA embassy hostage crisis began in Tehran, and Pope Saint John Paul II had sent the leader of the Iranian Revolution a special letter.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of May (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    Simplified Version • “Canon in D” (Pachelbel)
    I published an article on 11 November 2023 called Wedding March For The Lazy Organist, which rather offhandedly made reference to a simplified version I created in 2007 for Pachelbel’s Canon. I often use it as a PROCESSIONAL for weddings and quinceañeras. Many organists say they “hate” Pachelbel’s Canon. But I love it. I think it’s bright and beautiful. I created that ‘simplified version’ for musicians coming to grips with playing the pipe organ. It can be downloaded as a free PDF if you visit Andrea Leal’s article dated 15 August 2022: Manuals Only: Organ Interludes Based on Plainsong. Specifically, it is page 84 in that collection—generously offered as a free PDF download. Johann Pachelbel (d. 1706) was a renowned German organist, violinist, teacher, and composer of over 500 works. A friend of Bach’s family, he taught Johann Christoph Bach (Sebastian Bach’s eldest brother) and lived in his house. Those who read Pachelbel’s biography will notice his connection to two German cities adopted as famous hymn tune names: EISENACH and ERFURT.
    —Jeff Ostrowski
    PDF Download • “Anima Christi”
    I received a request for an organ accompaniment I created way back in 2007 for the “Anima Christi” Gregorian Chant. You can download this PDF file which has the score in plainsong followed by a keyboard accompaniment. Many melodies have been paired with “Anima Christi” over the centuries, but this is—perhaps—the most common one.
    —Jeff Ostrowski

Random Quote

Luys de Villafranca, master of the altar boys—who are to be distinguished from the choirboys (“seises”) because they study only plainchant whereas the choirboys live with the chapelmaster and study polyphony and counterpoint as well—is rewarded on October 17 with a salary increase of 6,000 maravedís and an extra 12 bushels of wheat.

— Sevilla Cathedral: Chapter Resolution (7 September 1565)

Recent Posts

  • “Reminder” — Month of May (2026)
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  • Simplified Version • “Canon in D” (Pachelbel)
  • PDF Download • “Organ Accompaniment”
  • “Gregorian Chant Quiz” • 4 May 2026

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