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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Geeky Virtual Pipe Organ Options

Veronica Brandt · October 29, 2020

Earlier I wrote a little about using GrandOrgue to Make a Digital Piano Sound Like an Organ. This involved using my laptop as a virtual pipe organ. On the one hand, this provided a portable way to bring the sound of a pipe organ into the choir loft, which worked. The downside was that it took a while to set up and made it difficult to practise during the week, when I would use my laptop for other things.

Last year I found a smaller, older laptop to use as a virtual pipe organ, which could be left set up all the time at home. This involved using Aeolus, a smaller program which could run on a less powerful computer. Whereas GrandOrgue and Hauptwerk use samples recorded from real organs, Aeolus generates the sounds itself, combining different frequencies.

As the weather has been warming up here in Australia, I noticed the laptop’s fan coming on, which made me concerned that it would struggle with the heat if I left it on over the summer. I turned to the idea of using an even smaller computer—a Raspberry Pi!

It seems possible to run GrandOrgue on the Raspberry Pi and you can find a script to help you. But the Pi’s rather minimal resources would not be able to handle the more interesting sample sets available, so I was open to alternatives.

A company called Organnery, based in France, offers this demonstration of running a virtual pipe organ with Aeolus on a Raspberry Pi:

Organnery offers prebuilt kits or custom installations from qualified technicians, even adapting existing organs to become midified electronic organs.

For those who may be daunted at the prospect of setting up your own computer, Noel Jones has come up with a pre-packaged Choir Organ, a box which plugs into a midi keyboard and your sound system. I haven’t tried it, but it sounds like it uses similar ideas.

One more alternative is Zynthian – a company offering a very powerful multitimbral synthesizer and audio processor which can also run Aeolus. Like Organnery, it also uses a Raspberry Pi.

Lastly, I stumbled across Box of Stops, yet another Electronic Organ based on the humble Raspberry Pi. This one seems to use much more modern registrations, moving further from the classical pipe organ. The project takes the interesting approach to changing stops by utilizing the touch screen on a phone or tablet connected to the same local area network. This raises the interesting idea of a member of the congregation hacking into the system and changing the registration during a service from their phone.

Finally, here is a short tour of my own current setup. I have two USB MIDI keyboards, an amplifier, two large speakers, qwerty keyboard, monitor and mouse and a Raspberry Pi 3. I also have a pedalboard and bench gleaned from an old Lowrey Promenade. I haven’t connected the pedalboard yet, but this product makes it look possible.

 

I still take my laptop to Mass to bypass the Digital Piano in the choir loft. Having this set up at home has helped make it easier for me to practise as well as providing an accessible means for my children to try it out.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

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Filed Under: Articles Tagged With: Pipe Organ, Raspberry Pi Last Updated: December 27, 2020

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About Veronica Brandt

Veronica Brandt holds a Bachelor Degree in Electrical Engineering. She lives near Sydney, Australia, with her husband and six children.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

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    Our tiny 501(c)3 nonprofit organization exists solely by generous readers who donate $5.00 per month. We have no endowment; we have no major donors; we run no advertisements; we have no savings. A donor wrote to us: “I so appreciate all you do and have done, and your generosity is unprecedented. I am honored to be able to make a monthly contribution.” Another monthly donor says: “Thank you for everything CC Watershed does. We are able to add so much solemnity to Holy Mass due to the resources made available here.” Can you spare a few dollars each month to help us survive?
    —Corpus Christi Watershed
    Dom Pothier • Photo from 1904
    Dom Paul Cagin, in a 1904 publication (L’oeuvre de Solesmes dans la restauration du chant grégorien) made sure to include a beautiful image of Dom Pothier, the legendary abbot of St-Wandrille. Also shown is a very young Dom André Mocquereau. Auguste Pécoul—considered the spiritual “son” of Abbat Prosper Guéranger of Solesmes—wrote as follows on 24 June 1901: “To forestall any confusion, let us remember that there is just one Gregorian notation—that restored, according to the ancient manuscripts, by the eminent Abbot of Saint-Wandrille, Dom Pothier.” ✠
    —Jeff Ostrowski
    PDF • “3-Voice Motet” (Father De Laet)
    I believe 99% of our readers will recognize this hymn tune. Perhaps Father Edgard De Laet should have called it a ‘hymn’ instead of a ‘motet for three voices’—but he’s technically correct, since MOTET is defined as: “a short piece of sacred choral music, typically polyphonic and unaccompanied.” The even verses are for three voices, as you will see if you download the PDF score at #20245. The odd verses may be song a cappella SATB or unison with organ.
    —Jeff Ostrowski

Quick Thoughts

    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    “Reminder” — Month of January (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

At papal Masses, the regulations against tardiness were more stringent than at Masses celebrated by cardinals or bishops. Giovanni Maria Nanino records that any singer who is not in his place—and in his vestments—by the end of the repetition of the “Introit” will be fined eight vinti. At papal Vespers, the singer who is not present at the “Gloria Patri” of the first psalm pays a fine of fifty balocchi.

— Giovanni M. Nanino (d. 1607), Papal “Maestro di Cappella”

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  • Dom Pothier • Photo from 1904
  • PDF Chart • “Plainsong Rhythm”
  • PDF • “3-Voice Motet” (Father De Laet)
  • PDF Download • “Hymn for 2 Voices”

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Corpus Christi Watershed is a 501(c)3 public charity dedicated to exploring and embodying as our calling the relationship of religion, culture, and the arts. This non-profit organization employs the creative media in service of theology, the Church, and Christian culture for the enrichment and enjoyment of the public.