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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Geeky Virtual Pipe Organ Options

Veronica Brandt · October 29, 2020

Earlier I wrote a little about using GrandOrgue to Make a Digital Piano Sound Like an Organ. This involved using my laptop as a virtual pipe organ. On the one hand, this provided a portable way to bring the sound of a pipe organ into the choir loft, which worked. The downside was that it took a while to set up and made it difficult to practise during the week, when I would use my laptop for other things.

Last year I found a smaller, older laptop to use as a virtual pipe organ, which could be left set up all the time at home. This involved using Aeolus, a smaller program which could run on a less powerful computer. Whereas GrandOrgue and Hauptwerk use samples recorded from real organs, Aeolus generates the sounds itself, combining different frequencies.

As the weather has been warming up here in Australia, I noticed the laptop’s fan coming on, which made me concerned that it would struggle with the heat if I left it on over the summer. I turned to the idea of using an even smaller computer—a Raspberry Pi!

It seems possible to run GrandOrgue on the Raspberry Pi and you can find a script to help you. But the Pi’s rather minimal resources would not be able to handle the more interesting sample sets available, so I was open to alternatives.

A company called Organnery, based in France, offers this demonstration of running a virtual pipe organ with Aeolus on a Raspberry Pi:

Organnery offers prebuilt kits or custom installations from qualified technicians, even adapting existing organs to become midified electronic organs.

For those who may be daunted at the prospect of setting up your own computer, Noel Jones has come up with a pre-packaged Choir Organ, a box which plugs into a midi keyboard and your sound system. I haven’t tried it, but it sounds like it uses similar ideas.

One more alternative is Zynthian – a company offering a very powerful multitimbral synthesizer and audio processor which can also run Aeolus. Like Organnery, it also uses a Raspberry Pi.

Lastly, I stumbled across Box of Stops, yet another Electronic Organ based on the humble Raspberry Pi. This one seems to use much more modern registrations, moving further from the classical pipe organ. The project takes the interesting approach to changing stops by utilizing the touch screen on a phone or tablet connected to the same local area network. This raises the interesting idea of a member of the congregation hacking into the system and changing the registration during a service from their phone.

Finally, here is a short tour of my own current setup. I have two USB MIDI keyboards, an amplifier, two large speakers, qwerty keyboard, monitor and mouse and a Raspberry Pi 3. I also have a pedalboard and bench gleaned from an old Lowrey Promenade. I haven’t connected the pedalboard yet, but this product makes it look possible.

 

I still take my laptop to Mass to bypass the Digital Piano in the choir loft. Having this set up at home has helped make it easier for me to practise as well as providing an accessible means for my children to try it out.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

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Filed Under: Articles Tagged With: Pipe Organ, Raspberry Pi Last Updated: December 27, 2020

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About Veronica Brandt

Veronica Brandt holds a Bachelor Degree in Electrical Engineering. She lives near Sydney, Australia, with her husband and six children.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Funeral Music “Template” • For Families
    Many have requested the MUSICAL TEMPLATE for funerals we give to families at our parish. The family of the deceased is usually involved in selecting Number 12 on that sheet. This template was difficult to assemble, because the “Ordo Exsequiarum” has never been translated into English, and the assigned chants and hymns are given in different liturgical books (Lectionary, Gradual, Order of Christian Funerals, and so on). Please notify me if you spot errors or broken links. Readers will be particularly interested in some of the plainsong musical settings, which are truly haunting in their beauty.
    —Jeff Ostrowski
    “To Cover Sin With Smooth Names”
    Monsignor Ronald Knox created several English translations of the PSALTER at the request of the Cardinal Archbishop of Westminster. Readers know that the third edition of the Saint Edmund Campion Missal uses a magnificent translation of the ROMAN CANON (and complete Ordo Missae) created in 1950 by Monsignor Knox. What’s interesting is that, when psalms are used as part of the Ordo Missae, he doesn’t simply copy and paste from his other translations. Consider the beautiful turn of phrase he adds to Psalm 140 (which the celebrant prays as he incenses crucifix, relics, and altar): “Lord, set a guard on my mouth, a barrier to fence in my lips, lest my heart turn to thoughts of evil, to cover sin with smooth names.” The 3rd edition of the CAMPION MISSAL is sleek; it fits easily in one’s hand. The print quality is beyond gorgeous. One must see it to believe it! You owe it to yourself—at a minimum—to examine these sample pages from the full-color section.
    —Jeff Ostrowski
    Heretical Hymns
    As a public service, perhaps a theologian ought to begin assembling a heretical hymns collection. A liturgical book—for funerals!—published by the Collegeville Press contains this monstrosity by someone named “Delores Dufner.” I can’t tell what the lyrics are trying to convey—can you? I detest ‘hymns’ with lines such the one she came up with: “Let the thirsty come and drink, Share My wine and bread.” Somehow, the publication was granted an IMPRIMATUR by Most Rev’d Jerome Hanus (bishop of Saint Cloud) on 16 August 1989. It’s a nice tune, but paired with a nasty text!
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of Febr. (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

When we say: “The people like this” we regard them as unable to develop, as animals rather than human beings, and we simply neglect our duties in helping them towards a true human existence — indeed, in this case, to truly Christian existence.

— Professor László Dobszay (2003)

Recent Posts

  • “Pipe Organ Interlude During Funerals?” • (Reader Feedback)
  • Funeral Music “Template” • For Families
  • “To Cover Sin With Smooth Names”
  • Heretical Hymns
  • Alphabetizing Hymn Titles Inside Hymnals • “Does This Make Any Sense?”

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