• Skip to primary navigation
  • Skip to main content
  • Skip to primary sidebar

Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

  • Donate
  • Our Team
    • Our Editorial Policy
    • Who We Are
    • How To Contact Us
    • Sainte Marie Bulletin Articles
    • Jeff’s Mom Joins Fundraiser
  • Pew Resources
    • Brébeuf Catholic Hymnal
    • Jogues Illuminated Missal
    • Repository • “Spanish Music”
    • KYRIALE • Saint Antoine Daniel
    • Campion Missal, 3rd Edition
  • MUSICAL WEBSITES
    • René Goupil Gregorian Chant
    • Noël Chabanel Psalms
    • Nova Organi Harmonia (2,279 pages)
    • Roman Missal, 3rd Edition
    • Catechism of Gregorian Rhythm
    • Father Enemond Massé Manuscripts
    • Lalemant Polyphonic
    • Feasts Website
  • Miscellaneous
    • Site Map
    • Secrets of the Conscientious Choirmaster
    • “Wedding March” for lazy organists
    • Emporium Kevin Allen
    • Saint Jean de Lalande Library
    • Sacred Music Symposium 2023
    • The Eight Gregorian Modes
    • Gradual by Pothier’s Protégé
    • Seven (7) Considerations
Views from the Choir Loft

“Homily for the 17th Sunday after Pentecost” (EF) • Father Valentine Young, OFM

Jeff Ostrowski · September 22, 2020

The following is by Father Valentine Young, OFM, a faithful Catholic priest who died on 17 January 2020. It was delivered sometime between 2013 and 2020. To learn more about Father Valentine, please scroll to the bottom of the page.

17th Sunday after Pentecost

*  PDF Download • READINGS IN ENGLISH
—(1962 Missal) Extraordinary Form of the Roman Rite.

ODAY’S GOSPEL is one of my favorite Gospels during the entire year. You may wonder why. I’m especially impressed by our Lord’s quoting of Psalm 109 to answer or refute his enemies. I have to admit that for a time I did not fully understand or appreciate this part of the Gospel where Jesus (quoting Ps. 109) says: “The Lord said to my Lord, sit thou at my right hand.” But Jesus says something very important before quoting this text. He says “How is it that David in the Spirit said…?” and then quotes the psalm. This little phrase tells us that David—in writing the Psalms—was influenced or inspired by the Spirit.

Mystery of the Holy Trinity: Scholars agree that there were no clear references to the Holy Trinity in the Old Testament. God chose to reserve the revelation of that fact about Himself until New Testament times. In other words, this Mystery of our Faith was only more clearly revealed after Christ (the Second Person of the Blessed Trinity) took on our human nature and was born as an infant in Bethlehem.

Explanation of text: I didn’t really understand this section of the Bible or this part of the psalm until I was in the Novitiate and we studied all one hundred fifty psalms as part of our training. Then I learned that one could justly paraphrase this part of the Bible by saying:

“The first Lord mentioned was God the Father.
And He declared to the
second Lord mentioned as His Son.
And the fact that the Second One mentioned
was told to “Sit at His Right hand”
was a biblical way of saying
that He had equal power
with the first Lord mentioned.
This one is God the Father.

In the Spirit: We are then told that David was only able to say this because he was ‘inspired’ by the Spirit. This is a reference to the Holy Spirit, the Third Person of the Blessed Trinity. This section also informs us that the writers of the Bible were inspired or guided by the Holy Spirit in what they wrote. This holds true for everything else written in the psalm.

Use of psalm: Since this psalm so uniquely sums up the facts about Christ, the Church uses this psalm as the FIRST PSALM AT VESPERS for each Sunday and Major Feast. And I’m told this verse is quoted in the New Testament more than any other verse of Sacred Scripture.

Overcoming enemies: This Psalm says much about Christ. Actually, I should say it ‘predicts’ much about Christ, because the psalm was written about 900 years before Christ even came in our human nature. It predicts that Christ would be a King and Priest. In our day and age I think it is good that we all be reminded that Christ will eventually overcome his enemies.

The enemy from within: One reason—the main reason—why I stress this fact in connection with the present crisis in the Church is because it seems most of our problems are arising from within the Church. The Church has survived many persecutions and problems coming from outside the Church. Today’s problems are unique. They are coming mainly from within the Church. They are coming from shepherds and leaders who should be defending the truth and not (seemingly, at least) seeking to destroy us from within.

The outcome: I can’t predict when this situation will change. But I’m sure from reading the rest of the psalm that Christ will eventually overcome His enemies. Right now, I have to put my faith and confidence in Him. I must hold on to the basic truths I know, even if there are many around who seemingly deny them. I do think a positive attitude is required. We know that the truth will eventually prevail. I can’t answer when or how. Right now I have to accept Christ’s Church with (seemingly, at least) many defects and flaws. But I have no doubt but that Christ is depending on each and every one of us to do what we can to help His Kingdom and Church prevail. +

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Valentine Young SERMON Last Updated: September 30, 2020

Subscribe

It greatly helps us if you subscribe to our mailing list!

* indicates required

About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

Primary Sidebar

Corpus Christi Watershed

President’s Corner

    Funeral Music “Template” • For Families
    Many have requested the MUSICAL TEMPLATE for funerals we give to families at our parish. The family of the deceased is usually involved in selecting Number 12 on that sheet. This template was difficult to assemble, because the “Ordo Exsequiarum” has never been translated into English, and the assigned chants and hymns are given in different liturgical books (Lectionary, Gradual, Order of Christian Funerals, and so on). Please notify me if you spot errors or broken links. Readers will be particularly interested in some of the plainsong musical settings, which are truly haunting in their beauty.
    —Jeff Ostrowski
    “To Cover Sin With Smooth Names”
    Monsignor Ronald Knox created several English translations of the PSALTER at the request of the Cardinal Archbishop of Westminster. Readers know that the third edition of the Saint Edmund Campion Missal uses a magnificent translation of the ROMAN CANON (and complete Ordo Missae) created in 1950 by Monsignor Knox. What’s interesting is that, when psalms are used as part of the Ordo Missae, he doesn’t simply copy and paste from his other translations. Consider the beautiful turn of phrase he adds to Psalm 140 (which the celebrant prays as he incenses crucifix, relics, and altar): “Lord, set a guard on my mouth, a barrier to fence in my lips, lest my heart turn to thoughts of evil, to cover sin with smooth names.” The 3rd edition of the CAMPION MISSAL is sleek; it fits easily in one’s hand. The print quality is beyond gorgeous. One must see it to believe it! You owe it to yourself—at a minimum—to examine these sample pages from the full-color section.
    —Jeff Ostrowski
    Heretical Hymns
    As a public service, perhaps a theologian ought to begin assembling a heretical hymns collection. A liturgical book—for funerals!—published by the Collegeville Press contains this monstrosity by someone named “Delores Dufner.” I can’t tell what the lyrics are trying to convey—can you? I detest ‘hymns’ with lines such the one she came up with: “Let the thirsty come and drink, Share My wine and bread.” Somehow, the publication was granted an IMPRIMATUR by Most Rev’d Jerome Hanus (bishop of Saint Cloud) on 16 August 1989. It’s a nice tune, but paired with a nasty text!
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of Febr. (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

“If you begin by telling a man that in a word like ‘Deus’ the first syllable corresponds to the weak beat, the second to the strong beat of a modern bar, the one thing that will succeed in accomplishing is to bewilder him thoroughly.”

— Father Heinrich Bewerunge writing to Dame Laurentia

Recent Posts

  • Funeral Music “Template” • For Families
  • “To Cover Sin With Smooth Names”
  • Heretical Hymns
  • Alphabetizing Hymn Titles Inside Hymnals • “Does This Make Any Sense?”
  • Fulton J. Sheen • “24-Hour Catechism”

Subscribe

Subscribe

* indicates required

Copyright © 2026 Corpus Christi Watershed · Isaac Jogues on Genesis Framework · WordPress · Log in

Corpus Christi Watershed is a 501(c)3 public charity dedicated to exploring and embodying as our calling the relationship of religion, culture, and the arts. This non-profit organization employs the creative media in service of theology, the Church, and Christian culture for the enrichment and enjoyment of the public.