• Skip to primary navigation
  • Skip to main content
  • Skip to primary sidebar

Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

  • Donate
  • Our Team
    • Our Editorial Policy
    • Who We Are
    • How To Contact Us
    • Sainte Marie Bulletin Articles
    • Jeff’s Mom Joins Fundraiser
  • Pew Resources
    • Brébeuf Catholic Hymnal
    • Jogues Illuminated Missal
    • Repository • “Spanish Music”
    • KYRIALE • Saint Antoine Daniel
    • Campion Missal, 3rd Edition
  • MUSICAL WEBSITES
    • René Goupil Gregorian Chant
    • Noël Chabanel Psalms
    • Nova Organi Harmonia (2,279 pages)
    • Roman Missal, 3rd Edition
    • Catechism of Gregorian Rhythm
    • Father Enemond Massé Manuscripts
    • Lalemant Polyphonic
    • Feasts Website
  • Miscellaneous
    • Site Map
    • Secrets of the Conscientious Choirmaster
    • “Wedding March” for lazy organists
    • Emporium Kevin Allen
    • Saint Jean de Lalande Library
    • Sacred Music Symposium 2023
    • The Eight Gregorian Modes
    • Gradual by Pothier’s Protégé
    • Seven (7) Considerations
Views from the Choir Loft

That Little Tabernacle Light

Corrinne May · August 5, 2020

CYCLED about 20 minutes from my home to the church of the Blessed Sacrament the other evening, hoping to catch a glimpse of my Beloved in the Tabernacle. I reached the church and found the gate unlocked, but the church was closed and the doors of the church were locked due to restrictions imposed in the wake of the coronavirus pandemic. I walked around the outside perimeter of the brick church building. It was all dark within the church. But I knew that if I could just spot that little tabernacle light, I would be able to know that the Lord was close by.

It was pitch-black in the church and I walked all around, peeking through every narrow window I could find. But I still could not spot the tabernacle light. “Where are you Lord? Are you there?” I pleaded. Finally, behind a statue on the far side of the building, I looked through the small narrow slots of the window and I spotted the familiar red light, pulsing away in the darkness. “There you are Lord!” Tears streamed down my face. I knew that the Lord was close to the red tabernacle light, and even though I could not see the tabernacle in the darkness of the church, my heart was satisfied that I had found my Lord.

I have come to realise that we are all called to be that little tabernacle light. Especially in this day and age where so many cannot see Our Lord because of the coronavirus shuttering our churches. We are that tabernacle light for the world to see, for even though the world does not see or know Him, we do. We are the people of whom He spoke the words “Blessed are those who have not seen and yet believe.” (John 20:29)

Masses are still suspended at this point in time in Singapore and they have been suspended since mid-February. Many of the faithful here have not partaken of the Eucharist for many, many months. The churches have just started re-opening for private worship, but even then, only a small number of people are allowed to be before the Lord. It is hard when we cannot see Him, feel Him or partake of Him in Holy Communion. The Eucharist is hidden from us. But, the Body of Christ is not.

We are the Body of Christ. That knowledge has enlivened me, knowing that He walks among us. And this thought has been on my heart: “How am I to point the way to Him, the way that the tabernacle light points the way to Him?”

The world cannot see His Sacred Heart, 1 but they can see our hearts, like that candle, pulsing with love for Him. Is my heart and my love for the Lord on fire, just like that candle that faithfully glows and pulses beside the tabernacle? Am I willing to melt away with the fire of that love, the way His Heart melted away for me upon that cross? Am I willing to be that little tabernacle candle that burns itself out with the fire it’s been kindled with?

Lord, set our hearts aflame
with love for You,
that we may truly be
your Light in the world.

ADDENDUM: In the time which has elapsed since I wrote this article, Singapore has begun (somewhat) to resume Masses over the past month, with limits on how often the laity can attend. Right now, the quota is one weekend Mass per month, with a limit of 50 parishioners at each Mass. So churches are gradually opening up, but many adoration chapels remain closed and churches still have limited Mass times. Masks are mandatory and communion is restricted to reception in the hand, which I am truly sad about, but I’m hoping measures will ease and allow for reception on the tongue as soon as possible.

 


NOTES FROM THIS ARTICLE:

1   This calls to mind a beautiful hymn from the 12th century: Lux Alma, Jesu, Mentium. In the Brébeuf hymnal it is #746, and a literal translation is provided. The third verse is quite beautiful: “How happy the man that is host to You, for You are the companion of the Father at His right hand. You are the light that consoles heaven, but is unseen by man on earth.” The Brébeuf hymnal includes a metrical version by Saint John Henry Cardinal Newman, who renders that verse as follows:

Joyous is he, with whom,
God’s Word, Thou dost abide;
Sweet Light of our eternal home,
To fleshly sense denied.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Follow the Discussion on Facebook

Filed Under: Articles Last Updated: August 5, 2020

Subscribe

It greatly helps us if you subscribe to our mailing list!

* indicates required

About Corrinne May

Corrinne May is one of Singapore’s most celebrated singer-songwriters. She is also a wife and homeschooling mother.—(Read full biography).

Primary Sidebar

Corpus Christi Watershed

President’s Corner

    PDF • “Music List” (Sunday, 28 December)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for Feast of the Holy Family of Jesus, Mary, & Joseph (28 Dec. 2025). If such a thing interests you, feel free to download it as a PDF file. The FAUXBOURDON verses for the Communion Antiphon are particularly gorgeous. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    PDF • “Music List” (Xmas Midnight Mass)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for Christmas Midnight Mass (“Ad Missam In Nocte”). If such a thing interests you, feel free to download it as a PDF file. The ENTRANCE CHANT is simple, but quite beautiful. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    PDF • “Music List” (4th Sunday of Advent)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 21 December 2025, which is the 4th Sunday of Advent (Year A). If such a thing interests you, feel free to download it as a PDF file. The ENTRANCE CHANT is the famous “Roráte Coeli” and the fauxbourdon setting of the COMMUNION is exquisite. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski

Quick Thoughts

    PDF Download • “In Paradisum” in English
    We always sing the IN PARADISUM in Latin, as printed on this PDF score. I have an appallingly bad memory (meaning I’d be a horrible witness in court). In any event, it’s been brought to my attention that 15 years ago I created this organ accompaniment for the famous and beautiful ‘IN PARADISUM’ Gregorian chant sung in English according to ‘MR3’ (Roman Missal, Third Edition). If anyone desires such a thing, feel free to download and print. Looking back, I wish I’d brought the TENOR and BASS voices into a unison (on B-Natural) for the word “welcome” on the second line.
    —Jeff Ostrowski
    What does this mean? “Pre-Urbanite”
    Something informed critics have frequently praised vis-à-vis the Saint Jean de Brébeuf Hymnal is its careful treatment of the ancient hymns vs. the “Urbanite” hymns. This topic I had believed to be fairly well understood—but I was wrong. The reason I thought people knew about it is simple; in the EDITIO VATICANA 1908 Graduale Romanum (as well as the 1913 Liber Antiphonarius) both versions are provided, right next to each other. You can see what I mean by examining this PDF file from the Roman Gradual of 1908. Most people still don’t understand that the Urbanite versions were never adopted by any priests or monks who sang the Divine Office each day. Switching would have required a massive amount of effort and money, because all the books would need to be changed.
    —Jeff Ostrowski
    PDF Download • “Santo Santo Santo”
    Those searching for a dignified, brief, simple, bright setting of SANCTUS in Spanish (“Santo Santo Santo”) are invited to download this Setting in honor of Saint John Brébeuf (organist & vocalist). I wonder if there would be any interest in me recording a rehearsal video for this piece.
    —Jeff Ostrowski

Random Quote

In the United States, Archbishop Kenrick had said in his “Moral Theology” that it was acceptable to sing the “Véni Sáncte Spíritus” before the sermon.

— Monsignor Schmitt (1977)

Recent Posts

  • PDF Download • “In Paradisum” in English
  • “O Antiphons” Elevated?
  • PDF • “Music List” (Sunday, 28 December)
  • Should Catholics Sing Protestant Christmas Carols?
  • PDF • “Music List” (Xmas Midnight Mass)

Subscribe

Subscribe

* indicates required

Copyright © 2025 Corpus Christi Watershed · Isaac Jogues on Genesis Framework · WordPress · Log in

Corpus Christi Watershed is a 501(c)3 public charity dedicated to exploring and embodying as our calling the relationship of religion, culture, and the arts. This non-profit organization employs the creative media in service of theology, the Church, and Christian culture for the enrichment and enjoyment of the public.