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Corpus Christi Watershed

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Views from the Choir Loft

Biography • Dr. Gregory Hamilton

Dr. Gregory Hamilton · July 20, 2020

REGORY HAMILTON enjoys a wide variety of activities and interests as a composer, recitalist on the organ, piano and harpsichord, as a conductor, and continuo player on the harpsichord and theorbo. He is skilled in improvisation, and frequently includes improvisation in concerts. As a composer, over 100 of his works are in publication by Morning Star, Augsburg Fortress, CanticaNova, WLP, Concordia, Paraclete Press, Sheet Music Plus, and Lorenz, and are presented internationally in concert halls and churches, schools and airports. His Breath of the Spirit (an evening-length work for flute and organ, with narrators, written with Poet Kenneth Gaertner) was commissioned by Marilyn Mason and premiered by her with the flutist Donald Fishel in the Paris Festival Toussant at the Cathedral of Notre Dame de Paris, and has been performed over twenty times in the U.S and Europe.

*  DR. GREGORY HAMILTON • Publicity Photograph

Gregory was commissioned to compose The Church’s One Foundation for the Archdiocesan choir and orchestra for the dedication of the Cathedral of the Sacred Heart in Houston. Other recent works premiered include Concerto for Cello and Orchestra (Diane Winder and the Ypsilanti Symphony), Five Psalm Pictures, Rosary (Premiere—St. Johannes church, Amsterdam) and Fantasy Variations on a Theme of Schubert for string trio and flute, Hymn of Peace for Cello and Piano (cellist Cellist Mirel Iancvici; professor of cello at the Conseratoriaum, Utrecht) and several works for Houston virtuoso Organist Jackson Osborn. Gregory Hamilton attended Baldwin-Wallace University (B.MUS) The Royal College of Music, London, (M.Mus, A.R.C.M.) and The University of Michigan, (DMA) where he was a scholarship student of Dr. Marilyn Mason. Gregory has researched the works of Dom Paul Benoit, (1895-1976) the French composer-organist and has performed many of his works in the U.S. and abroad, including research at Benoit’s monastery, St. Mark and St. Maur in Clervaulx, Luxembourg. With Dr. Hamilton’s recent CD releases of Benoit’s music on RosaMystica recordings, he is enjoying the welcome upsurge in interest in the works of Benoit. Dr. Hamilton’s music has been featured in many radio broadcasts, including the NPR show Pipedreams, and was recently interviewed on “Notes from Above” (Ave Maria Radio). As a conductor, he has a wide repertoire of both choral and orchestral works, and has studied conducting with Dr. John Robinson and Dr. Leonard L. Riccinto.

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Dr. Hamilton has taught Performance and Interpretation of Gregorian Chant for many years and was a student of Fr. Columba Kelly and Fr. Ralph March. As a continuo and chamber music performer, he performs with several chamber groups, including the Orchestra of New Spain, providing continuo work for opera, chamber concerts, playing organ, theorbo, lute and harpsichord, including a 2016 tour of Bolivia. In continuo and Early Music (Lute and Theorbo), he was a student of Nigel North and Jacob Lindberg at the RCM and Guildhall (London). Dr. Hamilton is currently faculty and Director of Sacred Music at Holy Trinity Seminary (University of Dallas). He can also be found at gregoryhamilton.org, his personal website.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Biographies Last Updated: August 20, 2020

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About Dr. Gregory Hamilton

Dr. Gregory Hamilton is a composer and performer currently on the faculty of Holy Trinity Seminary in Dallas TX.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Luis Martínez Must Go!
    Sevilla Cathedral (entry dated 13 December 1564): The chapter orders Luis Martínez, a cathedral chaplain, to stay away from the choirbook-stand when the rest of the singers gather around it to sing polyphony—the reason being that “he throws the others out of tune.” [Excerpt from “The Life of Father Francisco Guerrero.”]
    —Jeff Ostrowski
    Urgent! • We Desperately Need Funds!
    A few days ago, the president of Corpus Christi Watershed posted this urgent appeal for funds. Please help us make sure we’re never forced to place our content behind a paywall. We feel it’s crucial that 100% of our content remains free to everyone. We’re a tiny 501(c)3 public charity, entirely dependent upon the generosity of small donors. We have no endowment and no major donors. We run no advertisements and have no savings. We beg you to consider donating $4.00 per month. Thank you!
    —Jeff Ostrowski
    “Booklet of Eucharistic Hymns” (16 pages)
    I was asked to create a booklet for my parish to use during our CORPUS CHRISTI PROCESSION on 22 June 2025. Would you be willing to look over the DRAFT BOOKLET (16 pages) I came up with? I tried to include a variety of hymns: some have a refrain; some are in major, others in minor; some are metered, others are plainsong; some are in Spanish, some are in Latin, but most are in English. Normally, we’d use the Brébeuf Hymnal—but we can’t risk having our congregation carry those heavy books all over the city to various churches.
    —Jeff Ostrowski

Quick Thoughts

    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed
    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed

Random Quote

“The Catholic Church holds it better for the sun and moon to drop from heaven, for the earth to fail, and for all the many millions on it to die of starvation in extremest agony, as far as temporal affliction goes, than that one soul, I will not say, should be lost, but should commit one single venial sin, should tell one willful untruth, or should steal one poor farthing without excuse.”

— Saint John Henry Newman (1865)

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Corpus Christi Watershed is a 501(c)3 public charity dedicated to exploring and embodying as our calling the relationship of religion, culture, and the arts. This non-profit organization employs the creative media in service of theology, the Church, and Christian culture for the enrichment and enjoyment of the public.

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