• Skip to primary navigation
  • Skip to main content
  • Skip to primary sidebar

Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

  • Donate
  • Our Team
    • Our Editorial Policy
    • Who We Are
    • How To Contact Us
    • Sainte Marie Bulletin Articles
    • Jeff’s Mom Joins Fundraiser
    • “Let the Choir Have a Voice” (Essay)
  • Pew Resources
    • Brébeuf Catholic Hymnal
    • Jogues Illuminated Missal
    • Repository • “Spanish Music”
    • KYRIALE • Saint Antoine Daniel
    • Campion Missal, 3rd Edition
  • MUSICAL WEBSITES
    • René Goupil Gregorian Chant
    • Noël Chabanel Psalms
    • Nova Organi Harmonia (2,279 pages)
    • Roman Missal, 3rd Edition
    • Catechism of Gregorian Rhythm
    • Father Enemond Massé Manuscripts
    • Lalemant Polyphonic
    • Feasts Website
  • Miscellaneous
    • Site Map
    • Secrets of the Conscientious Choirmaster
    • “Wedding March” for lazy organists
    • Emporium Kevin Allen
    • Saint Jean de Lalande Library
    • Sacred Music Symposium 2023
    • The Eight Gregorian Modes
    • Gradual by Pothier’s Protégé
    • Seven (7) Considerations
Views from the Choir Loft

Biography • Dr. Gregory Hamilton

Dr. Gregory Hamilton · July 20, 2020

REGORY HAMILTON enjoys a wide variety of activities and interests as a composer, recitalist on the organ, piano and harpsichord, as a conductor, and continuo player on the harpsichord and theorbo. He is skilled in improvisation, and frequently includes improvisation in concerts. As a composer, over 100 of his works are in publication by Morning Star, Augsburg Fortress, CanticaNova, WLP, Concordia, Paraclete Press, Sheet Music Plus, and Lorenz, and are presented internationally in concert halls and churches, schools and airports. His Breath of the Spirit (an evening-length work for flute and organ, with narrators, written with Poet Kenneth Gaertner) was commissioned by Marilyn Mason and premiered by her with the flutist Donald Fishel in the Paris Festival Toussant at the Cathedral of Notre Dame de Paris, and has been performed over twenty times in the U.S and Europe.

*  DR. GREGORY HAMILTON • Publicity Photograph

Gregory was commissioned to compose The Church’s One Foundation for the Archdiocesan choir and orchestra for the dedication of the Cathedral of the Sacred Heart in Houston. Other recent works premiered include Concerto for Cello and Orchestra (Diane Winder and the Ypsilanti Symphony), Five Psalm Pictures, Rosary (Premiere—St. Johannes church, Amsterdam) and Fantasy Variations on a Theme of Schubert for string trio and flute, Hymn of Peace for Cello and Piano (cellist Cellist Mirel Iancvici; professor of cello at the Conseratoriaum, Utrecht) and several works for Houston virtuoso Organist Jackson Osborn. Gregory Hamilton attended Baldwin-Wallace University (B.MUS) The Royal College of Music, London, (M.Mus, A.R.C.M.) and The University of Michigan, (DMA) where he was a scholarship student of Dr. Marilyn Mason. Gregory has researched the works of Dom Paul Benoit, (1895-1976) the French composer-organist and has performed many of his works in the U.S. and abroad, including research at Benoit’s monastery, St. Mark and St. Maur in Clervaulx, Luxembourg. With Dr. Hamilton’s recent CD releases of Benoit’s music on RosaMystica recordings, he is enjoying the welcome upsurge in interest in the works of Benoit. Dr. Hamilton’s music has been featured in many radio broadcasts, including the NPR show Pipedreams, and was recently interviewed on “Notes from Above” (Ave Maria Radio). As a conductor, he has a wide repertoire of both choral and orchestral works, and has studied conducting with Dr. John Robinson and Dr. Leonard L. Riccinto.

76805-Dr-Gregory-Hamilton-C
76805-Dr-Gregory-Hamilton-A

Dr. Hamilton has taught Performance and Interpretation of Gregorian Chant for many years and was a student of Fr. Columba Kelly and Fr. Ralph March. As a continuo and chamber music performer, he performs with several chamber groups, including the Orchestra of New Spain, providing continuo work for opera, chamber concerts, playing organ, theorbo, lute and harpsichord, including a 2016 tour of Bolivia. In continuo and Early Music (Lute and Theorbo), he was a student of Nigel North and Jacob Lindberg at the RCM and Guildhall (London). Dr. Hamilton is currently faculty and Director of Sacred Music at Holy Trinity Seminary (University of Dallas). He can also be found at gregoryhamilton.org, his personal website.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Biographies Last Updated: August 20, 2020

Subscribe

It greatly helps us if you subscribe to our mailing list!

* indicates required

About Dr. Gregory Hamilton

Dr. Gregory Hamilton is a composer and performer currently on the faculty of Holy Trinity Seminary in Dallas TX.—(Read full biography).

Primary Sidebar

Corpus Christi Watershed

President’s Corner

    PDF Download • “For Pentecost Sunday”
    Yesterday morning, I recorded myself singing the ENTRANCE CHANT for Pentecost Sunday while simultaneously accompanying myself on the pipe organ. Click here to see how that came out. At the end of the antiphon, there’s a triple Allelúja and I just love the chord at the end of the 2nd iteration. The organ accompaniment—along with the musical score for singers—can be downloaded free of charge at the flourishing feasts website. For the record, the antiphon on Pentecost Sunday doesn’t come from a psalm; it comes from the book of Wisdom.
    —Jeff Ostrowski
    PDF Download • “Organ Accompaniment”
    Over the past few years, I’ve been harmonizing all the vernacular plainsong Introit settings by the CHAUMONOT COMPOSERS GROUP. This coming Sunday—10 May 2026—is the 6th Sunday of Easter (Year A). The following declaration will probably smack of “blowing my own horn.” However, I’d rank this accompaniment as my best yet. In this rehearsal video, I attempt to sing it while simultaneously accompanying myself on the pipe organ. The musical score [for singers] as well as my organ accompaniment can be downloaded free of charge from the flourishing feasts website.
    —Jeff Ostrowski
    “Gregorian Chant Quiz” • 4 May 2026
    A few days ago, the CORPUS CHRISTI WATERSHED Facebook page posted this Gregorian Chant quiz regarding a rubric for the SEQUENCE for the feast of Corpus Christi: “Lauda Sion Salvatórem.” There is no audience more intelligent than ours—yet surprisingly nobody has been able to guess the rubric. Drop me an email with the right answer, and I’ll affirm your brilliance to everyone I encounter!
    —Jeff Ostrowski

Quick Thoughts

    “Thee” + “Thou” + “Thine”
    Few musicians realize that various English translations of Sacred Scripture were granted formal approval by the USCCB and the Vatican for liturgical use in the United States of America. But don’t take my word for it! Here are four documents proving this, which you can examine with your own eyes. Some believe the words “Thine” and “Thou” and “Thee” were forbidden after Vatican II—but that’s incorrect. For example, they’re found in the English translation of the ‘Our Father’ at Mass. Moreover, the Revised Standard Version (Catholic Edition) mentioned in those four documents employs “Thine” and “Thou” and “Thee.” It was published with a FOREWORD by Westminster’s Roman Catholic Archbishop (John Cardinal Heenan).
    —Jeff Ostrowski
    “Reminder” — Month of May (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    Simplified Version • “Canon in D” (Pachelbel)
    I published an article on 11 November 2023 called Wedding March For The Lazy Organist, which rather offhandedly made reference to a simplified version I created in 2007 for Pachelbel’s Canon. I often use it as a PROCESSIONAL for weddings and quinceañeras. Many organists say they “hate” Pachelbel’s Canon. But I love it. I think it’s bright and beautiful. I created that ‘simplified version’ for musicians coming to grips with playing the pipe organ. It can be downloaded as a free PDF if you visit Andrea Leal’s article dated 15 August 2022: Manuals Only: Organ Interludes Based on Plainsong. Specifically, it is page 84 in that collection—generously offered as a free PDF download. Johann Pachelbel (d. 1706) was a renowned German organist, violinist, teacher, and composer of over 500 works. A friend of Bach’s family, he taught Johann Christoph Bach (Sebastian Bach’s eldest brother) and lived in his house. Those who read Pachelbel’s biography will notice his connection to two German cities adopted as famous hymn tune names: EISENACH and ERFURT.
    —Jeff Ostrowski

Random Quote

“To me nothing is so consoling, so piercing, so thrilling, so overcoming, as the Mass, said as it is among us. I could attend Masses for ever, and not be tired.”

— John Henry Cardinal Newman (1848)

Recent Posts

  • “Unfair Characterization” • (But Good Question)
  • “Thee” + “Thou” + “Thine”
  • PDF Download • “For Pentecost Sunday”
  • “Reminder” — Month of May (2026)
  • “Englished” Gregorian Chant • 5 Considerations

Subscribe

Subscribe

* indicates required

Copyright © 2026 Corpus Christi Watershed · Isaac Jogues on Genesis Framework · WordPress · Log in

Corpus Christi Watershed is a 501(c)3 public charity dedicated to exploring and embodying as our calling the relationship of religion, culture, and the arts. This non-profit organization employs the creative media in service of theology, the Church, and Christian culture for the enrichment and enjoyment of the public.