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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Biography • Corrinne May

Corrinne May · July 5, 2020

ORRINNE MAY holds a B.M in Songwriting from the Berklee College of Music in Boston and a B.A in English Literature (Hons.) from the National University of Singapore. A native of Singapore, Corrinne moved to the U.S as a young adult in pursuit of her music studies. Upon graduation from music school, Corrinne moved to Los Angeles and started performing in coffeehouses and listening rooms throughout Southern California, amassing fans with every show. She released her first album ‘Fly Away’ in 2000. On this album were two songs, ‘Fly Away’ and ‘Same Side of the Moon’ that she sang at the Kerrville Folk Festival where she won the title of New Folk Winner in the 2001 Kerrville New Folk Music Competition. Also on the album was the song ‘If You Didn’t Love Me’ a song Corrinne co-wrote with singer-songwriter Carole Bayer Sager and legendary singer-songwriter Carole King.

*  CORRINNE MAY • Publicity Photo (A)

*  CORRINNE MAY • Publicity Photo (B)

*  CORRINNE MAY • Publicity Photo (C)

*  CORRINNE MAY • Publicity Photo (D)

Corrinne met her future husband and music producer while they were both studying at the Berklee College of Music. Together, they have collaborated on many music projects, including the production and release of 5 albums of Contemporary Pop music, which have topped the charts in her native Singapore and earned her platinum and gold records. Her music has also gained her a following in the U.S.A, Taiwan, Hong Kong, Japan, Korea, and the Philippines. In 2010, Corrinne was commissioned to write the National Day Theme Song for Singapore’s National Day. She sang her composition ‘Song For Singapore’ at the Padang in front of a 40,ooo strong crowd and the song was also telecast in a live broadcast to the whole nation.

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Corrinne May at Peets Coffee Tarzana
Corrinne May at Peets Coffee Tarzana

In 2015, Corrinne was commissioned by the Archdiocese of Singapore to write a song for the 50th anniversary of Singapore’s independence. The song was commissioned as a tribute from the Catholic Church in Singapore, to the nation and to the founding father’s and the early pioneers who paved the way for modern day Singapore. Corrinne sang her composition ‘Bless Our Singapore’ at the ‘JOY SG50’ concert, following a Mass celebrated for 10,000 at the Singapore Indoor Stadium. The Vatican envoy to Singapore, Apostolic Nuncio Archbishop Leopoldo Girelli, Archbishop of Singapore William Goh and Prime Minister of Singapore Lee Hsien Loong were all present at the celebrations. Corrinne May’s music and songs, though crafted with contemporary pop stylings, have always been inspired by her relationship with God.

A cradle Catholic, Corrinne was a church musician for 12 years in a parish in the Archdiocese of Los Angeles where she is based. However, it’s only been in the past three years that she has discovered the richness and heritage of her Catholic roots, especially within the liturgy of the Tridentine Mass. She has been deeply moved by the music of Gregorian chant, and the many traditional hymns that have been used within the Catholic church for hundreds of years. She is currently a choir member at an FSSP parish in Los Angeles and hopes to incorporate the richness of sacred tradition into her future songs. Corrinne is also a homeschooling mother and she hopes to teach her 11-year old daughter the beauty of her Catholic Faith and the Truth of Catholic Teachings.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Biographies Last Updated: August 14, 2023

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About Corrinne May

Corrinne May is one of Singapore’s most celebrated singer-songwriters. She is also a wife and homeschooling mother.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    17th Sunday in Ordinary Time (Year C)
    All of the chants for 27 July 2025, which is the 17th Sunday in Ordinary Time (Year C), have been added to the feasts website, as usual under a convenient “drop down.” The COMMUNION ANTIPHON—both text and melody—are particularly beautiful and exceedingly ancient.
    —Jeff Ostrowski
    Jeff’s Mother Joins Our Fundraiser
    To assist our fundraiser, Mrs. Kathleen Ostrowski has drawn several beautiful sketches which she offers to all our readers free of charge. If you have a moment, I invite you download them at this link.
    —Jeff Ostrowski
    Errors in Latin: “17th Sund. Ordinary”
    The COMMUNION for the 17th Sunday in Ordinary Time (Year C) contains several typos in the Jogues Illuminated Missal with regard to the Latin text. That particular COMMUNION ANTIPHON is extremely ancient, and the English Adaptation is utterly gorgeous. For the record, it’s normal for books to contain typos; even books by Father Fortescue and Monsignor Knox have errors. Books by Solesmes Abbey—surely among the finest ever produced—contain many printing errors. Click here to see a few examples of typos.
    —Jeff Ostrowski

Quick Thoughts

    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed
    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed

Random Quote

“Those who are trying to improve the quality of congregational singing cannot refuse to Gregorian chant the place which is due to it.”

— Sacred Congregation of Divine Worship (14 April 1974)

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