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Views from the Choir Loft

“Choral Singing post-COVID” • Perspectives from a Hong Kong Doctor & Chorister

Guest Author · July 1, 2020

HORAL SINGING seems to be a highly dangerous activity in a post-COVID world—that seemed to be the message from the recent NATS/ACDA webinar. Reading the article by Dr. Nelson seemed to confirm our worst fears, but as a Hong Kong doctor who has been singing for over 25 years with one of the oldest choirs here, I want to share some of my thoughts and experiences, since we practiced and sang with the last epidemic (SARS, the elder brother of COVID-19 maybe) 17 years ago. As an anesthesiologist, I have the privilege (together with ICU doctors and ENT doctors) of seeing our instrument (of my patients) very often, sometimes on a daily basis. That actually puts me at a very high risk at work. Although we are physically connected to the mainland, we only have around 1126 cases and 4 deaths so far.[1] Let me share a few thoughts about how we managed this time to stave off disaster so far and how this may be relevant when choirs start rehearsing again.

Introduction

SARS in 2003 was a terrible shock and wakeup call: of the 299 deaths, we lost 4 doctors (2 each from private and public sectors), together with 1 nurse and 3 healthcare assistants. We traced and isolated contacts, fixed our plumbing, wore masks universally and cleaned our hands obsessively. Although Dr. Nelson’s article reported the results of viral recovery despite masking, there are suggestions that the infection was acquired due to aspects of choir practice unrelated to singing.[2] Perhaps the most surprising item on the list above related to plumbing. Toilets are a big risk for many reasons. One of the clusters related to a Buddhist prayer room here during COVID recovered virus on the tap handle, but more of that later. A supercluster during SARS was due to viral shedding in the stools of an infected person, and because of plumbing problems in the group of high rise apartments, he ended up infecting numerous people living on different floors in both his block and one of the adjacent blocks. The uninfected residents all got shipped off to a holiday village for isolation. Plumbing problems may not matter if people are living in individual houses, but the other habit we all got used to, is to put the toilet down before flushing. PERIOD! Flushing can aerosolize the virus shed in stools to infect the next person using the same cubicle.

Washing of Hands

Moving onto hand washing, the matter is not only on when to clean but also how to clean. Every time you touch the outside of your mask, after taking off your mask, gloves, outside clothes or whatever, you need to clean your hands. And of course after touching things like handrails on public transport, doorknobs, lift buttons … etc.: they have all been shown to harbor virus. Your also need to clean before you use your hands to put anything (food, pills etc.) into your mouth, put on your mask or you need to touch your eyes or nose. (Gosh I am sounding like someone suffering from an obsessive compulsive disorder). This is just an application of the principles we use in taking off our personal protective equipment at work – assume everything is capable of infecting you and clean hands after removing every item. Given that you won’t be able to wash your hands at every turn, you need to carry some sort of handy disinfectant on you. Alcoholic hand rubs (and gels, they don’t spill) are the ones most often encountered.[3] Another alternative is the use of hypochlorous acid,[4] which can be bought or you can make at home it using water and salt.[5] This has the advantage of not being flammable and being suitable for clothes and surfaces … etc.

Drying of Hands

Drying hands after washing is the next area of concern. Most people would not want to flood the earth with used paper towels after hand drying, but hand dryers are actually not safe. We have known from SARS (2003) that they can blow viruses everywhere. Since the end of this January, we had put plastic bags over our fans in our workplace, but the hand dryers in the public toilets in the hospital are still operational. This is rather mad! You might also want to use a towel to touch the tap and door handles with. In Hong Kong, there is widespread installation of automatic taps, but foot or knee controls are also used in the operating theaters. We also have long tap handles to let us use our elbows to shut them off after scrubbing our hands. No one wants to contaminate themselves with virus in the act of switching off the water tap.

Mask Wearing

Lastly we come to masks. They serve two functions: cutting down on the chances of having viruses in the surrounding air going down your lungs, but more importantly preventing those who have (or might have) the virus from getting them into the air in the first place. This is why the original recommendation to wear masks if you are sick (or fell that you might be sick) is NOT wrong. The problem is asymptomatic infections.[6] They are also the reason why masks with expiratory valves are a very bad idea. You protect yourself but won’t mind infecting others – very selfish! I have never tried singing in an N95 mask, but I have no doubt that results would not be brilliant. We practiced with masks on, around 1.5m apart during SARS and we were all fine. Another protection people might consider is eye shields. If you wear glasses, there is already some protection, but people who don’t can buy these at hardware shops etc.

As you can see from the above, a whole package of integrated infection control measures can ensure danger is kept to a minimum. This may seem very daunting at first, but we survived. Performing with masks may look odd too, but that must be a whole lot better that the whole choir falling ill. Opera performances are another problem altogether. Choir practice is restarting very soon here in Hong Kong. Hopefully the above measures can keep choral cluster events to a minimum. The future for choral singing will look a lot less gloomy, and years down the road, we might ask ourselves what the fuss was all about.



NOTES FROM THIS ARTICLE:

[1] As of 19th June 2020

[2] Cf. this article.

[3] Small quantities are allowed on planes for personal use, and a limit exists for transport in your luggage carried in the aircraft hold. Please go the airline or IATA website to check if and when you need to fly.

[4] A chemical related to bleach, which is not harmful at the levels found in these sprays.

[5] Methods can be found on Google. There are several videos on this on YouTube. There are also devices made into spray bottles so you can fill it with salt and water and make it to use in the same bottle.

[6] China admitted at some point that they excluded asymptomatic infections from their stats. At the time, those were half the number of confirmed cases, making 1 in 3 infections asymptomatic.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Covid-19 Coronavirus Last Updated: July 2, 2020

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President’s Corner

    PDF Download • “Polyphonic Extension” (Kevin Allen) for Gloria III
    EVIN ALLEN was commissioned by Sacred Music Symposium 2025 to compose a polyphonic ‘middle section’ for the GLORIA from Mass III, often denoted by its trope name: Missa Kyrie Deus sempiterne. This year, I’m traveling from Singapore to serve on the symposium faculty. I will be conducting Palestrina’s ‘Ave Maria’ as well as teaching plainsong to the men. A few days ago, I was asked to record rehearsal videos for this beautiful polyphonic extension. (See below.) This polyphonic composition fits ‘inside’ GLORIA III. That is, the congregation sings for the beginning and end, but the choir alone adds polyphony to the middle. The easiest way to understand how everything fits together is by examining this congregational insert. You may download the score, generously made available to the whole world—free of charge—by CORPUS CHRISTI WATERSHED:
    *  PDF Download • Gloria III ‘Middle Section’ (Kevin Allen)
    Free rehearsal videos for each individual voice await you at #24366. Related News • My colleague, Jeff Ostrowski, composed an organ accompaniment for this same GLORIA a few months ago. Obviously, the organist should drop out when the polyphony is being sung.
    —Corrinne May
    “Booklet of Eucharistic Hymns” (16 pages)
    I was asked to create a booklet for my parish to use during our CORPUS CHRISTI PROCESSION on 22 June 2025. Would you be willing to look over the DRAFT BOOKLET (16 pages) I came up with? I tried to include a variety of hymns: some have a refrain; some are in major, others in minor; some are metered, others are plainsong; some are in Spanish, some are in Latin, but most are in English. Normally, we’d use the Brébeuf Hymnal—but we can’t risk having our congregation carry those heavy books all over the city to various churches.
    —Jeff Ostrowski
    “Yahweh” in church songs?
    My pastor asked me to write a weekly column for our parish bulletin. The one scheduled to run on 22 June 2025 is called “Three Words in a Psalm” and speaks of translating the TETRAGRAMMATON. You can read the article at this column repository. All of them are quite brief because I was asked to keep within a certain word limit.
    —Jeff Ostrowski

Quick Thoughts

    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt
    The Funeral Rites of the Graduale Romanum
    Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.
    —Daniel Tucker

Random Quote

These prayers were not peculiar to Good Friday in the early ages (they were said on Spy Wednesday as late as the eighth century); their retention here, it is thought, was inspired by the idea that the Church should pray for all classes of men on the day that Christ died for all. Duchesne is of opinion that the “Oremus” now said in every Mass before the Offertory—which is not a prayer—remains to show where this old series of prayers was once said in all Masses.

— Catholic Encyclopedia (1909)

Recent Posts

  • PDF Download • “Polyphonic Extension” (Kevin Allen) for Gloria III
  • “Booklet of Eucharistic Hymns” (16 pages)
  • PDF Download • “Text by Saint Francis of Assisi” (choral setting w/ organ: Soprano & Alto)
  • “Yahweh” in church songs?
  • “Music List” • Pentecost Sunday

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