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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

“Choral Singing post-COVID” • Perspectives from a Hong Kong Doctor & Chorister

Guest Author · July 1, 2020

HORAL SINGING seems to be a highly dangerous activity in a post-COVID world—that seemed to be the message from the recent NATS/ACDA webinar. Reading the article by Dr. Nelson seemed to confirm our worst fears, but as a Hong Kong doctor who has been singing for over 25 years with one of the oldest choirs here, I want to share some of my thoughts and experiences, since we practiced and sang with the last epidemic (SARS, the elder brother of COVID-19 maybe) 17 years ago. As an anesthesiologist, I have the privilege (together with ICU doctors and ENT doctors) of seeing our instrument (of my patients) very often, sometimes on a daily basis. That actually puts me at a very high risk at work. Although we are physically connected to the mainland, we only have around 1126 cases and 4 deaths so far.[1] Let me share a few thoughts about how we managed this time to stave off disaster so far and how this may be relevant when choirs start rehearsing again.

Introduction

SARS in 2003 was a terrible shock and wakeup call: of the 299 deaths, we lost 4 doctors (2 each from private and public sectors), together with 1 nurse and 3 healthcare assistants. We traced and isolated contacts, fixed our plumbing, wore masks universally and cleaned our hands obsessively. Although Dr. Nelson’s article reported the results of viral recovery despite masking, there are suggestions that the infection was acquired due to aspects of choir practice unrelated to singing.[2] Perhaps the most surprising item on the list above related to plumbing. Toilets are a big risk for many reasons. One of the clusters related to a Buddhist prayer room here during COVID recovered virus on the tap handle, but more of that later. A supercluster during SARS was due to viral shedding in the stools of an infected person, and because of plumbing problems in the group of high rise apartments, he ended up infecting numerous people living on different floors in both his block and one of the adjacent blocks. The uninfected residents all got shipped off to a holiday village for isolation. Plumbing problems may not matter if people are living in individual houses, but the other habit we all got used to, is to put the toilet down before flushing. PERIOD! Flushing can aerosolize the virus shed in stools to infect the next person using the same cubicle.

Washing of Hands

Moving onto hand washing, the matter is not only on when to clean but also how to clean. Every time you touch the outside of your mask, after taking off your mask, gloves, outside clothes or whatever, you need to clean your hands. And of course after touching things like handrails on public transport, doorknobs, lift buttons … etc.: they have all been shown to harbor virus. Your also need to clean before you use your hands to put anything (food, pills etc.) into your mouth, put on your mask or you need to touch your eyes or nose. (Gosh I am sounding like someone suffering from an obsessive compulsive disorder). This is just an application of the principles we use in taking off our personal protective equipment at work – assume everything is capable of infecting you and clean hands after removing every item. Given that you won’t be able to wash your hands at every turn, you need to carry some sort of handy disinfectant on you. Alcoholic hand rubs (and gels, they don’t spill) are the ones most often encountered.[3] Another alternative is the use of hypochlorous acid,[4] which can be bought or you can make at home it using water and salt.[5] This has the advantage of not being flammable and being suitable for clothes and surfaces … etc.

Drying of Hands

Drying hands after washing is the next area of concern. Most people would not want to flood the earth with used paper towels after hand drying, but hand dryers are actually not safe. We have known from SARS (2003) that they can blow viruses everywhere. Since the end of this January, we had put plastic bags over our fans in our workplace, but the hand dryers in the public toilets in the hospital are still operational. This is rather mad! You might also want to use a towel to touch the tap and door handles with. In Hong Kong, there is widespread installation of automatic taps, but foot or knee controls are also used in the operating theaters. We also have long tap handles to let us use our elbows to shut them off after scrubbing our hands. No one wants to contaminate themselves with virus in the act of switching off the water tap.

Mask Wearing

Lastly we come to masks. They serve two functions: cutting down on the chances of having viruses in the surrounding air going down your lungs, but more importantly preventing those who have (or might have) the virus from getting them into the air in the first place. This is why the original recommendation to wear masks if you are sick (or fell that you might be sick) is NOT wrong. The problem is asymptomatic infections.[6] They are also the reason why masks with expiratory valves are a very bad idea. You protect yourself but won’t mind infecting others – very selfish! I have never tried singing in an N95 mask, but I have no doubt that results would not be brilliant. We practiced with masks on, around 1.5m apart during SARS and we were all fine. Another protection people might consider is eye shields. If you wear glasses, there is already some protection, but people who don’t can buy these at hardware shops etc.

As you can see from the above, a whole package of integrated infection control measures can ensure danger is kept to a minimum. This may seem very daunting at first, but we survived. Performing with masks may look odd too, but that must be a whole lot better that the whole choir falling ill. Opera performances are another problem altogether. Choir practice is restarting very soon here in Hong Kong. Hopefully the above measures can keep choral cluster events to a minimum. The future for choral singing will look a lot less gloomy, and years down the road, we might ask ourselves what the fuss was all about.



NOTES FROM THIS ARTICLE:

[1] As of 19th June 2020

[2] Cf. this article.

[3] Small quantities are allowed on planes for personal use, and a limit exists for transport in your luggage carried in the aircraft hold. Please go the airline or IATA website to check if and when you need to fly.

[4] A chemical related to bleach, which is not harmful at the levels found in these sprays.

[5] Methods can be found on Google. There are several videos on this on YouTube. There are also devices made into spray bottles so you can fill it with salt and water and make it to use in the same bottle.

[6] China admitted at some point that they excluded asymptomatic infections from their stats. At the time, those were half the number of confirmed cases, making 1 in 3 infections asymptomatic.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Covid-19 Coronavirus Last Updated: July 2, 2020

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President’s Corner

    Music List • (3rd Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 3rd Sunday of Lent (8 March 2026). If such a thing interests you, feel free to download it as a PDF file. This feast has magnificent propers. Its stern INTROIT (“Óculi mei semper ad Dóminum”) is breathtaking, and the COMMUNION (“Qui bíberit aquam”) with its fauxbourdon verses is wonderful. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski
    “Samaritánæ” (3rd Sunday of Lent)
    With regard to the COMMUNION for the 3rd Sunday of Lent (Year A), the Ordo Cantus Missae—which was published in 1969 by the Vatican, bearing Hannibal Bugnini’s signature and approbation in its PREFACE—inexplicably introduced a variant melody and slightly different words, as you can see by this comparison chart. When it comes to such items, they’re always done in secrecy by unnamed people. (Although it is known that Dom Eugène Cardine collaborated in the creation of the GRADUALE SIMPLEX, a book considered by some to be a travesty.)
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski

Quick Thoughts

    “Dies Irae” • A Monstrous Translation
    It isn’t easy to determine what Alice King MacGilton hoped to accomplish with her very popular book—A Study of Latin Hymns (1918)—which continued to be reprinted in new editions for at least 34 years. This PDF file shows her attempt to translate the DIES IRAE “in the fewest words possible.” There’s a place for dynamic equivalency, but this is repugnant. In particular, look what she does to “Quærens me sedísti lassus.”
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski
    Grotesque Pairing • “Passion Chorale”
    One of our rarest releases was undoubtably this PDF scan of the complete Pope Pius XII Hymnal (1959) by Father Joseph Roff, a student of Healey Willan. One of the scarcest titles in existence, this book was provided to us by Mr. Peter Meggison. Back in 2018, we scanned each page and uploaded it to our website, making it freely available to everyone. Readers are probably sick of hearing me say this, but just because we upload something that doesn’t necessarily mean it’s wonderful or worthy of imitation. We upload many publications precisely because they are ‘grotesque’, interesting, or revealing. Whereas the Brébeuf Catholic Hymnal had an editorial board that was careful and sensitive vis-à-vis pairing texts with tunes, the Pope Pius XII Hymnal (1959) seems to have been rather reckless in this regard. Please take a look at what they did with the PASSION CHORALE and see whether you agree.
    —Jeff Ostrowski

Random Quote

“A theologian who does not love art, poetry, music and nature can be dangerous since blindness and deafness toward the beautiful are not incidental: they are necessarily reflected in his theology.”

— Josef Cardinal Ratzinger (Interview, 1985)

Recent Posts

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  • PDF Download • “Holy, Holy, Holy”
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  • “Samaritánæ” (3rd Sunday of Lent)

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