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Views from the Choir Loft

More on the subject of “Mutual Enrichment”

Jeff Ostrowski · June 23, 2020

NSANITY has been described as: “doing the same thing over and over, but expecting different results.” Not long ago, I posted an article which asked: Can Ordinary Form Masses be enriched by the Extraordinary Form? Unfortunately, some readers interpreted my actions as an attempt to ridicule, assault, and embarrass fellow Catholics. I would like another attempt—perhaps I can be coherent and clear.

This video recently showed up in my inbox:


That’s a public video from the Sunday Mass on 21 June 2020 at Sacred Heart Catholic Church in Omaha, Nebraska. 1

I have something to say about their treatment of the Sanctissimum in order to help me make the point I’m trying to make. I hope you’ll keep reading.

The Subject of Mutual Enrichment

A letter of Pope Benedict XVI to bishops, given at Saint Peter’s (7 July 2007), said:

“The two Forms of the usage of the Roman Rite can be mutually enriching: new Saints and some of the new Prefaces can and should be inserted in the old Missal. The ECCLESIA DEI COMMISSION, in contact with various bodies devoted to the usus antiquior, will study the practical possibilities in this regard. The celebration of the Mass according to the Missal of Paul VI will be able to demonstrate, more powerfully than has been the case hitherto, the sacrality which attracts many people to the former usage. The most sure guarantee that the Missal of Paul VI can unite parish communities and be loved by them consists in its being celebrated with great reverence in harmony with the liturgical directives. This will bring out the spiritual richness and the theological depth of this Missal.”

I believe the primary way the Ordinary Form can be “enriched” by the Extraordinary Form would be adopting its ars celebrandi. As children, my mother brought us the the Latin Mass, and we hated it. We found it insufferably boring at first, and—I admit with shame—we even poked fun at how the priest kept saying the word “Dóminus.” But one thing stood out, even at that early stage:

The priest always kept his head down. This made quite an impression on me. He was extremely reverent, and even his hand motions were prescribed by the rubrics. This was a beautiful and powerful ceremony. By contrast, did you see the way those people were acting in front of the Blessed Sacrament? They were having some sort of goofy sword fight (I don’t know why). I’ve attended many Masses in these United States where the atmosphere was similar: goofy, silly, and disrespectful towards the Blessed Sacrament of the Sacred Body and Most Precious Blood of Jesus Christ, which is the “Testament of God with Man” as Saint Noël Chabanel reminded us. Saint John Mary Vianney was so moved—whenever he was in the presence of the Sanctissimum—that “he could scarcely speak or breathe.” Let’s imitate Father Vianney and Father Chabanel.

I submit to you, dear reader, that the Ordinary Form must adopt as quickly as possible this AURA—“atmosphere” or “mood” or “tone” or “vibe” or whatever you want to call it—from the Extraordinary Form. By the way, a key ingredient of this atmosphere is the music. The music “should not sound like a toothpaste commercial” (as one thoughtful theologian noted).

 


NOTES FROM THIS ARTICLE:

1   The Archdiocese of Omaha currently has a bishop whose name is exactly the same as the creator of Star Wars: Archbishop George Lucas.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

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Filed Under: Articles Tagged With: Mutual Enrichment Last Updated: June 23, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    PDF Download • “Polyphonic Extension” (Kevin Allen) for Gloria III
    EVIN ALLEN was commissioned by Sacred Music Symposium 2025 to compose a polyphonic ‘middle section’ for the GLORIA from Mass III, often denoted by its trope name: Missa Kyrie Deus sempiterne. This year, I’m traveling from Singapore to serve on the symposium faculty. I will be conducting Palestrina’s ‘Ave Maria’ as well as teaching plainsong to the men. A few days ago, I was asked to record rehearsal videos for this beautiful polyphonic extension. (See below.) This polyphonic composition fits ‘inside’ GLORIA III. That is, the congregation sings for the beginning and end, but the choir alone adds polyphony to the middle. The easiest way to understand how everything fits together is by examining this congregational insert. You may download the score, generously made available to the whole world—free of charge—by CORPUS CHRISTI WATERSHED:
    *  PDF Download • Gloria III ‘Middle Section’ (Kevin Allen)
    Free rehearsal videos for each individual voice await you at #24366. Related News • My colleague, Jeff Ostrowski, composed an organ accompaniment for this same GLORIA a few months ago. Obviously, the organist should drop out when the polyphony is being sung.
    —Corrinne May
    “Booklet of Eucharistic Hymns” (16 pages)
    I was asked to create a booklet for my parish to use during our CORPUS CHRISTI PROCESSION on 22 June 2025. Would you be willing to look over the DRAFT BOOKLET (16 pages) I came up with? I tried to include a variety of hymns: some have a refrain; some are in major, others in minor; some are metered, others are plainsong; some are in Spanish, some are in Latin, but most are in English. Normally, we’d use the Brébeuf Hymnal—but we can’t risk having our congregation carry those heavy books all over the city to various churches.
    —Jeff Ostrowski
    “Yahweh” in church songs?
    My pastor asked me to write a weekly column for our parish bulletin. The one scheduled to run on 22 June 2025 is called “Three Words in a Psalm” and speaks of translating the TETRAGRAMMATON. You can read the article at this column repository. All of them are quite brief because I was asked to keep within a certain word limit.
    —Jeff Ostrowski

Quick Thoughts

    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt
    The Funeral Rites of the Graduale Romanum
    Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.
    —Daniel Tucker

Random Quote

“We have baptized about 240 this year … All the labors of a million persons—would they not be worthwhile if they gained one single soul for Jesus Christ?”

— Father Isaac Jogues, writing to his mother

Recent Posts

  • PDF Download • “Polyphonic Extension” (Kevin Allen) for Gloria III
  • “Booklet of Eucharistic Hymns” (16 pages)
  • PDF Download • “Text by Saint Francis of Assisi” (choral setting w/ organ: Soprano & Alto)
  • “Yahweh” in church songs?
  • “Music List” • Pentecost Sunday

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