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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

More on the subject of “Mutual Enrichment”

Jeff Ostrowski · June 23, 2020

NSANITY has been described as: “doing the same thing over and over, but expecting different results.” Not long ago, I posted an article which asked: Can Ordinary Form Masses be enriched by the Extraordinary Form? Unfortunately, some readers interpreted my actions as an attempt to ridicule, assault, and embarrass fellow Catholics. I would like another attempt—perhaps I can be coherent and clear.

This video recently showed up in my inbox:


That’s a public video from the Sunday Mass on 21 June 2020 at Sacred Heart Catholic Church in Omaha, Nebraska. 1

I have something to say about their treatment of the Sanctissimum in order to help me make the point I’m trying to make. I hope you’ll keep reading.

The Subject of Mutual Enrichment

A letter of Pope Benedict XVI to bishops, given at Saint Peter’s (7 July 2007), said:

“The two Forms of the usage of the Roman Rite can be mutually enriching: new Saints and some of the new Prefaces can and should be inserted in the old Missal. The ECCLESIA DEI COMMISSION, in contact with various bodies devoted to the usus antiquior, will study the practical possibilities in this regard. The celebration of the Mass according to the Missal of Paul VI will be able to demonstrate, more powerfully than has been the case hitherto, the sacrality which attracts many people to the former usage. The most sure guarantee that the Missal of Paul VI can unite parish communities and be loved by them consists in its being celebrated with great reverence in harmony with the liturgical directives. This will bring out the spiritual richness and the theological depth of this Missal.”

I believe the primary way the Ordinary Form can be “enriched” by the Extraordinary Form would be adopting its ars celebrandi. As children, my mother brought us the the Latin Mass, and we hated it. We found it insufferably boring at first, and—I admit with shame—we even poked fun at how the priest kept saying the word “Dóminus.” But one thing stood out, even at that early stage:

The priest always kept his head down. This made quite an impression on me. He was extremely reverent, and even his hand motions were prescribed by the rubrics. This was a beautiful and powerful ceremony. By contrast, did you see the way those people were acting in front of the Blessed Sacrament? They were having some sort of goofy sword fight (I don’t know why). I’ve attended many Masses in these United States where the atmosphere was similar: goofy, silly, and disrespectful towards the Blessed Sacrament of the Sacred Body and Most Precious Blood of Jesus Christ, which is the “Testament of God with Man” as Saint Noël Chabanel reminded us. Saint John Mary Vianney was so moved—whenever he was in the presence of the Sanctissimum—that “he could scarcely speak or breathe.” Let’s imitate Father Vianney and Father Chabanel.

I submit to you, dear reader, that the Ordinary Form must adopt as quickly as possible this AURA—“atmosphere” or “mood” or “tone” or “vibe” or whatever you want to call it—from the Extraordinary Form. By the way, a key ingredient of this atmosphere is the music. The music “should not sound like a toothpaste commercial” (as one thoughtful theologian noted).

 


NOTES FROM THIS ARTICLE:

1   The Archdiocese of Omaha currently has a bishop whose name is exactly the same as the creator of Star Wars: Archbishop George Lucas.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

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Filed Under: Articles Tagged With: Mutual Enrichment Last Updated: June 23, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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President’s Corner

    ‘German’ Introductions for Hymns
    German organ books have an enchanting habit of including introductions for each and every hymn. For example, consider this snazzy example found in a German hymnal published in 1902. In the Saint Jean de Brébeuf Hymnal, that melody is called “Laudes Mariae” and was married to Omni Die Dic Mariae, with a popular English translation (“Daily, daily, sing to Mary”) by Father Henry Bittleston, an Oratorian priest. Notice they also added a ‘tailpiece’ or ‘playout’ or postlude at the end—a very German thing to do!
    —Jeff Ostrowski
    Buckfast Abbey Weighs In
    Dom John Stéphan was a Benedictine monk of Buckfast Abbey in South Devon, England. On 4 February 1933, he published this interesting letter in THE TABLET. Have you seen the exterior of Buckfast Abbey? It’s beyond gorgeous. I doubt there’s a more arresting Abbey in the entire world. Dom Stéphan’s letter is concerning this momentous collection, which our organization obtained, scanned, and uploaded.
    —Jeff Ostrowski
    Responsorial Psalm Fauxbourdon?
    When it comes to singing Responsorial Psalms in Fauxbourdon, what does this sound like in practice? Can such a thing be done successfully with volunteer choirs in real Catholic parishes? Listen to this audio excerpt from Good Friday and see what you think. Our parish volunteer choir did so well this year—and the ceremonies were ‘standing room only’. For the record, that musical score can be downloaded (completely free of charge) from the flourishing feasts website.
    —Jeff Ostrowski

Quick Thoughts

    PDF • “Liturgical Law” (467 Pages)
    On Good Friday during the middle ages, the pope privately recited THE ENTIRE PSALTER. If you don’t believe me, see for yourself by reading this passage by Dom Charles Augustine Bachofen (d. 1943). His famous book—called “Liturgical Law: A Handbook Of The Roman Liturgy”—was published by the Benjamin Herder Book Company, which was the American arm (operating out of St. Louis, Missouri) of one of the world’s most significant Catholic publishers. Dom Charles Augustine Bachofen was born in Switzerland but spent his career between the Benedictine monasteries at Conception (Missouri) and Mount Angel (Oregon). His 1931 masterpiece, Liturgical Law can be downloaded as a PDF file … 467 pages!
    —Jeff Ostrowski
    “Gregorian Chant Quiz” • 24 March 2026
    How well do you know your Gregorian hymns? Do you recognize the tune inserted into the bass line on this score? For many years, we sang the entire Mass in Gregorian chant—and I mean everything. As a result, it would be difficult to find a Gregorian hymn I don’t recognize instantly. Only decades later did I realize (with sadness) that this skill cannot be ‘monetized’… This particular melody is used for a very famous Gregorian hymn, printed in the LIBER USUALIS. Do you recognize it? Send me an email with the correct words, and I promise to tell everybody I meet about your prowess!
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski

Random Quote

“Young people have entrusted me with their absolute preference for the Extraordinary Form… […] But, above all, how can we understand—how can we not be surprised and deeply shocked—that what was the rule yesterday is prohibited today? Is it not true that prohibiting or suspecting the Extraordinary Form can only be inspired by the demon who desires our suffocation and spiritual death?”

— Cardinal Sarah to Edward Pentin (23 September 2019)

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