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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Huge Announcement • The Brébeuf Virtual Choir!

Andrea Leal · May 22, 2020

HEN the organizers of the Sacred Music Symposium started the conference five years ago, no one could have imagined how consequential it would become, or how far-reaching its influence would be. We have witnessed a ripple effect work its way outward from every single Symposium thus far—even the one that, this year, never took place due to Covid-19.

The Symposium committee had no idea this lovely surprise (see below) was in the works, but I think I can speak for us all when I say: this group has done amazing work. In a particular way, I was thrilled to notice several of the singers whom I had the honor to train (for our Schola Cantorum in Las Vegas). Our conference is all about teaching and inspiring people to spread the use of sacred music in their own circles, especially in service to the sacred liturgy. The people you will see in this video come from very diverse backgrounds. But thanks to the FSSP Sacred Music Symposium, they have formed bonds of friendship that span time and distance. Bravo!

Their first video received more than 1,200 views on YouTube in a single day:

I suppose somebody could xerox copy the score from the Symposium booklet, but we hope you won’t do that. Instead, please support this wonderful composer by purchasing his musical scores:

*  Purchase Score • Three Motets (Kevin Allen)
—“Ave Maria” (SATB); “Prayer to St. Michael” (SATB); “Salve Mater” (SATB).

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The Story of the Brébeuf Virtual Choir

By Miss Sarah Halas


ORPUS Christi Watershed’s annual Sacred Music Symposium in Los Angeles, California, is an event many Catholic choristers and music directors have looked forward to each year for the last 4 years. It has been a place for them to meet and form lasting friendships with fellow like-minded Catholic musicians of all ages from around the world. Many of the participants from the last 4 years have kept in touch over an instant messaging chat. Most unfortunately, this year’s Symposium was canceled due to restrictions resulting from the Covid-19 pandemic. When this announcement was made, the whole chat group was saddened but not discouraged in their music-making. These same musicians are all stuck at home away from their choirs and parish families so they have a lot of free time on their hands. So one day, one of the chat members, Miss Sarah Decker, suggested putting together a virtual choir recording. Almost all of the members delightedly jumped on the idea and in just over a week, put together an inspiring polyphonic motet video.

They chose Kevin Allen’s Ave Maria, which was composed for and debuted at Fr. Luc Poirier’s First Mass during the Sacred Music Symposium 2019. The members of the virtual choir thought it very fitting to honor our blessed mother Mary in the month of May. They hope that this piece will lift souls towards Heaven and aid in Marian devotion. Most of the project participants had learned and performed Allen’s Ave Maria under the direction of Mæstro Richard J. Clark at last year’s Symposium. Some, however, did not attend last year, but in years prior. Consequently, they didn’t know the piece. Nevertheless, these talented singers arose to the occasion, learning and recording their parts in a matter of days. Miss Phoebe Wing graciously created MIDI files for the singers so they could all keep together. Dr. Henrique Coe, assisted by Mr. John Rigney, edited and compiled the audio and video. All of the members worked wonderfully together to make this project a success.

During the process, Mr. Christian Ryan decided the virtual choir group needed a name. Ideas were thrown around, but the members did not take long in deciding on the name “Brébeuf Virtual Choir” under the patronage of St. John de Brébeuf. A logo was zealously drafted by Mr. Francisco Elias Duran and Miss Bernadette Rigney. The Latin quote on their logo comes from the first line of the Introit for the feast of St. Isaac Jogues, John de Brébeuf and Companions; “These are they who are come out of great tribulation…” This line also seems fitting since this music has come out of great tribulation amid the current pandemic. The mission of the Brébeuf Virtual Choir is to promote Sacred Music especially during this time when many are deprived of it. All the members have been blessed to work together and record this beautiful piece of sacred music. They hope it blesses those who hear it just as much! The Brébeuf Virtual Choir plans on recording and releasing more videos so please stay tuned!

The members of the Brébeuf Virtual Choir would like to thank all the faculty and staff of the annual Sacred Music Symposium for their hard work, dedication, and inspiration. Without this event, the members of the virtual choir may never have met! Even though the event had to be canceled this year, they look forward to next year’s Symposium!

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Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

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Filed Under: Articles Tagged With: Brébeuf Virtual Choir Last Updated: May 22, 2020

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About Andrea Leal

Andrea Leal is a wife and homeschooling mother of 6 children. She serves as choir director for the Traditional Latin Mass in Las Vegas.—(Read full biography).

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President’s Corner

    “Music List” • Christ the King Sunday
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 23 November 2025, which is the 34th Sunday in Ordinary Time (Year C). If such a thing interests you, feel free to download it as a PDF file. In the 1970 Missal, this Sunday is known as: Domini Nostri Jesu Christi Universorum Regis (“Solemnity of Our Lord Jesus Christ, King of the Universe”). As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the magnificent feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    “Simplified” Keyboard Accompaniment (PDF)
    I’d much rather hear an organist play a simplified version correctly than listen to wrong notes. I invite you to download this simplified organ accompaniment for hymn #729 in the Father Brébeuf Hymnal. The hymn is “O Jesus Christ, Remember.” I’m toying with the idea of creating a whole bunch of these, to help amateur organists. The last one I uploaded was downloaded more than 1,900 times in a matter of hours—so there seems to be interest in such a project. For the record, this famous text is often married to AURELIA, as it is in the Brébeuf Hymnal. The lyrics come from the pen of Father Edward Caswall (d. 1878), an Oratorian priest.
    —Jeff Ostrowski
    ‘Bogey’ of the Half-Educated: Paraphrase
    Father Adrian Porter, using the cracher dans la soupe example, did a praiseworthy job explaining the difference between ‘dynamic’ and ‘formal’ translation. This is something Monsignor Ronald Knox explained time and again—yet even now certain parties feign ignorance. I suppose there will always be people who pretend the only ‘valid’ translation of Mitigásti omnem iram tuam; avertísti ab ira indignatiónis tuæ… would be “You mitigated all ire of you; you have averted from your indignation’s ire.” Those who would defend such a translation suffer from an unfortunate malady. One of my professors called it “cognate on the brain.”
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of November (2025)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    Gospel Options for 2 November (“All Souls”)
    We’ve been told some bishops are suppressing the TLM because of “unity.” But is unity truly found in the MISSALE RECENS? For instance, on All Souls (2 November), any of these Gospel readings may be chosen, for any reason (or for no reason at all). The same is true of the Propria Missæ and other readings—there are countless options in the ORDINARY FORM. In other words, no matter which OF parish you attend on 2 November, you’ll almost certainly hear different propers and readings, to say nothing of different ‘styles’ of music. Where is the “unity” in all this? Indeed, the Second Vatican Council solemnly declared: “Even in the liturgy, the Church has no wish to impose a rigid uniformity in matters which do not implicate the faith or the good of the whole community.”
    —Corpus Christi Watershed
    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski

Random Quote

“One can still have silence even during the Canon, since one is not obliged to recite the Canon audibly at all times. A quieter, less powerful tone of voice will always permit an opportunity for personal, silent prayer.”

— Joseph Cardinal Frings (25-jan-1968), patron of “Consociatio Internationalis Musicae Sacrae” (papal church music association)

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