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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

For Shame! • Collegeville blog says looking at Crucifix “skirts the edge of idolatry”

Jeff Ostrowski · April 28, 2020

HEN it comes to “progressive” liturgy, the Collegeville PrayTell Blog is second to none. To put it mildly, it’s not a website I consider to be healthy reading. However, I was recently made aware of an outrageous article which—in my humble opinion—must be condemned. Someone named “Fritz Bauerschmidt” wrote as follows:

I am deeply troubled by the idea that our common orientation should be toward the crucifix (even though I know that Joseph Ratzinger has endorsed it), which is simply a humanly fashioned symbol. Shouldn’t our common orientation be toward Christ really present in the Eucharist? Here we have not simply a symbol, like the crucifix, but an efficacious sign—not an object we have made, but a person who has made himself present to us. […] I would say that identifying the crucifix rather than the Eucharist as the point of orientation skirts the edge of idolatry. This point seems so obvious to me that I wonder what is going on with those who continue to put forward the idea of common orientation toward the crucifix. Could this be a case of a poor idea gaining momentum simply because it has been suggested by an authoritative source (i.e. Pope Benedict).

Skirting the “edge of idolatry,” eh? He’s dead wrong.

The history of the Catholic Church shows that holy activities have never been considered as “taking away” from the Holy Sacrifice of the Mass. Father Valentine Young, OFM, often reminded us that Pope Leo XIII told Catholics to pray the Rosary during Mass (at least three separate times). A dubium was sent to the Sacred Congregation of Rites asking “whether these words should be understood as the Rosary to be said at the same time of the celebration of the Mass.” The Congregation answered: “Affirmative.” Moreover, the Roman Missal explicitly tells the priest to look at the Crucifix at various times during the Holy Mass. This has never been considered an affront to the Sanctissimum. Indeed, the laws of the Catholic Church specifically mandate a Crucifix for the Altar.

In the solemn rites for Good Friday, there is a ceremony called by various names: the “Solemn Veneration” of the Holy Cross; the “Adoration” of the Holy Cross; or the “Worship” of the Holy Cross. To understand what this means, consider what is printed in the Catholic Encyclopedia, which bears an IMPRIMATUR (1909) by Most Reverend John M. Farley, Archbishop of New York:

The ignorant may allege grave disorder in the act of adoration of the Cross on bended knee. Is not adoration due to God alone? The answer may be found in our smallest catechism. The act in question is not intended as an expression of absolute supreme worship (latreia) which, of course, is due to God alone. The essential note of the ceremony is reverence (proskynesis) which has a relative character, and which may be best explained in the words of the Pseudo-Alcuin: Prosternimur corpore ante crucem, mente ante Dominium. Veneramur crucem, per quam redempti sumus, et illum deprecamur, qui redemit (“While we bend down in body before the cross we bend down in spirit before God. While we reverence the cross as the instrument of our redemption, we pray to Him who redeemed us”). —Note: I owe this citation to the Saint Isaac Jogues Illuminated Missal, Gradual, and Lectionary.

Another Roman Catholic book—The Office of the Holy Week, According to the Roman Missal and Breviary (1796AD)—has this to say about the Solemn Veneration of the Cross:

Next, both Priest and people adore Jesus Christ crucified, expressing their adoration by kneeling thrice before they kiss the sacred wounds represented by the figure on the cross. This ceremony is a great stumbling-block to Protestants, who think us guilty of idolatry by it, especially when the Rubrick calls it, “the Adoration of the Cross,” and the Choir at the same time sing, We adore thy Cross, O Lord, &c. But we presume they will give us leave to know the meaning of our own words and actions, and believe us, when we tell them, that our genuflexion, and kissing of the cross, are no more than outward expressions of the love and adoration which we bear in our hearts to Jesus Christ crucified; and that the words “adoration” and “adore,” as applied to the Cross, signify only that respect and veneration which is due to things relating to God and his service.

The same is affirmed by Sir Walter Kirkham Blount, whose English hymns appear in the Brébeuf hymnal. Sir Walter published a Roman Catholic “Holy Week Book” in 1670AD which says: “The Adoration is not terminated in wood of the Cross, but in Iesus-Christ fastened thereon.” You can see this with your own eyes:

Page 333 of The Roman Missal for the Use of the Laity according to the Use of the Holy Roman Church containing also the Masses proper to this country in their respective places was published in Birmingham (1845) under the approval of the Roman Catholic bishops, and reads as follows:

The intention of the church in exposing the cross to our veneration on this day is that we might the more effectually raise up our hearts to Him who expired thereon for our redemption. Whenever, therefore, we kneel, or prostrate ourselves before a crucifix, it is Jesus Christ only whom we adore, and it is in him alone that our respects terminate.

The team which created the Brébeuf hymnal included several outstanding theologians from all over the world. If you turn to “Gloriosi Salvatoris Nominis Praeconia” you will see a footnote. (For the record, I had nothing to do with such footnotes, because I’m not a theologian.)

The footnote reads as follows:

Verse 4: “Jesus, we thy name adoring”—Christians adore the name of Jesus because it is His name, and whatever belongs to God the Son is, by virtue of that same propriety, adorable. Cf. St. Thomas Aquinas, Summa Theologiae, 3rd part, Q. 25.

Mr. Bauerschmidt, it’s not wrong to look at the Crucifix during Mass. Adopting the “Benedictine Arrangement” is much better than having priest and congregation stare at each other throughout Mass. Nor does gazing at the Crucifix imply a rejection of Church teaching on the Blessed Sacrament. You describe your notion about idolatry as “so obvious,” but—if I might be allowed to express my own opinion—I find your idea disgusting and sacrilegious.



NOTES FROM THIS ARTICLE:

I’m not sure why the quotation by Mr. Bauerschmidt doesn’t end with a question mark. On the other hand, PrayTell has historically struggled with the English language. Even today I see an egregious error—it should be “whom.” PrayTell exists primarily to goad serious Catholics, so maybe I should not have responded, since it gives them exactly what they crave.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

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Filed Under: Articles Tagged With: PrayTell Blog Last Updated: May 5, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Offertory” at Catholic Funerals
    I have argued that the OFFERTORY—at least in its ancient form—is more of a responsory than an antiphon. The 1962 Missal specifically calls it “Antiphona ad Offertorium.” From now on, I plan to use this beautiful setting (PDF) at funerals, since it cleverly inserts themes from the absolution of the body. Tons more research needs to be done on the OFFERTORY, which often is a ‘patchwork’ stitching together various beginnings and endings of biblical verses. For instance, if you examine the ancient verses for Dómine, vivífica me (30th Sunday in Ordinary Time) you’ll discover this being done in a most perplexing way. Rebecca Maloy published a very expensive book on the OFFERTORY, but it was a disappointment. Indeed, I can’t think of a single valuable insight contained in her book. What a missed opportunity!
    —Jeff Ostrowski
    “In Paradisum” • Gregorian Chant
    As a RECESSIONAL on All Souls’ Day (November 2nd), we will sing In Paradísum Dedúcant Te Ángeli (PDF). When it comes to Gregorian Chant, this is one of the most popular “songs.” Frankly, all the prayers and chants from the traditional REQUIEM MASS (Missa exsequialis or Missa pro defunctis) are incredibly powerful and never should’ve been scuttled. Click here to hear “In Paradisum” in a recording I made this afternoon. Professor Louis Bouyer spoke of the way Bugnini “scuttled the office of the dead” in this fascinating excerpt from his memoirs. In his book, La riforma litugica (1983), Bugnini bragged—in quite a shameful way—about eliminating the ancient funeral texts, and even admitted those venerable texts were “beloved” (his word) by Catholics.
    —Jeff Ostrowski
    “Music List” • All Souls (2 November)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 2 November 2025, which is the Commemoration of All the Faithful Departed (“All Souls”). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the top-notch feasts website alongside the official texts in Latin. In my humble opinion, it’s weird to have the feast of All Saints on a Sunday. No wonder the close associate of Pope Saint Paul VI said the revised KALENDAR was “the handiwork of a trio of maniacs.” However, I can’t deny that sometimes the sacred liturgy consists of elements that are seemingly contradictory: e.g. the Mode 7 “De Profúndis” ALLELUIA, or the Mode 8 “Dulce lignum” ALLELUIA on the various ancient feasts of the Holy Cross (3 May, 14 September, and so on).
    —Jeff Ostrowski

Quick Thoughts

    Gospel Options for 2 November (“All Souls”)
    We’ve been told some bishops are suppressing the TLM because of “unity.” But is unity truly found in the MISSALE RECENS? For instance, on All Souls (2 November), any of these Gospel readings may be chosen, for any reason (or for no reason at all). The same is true of the Propria Missæ and other readings—there are countless options in the ORDINARY FORM. In other words, no matter which OF parish you attend on 2 November, you’ll almost certainly hear different propers and readings, to say nothing of different ‘styles’ of music. Where is the “unity” in all this? Indeed, the Second Vatican Council solemnly declared: “Even in the liturgy, the Church has no wish to impose a rigid uniformity in matters which do not implicate the faith or the good of the whole community.”
    —Corpus Christi Watershed
    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski
    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski

Random Quote

What earlier generations held as sacred, remains sacred and great for us too, and it cannot be all of a sudden entirely forbidden or even considered harmful.

— Pope Benedict XVI, Letter accompanying “Summorum Pontificum” (7/7/07)

Recent Posts

  • Never Work For A Priest Or Bishop Who Believes Sacred Music Should Be “Entertainment”
  • When Pilgrims Sing, the World Disappears
  • “Offertory” at Catholic Funerals
  • “In Paradisum” • Gregorian Chant
  • The Beauty of the Propers for All Souls’ Day (and the Requiem Mass)

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