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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

The Offertory Antiphons of the Easter Octave

Fr. David Friel · April 19, 2020

HE EASTER octave features numerous out-of-the-ordinary liturgical features, such as a proper Communicantes, a proper Hanc igitur, and the sequence Victimae paschali laudes. What has struck me most during this past week, however, is the beauty of each day’s offertory antiphon (in the Extraordinary Form). Collectively, they convey a beautiful mystery.

The texts for each day are as follows (English translations mine):

Easter Sunday: The earth trembled and was still, when God rose up in judgment, alleluia. (Ps 75:9-10)

Easter Monday: An angel of the Lord descended from heaven and said to the women, “He whom you seek has risen, as He said,” alleluia. (Matt 28:2, 5, and 6)

Easter Tuesday: The Lord thundered from heaven, and the Most High gave His voice, and there appeared fountains of waters, alleluia. (Ps 17:14 and 16)

Easter Wednesday: The Lord opened gates of heaven and showered manna upon them, that they might eat; the bread of heaven He gave them. Man ate the bread of Angels, alleluia. (Ps 77:23-25)

Easter Thursday: On the day of your solemn feast, says the Lord, I shall lead you into a land flowing with milk and honey, alleluia. (Ex 13:5)

Easter Friday: This day will be for you a memorial, alleluia; and you will celebrate this day as a solemn feast to the Lord among your progeny, as an everlasting ordinance, alleluia, alleluia, alleluia. (Ex 12:14)

Easter Saturday: Blessed is he who comes in the name of the Lord; we have blessed you from the house of the Lord; the Lord is God, and he has illumined us, alleluia, alleluia. (Ps 117:26-27)

Low Sunday: An angel of the Lord descended from heaven and said to the women, “He whom you seek has risen, as He said,” alleluia. (Matt 28:2, 5, and 6)

What catches my attention most about these texts is a shared theme. The common thread is this: the mention of something either going up from earth to heaven or coming down from heaven to earth.

Ascending: God rises up in judgment (Sunday), He leads His people to the heavenly Canaan (Thursday), and the praises of the people rise up from the house of the Lord (Saturday).

Descending: The Lord thunders from heaven (Tuesday) and showers the earth with manna (Wednesday) and streams of water (Tuesday), while Christ comes in the name of the Lord (Saturday) and illumines His people with heavenly light (Saturday).

Combination: Easter Monday and Low Sunday both feature an identical offertorium text, in which we encounter both an angel descending from heaven and the Lord rising from the dead.

It is unusual to find such a sustained theme among the offertory antiphons of any particular week or season of the liturgical year.

There is an antiphon during the concluding vespers of the Christmas octave on January 1 that uses the phrase O admirabile commercium (“O marvelous exchange”) to describe the humble incarnation of Christ and the consequent raising of human nature to partake in the divine.

Commercium could be a good summary of what I am trying to observe concerning the Easter octave offertory antiphons. I tend to associate the idea more with the Christmas octave than with the Easter octave. I also tend to associate it more with the secret (“prayer over the offerings”) than with the offertorium.

Perhaps the Easter octave offertories are inviting us to associate the theme of commercium equally with Easter.

Reflecting on this still further, it may be possible to identify a similar theme in the Glorious Mysteries of the holy rosary.

1. Resurrection: the Lord is raised up from the dead
2. Ascension: Christ ascends from earth to heaven
3. Descent of the Holy Ghost: the third Person of the Trinity descends upon the gathered disciples
4. Assumption: the Blessed Mother is assumed into heaven, body and soul
5. Coronation: a crown is set down upon the head of Mary, our Queen and Mother

This theme extends even beyond the Easter octave and into the Paschal season, Ascensiontide, and the great day of Pentecost. Perhaps it would be best, therefore, to say that this theme pervades much of the liturgical year.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

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Filed Under: Articles Last Updated: April 19, 2020

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About Fr. David Friel

Ordained in 2011, Father Friel is a priest of the Archdiocese of Philadelphia and serves as Director of Liturgy at Saint Charles Borromeo Seminary. —(Read full biography).

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President’s Corner

    “Music List” • 14 September (Holy Cross)
    Readers have expressed interest in perusing the ORDER OF MUSIC I prepared for 14 September 2025, which is the Feast of Exaltation of the Holy Cross. If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the spectacular feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    New Bulletin Article • “14 September 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 14 September 2025) discusses OFFERTORY ANTIPHONS and contains a wonderful quote by Archbishop Fulton J. Sheen.
    —Jeff Ostrowski
    PDF Download • Draft Copy (Pamphlet)
    A few days ago, I posted a draft copy of this 12-page pamphlet with citations about the laity’s “full, conscious, and active participation.” Its basic point or message is that choir directors should never feel embarrassed to teach real choral music because Vatican II explicitly ordered them to do that! We’ve received tons of mail regarding that pamphlet, with many excellent suggestions for improvement. Please feel free to chime in!
    —Jeff Ostrowski

Quick Thoughts

    Karl Keating • “Canonization Questions”
    We were sent an internet statement (screenshot) that’s garnered significant attention, in which KARL KEATING (founder of Catholic Answers) speaks about whether canonizations are infallible. Mr. Keating seems unaware that canonizations are—in the final analysis—a theological opinion. They are not infallible, as explained in this 2014 article by a priest (with a doctorate in theology) who worked for multiple popes. Mr. Keating says: “I’m unaware of such claims arising from any quarter until several recent popes disliked by these Traditionalists were canonized, including John XXIII, Paul VI, and John Paul II. Usually Paul VI receives the most opprobrium.” Mr. Keating is incorrect; e.g. Father John Vianney, several centuries ago, taught clearly that canonizations are not infallible. Archbishop Fulton J. Sheen would be another example, although clearly much more recent than Saint John Vianney.
    —Corpus Christi Watershed
    Vatican II Changed Wedding Propers?
    It’s often claimed that the wedding propers were changed after Vatican II. As a matter of fact, that is a false claim. The EDITIO VATICANA propers (Introit: Deus Israel) remained the same after Vatican II. However, a new set of propers (Introit: Ecce Deus) was provided for optional use. The same holds true for the feast of Pope Saint Gregory the Great on 3 September: the 1943 propers (Introit: Si díligis me) were provided for optional use, but the traditional PROPRIA MISSAE (Introit: Sacerdótes Dei) were retained; they weren’t gotten rid of. The Ordo Cantus Missae (1970) makes this crystal clear, as does the Missal itself. There was an effort made in the post-conciliar years to eliminate so-called “Neo-Gregorian” chants, but (contrary to popular belief) most were retained: cf. the feast of Christ the King, the feast of the Immaculate Conception, and so forth.
    —Corpus Christi Watershed
    Solemn “Salve Regina” (Chant)
    How many “S” words can you think of using alliteration? How about Schwann Solemn Salve Score? You can download the SOLEMN SALVE REGINA in Gregorian Chant. The notation follows the official rhythm (EDITIO VATICANA). Canon Jules Van Nuffel, choirmaster of the Cathedral of Saint Rumbold, composed this accompaniment for it (although some feel it isn’t his best work).
    —Corpus Christi Watershed

Random Quote

“To suggest, even loosely, that Catholics walk a more or less similar path to God as other religions drains martyrdom of its meaning. Why give up your life for Christ when other paths may get us to the same God? Such a sacrifice would be senseless.”

— Archbishop Charles J. Chaput

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