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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

The Offertory Antiphons of the Easter Octave

Fr. David Friel · April 19, 2020

HE EASTER octave features numerous out-of-the-ordinary liturgical features, such as a proper Communicantes, a proper Hanc igitur, and the sequence Victimae paschali laudes. What has struck me most during this past week, however, is the beauty of each day’s offertory antiphon (in the Extraordinary Form). Collectively, they convey a beautiful mystery.

The texts for each day are as follows (English translations mine):

Easter Sunday: The earth trembled and was still, when God rose up in judgment, alleluia. (Ps 75:9-10)

Easter Monday: An angel of the Lord descended from heaven and said to the women, “He whom you seek has risen, as He said,” alleluia. (Matt 28:2, 5, and 6)

Easter Tuesday: The Lord thundered from heaven, and the Most High gave His voice, and there appeared fountains of waters, alleluia. (Ps 17:14 and 16)

Easter Wednesday: The Lord opened gates of heaven and showered manna upon them, that they might eat; the bread of heaven He gave them. Man ate the bread of Angels, alleluia. (Ps 77:23-25)

Easter Thursday: On the day of your solemn feast, says the Lord, I shall lead you into a land flowing with milk and honey, alleluia. (Ex 13:5)

Easter Friday: This day will be for you a memorial, alleluia; and you will celebrate this day as a solemn feast to the Lord among your progeny, as an everlasting ordinance, alleluia, alleluia, alleluia. (Ex 12:14)

Easter Saturday: Blessed is he who comes in the name of the Lord; we have blessed you from the house of the Lord; the Lord is God, and he has illumined us, alleluia, alleluia. (Ps 117:26-27)

Low Sunday: An angel of the Lord descended from heaven and said to the women, “He whom you seek has risen, as He said,” alleluia. (Matt 28:2, 5, and 6)

What catches my attention most about these texts is a shared theme. The common thread is this: the mention of something either going up from earth to heaven or coming down from heaven to earth.

Ascending: God rises up in judgment (Sunday), He leads His people to the heavenly Canaan (Thursday), and the praises of the people rise up from the house of the Lord (Saturday).

Descending: The Lord thunders from heaven (Tuesday) and showers the earth with manna (Wednesday) and streams of water (Tuesday), while Christ comes in the name of the Lord (Saturday) and illumines His people with heavenly light (Saturday).

Combination: Easter Monday and Low Sunday both feature an identical offertorium text, in which we encounter both an angel descending from heaven and the Lord rising from the dead.

It is unusual to find such a sustained theme among the offertory antiphons of any particular week or season of the liturgical year.

There is an antiphon during the concluding vespers of the Christmas octave on January 1 that uses the phrase O admirabile commercium (“O marvelous exchange”) to describe the humble incarnation of Christ and the consequent raising of human nature to partake in the divine.

Commercium could be a good summary of what I am trying to observe concerning the Easter octave offertory antiphons. I tend to associate the idea more with the Christmas octave than with the Easter octave. I also tend to associate it more with the secret (“prayer over the offerings”) than with the offertorium.

Perhaps the Easter octave offertories are inviting us to associate the theme of commercium equally with Easter.

Reflecting on this still further, it may be possible to identify a similar theme in the Glorious Mysteries of the holy rosary.

1. Resurrection: the Lord is raised up from the dead
2. Ascension: Christ ascends from earth to heaven
3. Descent of the Holy Ghost: the third Person of the Trinity descends upon the gathered disciples
4. Assumption: the Blessed Mother is assumed into heaven, body and soul
5. Coronation: a crown is set down upon the head of Mary, our Queen and Mother

This theme extends even beyond the Easter octave and into the Paschal season, Ascensiontide, and the great day of Pentecost. Perhaps it would be best, therefore, to say that this theme pervades much of the liturgical year.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

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Filed Under: Articles Last Updated: April 19, 2020

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About Fr. David Friel

Ordained in 2011, Father Friel is a priest of the Archdiocese of Philadelphia and serves as Director of Liturgy at Saint Charles Borromeo Seminary. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    PDF • “Music List” (4th Sunday of Advent)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 21 December 2025, which is the 4th Sunday of Advent (Year A). If such a thing interests you, feel free to download it as a PDF file. The ENTRANCE CHANT is the famous “Roráte Coeli” and the fauxbourdon setting of the COMMUNION is exquisite. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    PDF • Our Lady of Guadalupe (12 Dec.)
    The Responsorial Psalm may be downloaded as a PDF file (organist & vocalist) for 12 December, which is the Feast of Our Lady of Guadalupe. When it comes to the formulary for this Mass, it’s astounding how infrequently it’s included in official books. Prior to Vatican II, one had to search through “supplemental material” printed in the back of hand-missals and graduals. But since 1970, the feast is virtually nonexistent. According to the UNIVERSAL KALENDAR, 12 December is the “Feast of Saint Jane Frances De Chantal, Religious” (Die 12 decembris: S. Ioannæ Franciscæ de Chantal, religiosæ). Why should that feast overpower Our Lady of Guadalupe? In the United States, OLG is celebrated—and I’d assume in Mexico, Central America, South America, and Canada—but, as I said, the Propria Missae are virtually impossible to locate. I possess only three books which mention this feast.
    —Jeff Ostrowski
    Simplified Accompaniment (Advent Hymn)
    Many organists are forced to simultaneously serve as both CANTOR and ACCOMPANIST. In spite of what some claim, this can be difficult. I invite you to download this simplified organ accompaniment (PDF) which in the Father Brébeuf Hymnal is hymn #661: “Come, Thou Long-Expected Jesus” (for ADVENT). I’m toying with the idea of creating a whole bunch of these, to help amateur organists. The last one I uploaded was downloaded more than 2,900 times in a matter of hours—so there appears to be interest.
    —Jeff Ostrowski

Quick Thoughts

    PDF Download • “Santo Santo Santo”
    Those searching for a dignified, brief, simple, bright setting of SANCTUS in Spanish (“Santo Santo Santo”) are invited to download this Setting in honor of Saint John Brébeuf (organist & vocalist). I wonder if there would be any interest in me recording a rehearsal video for this piece.
    —Jeff Ostrowski
    Pope Leo XIV on Sacred Music
    On 5 December 2025, Pope Leo XIV made this declaration with regard to liturgical music.
    —Corpus Christi Watershed
    “Translations Approved for Liturgical Use”
    According to the newsletter for USSCB’s Committee on Divine Worship dated September 1996, there are three (3) translations of the Bible which can be used in the sacred liturgy in the United States. You can read this information with your own eyes. It seems the USCCB and also Rome fully approved the so-called NRSV (“New Revised Standard Version”) on 13 November 1991 and 6 April 1992 but this permission was then withdrawn in 1994.
    —Corpus Christi Watershed

Random Quote

“With all the powers of modern music open to him, from romanticism through French impressionism to the German and Russian modernists, he is yet able to confine all these contradictory forces on the groundwork of the Gregorian tradition.”

— Theodor Rehmann (on Msgr. Jules Van Nuffel)

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