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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

The Offertory Antiphons of the Easter Octave

Fr. David Friel · April 19, 2020

HE EASTER octave features numerous out-of-the-ordinary liturgical features, such as a proper Communicantes, a proper Hanc igitur, and the sequence Victimae paschali laudes. What has struck me most during this past week, however, is the beauty of each day’s offertory antiphon (in the Extraordinary Form). Collectively, they convey a beautiful mystery.

The texts for each day are as follows (English translations mine):

Easter Sunday: The earth trembled and was still, when God rose up in judgment, alleluia. (Ps 75:9-10)

Easter Monday: An angel of the Lord descended from heaven and said to the women, “He whom you seek has risen, as He said,” alleluia. (Matt 28:2, 5, and 6)

Easter Tuesday: The Lord thundered from heaven, and the Most High gave His voice, and there appeared fountains of waters, alleluia. (Ps 17:14 and 16)

Easter Wednesday: The Lord opened gates of heaven and showered manna upon them, that they might eat; the bread of heaven He gave them. Man ate the bread of Angels, alleluia. (Ps 77:23-25)

Easter Thursday: On the day of your solemn feast, says the Lord, I shall lead you into a land flowing with milk and honey, alleluia. (Ex 13:5)

Easter Friday: This day will be for you a memorial, alleluia; and you will celebrate this day as a solemn feast to the Lord among your progeny, as an everlasting ordinance, alleluia, alleluia, alleluia. (Ex 12:14)

Easter Saturday: Blessed is he who comes in the name of the Lord; we have blessed you from the house of the Lord; the Lord is God, and he has illumined us, alleluia, alleluia. (Ps 117:26-27)

Low Sunday: An angel of the Lord descended from heaven and said to the women, “He whom you seek has risen, as He said,” alleluia. (Matt 28:2, 5, and 6)

What catches my attention most about these texts is a shared theme. The common thread is this: the mention of something either going up from earth to heaven or coming down from heaven to earth.

Ascending: God rises up in judgment (Sunday), He leads His people to the heavenly Canaan (Thursday), and the praises of the people rise up from the house of the Lord (Saturday).

Descending: The Lord thunders from heaven (Tuesday) and showers the earth with manna (Wednesday) and streams of water (Tuesday), while Christ comes in the name of the Lord (Saturday) and illumines His people with heavenly light (Saturday).

Combination: Easter Monday and Low Sunday both feature an identical offertorium text, in which we encounter both an angel descending from heaven and the Lord rising from the dead.

It is unusual to find such a sustained theme among the offertory antiphons of any particular week or season of the liturgical year.

There is an antiphon during the concluding vespers of the Christmas octave on January 1 that uses the phrase O admirabile commercium (“O marvelous exchange”) to describe the humble incarnation of Christ and the consequent raising of human nature to partake in the divine.

Commercium could be a good summary of what I am trying to observe concerning the Easter octave offertory antiphons. I tend to associate the idea more with the Christmas octave than with the Easter octave. I also tend to associate it more with the secret (“prayer over the offerings”) than with the offertorium.

Perhaps the Easter octave offertories are inviting us to associate the theme of commercium equally with Easter.

Reflecting on this still further, it may be possible to identify a similar theme in the Glorious Mysteries of the holy rosary.

1. Resurrection: the Lord is raised up from the dead
2. Ascension: Christ ascends from earth to heaven
3. Descent of the Holy Ghost: the third Person of the Trinity descends upon the gathered disciples
4. Assumption: the Blessed Mother is assumed into heaven, body and soul
5. Coronation: a crown is set down upon the head of Mary, our Queen and Mother

This theme extends even beyond the Easter octave and into the Paschal season, Ascensiontide, and the great day of Pentecost. Perhaps it would be best, therefore, to say that this theme pervades much of the liturgical year.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

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Filed Under: Articles Last Updated: April 19, 2020

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About Fr. David Friel

Ordained in 2011, Father Friel is a priest of the Archdiocese of Philadelphia and serves as Director of Liturgy at Saint Charles Borromeo Seminary. —(Read full biography).

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President’s Corner

    2-Voice Arrangement for Lent
    Those seeking a two-voice arrangement for LENT and PASSIONTIDE should click here and scroll down. It’s based on number 775 in the Brébeuf Hymnal, with an enchanting melody written by Kevin Allen (the legendary American composer of sacred music). That text—“Pendens In Crucis Cornibus”—is often used for the Feast of our Lady of Sorrows. That link is important because, in addition to the musical score, it provides free rehearsal videos for each individual voice: something volunteer choirs appreciate!
    —Jeff Ostrowski
    “Sanctus VIII” • Organ Accompaniment
    A few days ago, I composed this organ harmonization for SANCTUS VIII. This Mass is traditionally called Missa de ángelis or “Mass of the angels.” In French, it is Messe de Anges. You can evaluate my attempt to simultaneously accompany myself on the pipe organ (click here) while singing the melody. My parish is currently singing this setting.
    —Jeff Ostrowski
    Music List • (5th Sund. Ordinary Time)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for this coming Sunday, 8 February 2026, which is the 5th Sunday in Ordinary Time (Year A). If such a thing interests you, feel free to download it as a PDF file. You will probably notice it isn’t as ‘complete’ or ‘spiffy’ as usual, owing to some difficulties which took place this week.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of Febr. (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

“When there are women members, the choir’s place is to be outside the sanctuary.”

— “Musicam Sacram” (5 March 1967)

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