• Skip to primary navigation
  • Skip to main content
  • Skip to primary sidebar

Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

  • Donate
  • Our Team
    • Our Editorial Policy
    • Who We Are
    • How To Contact Us
    • Sainte Marie Bulletin Articles
    • Jeff’s Mom Joins Fundraiser
  • Pew Resources
    • Brébeuf Catholic Hymnal
    • Jogues Illuminated Missal
    • Repository • “Spanish Music”
    • KYRIALE • Saint Antoine Daniel
    • Campion Missal, 3rd Edition
  • MUSICAL WEBSITES
    • René Goupil Gregorian Chant
    • Noël Chabanel Psalms
    • Nova Organi Harmonia (2,279 pages)
    • Roman Missal, 3rd Edition
    • Catechism of Gregorian Rhythm
    • Father Enemond Massé Manuscripts
    • Lalemant Polyphonic
    • Feasts Website
  • Miscellaneous
    • Site Map
    • Secrets of the Conscientious Choirmaster
    • “Wedding March” for lazy organists
    • Emporium Kevin Allen
    • Saint Jean de Lalande Library
    • Sacred Music Symposium 2023
    • The Eight Gregorian Modes
    • Gradual by Pothier’s Protégé
    • Seven (7) Considerations
Views from the Choir Loft

A Blessing and a Curse: Digital Sheet Music

William J. Fritz · April 17, 2020

I lay before you a blessing and a curse: digital sheet music

Y wife and I attended a concert a little over a year ago where the entire chamber orchestra read their music from their iPads.  At the page turns, they all had a little pedal that would advance the page – it intrigued me.  Before that moment, my opinion had been that using tablets to read music would be too much of a hassle. A nice gimmick with some features, but not worth all the effort to replace my physical sheet music.  Yet, the ease with which the musicians on stage used their digital music made me reconsider – what would that look like in the context of our parish church choir?  Now, about a year later, the majority of our parish chant schola uses their phone or tablet with the app “Chant Tools” – which is a handy and flexible way of getting the chant music without either buying a physical book or of printing everything off. (Chant Tools is free and available on both Google Play and the App Store – you can even view it in a browser: click here)

I downloaded a few different programs to find the right fit for my own workflow (see the bottom of the article*), got a hold of a Bluetooth page turner and started testing it out. Rather than telling you to make the switch or not, I listing my own observations on what I’ve learned trying it out.

Turn off Notifications (and Sounds) (…and Vibration)

This one should be obvious but isn’t.  We all hear and make announcements about silencing our phones…but still, we find some people forget to silence the notifications.  Even on vibrate, you still know when something has come in.  Then sit there pondering who could possibly have texted, or how your favorite team is doing…before you know it, you’re fully engaged with the phone.  When using your phone or tablet as a sheet music device – turn off notifications.  Airplane mode works most efficiently…unless you need the internet for your music (like the Chant Tools app).  I use the DND (do not disturb) option for notifications – though I also have all notifications blocked normally (except for calls, texts and whether it will rain).  The last thing you should check is the length of screen timeout.  On most phones, it’s set for 30 seconds of idleness before turning the screen off – which is inconvenient if you’re always battling your phone or tablet’s tendency to shut off the screen.  Remember: you want as few distractions as possible when reading from your music.

Get a Plain Protective Case

Not only does this help with breakage if you accidentally drop your device, but it also makes it less distracting.  Some people like decking out their phone with rhinestones…probably not a good move for church choir.  The same policies for binders should be in play here – dignified and neutral.  (No one should really notice your shiny new tablet.) While you’re at it, dim your screen to a reasonable level: the sweet spot I’ve found is just one tick below “suggested” – not light enough to be seen from the congregation, light enough to read myself.

Practice page turns

I remember when my organ teacher first told me to practice my page turns.  “Huh.  That makes sense – why did no one ever tell me that?”  Whether you use a page turning pedal or swipe the screen, practice it, so you know the speed and how it feels.  This actually applies to both “analog” and digital music!

“A Charger, A Charger, My Kingdom for a Charger!”

Charge your battery.  Period.  Have a charging cable, always.  You may even invest in an emergency portable battery.  But, charge your battery…. and bring your cable, because you’ll still be caught with a dead battery.

Purchase Your Apps

This one is interesting:  I have a pitch pipe app for when I (inevitably) lose my physical one.  I did not purchase the app, so there were ads.  At the offertory one Sunday, the app began playing a very loud video ad right when I was giving my choir their pitch.  I first left a scathing review.  (Well, technically, I first gave the choir their pitch from the organ.)  Then I downloaded another app and paid for it to make the ads go away.  Problem solved.

Take the time to get to know the features of the sheet music reader app

Most have a way of creating a “set list” to line up all the music, just like you would in a binder.  Some even have a way of making snippets of larger files so that only a few pages are in your setlist.  There’s also a “recital” setting, where errant pokes and swipes won’t alter settings.  Bookmarks and short-cut buttons also help tremendously for repeats.  Again, you would have to set this up before Mass starts.

Make Sure you Know Copyright Laws for a Digital Copy of your Music

If your work is downloaded public domain or the new “Creative Commons” license – you’re in the clear.  However, you are allowed a digital copy under copyright law of a physical music only if you own it.  So no, you technically can’t buy one copy of a work and then scan it in for the choir.  If you have a question, check with whatever publisher your music is from.  A lot of them now have “digital subscriptions” of their own.  Remember, there are artists on the other side of those Octavos or printouts you use.  It is a part of the virtue of justice to support them for their labors!

Get a good Scanning App*

There are several scanning apps that help with transferring documents to your computer, phone or tablet.  It does need to have a “monochrome” or “black and white” feature.  I use “CamScanner” for Android, but there are others.

Know your Parish, Know your Choir

This is an often-overlooked part of life: no matter how good an idea it sounds, checking in with those around you can be a mark of prudence and true charity.  Don’t assume you can go ahead and buy the whole choir iPads.  Having them may cause scandal or distraction, or it may just be the pastor’s preference to not use them.

Have Clear Guidelines for Technology Use

Otherwise, you might see some video games or Instagram during the homily.  This is a clear case where technology ought to serve a practical purpose, not entertain.  Also, be disciplined about only looking at the music for that liturgy.  When there’s a massive library of music (IMSLP, CPDL, etc.) at your fingertips, it can be very tempting to wander around in search of some good music for later.

Get the Right Equipment*

You’re going to have to use some kind of tablet or phone (many find the phone screen too small).  I personally use a 2-in-1 laptop with a touch screen, because a regular laptop isn’t going to pass muster in my experience.  You really need something flat, not opened at an angle for putting on the music rack of the organ or holding in the hand.  Personally, I would not go out of my way to purchase something just to have the digital sheet music capability, but since I already had a tablet, I went ahead and used it for this as well.  Now that I am using it, I like not having to worry about pages (which can tear and age) – but I don’t like arriving at church with a dead battery.  (Again, the battery issue!)

Final Notes

Digital music, while convenient and useful, I do not believe takes over having your plain old pages or books in hand.  It will not be for everyone – and some will find it more cumbersome to switch.  I ultimately find it less stressful and clean to have a tablet in my hand, with all the pages set up, and to just tap on the screen or step on the pedal to get to the next page.  It is very similar to reading a book from a screen.  Some people adjust very well to it, and love the convenience of it – others will still just want to have a physical book in their hand.  I still read music from printed books and scores, but I do like having the majority of my choral and keyboard library at my fingertips.  And while extremely convenient, there are still details you need to be aware of and plan for so as to be prepared when the time comes to make music for the Lord.  Though, call me old-fashioned, there are still some days that I feel a bit overwhelmed by the back lit screen.  I just have to take out my books and hold them in my hand.

Yet no matter how much work you put into it, there will always be struggles with new technology…

 


NOTES FROM THIS ARTICLE:

*   Current Setup
As promised, here I what I currently use for my digital sheet music.

Tablet: Windows Surface Book 2 (13” version) – I recently upgraded from my Surface 3.  I very much like using the Surface pen to add my own notes to the music – which I can view or not with the touch of a button.

App for Music: Mobile Sheets  (I like that it acts better as touchscreen app)

Bluetooth Page Turner: Donner Wireless Page Turner Pedal (from Amazon)

Music Scanner: CamScanner – this one is good for scanning music into your phone so that you can transfer it to your tablet.  (There’s a “subscription” that you really don’t need, but I did buy the Pro version.)

 

 

 

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Follow the Discussion on Facebook

Filed Under: Articles Last Updated: April 17, 2020

Subscribe

It greatly helps us if you subscribe to our mailing list!

* indicates required

About William J. Fritz

William J. Fritz currently serves as music director at St. John the Baptist Catholic Church in Costa Mesa, CA where he resides with his wife and three boys.—(Read full biography).

Primary Sidebar

Corpus Christi Watershed

President’s Corner

    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski
    “Reminder” — Month of October (2025)
    Those who don’t sign up for our free EMAIL NEWSLETTER miss important notifications. Last week, for example, I sent a message about this job opening for a music director paying $65,000 per year plus benefits (plus weddings & funerals). Notice the job description says: “our vision for sacred music is to move from singing at Mass to truly singing the Mass wherein … especially the propers, ordinaries, and dialogues are given their proper place.” Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    “Music List” • 27th in Ordinary Time (Year C)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 5 October 2025, which is the 27th Sunday in Ordinary Time (Year C). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the spectacular feasts website alongside the official texts in Latin. Readers will want to check out the ENTRANCE CHANT posted there, which has a haunting melody (in the DEUTERUS MODE) and extremely powerful text.
    —Jeff Ostrowski

Quick Thoughts

    “American Catholic Hymnal” (1991)
    The American Catholic Hymnal, with IMPRIMATUR granted (25 April 1991) by the Archdiocese of Chicago, is like a compendium of every horrible idea from the 1980s. Imagine being forced to stand all through Communion (even afterwards) when those self-same ‘enlightened’ liturgists moved the SEQUENCE before the Alleluia to make sure congregations wouldn’t have to stand during it. (Even worse, everything about the SEQUENCE—including its name—means it should follow the Alleluia.) And imagine endlessly repeating “Alleluia” during Holy Communion at every single Mass. It was all part of an effort to convince people that Holy Communion was historically a procession (which it wasn’t).
    —Jeff Ostrowski
    “Canonic” • Ralph Vaughan Williams
    Fifty years ago, Dr. Theodore Marier made available this clever arrangement (PDF) of “Come down, O love divine” by P. R. Dietterich. The melody was composed in 1906 by Ralph Vaughan Williams (d. 1958) and named in honor of of his birthplace: DOWN AMPNEY. The arrangement isn’t a strict canon, but it does remind one of a canon since the pipe organ employs “points of imitation.” The melody and text are #709 in the Brébeuf Catholic Hymnal.
    —Jeff Ostrowski
    Did they simplify these hymn harmonies?
    Choirs love to sing the famous & splendid tune called “INNSBRUCK.” Looking through a (Roman Catholic) German hymnal printed in 1952, I discovered what appears to be a simplified version of that hymn. In other words, their harmonization is much less complex than the version found in the Saint Jean de Brébeuf Hymnal (which is suitable for singing by SATB choir). Please download their 1952 harmonization (PDF) and let me know your thoughts. I really like the groovy Germanic INTRODUCTION they added.
    —Jeff Ostrowski

Random Quote

To the extent that the new sacred music is to serve the liturgical celebrations of the various churches, it can and must draw from earlier forms — especially from Gregorian chant — a higher inspiration, a uniquely sacred quality, a genuine sense of what is religious.

— Pope John Paul II (June 1980)

Recent Posts

  • “Puzzling Comment” • By A Respected FSSP Priest
  • New Bulletin Article • “12 October 2025”
  • “Reminder” — Month of October (2025)
  • “American Catholic Hymnal” (1991)
  • Involving Women in the Communion?

Subscribe

Subscribe

* indicates required

Copyright © 2025 Corpus Christi Watershed · Isaac Jogues on Genesis Framework · WordPress · Log in

Corpus Christi Watershed is a 501(c)3 public charity dedicated to exploring and embodying as our calling the relationship of religion, culture, and the arts. This non-profit organization employs the creative media in service of theology, the Church, and Christian culture for the enrichment and enjoyment of the public.