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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

A Blessing and a Curse: Digital Sheet Music

William J. Fritz · April 17, 2020

I lay before you a blessing and a curse: digital sheet music

Y wife and I attended a concert a little over a year ago where the entire chamber orchestra read their music from their iPads.  At the page turns, they all had a little pedal that would advance the page – it intrigued me.  Before that moment, my opinion had been that using tablets to read music would be too much of a hassle. A nice gimmick with some features, but not worth all the effort to replace my physical sheet music.  Yet, the ease with which the musicians on stage used their digital music made me reconsider – what would that look like in the context of our parish church choir?  Now, about a year later, the majority of our parish chant schola uses their phone or tablet with the app “Chant Tools” – which is a handy and flexible way of getting the chant music without either buying a physical book or of printing everything off. (Chant Tools is free and available on both Google Play and the App Store – you can even view it in a browser: click here)

I downloaded a few different programs to find the right fit for my own workflow (see the bottom of the article*), got a hold of a Bluetooth page turner and started testing it out. Rather than telling you to make the switch or not, I listing my own observations on what I’ve learned trying it out.

Turn off Notifications (and Sounds) (…and Vibration)

This one should be obvious but isn’t.  We all hear and make announcements about silencing our phones…but still, we find some people forget to silence the notifications.  Even on vibrate, you still know when something has come in.  Then sit there pondering who could possibly have texted, or how your favorite team is doing…before you know it, you’re fully engaged with the phone.  When using your phone or tablet as a sheet music device – turn off notifications.  Airplane mode works most efficiently…unless you need the internet for your music (like the Chant Tools app).  I use the DND (do not disturb) option for notifications – though I also have all notifications blocked normally (except for calls, texts and whether it will rain).  The last thing you should check is the length of screen timeout.  On most phones, it’s set for 30 seconds of idleness before turning the screen off – which is inconvenient if you’re always battling your phone or tablet’s tendency to shut off the screen.  Remember: you want as few distractions as possible when reading from your music.

Get a Plain Protective Case

Not only does this help with breakage if you accidentally drop your device, but it also makes it less distracting.  Some people like decking out their phone with rhinestones…probably not a good move for church choir.  The same policies for binders should be in play here – dignified and neutral.  (No one should really notice your shiny new tablet.) While you’re at it, dim your screen to a reasonable level: the sweet spot I’ve found is just one tick below “suggested” – not light enough to be seen from the congregation, light enough to read myself.

Practice page turns

I remember when my organ teacher first told me to practice my page turns.  “Huh.  That makes sense – why did no one ever tell me that?”  Whether you use a page turning pedal or swipe the screen, practice it, so you know the speed and how it feels.  This actually applies to both “analog” and digital music!

“A Charger, A Charger, My Kingdom for a Charger!”

Charge your battery.  Period.  Have a charging cable, always.  You may even invest in an emergency portable battery.  But, charge your battery…. and bring your cable, because you’ll still be caught with a dead battery.

Purchase Your Apps

This one is interesting:  I have a pitch pipe app for when I (inevitably) lose my physical one.  I did not purchase the app, so there were ads.  At the offertory one Sunday, the app began playing a very loud video ad right when I was giving my choir their pitch.  I first left a scathing review.  (Well, technically, I first gave the choir their pitch from the organ.)  Then I downloaded another app and paid for it to make the ads go away.  Problem solved.

Take the time to get to know the features of the sheet music reader app

Most have a way of creating a “set list” to line up all the music, just like you would in a binder.  Some even have a way of making snippets of larger files so that only a few pages are in your setlist.  There’s also a “recital” setting, where errant pokes and swipes won’t alter settings.  Bookmarks and short-cut buttons also help tremendously for repeats.  Again, you would have to set this up before Mass starts.

Make Sure you Know Copyright Laws for a Digital Copy of your Music

If your work is downloaded public domain or the new “Creative Commons” license – you’re in the clear.  However, you are allowed a digital copy under copyright law of a physical music only if you own it.  So no, you technically can’t buy one copy of a work and then scan it in for the choir.  If you have a question, check with whatever publisher your music is from.  A lot of them now have “digital subscriptions” of their own.  Remember, there are artists on the other side of those Octavos or printouts you use.  It is a part of the virtue of justice to support them for their labors!

Get a good Scanning App*

There are several scanning apps that help with transferring documents to your computer, phone or tablet.  It does need to have a “monochrome” or “black and white” feature.  I use “CamScanner” for Android, but there are others.

Know your Parish, Know your Choir

This is an often-overlooked part of life: no matter how good an idea it sounds, checking in with those around you can be a mark of prudence and true charity.  Don’t assume you can go ahead and buy the whole choir iPads.  Having them may cause scandal or distraction, or it may just be the pastor’s preference to not use them.

Have Clear Guidelines for Technology Use

Otherwise, you might see some video games or Instagram during the homily.  This is a clear case where technology ought to serve a practical purpose, not entertain.  Also, be disciplined about only looking at the music for that liturgy.  When there’s a massive library of music (IMSLP, CPDL, etc.) at your fingertips, it can be very tempting to wander around in search of some good music for later.

Get the Right Equipment*

You’re going to have to use some kind of tablet or phone (many find the phone screen too small).  I personally use a 2-in-1 laptop with a touch screen, because a regular laptop isn’t going to pass muster in my experience.  You really need something flat, not opened at an angle for putting on the music rack of the organ or holding in the hand.  Personally, I would not go out of my way to purchase something just to have the digital sheet music capability, but since I already had a tablet, I went ahead and used it for this as well.  Now that I am using it, I like not having to worry about pages (which can tear and age) – but I don’t like arriving at church with a dead battery.  (Again, the battery issue!)

Final Notes

Digital music, while convenient and useful, I do not believe takes over having your plain old pages or books in hand.  It will not be for everyone – and some will find it more cumbersome to switch.  I ultimately find it less stressful and clean to have a tablet in my hand, with all the pages set up, and to just tap on the screen or step on the pedal to get to the next page.  It is very similar to reading a book from a screen.  Some people adjust very well to it, and love the convenience of it – others will still just want to have a physical book in their hand.  I still read music from printed books and scores, but I do like having the majority of my choral and keyboard library at my fingertips.  And while extremely convenient, there are still details you need to be aware of and plan for so as to be prepared when the time comes to make music for the Lord.  Though, call me old-fashioned, there are still some days that I feel a bit overwhelmed by the back lit screen.  I just have to take out my books and hold them in my hand.

Yet no matter how much work you put into it, there will always be struggles with new technology…

 


NOTES FROM THIS ARTICLE:

*   Current Setup
As promised, here I what I currently use for my digital sheet music.

Tablet: Windows Surface Book 2 (13” version) – I recently upgraded from my Surface 3.  I very much like using the Surface pen to add my own notes to the music – which I can view or not with the touch of a button.

App for Music: Mobile Sheets  (I like that it acts better as touchscreen app)

Bluetooth Page Turner: Donner Wireless Page Turner Pedal (from Amazon)

Music Scanner: CamScanner – this one is good for scanning music into your phone so that you can transfer it to your tablet.  (There’s a “subscription” that you really don’t need, but I did buy the Pro version.)

 

 

 

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

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Filed Under: Articles Last Updated: April 17, 2020

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About William J. Fritz

William J. Fritz currently serves as music director at St. John the Baptist Catholic Church in Costa Mesa, CA where he resides with his wife and three boys.—(Read full biography).

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President’s Corner

    Good Friday Flowers
    Good Friday has a series of prayers for various parties: the pope, catechumens, pagans, heretics, schismatics, and so forth. In the old liturgical books, there was no official ‘name’ for these prayers. (This wasn’t unusual as ‘headers’ and ‘titles’ for each section is a rather modern idea.) The Missal simply instructed the priest to go to the Epistle side and begin. In the SHERBORNE MISSAL, each prayer begins with a different—utterly spectacular—flower. This PDF file shows the first few prayers. Has anyone counted the ‘initial’ drop-cap flowers in the SHERBORNE MISSAL? Surely there are more than 1,000.
    —Jeff Ostrowski
    Music List • (3rd Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 3rd Sunday of Lent (8 March 2026). If such a thing interests you, feel free to download it as a PDF file. This feast has magnificent propers. Its stern INTROIT (“Óculi mei semper ad Dóminum”) is breathtaking, and the COMMUNION (“Qui bíberit aquam”) with its fauxbourdon verses is wonderful. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski

Quick Thoughts

    “Dies Irae” • A Monstrous Translation
    It isn’t easy to determine what Alice King MacGilton hoped to accomplish with her very popular book—A Study of Latin Hymns (1918)—which continued to be reprinted in new editions for at least 34 years. This PDF file shows her attempt to translate the DIES IRAE “in the fewest words possible.” There’s a place for dynamic equivalency, but this is repugnant. In particular, look what she does to “Quærens me sedísti lassus.”
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski
    Grotesque Pairing • “Passion Chorale”
    One of our rarest releases was undoubtably this PDF scan of the complete Pope Pius XII Hymnal (1959) by Father Joseph Roff, a student of Healey Willan. One of the scarcest titles in existence, this book was provided to us by Mr. Peter Meggison. Back in 2018, we scanned each page and uploaded it to our website, making it freely available to everyone. Readers are probably sick of hearing me say this, but just because we upload something that doesn’t necessarily mean it’s wonderful or worthy of imitation. We upload many publications precisely because they are ‘grotesque’, interesting, or revealing. Whereas the Brébeuf Catholic Hymnal had an editorial board that was careful and sensitive vis-à-vis pairing texts with tunes, the Pope Pius XII Hymnal (1959) seems to have been rather reckless in this regard. Please take a look at what they did with the PASSION CHORALE and see whether you agree.
    —Jeff Ostrowski

Random Quote

“If I could only make the faithful sing the Kyrie, the Gloria, the Credo, the Sanctus, and the Agnus Dei…that would be to me the finest triumph sacred music could have, for it is in really taking part in the liturgy that the faithful will preserve their devotion. I would take the Tantum Ergo, the Te Deum, and the Litanies sung by the people over any piece of polyphony.”

— ‘Giuseppe Cardinal Sarto, Letter to Msgr. Callegari (1897)’

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