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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Repeating Repertoire? • Andrea Leal

Andrea Leal · April 4, 2020

F WE WERE all angels, we would sing endless hosannas for eternity in Heaven, praising the Lamb with the most exquisite and breathtaking music in all of Creation. We would know how to do this without ever having learned it, and yet it would be absolutely perfect. Our hymns of praise would exalt the Most High in ways that no earthly composer, and no human masterpiece could ever attain.

But alas, we are not beautiful angelic beings. We are greatly limited in knowledge, understanding and ability to praise the Lord with song. And yet, being His creatures, we still deeply desire to exalt him with music. Unlike the angels, our music must be taught, learned and mastered. This takes an incredible amount of labor and sacrifice!

When you are further challenged by being in a parish that does not have a natural pool of “talent” to draw from, you must create that talent by teaching willing volunteers. It is no exaggeration to say that the process of training volunteer singers and teaching them a basic repertoire can take years. For this reason, it is my belief that every choir should have a set of hymns that they have mastered, which a choir director can confidently pull out of their back pocket without advance rehearsal. Especially with smaller choirs, where it is difficult to ‘hide” the mistakes of weaker singers, it only makes sense that once you have spent the time to master a song you should make full use of it.

Additionally, when you consider the sheer quantity 1 of music a choir may sing on any given Sunday, it becomes clear that doing new music all the time is truly out of the question. Consider what you must cover with your choir when you learn a new song. It isn’t just about teaching the right notes. You must also perfect vowels, tone, Latin pronunciation (if it isn’t in English), rhythm, phrasing, and you must spend time ironing out challenging sections. Practicality demands a certain amount of repetition. Case in point, my choir has this lovely hymn during Lent for the last couple of years. By now I know that we can sing it at the drop of the hat. Being able to do that is an incredible advantage.


Not only does my choir love singing something familiar, knowing that we will be singing a familiar piece on a given Sunday frees up valuable rehearsal time to dedicate to other (new!) pieces.

Therefore, while we can and should repeat some of our repertoire, once you have a core set of songs to fall back on it is important to regularly introduce fresh pieces. Not only does this prevent you and your singers from becoming burned out, but it can also be a good way to expand their knowledge of different composers and musical eras. New things are exciting to us humans. Being constrained by our earthly limitations, we do indeed tire of singing the same things over and over. If we were more like the angels, we would never tire of singing endless songs of praise, just as our Blessed Lord never tires of hearing them!

“And the four living creatures, each of them with six wings,
are full of eyes all round and within,
and day and night they never cease to sing,
Holy, holy, holy, is the Lord God Almighty,
who was and is and is to come!”

Rev. 4:8



NOTES FROM THIS ARTICLE:

1   For example, in the Extraordinary Form, there are 5 propers that are chanted at every Mass, and their melodies are not repeated very frequently. In fact, many are never repeated at all.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

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Filed Under: Articles Tagged With: Repeating Repertoire Last Updated: April 5, 2020

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About Andrea Leal

Andrea Leal is a wife and homeschooling mother of 6 children. She serves as choir director for the Traditional Latin Mass in Las Vegas.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    New Bulletin Article • “21 September 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 21 September 2025) discusses some theological items—supported by certain verses in ancient Catholic hymns—and ends by explaining why certain folks become delirious with jealousy when they observe feats by Monsignor Ronald Knox.
    —Jeff Ostrowski
    Cheap! Cheap! Cheap!
    It’s always amusing to see old diocesan newspapers—in huge capital letters—advertising the Cheapest Catholic Paper in the United States. The correspondent who sent this to me added: “I can think of certain composers, published by large companies in our own day, who could truthfully brag about the most tawdry compositions in the world!” I wonder what she could have meant by such a cryptic comment…
    —Jeff Ostrowski
    PDF Download • Dom Murray Harmonies
    Along with so many others, I have deep respect for Dom Gregory Gregory Murray, who produced this clever harmonization (PDF) of “O SANCTISSIMA.” It’s always amazed me that Dom Gregory—a truly inspired composer—was so confused when it came to GREGORIAN CHANT. Throughout his life, he published contradictory statements, veering back-and-forth like a weather vane. Toward the end of his life, he declared: “I see clearly that the need for reform in liturgical music arose, not in the 18th and 19th centuries, but a thousand years earlier—in the 8th and 9th centuries, or even before that. The abuses began, not with Mozart and Haydn, but with those over-enthusiastic medieval musicians who developed the elaborate and flamboyant Gregorian Chant.”
    —Jeff Ostrowski

Quick Thoughts

    Karl Keating • “Canonization Questions”
    We were sent an internet statement (screenshot) that’s garnered significant attention, in which KARL KEATING (founder of Catholic Answers) speaks about whether canonizations are infallible. Mr. Keating seems unaware that canonizations are—in the final analysis—a theological opinion. They are not infallible, as explained in this 2014 article by a priest (with a doctorate in theology) who worked for multiple popes. Mr. Keating says: “I’m unaware of such claims arising from any quarter until several recent popes disliked by these Traditionalists were canonized, including John XXIII, Paul VI, and John Paul II. Usually Paul VI receives the most opprobrium.” Mr. Keating is incorrect; e.g. Father John Vianney, several centuries ago, taught clearly that canonizations are not infallible. Archbishop Fulton J. Sheen would be another example, although clearly much more recent than Saint John Vianney.
    —Corpus Christi Watershed
    Vatican II Changed Wedding Propers?
    It’s often claimed that the wedding propers were changed after Vatican II. As a matter of fact, that is a false claim. The EDITIO VATICANA propers (Introit: Deus Israel) remained the same after Vatican II. However, a new set of propers (Introit: Ecce Deus) was provided for optional use. The same holds true for the feast of Pope Saint Gregory the Great on 3 September: the 1943 propers (Introit: Si díligis me) were provided for optional use, but the traditional PROPRIA MISSAE (Introit: Sacerdótes Dei) were retained; they weren’t gotten rid of. The Ordo Cantus Missae (1970) makes this crystal clear, as does the Missal itself. There was an effort made in the post-conciliar years to eliminate so-called “Neo-Gregorian” chants, but (contrary to popular belief) most were retained: cf. the feast of Christ the King, the feast of the Immaculate Conception, and so forth.
    —Corpus Christi Watershed
    Solemn “Salve Regina” (Chant)
    How many “S” words can you think of using alliteration? How about Schwann Solemn Salve Score? You can download the SOLEMN SALVE REGINA in Gregorian Chant. The notation follows the official rhythm (EDITIO VATICANA). Canon Jules Van Nuffel, choirmaster of the Cathedral of Saint Rumbold, composed this accompaniment for it (although some feel it isn’t his best work).
    —Corpus Christi Watershed

Random Quote

“Participation” in the Mass does not mean hearing our own voices. It means God hearing our voices. Only He knows who is “participating” at Mass. I believe, to compare small things with great, that I “participate” in a work of art when I study it and love it silently.

— Evelyn Waugh

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