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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Going Beyond Archbishop Fulton Sheen’s “Take”

Jeff Ostrowski · March 31, 2020

OST CATHOLICS don’t realize that Pange Lingua by Saint Thomas Aquinas imitates another “Pange Lingua” written by a Roman Catholic bishop who lived in the 6th century. The version from the 6th century is my favorite hymn—I just can’t think of any text more powerful. Archbishop Fulton J. Sheen has sometimes been criticized for (often) avoiding mention of the sacred liturgy during his talks, but I cannot agree with such a view. Consider the famous statement of Archbishop Sheen:

Three things coöperated in our fall:
—A disobedient man: Adam
—A  proud woman: Eve
—and a tree.
But God reverses this!
Redemption came through:
—An obedient man: Christ
—A humble woman: Mary
—and a tree (the Cross).

This actually comes from the Pange Lingua of Bishop Fortunatus, so it isn’t fair to assume Archbishop Sheen didn’t “sneak” the sacred liturgy into his talks. (A literal translation is on page 308 of the Brébeuf hymnal.)

Going Further Than Sheen

I feel we can go even further than Archbishop Sheen. Can we not say the following?

The fall of Adam had to do with:
—DISOBEDIENCE regarding
—that which sustains man.
But now it’s reversed!
The Holy Eucharist has to do with:
—OBEDIENCE regarding
—that which sustains us.

“Disobedience”—because God told Adam not to eat fruit the forbidden tree.

“Obedience”—because God the Father said (Lk 9:35): “This is my beloved Son; listen to Him.” Our Blessed Lord said: “Do this in memory of me.”

I encourage everyone to read the “exposition” of the Blessed Sacrament, found in the Brébeuf hymnal. Here is a sample page:

One of the footnotes from the Brébeuf hymnal addresses people who erroneously insist that our Savior intended cannibalism: “Christ is not present in the Eucharist under a form in which cannibalism could be possible. His body is really and substantially present, but not in a natural way. It is an entirely supernatural mode of presence which you may not believe, but which at least excludes all notions of cannibalism.” (Radio address by Father Leslie Rumble, 1940)

The Holy Eucharist still looks like bread, and tastes like bread. But in the Pange Lingua, Saint Thomas Aquinas reminds us: Præstet fides supplementum sensuum defectui. (“Let faith provide her help where all the senses fail.”)

I am not a Theologian, but as far as I know Almighty God likes our “obedience” in trusting Him, even though the SANCTISSIMUM still looks like bread and tastes like bread. And even though the SANCTISSIMUM still looks like wine and tastes like wine.

Saint Pius X wrote as follows:

“Holy Communion is the shortest and safest way to Heaven. There are others: innocence, but that is for little children; penance, but we fear it; generous endurance of trials of life, but when they come we weep and ask to be delivered. The surest, easiest, shortest way is the Eucharist.”

Some people have attacked the Brébeuf hymnal because it contains so many Communion hymns. But in my opinion, that’s a good thing!

 


NOTES FROM THIS ARTICLE:

*   A very intelligent priest sent me this picture from the Salzburg Missal which seems to support my “take.” Do you see our Lady giving Holy Communion to the Communicant who’s kneeling? Do you see what Eve is giving?

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

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Filed Under: Articles, Featured Tagged With: Bishop Fulton J Sheen, Eucharist Not Cannibalism, Leslie Rumble Radio Replies, The Holy Eucharist Last Updated: October 4, 2022

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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President’s Corner

    2-Voice Arr. • “Creator of the Starry Height”
    Do you direct a choir consisting of women or children only? (Some call this a “treble” choir.) Download a two-voice arrangement of Creator of the Starry Height set to the tune of IOANNES by clicking here and then scrolling to the bottom. In our times, this hymn is normally used during ADVENT, and the Latin title is: Cónditor alme síderum. It’s important to say “cónditor”—placing the accent on the antepenult—because ‘condítor’ in Latin means “one who embalms the dead.”
    —Jeff Ostrowski
    “Equal Voices” Choir Pieces
    My colleague, CORRINNE MAY, has posted some delightful compositions for equal voices: that is, choirs consisting of all men or all women. Included there are settings of the “Ave Maria” and “Tantum Ergo.” They strike me as relatively simple and not excessively lengthy. (In other words, within reach of volunteer singers.) Even better, all the scores have been made available as instant PDF downloads, completely free of charge. Bravo!
    —Jeff Ostrowski
    Typo in the “Missale Romanum” (1962)
    The 1962 MISSALE ROMANUM was a transitional missal. It was on its way to becoming the 1970 version, but wasn’t there yet. It eliminated certain duplications, downplayed the Prayers at the Foot of the Altar, expanded the role of laymen, minimized the Last Gospel, made many items optional, and so forth. Father Valentine Young spotted many typos in the 1962 MISSALE ROMANUM, especially incorrect accents. The Offertory Antiphon for this coming Sunday (OF kalendar) contains an error, citing the wrong verse from Psalm 118. It should be 118:107b, not 118:154. If you read verse 154, you’ll understand how that error crept in. [In this particular case, the error pre-dates the 1962 Missal, since the 1940s hand-missal by Father Lasance also gets it wrong.]
    —Jeff Ostrowski

Quick Thoughts

    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski
    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski
    “American Catholic Hymnal” (1991)
    The American Catholic Hymnal, with IMPRIMATUR granted (25 April 1991) by the Archdiocese of Chicago, is like a compendium of every horrible idea from the 1980s. Imagine being forced to stand all through Communion (even afterwards) when those self-same ‘enlightened’ liturgists moved the SEQUENCE before the Alleluia to make sure congregations wouldn’t have to stand during it. (Even worse, everything about the SEQUENCE—including its name—means it should follow the Alleluia.) And imagine endlessly repeating “Alleluia” during Holy Communion at every single Mass. It was all part of an effort to convince people that Holy Communion was historically a procession (which it wasn’t).
    —Jeff Ostrowski

Random Quote

“The only really effective apologia for Christianity comes down to two arguments: namely, the _saints_ the Church has produced and the _art_ which has grown in her womb.”

— Josef Cardinal Ratzinger (Interview, 1985)

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