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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Going Beyond Archbishop Fulton Sheen’s “Take”

Jeff Ostrowski · March 31, 2020

OST CATHOLICS don’t realize that Pange Lingua by Saint Thomas Aquinas imitates another “Pange Lingua” written by a Roman Catholic bishop who lived in the 6th century. The version from the 6th century is my favorite hymn—I just can’t think of any text more powerful. Archbishop Fulton J. Sheen has sometimes been criticized for (often) avoiding mention of the sacred liturgy during his talks, but I cannot agree with such a view. Consider the famous statement of Archbishop Sheen:

Three things coöperated in our fall:
—A disobedient man: Adam
—A  proud woman: Eve
—and a tree.
But God reverses this!
Redemption came through:
—An obedient man: Christ
—A humble woman: Mary
—and a tree (the Cross).

This actually comes from the Pange Lingua of Bishop Fortunatus, so it isn’t fair to assume Archbishop Sheen didn’t “sneak” the sacred liturgy into his talks. (A literal translation is on page 308 of the Brébeuf hymnal.)

Going Further Than Sheen

I feel we can go even further than Archbishop Sheen. Can we not say the following?

The fall of Adam had to do with:
—DISOBEDIENCE regarding
—that which sustains man.
But now it’s reversed!
The Holy Eucharist has to do with:
—OBEDIENCE regarding
—that which sustains us.

“Disobedience”—because God told Adam not to eat fruit the forbidden tree.

“Obedience”—because God the Father said (Lk 9:35): “This is my beloved Son; listen to Him.” Our Blessed Lord said: “Do this in memory of me.”

I encourage everyone to read the “exposition” of the Blessed Sacrament, found in the Brébeuf hymnal. Here is a sample page:

One of the footnotes from the Brébeuf hymnal addresses people who erroneously insist that our Savior intended cannibalism: “Christ is not present in the Eucharist under a form in which cannibalism could be possible. His body is really and substantially present, but not in a natural way. It is an entirely supernatural mode of presence which you may not believe, but which at least excludes all notions of cannibalism.” (Radio address by Father Leslie Rumble, 1940)

The Holy Eucharist still looks like bread, and tastes like bread. But in the Pange Lingua, Saint Thomas Aquinas reminds us: Præstet fides supplementum sensuum defectui. (“Let faith provide her help where all the senses fail.”)

I am not a Theologian, but as far as I know Almighty God likes our “obedience” in trusting Him, even though the SANCTISSIMUM still looks like bread and tastes like bread. And even though the SANCTISSIMUM still looks like wine and tastes like wine.

Saint Pius X wrote as follows:

“Holy Communion is the shortest and safest way to Heaven. There are others: innocence, but that is for little children; penance, but we fear it; generous endurance of trials of life, but when they come we weep and ask to be delivered. The surest, easiest, shortest way is the Eucharist.”

Some people have attacked the Brébeuf hymnal because it contains so many Communion hymns. But in my opinion, that’s a good thing!

 


NOTES FROM THIS ARTICLE:

*   A very intelligent priest sent me this picture from the Salzburg Missal which seems to support my “take.” Do you see our Lady giving Holy Communion to the Communicant who’s kneeling? Do you see what Eve is giving?

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

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Filed Under: Articles, Featured Tagged With: Bishop Fulton J Sheen, Eucharist Not Cannibalism, Leslie Rumble Radio Replies, The Holy Eucharist Last Updated: October 4, 2022

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Good Friday Flowers
    Good Friday has a series of prayers for various parties: the pope, catechumens, pagans, heretics, schismatics, and so forth. In the old liturgical books, there was no official ‘name’ for these prayers. (This wasn’t unusual as ‘headers’ and ‘titles’ for each section is a rather modern idea.) The Missal simply instructed the priest to go to the Epistle side and begin. In the SHERBORNE MISSAL, each prayer begins with a different—utterly spectacular—flower. This PDF file shows the first few prayers. Has anyone counted the ‘initial’ drop-cap flowers in the SHERBORNE MISSAL? Surely there are more than 1,000.
    —Jeff Ostrowski
    Music List • (3rd Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 3rd Sunday of Lent (8 March 2026). If such a thing interests you, feel free to download it as a PDF file. This feast has magnificent propers. Its stern INTROIT (“Óculi mei semper ad Dóminum”) is breathtaking, and the COMMUNION (“Qui bíberit aquam”) with its fauxbourdon verses is wonderful. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski

Quick Thoughts

    “Dies Irae” • A Monstrous Translation
    It isn’t easy to determine what Alice King MacGilton hoped to accomplish with her very popular book—A Study of Latin Hymns (1918)—which continued to be reprinted in new editions for at least 34 years. This PDF file shows her attempt to translate the DIES IRAE “in the fewest words possible.” There’s a place for dynamic equivalency, but this is repugnant. In particular, look what she does to “Quærens me sedísti lassus.”
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski
    Grotesque Pairing • “Passion Chorale”
    One of our rarest releases was undoubtably this PDF scan of the complete Pope Pius XII Hymnal (1959) by Father Joseph Roff, a student of Healey Willan. One of the scarcest titles in existence, this book was provided to us by Mr. Peter Meggison. Back in 2018, we scanned each page and uploaded it to our website, making it freely available to everyone. Readers are probably sick of hearing me say this, but just because we upload something that doesn’t necessarily mean it’s wonderful or worthy of imitation. We upload many publications precisely because they are ‘grotesque’, interesting, or revealing. Whereas the Brébeuf Catholic Hymnal had an editorial board that was careful and sensitive vis-à-vis pairing texts with tunes, the Pope Pius XII Hymnal (1959) seems to have been rather reckless in this regard. Please take a look at what they did with the PASSION CHORALE and see whether you agree.
    —Jeff Ostrowski

Random Quote

“Johann Baptist Singenberger (d. 1924) held in trust a letter from Pius X giving him permission to use men and women in his festival choirs. He neither published it nor used it, lest he embarrass the Holy Father.”

— Monsignor Francis P. Schmitt (August 1957)

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  • “Dies Irae” • A Monstrous Translation

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