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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Going Beyond Archbishop Fulton Sheen’s “Take”

Jeff Ostrowski · March 31, 2020

OST CATHOLICS don’t realize that Pange Lingua by Saint Thomas Aquinas imitates another “Pange Lingua” written by a Roman Catholic bishop who lived in the 6th century. The version from the 6th century is my favorite hymn—I just can’t think of any text more powerful. Archbishop Fulton J. Sheen has sometimes been criticized for (often) avoiding mention of the sacred liturgy during his talks, but I cannot agree with such a view. Consider the famous statement of Archbishop Sheen:

Three things coöperated in our fall:
—A disobedient man: Adam
—A  proud woman: Eve
—and a tree.
But God reverses this!
Redemption came through:
—An obedient man: Christ
—A humble woman: Mary
—and a tree (the Cross).

This actually comes from the Pange Lingua of Bishop Fortunatus, so it isn’t fair to assume Archbishop Sheen didn’t “sneak” the sacred liturgy into his talks. (A literal translation is on page 308 of the Brébeuf hymnal.)

Going Further Than Sheen

I feel we can go even further than Archbishop Sheen. Can we not say the following?

The fall of Adam had to do with:
—DISOBEDIENCE regarding
—that which sustains man.
But now it’s reversed!
The Holy Eucharist has to do with:
—OBEDIENCE regarding
—that which sustains us.

“Disobedience”—because God told Adam not to eat fruit the forbidden tree.

“Obedience”—because God the Father said (Lk 9:35): “This is my beloved Son; listen to Him.” Our Blessed Lord said: “Do this in memory of me.”

I encourage everyone to read the “exposition” of the Blessed Sacrament, found in the Brébeuf hymnal. Here is a sample page:

One of the footnotes from the Brébeuf hymnal addresses people who erroneously insist that our Savior intended cannibalism: “Christ is not present in the Eucharist under a form in which cannibalism could be possible. His body is really and substantially present, but not in a natural way. It is an entirely supernatural mode of presence which you may not believe, but which at least excludes all notions of cannibalism.” (Radio address by Father Leslie Rumble, 1940)

The Holy Eucharist still looks like bread, and tastes like bread. But in the Pange Lingua, Saint Thomas Aquinas reminds us: Præstet fides supplementum sensuum defectui. (“Let faith provide her help where all the senses fail.”)

I am not a Theologian, but as far as I know Almighty God likes our “obedience” in trusting Him, even though the SANCTISSIMUM still looks like bread and tastes like bread. And even though the SANCTISSIMUM still looks like wine and tastes like wine.

Saint Pius X wrote as follows:

“Holy Communion is the shortest and safest way to Heaven. There are others: innocence, but that is for little children; penance, but we fear it; generous endurance of trials of life, but when they come we weep and ask to be delivered. The surest, easiest, shortest way is the Eucharist.”

Some people have attacked the Brébeuf hymnal because it contains so many Communion hymns. But in my opinion, that’s a good thing!

 


NOTES FROM THIS ARTICLE:

*   A very intelligent priest sent me this picture from the Salzburg Missal which seems to support my “take.” Do you see our Lady giving Holy Communion to the Communicant who’s kneeling? Do you see what Eve is giving?

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

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Filed Under: Articles, Featured Tagged With: Bishop Fulton J Sheen, Eucharist Not Cannibalism, Leslie Rumble Radio Replies, The Holy Eucharist Last Updated: October 4, 2022

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Season’s End Repertoire
    Looking at the REPERTOIRE SHEET until the end of the choral season, I see that I’ve fallen behind schedule. (The last three months have been extraordinarily busy.) As you know, I have been providing organ harmonies for all the ENTRANCE CHANTS—as well as rehearsal videos—and you can see I’m behind where I planned to be. Now I must make up lost ground. However, the choir picks up the ENTRANCE CHANT with ease, so I’m sure it will all work out. My ‘unofficial’ harmonizations are being posted each week at the flourishing feasts website.
    —Jeff Ostrowski
    PDF Download • “Funeral Procession”
    From a mediæval Book of Hours, I was sent this glorious depiction of a Roman Catholic funeral procession by Simon Bening (d. 1561). The image resolution is extremely high. I’m not sure I know of a more beautiful illustration of a mediæval church. And I love how the servers are wearing red and pink cassocks!
    —Jeff Ostrowski
    Simplified Accomp. • Schubert’s “Ave Maria.”
    Sometimes the organist must simultaneously serve as the CANTOR. (Those who work in the field of church music know exactly what I’m talking about.) One of our contributors composed this simplified keyboard accompaniment for Franz Schubert’s “Ave Maria,” a piece which is frequently requested for Catholic funerals and weddings. In terms of the discussion about whether that piece is too theatrical (‘operatic’) for use in Church, I will leave that discussion to others. All I know is, many church musicians out there will appreciate this simplified version.
    —Jeff Ostrowski

Quick Thoughts

    PDF Download • “Anima Christi”
    I received a request for an organ accompaniment I created way back in 2007 for the “Anima Christi” Gregorian Chant. You can download this PDF file which has the score in plainsong followed by a keyboard accompaniment. Many melodies have been paired with “Anima Christi” over the centuries, but this is—perhaps—the most common one.
    —Jeff Ostrowski
    PDF • “Liturgical Law” (467 Pages)
    On Good Friday during the middle ages, the pope privately recited THE ENTIRE PSALTER. If you don’t believe me, see for yourself by reading this passage by Dom Charles Augustine Bachofen (d. 1943). His famous book—called “Liturgical Law: A Handbook Of The Roman Liturgy”—was published by the Benjamin Herder Book Company, which was the American arm (operating out of St. Louis, Missouri) of one of the world’s most significant Catholic publishers. Dom Charles Augustine Bachofen was born in Switzerland but spent his career between the Benedictine monasteries at Conception (Missouri) and Mount Angel (Oregon). His 1931 masterpiece, Liturgical Law can be downloaded as a PDF file … 467 pages!
    —Jeff Ostrowski
    “Gregorian Chant Quiz” • 24 March 2026
    How well do you know your Gregorian hymns? Do you recognize the tune inserted into the bass line on this score? For many years, we sang the entire Mass in Gregorian chant—and I mean everything. As a result, it would be difficult to find a Gregorian hymn I don’t recognize instantly. Only decades later did I realize (with sadness) that this skill cannot be ‘monetized’… This particular melody is used for a very famous Gregorian hymn, printed in the LIBER USUALIS. Do you recognize it? Send me an email with the correct words, and I promise to tell everybody I meet about your prowess!
    —Jeff Ostrowski

Random Quote

“Dom Pothier does not belong to the dim past, as the silence which surrounds his name would lead one to believe. Only a few years separate us from the time when—growing old and heavily burdened by trials—Dom Pothier was concentrating his ever keen attention on the study of manuscripts in the Belgian place of retreat where his community had found refuge. For he was the abbot; and there can be no doubt that the cross he wore during those days was a cross of sorrow, though he bore it with a smile.”

— Dom Ermin Vitry, OSB (31-OCT-1936)

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