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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

8 Tips • “Improving Live Stream Audio Quality”

Patrick Torsell · March 29, 2020

ITH MANY churches unable to offer public Masses during the Coronavirus situation, some are turning to the wonders of 21st century technology to live stream their Masses and devotions online. One aspect many find challenging is audio quality and balance. Ideally you want the priest’s voice to be crisp and clear at all times, but also hear the choir, cantor, or organist clearly as well. Some cathedrals and big parishes may have advanced house audio systems and are already well equipped for streaming, but many parish churches do not, and most of us never gave it much thought until recently. It does require a bit of effort, equipment, and savvy to achieve good quality audio, but it’s certainly not out of reach for the average parish. With that in mind, here are a few tips to help you avoid the tinny, garbled sound so often found on live streams:

1) Your cell phone mic isn’t going to cut it; you need to have higher quality microphones placed nearer the altar, pulpit, and choir/musicians

2) This means you can’t just use your cell phone for streaming; you’ll need to stream from a computer in order to connect multiple external mics

3) You need more than one mic to have clear audio; I’ve found that a four mic arrangement works well in an average church setting: one pointed toward the altar where Father is offering Mass, one at the pulpit where he’ll deliver the sermon, and a stereo pair aimed at the musicians

4) You can achieve this with a high quality portable microphone/multi-channel recorder (I use a Zoom H4N Handy Recorder which works very well, but there are certainly other brands and options, many in the $100-300 price range); the H4N I use has a built-in stereo mic pair, includes two additional XLR inputs (with phantom power onboard) for two more microphones, and provides granular input and output volume control; portable mics like these can generally plug right into your computer’s microphone input with a simple aux (3.5mm) cable. Alternatively, you can forgo the portable recorder and use an external audio interface (USB or Firewire) with enough inputs for your external microphones.

5) Since you’re streaming from a computer, you either need a high quality webcam, or you can search the Apple App Store or Google Play for apps that allow you to use your phone as a webcam

6) TEST! Before you go live make sure your audio levels are just right for each mic and adjust as needed; if you’re streaming on Facebook, you can use your own personal Facebook page to go live with the visibility set to “only me” to do an actual live test privately before starting the public stream on your church’s page

7) When you start your stream, make sure you select the correct camera and microphone!

8) If your internet connection is bad, everything above is useless; you need a reliable, fast upstream (run an internet speed test to check your upload speeds — less than 5Mbps and you might have trouble), and whenever possible, avoid WiFi and opt for a wired ethernet connection (I just crimped a 150′ cable specifically for this purpose this week… I just have to remind Father not to trip on it, since it runs through the sacristy to the laptop in the nave!)

If you can’t stream from a computer and you need to use your cell phone only, you can find external microphones for your specific device type that will drastically improve your sound over the phone’s internal mic. You do have to place it strategically to balance the volume of the priest with the choir/organ while still getting the video framed the way you want it, and you’ll probably end up with more background noise and less clarity… but again, it will still be a substantial improvement over your phone’s internal mic.

I pray that circumstances allow us all to return to some sense of normalcy soon. But until then, hopefully those tips will at least point you in the right direction toward improved live stream audio.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

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Filed Under: Articles Last Updated: March 30, 2020

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About Patrick Torsell

Patrick Torsell is a staff substitute organist at the Cathedral Basilica of the Immaculate Conception in Denver, CO, and associate organist at Our Lady of Mt. Carmel (FSSP), Littleton, CO—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Good Friday Flowers
    Good Friday has a series of prayers for various parties: the pope, catechumens, pagans, heretics, schismatics, and so forth. In the old liturgical books, there was no official ‘name’ for these prayers. (This wasn’t unusual as ‘headers’ and ‘titles’ for each section is a rather modern idea.) The Missal simply instructed the priest to go to the Epistle side and begin. In the SHERBORNE MISSAL, each prayer begins with a different—utterly spectacular—flower. This PDF file shows the first few prayers. Has anyone counted the ‘initial’ drop-cap flowers in the SHERBORNE MISSAL? Surely there are more than 1,000.
    —Jeff Ostrowski
    Music List • (3rd Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 3rd Sunday of Lent (8 March 2026). If such a thing interests you, feel free to download it as a PDF file. This feast has magnificent propers. Its stern INTROIT (“Óculi mei semper ad Dóminum”) is breathtaking, and the COMMUNION (“Qui bíberit aquam”) with its fauxbourdon verses is wonderful. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski

Quick Thoughts

    “Dies Irae” • A Monstrous Translation
    It isn’t easy to determine what Alice King MacGilton hoped to accomplish with her very popular book—A Study of Latin Hymns (1918)—which continued to be reprinted in new editions for at least 34 years. This PDF file shows her attempt to translate the DIES IRAE “in the fewest words possible.” There’s a place for dynamic equivalency, but this is repugnant. In particular, look what she does to “Quærens me sedísti lassus.”
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski
    Grotesque Pairing • “Passion Chorale”
    One of our rarest releases was undoubtably this PDF scan of the complete Pope Pius XII Hymnal (1959) by Father Joseph Roff, a student of Healey Willan. One of the scarcest titles in existence, this book was provided to us by Mr. Peter Meggison. Back in 2018, we scanned each page and uploaded it to our website, making it freely available to everyone. Readers are probably sick of hearing me say this, but just because we upload something that doesn’t necessarily mean it’s wonderful or worthy of imitation. We upload many publications precisely because they are ‘grotesque’, interesting, or revealing. Whereas the Brébeuf Catholic Hymnal had an editorial board that was careful and sensitive vis-à-vis pairing texts with tunes, the Pope Pius XII Hymnal (1959) seems to have been rather reckless in this regard. Please take a look at what they did with the PASSION CHORALE and see whether you agree.
    —Jeff Ostrowski

Random Quote

Giovanni Doni is known for having changed the name of note “Ut,” renaming it “Do.” He convinced his contemporaries to make the change by arguing that 1) “Do” is easier to pronounce than “Ut,” and 2) “Do” is an abbreviation for “Dominus,” the Latin word for the Lord, Who is the tonic and root of the world. There is much academic speculation that Giovanni Doni also wanted to imprint himself into musical canon in perpetuity because “Do” is also ulteriorly an abbreviation for his family name.

— Giovanni Battista Doni died in 1647AD

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