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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

8 Tips • “Improving Live Stream Audio Quality”

Patrick Torsell · March 29, 2020

ITH MANY churches unable to offer public Masses during the Coronavirus situation, some are turning to the wonders of 21st century technology to live stream their Masses and devotions online. One aspect many find challenging is audio quality and balance. Ideally you want the priest’s voice to be crisp and clear at all times, but also hear the choir, cantor, or organist clearly as well. Some cathedrals and big parishes may have advanced house audio systems and are already well equipped for streaming, but many parish churches do not, and most of us never gave it much thought until recently. It does require a bit of effort, equipment, and savvy to achieve good quality audio, but it’s certainly not out of reach for the average parish. With that in mind, here are a few tips to help you avoid the tinny, garbled sound so often found on live streams:

1) Your cell phone mic isn’t going to cut it; you need to have higher quality microphones placed nearer the altar, pulpit, and choir/musicians

2) This means you can’t just use your cell phone for streaming; you’ll need to stream from a computer in order to connect multiple external mics

3) You need more than one mic to have clear audio; I’ve found that a four mic arrangement works well in an average church setting: one pointed toward the altar where Father is offering Mass, one at the pulpit where he’ll deliver the sermon, and a stereo pair aimed at the musicians

4) You can achieve this with a high quality portable microphone/multi-channel recorder (I use a Zoom H4N Handy Recorder which works very well, but there are certainly other brands and options, many in the $100-300 price range); the H4N I use has a built-in stereo mic pair, includes two additional XLR inputs (with phantom power onboard) for two more microphones, and provides granular input and output volume control; portable mics like these can generally plug right into your computer’s microphone input with a simple aux (3.5mm) cable. Alternatively, you can forgo the portable recorder and use an external audio interface (USB or Firewire) with enough inputs for your external microphones.

5) Since you’re streaming from a computer, you either need a high quality webcam, or you can search the Apple App Store or Google Play for apps that allow you to use your phone as a webcam

6) TEST! Before you go live make sure your audio levels are just right for each mic and adjust as needed; if you’re streaming on Facebook, you can use your own personal Facebook page to go live with the visibility set to “only me” to do an actual live test privately before starting the public stream on your church’s page

7) When you start your stream, make sure you select the correct camera and microphone!

8) If your internet connection is bad, everything above is useless; you need a reliable, fast upstream (run an internet speed test to check your upload speeds — less than 5Mbps and you might have trouble), and whenever possible, avoid WiFi and opt for a wired ethernet connection (I just crimped a 150′ cable specifically for this purpose this week… I just have to remind Father not to trip on it, since it runs through the sacristy to the laptop in the nave!)

If you can’t stream from a computer and you need to use your cell phone only, you can find external microphones for your specific device type that will drastically improve your sound over the phone’s internal mic. You do have to place it strategically to balance the volume of the priest with the choir/organ while still getting the video framed the way you want it, and you’ll probably end up with more background noise and less clarity… but again, it will still be a substantial improvement over your phone’s internal mic.

I pray that circumstances allow us all to return to some sense of normalcy soon. But until then, hopefully those tips will at least point you in the right direction toward improved live stream audio.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

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Filed Under: Articles Last Updated: March 30, 2020

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About Patrick Torsell

Patrick Torsell is a staff substitute organist at the Cathedral Basilica of the Immaculate Conception in Denver, CO, and associate organist at Our Lady of Mt. Carmel (FSSP), Littleton, CO—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    New Bulletin Article • “14 September 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 14 September 2025) discusses OFFERTORY ANTIPHONS and contains a wonderful quote by Archbishop Fulton J. Sheen.
    —Jeff Ostrowski
    PDF Download • Draft Copy (Pamphlet)
    A few days ago, I posted a draft copy of this 12-page pamphlet with citations about the laity’s “full, conscious, and active participation.” Its basic point or message is that choir directors should never feel embarrassed to teach real choral music because Vatican II explicitly ordered them to do that! We’ve received tons of mail regarding that pamphlet, with many excellent suggestions for improvement. Please feel free to chime in!
    —Jeff Ostrowski
    “Entrance Chant” • 23rd (Ordinary Time)
    This coming Sunday, 7 September 2025, is the 23rd Sunday in Ordinary Time (Year C). You can download the “Entrance Chant,” conveniently located at the feasts website. I also recorded a rehearsal video for it (freely available at the same website). The Communion Chant includes gorgeous verses in FAUXBOURDON. I attempted to create a rehearsal video for it, and it’s been posted at the feasts website, called by some: “church music’s best kept secret.”
    —Jeff Ostrowski

Quick Thoughts

    Karl Keating • “Canonization Questions”
    We were sent an internet statement (screenshot) that’s garnered significant attention, in which KARL KEATING (founder of Catholic Answers) speaks about whether canonizations are infallible. Mr. Keating seems unaware that canonizations are—in the final analysis—a theological opinion. They are not infallible, as explained in this 2014 article by a priest (with a doctorate in theology) who worked for multiple popes. Mr. Keating says: “I’m unaware of such claims arising from any quarter until several recent popes disliked by these Traditionalists were canonized, including John XXIII, Paul VI, and John Paul II. Usually Paul VI receives the most opprobrium.” Mr. Keating is incorrect; e.g. Father John Vianney, several centuries ago, taught clearly that canonizations are not infallible. Archbishop Fulton J. Sheen would be another example, although clearly much more recent than Saint John Vianney.
    —Corpus Christi Watershed
    Vatican II Changed Wedding Propers?
    It’s often claimed that the wedding propers were changed after Vatican II. As a matter of fact, that is a false claim. The EDITIO VATICANA propers (Introit: Deus Israel) remained the same after Vatican II. However, a new set of propers (Introit: Ecce Deus) was provided for optional use. The same holds true for the feast of Pope Saint Gregory the Great on 3 September: the 1943 propers (Introit: Si díligis me) were provided for optional use, but the traditional PROPRIA MISSAE (Introit: Sacerdótes Dei) were retained; they weren’t gotten rid of. The Ordo Cantus Missae (1970) makes this crystal clear, as does the Missal itself. There was an effort made in the post-conciliar years to eliminate so-called “Neo-Gregorian” chants, but (contrary to popular belief) most were retained: cf. the feast of Christ the King, the feast of the Immaculate Conception, and so forth.
    —Corpus Christi Watershed
    Solemn “Salve Regina” (Chant)
    How many “S” words can you think of using alliteration? How about Schwann Solemn Salve Score? You can download the SOLEMN SALVE REGINA in Gregorian Chant. The notation follows the official rhythm (EDITIO VATICANA). Canon Jules Van Nuffel, choirmaster of the Cathedral of Saint Rumbold, composed this accompaniment for it (although some feel it isn’t his best work).
    —Corpus Christi Watershed

Random Quote

In a meeting that took place on 23 July 2014, Pope Benedict told Father Josef Bisig, FSSP, that “Pope Saint John Paul II had the firm intention to personally bestow the episcopal consecration on an SSPX priest on 15 August 1988.”

— Libre entretien sur l’été 1988, Sedes Sapientiæ, issue 160, summer 2022

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