• Skip to primary navigation
  • Skip to main content
  • Skip to primary sidebar

Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

  • Donate
  • Our Team
    • Our Editorial Policy
    • Who We Are
    • How To Contact Us
    • Sainte Marie Bulletin Articles
    • Jeff’s Mom Joins Fundraiser
  • Pew Resources
    • Brébeuf Catholic Hymnal
    • Jogues Illuminated Missal
    • Repository • “Spanish Music”
    • KYRIALE • Saint Antoine Daniel
    • Campion Missal, 3rd Edition
  • MUSICAL WEBSITES
    • René Goupil Gregorian Chant
    • Noël Chabanel Psalms
    • Nova Organi Harmonia (2,279 pages)
    • Roman Missal, 3rd Edition
    • Catechism of Gregorian Rhythm
    • Father Enemond Massé Manuscripts
    • Lalemant Polyphonic
    • Feasts Website
  • Miscellaneous
    • Site Map
    • Secrets of the Conscientious Choirmaster
    • “Wedding March” for lazy organists
    • Emporium Kevin Allen
    • Saint Jean de Lalande Library
    • Sacred Music Symposium 2023
    • The Eight Gregorian Modes
    • Gradual by Pothier’s Protégé
    • Seven (7) Considerations
Views from the Choir Loft

8 Tips • “Improving Live Stream Audio Quality”

Patrick Torsell · March 29, 2020

ITH MANY churches unable to offer public Masses during the Coronavirus situation, some are turning to the wonders of 21st century technology to live stream their Masses and devotions online. One aspect many find challenging is audio quality and balance. Ideally you want the priest’s voice to be crisp and clear at all times, but also hear the choir, cantor, or organist clearly as well. Some cathedrals and big parishes may have advanced house audio systems and are already well equipped for streaming, but many parish churches do not, and most of us never gave it much thought until recently. It does require a bit of effort, equipment, and savvy to achieve good quality audio, but it’s certainly not out of reach for the average parish. With that in mind, here are a few tips to help you avoid the tinny, garbled sound so often found on live streams:

1) Your cell phone mic isn’t going to cut it; you need to have higher quality microphones placed nearer the altar, pulpit, and choir/musicians

2) This means you can’t just use your cell phone for streaming; you’ll need to stream from a computer in order to connect multiple external mics

3) You need more than one mic to have clear audio; I’ve found that a four mic arrangement works well in an average church setting: one pointed toward the altar where Father is offering Mass, one at the pulpit where he’ll deliver the sermon, and a stereo pair aimed at the musicians

4) You can achieve this with a high quality portable microphone/multi-channel recorder (I use a Zoom H4N Handy Recorder which works very well, but there are certainly other brands and options, many in the $100-300 price range); the H4N I use has a built-in stereo mic pair, includes two additional XLR inputs (with phantom power onboard) for two more microphones, and provides granular input and output volume control; portable mics like these can generally plug right into your computer’s microphone input with a simple aux (3.5mm) cable. Alternatively, you can forgo the portable recorder and use an external audio interface (USB or Firewire) with enough inputs for your external microphones.

5) Since you’re streaming from a computer, you either need a high quality webcam, or you can search the Apple App Store or Google Play for apps that allow you to use your phone as a webcam

6) TEST! Before you go live make sure your audio levels are just right for each mic and adjust as needed; if you’re streaming on Facebook, you can use your own personal Facebook page to go live with the visibility set to “only me” to do an actual live test privately before starting the public stream on your church’s page

7) When you start your stream, make sure you select the correct camera and microphone!

8) If your internet connection is bad, everything above is useless; you need a reliable, fast upstream (run an internet speed test to check your upload speeds — less than 5Mbps and you might have trouble), and whenever possible, avoid WiFi and opt for a wired ethernet connection (I just crimped a 150′ cable specifically for this purpose this week… I just have to remind Father not to trip on it, since it runs through the sacristy to the laptop in the nave!)

If you can’t stream from a computer and you need to use your cell phone only, you can find external microphones for your specific device type that will drastically improve your sound over the phone’s internal mic. You do have to place it strategically to balance the volume of the priest with the choir/organ while still getting the video framed the way you want it, and you’ll probably end up with more background noise and less clarity… but again, it will still be a substantial improvement over your phone’s internal mic.

I pray that circumstances allow us all to return to some sense of normalcy soon. But until then, hopefully those tips will at least point you in the right direction toward improved live stream audio.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Follow the Discussion on Facebook

Filed Under: Articles Last Updated: March 30, 2020

Subscribe

It greatly helps us if you subscribe to our mailing list!

* indicates required

About Patrick Torsell

Patrick Torsell is a staff substitute organist at the Cathedral Basilica of the Immaculate Conception in Denver, CO, and associate organist at Our Lady of Mt. Carmel (FSSP), Littleton, CO—(Read full biography).

Primary Sidebar

Corpus Christi Watershed

President’s Corner

    Dr. Mahrt explains the ‘Spoken’ Propers
    In 1970, the Church promulgated a new version of the Roman Missal. It goes by various names: Ordinary Form, Novus Ordo, MISSALE RECENS, and so on. If you examine the very first page, you’ll notice that Pope Saint Paul VI explains the meaning of the ‘Spoken Propers’ (which are for Masses without singing). A quote by Dr. William P. Mahrt is also included in that file. The SPOKEN PROPERS—used at Masses without music—are sometimes called The Adalbert Propers, because they were created in 1969 by Father Adalbert Franquesa Garrós, one of Hannibal Bugnini’s closest friends (according to Yves Chiron).
    —Jeff Ostrowski
    PDF • “Music List” (1st Sunday of Advent)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 30 November 2025, which is the 1st Sunday of Advent (Year A). If such a thing interests you, feel free to download it as a PDF file. The ENTRANCE CHANT is quite memorable, and the fauxbourdon setting of the COMMUNION is exquisite. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    “Music List” • Christ the King Sunday
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 23 November 2025, which is the 34th Sunday in Ordinary Time (Year C). If such a thing interests you, feel free to download it as a PDF file. In the 1970 Missal, this Sunday is known as: Domini Nostri Jesu Christi Universorum Regis (“Solemnity of Our Lord Jesus Christ, King of the Universe”). As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the magnificent feasts website alongside the official texts in Latin.
    —Jeff Ostrowski

Quick Thoughts

    “Translations Approved for Liturgical Use”
    According to the newsletter for USSCB’s Committee on Divine Worship dated September 1996, there are three (3) translations of the Bible which can be used in the sacred liturgy in the United States. You can read this information with your own eyes. It seems the USCCB and also Rome fully approved the so-called NRSV (“New Revised Standard Version”) on 13 November 1991 and 6 April 1992 but this permission was then withdrawn in 1994.
    —Corpus Christi Watershed
    Gospel Options for 2 November (“All Souls”)
    We’ve been told some bishops are suppressing the TLM because of “unity.” But is unity truly found in the MISSALE RECENS? For instance, on All Souls (2 November), any of these Gospel readings may be chosen, for any reason (or for no reason at all). The same is true of the Propria Missæ and other readings—there are countless options in the ORDINARY FORM. In other words, no matter which OF parish you attend on 2 November, you’ll almost certainly hear different propers and readings, to say nothing of different ‘styles’ of music. Where is the “unity” in all this? Indeed, the Second Vatican Council solemnly declared: “Even in the liturgy, the Church has no wish to impose a rigid uniformity in matters which do not implicate the faith or the good of the whole community.”
    —Corpus Christi Watershed
    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski

Random Quote

“You should try to eat their food in the way they prepare it, although it may be dirty, half-cooked, and very tasteless. As to the other numerous things which may be unpleasant, they must be endured for the love of God, without saying anything or appearing to notice them.”

— Fr. Paul Le Jeune (1637)

Recent Posts

  • “Translations Approved for Liturgical Use”
  • “Sacred Music Pilgrimage to Italy” with Grace Feltoe
  • Dr. Mahrt explains the ‘Spoken’ Propers
  • PDF • “Music List” (1st Sunday of Advent)
  • Kid’s Repertoire • “Jeffrey’s 3 Recommendations”

Subscribe

Subscribe

* indicates required

Copyright © 2025 Corpus Christi Watershed · Isaac Jogues on Genesis Framework · WordPress · Log in

Corpus Christi Watershed is a 501(c)3 public charity dedicated to exploring and embodying as our calling the relationship of religion, culture, and the arts. This non-profit organization employs the creative media in service of theology, the Church, and Christian culture for the enrichment and enjoyment of the public.