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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Why Should You Come to the Symposium?

Andrea Leal · February 25, 2020

VER the last few years I have been volunteering my time to help the FSSP apostolate in Los Angeles organize the Sacred Music Symposium. I have spoken to many Catholics in the process of accepting participants into the Symposium, and what I found quite striking was how many of them had either been suddenly thrust into a position of starting a choir, or could see it looming clearly on the horizon. I was astonished to realize that the renewal of the traditional liturgy and of authentic sacred music is a very real thing, and that it is developing rapidly all over America (indeed, all over the world).

In every parish there will always be that one person who is the most capable of starting a choir. Usually it’s someone who has had some musical training in the past or has a natural talent for music. They are not necessarily a highly qualified individual with a music degree, but they have a deep and abiding love for the Holy Mass and for beautiful music. They are the ones who end up in the trenches, so to speak, trying to gather up people and teach them to sing for the Mass – with little to no resources.

That is why this year’s Symposium (June 15 -June 19 in Los Angeles) is going to be particularly useful to all of us who are in the “trenches”. This year’s focus is on making your volunteer choir sound absolutely stunning. You will be trained in useful rehearsal techniques and you will be given real world advice for improving your choir. This is the kind of information you will be able to put into immediate use at your parish upon your return home.

But lest you think that this is only for directors of new choirs, rest assured that even if you are a seasoned music director, you will come away with excellent methods of improving your choir, even if they are already doing well. Dr. Horst Buchholz, Dr. Alfred Calabrese, Maestro Kevin Allen, and others will be present to share their professional secrets with you.

If you want to improve your volunteer choir, send an e-mail to dom.mocquereau@gmail.com to request an application (please be sure to include a phone number where we can reach you).

And if you aren’t sure that the Symposium is for you, you may witness for yourself the fruits of past Symposiums. Allow me introduce you to one of my singers, Karen (age 19), who has been attending the Symposium with me every year since she was 15. Here she was, just yesterday morning, training the next generation of singers. Incidentally, music is a family effort – Karen and four of her siblings all sing in our Schola! This is just one small example of the abundant fruits of attending the FSSP Sacred Music Symposium.

If you are one of those people who is tentatively stepping up into the role of leading a choir, be strong and carry on. You can absolutely do this, and we want to help you! Learn all about what to expect at the Symposium by visiting ccwatershed.org/symposium.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

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Filed Under: Articles Last Updated: February 26, 2020

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About Andrea Leal

Andrea Leal is a wife and homeschooling mother of 6 children. She serves as choir director for the Traditional Latin Mass in Las Vegas.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    PDF Download • “Sprinkling Rite”
    Liturgical reformers who gained power after Vatican II frequently caused great suffering to musicians. With the stroke of a pen, they sometimes make changes that would require thousands—or even millions—of man hours (work undertaken by composers and editors). The Sprinkling Rite during Eastertide is but one tiny example. The version given in that PDF document was the original melody for Roman Missal, Third Edition. Some still prefer that version. However, at the last moment, an “unknown hand” tinkered with a few notes in the antiphon. Those who examine the current edition can verify this with their own eyes.
    —Jeff Ostrowski
    ‘Sarum’ Good Friday?
    Plainsong of the Roman Rite has many variants—i.e. slight ‘variations’ or ‘alterations’ made to the ancient melodies. Variants often thrive in particular religious orders. Likewise, before Henry VIII broke away from the Catholic Church, Gregorian Chant variants were frequently associated with individual cathedrals in England: Hereford, Lincoln, Salisbury, and so forth. In the early 20th century, the (Anglican) organist at Westminster Abbey married “Let All Mortal Flesh Keep Silence” to this beautiful variant melody from England. Those who sing Gregorian Chant on Good Friday will recognize the melody. What do you think of this pairing?
    —Jeff Ostrowski
    PDF Download • “Eb Organ Postlude”
    Gustav Adolf Merkel (d. 1885) was a German organist, teacher, and composer. Although a Lutheran himself, he held the appointment at the (Roman Catholic) Cathedral of Dresden from 1864 until his death. You can download his Organ Postlude in E-Flat, which I like very much. He has an interesting way of marking the pedal notes. What do you think?
    —Jeff Ostrowski

Quick Thoughts

    “Gregorian Chant Quiz” • 24 March 2026
    How well do you know your Gregorian hymns? Do you recognize the tune inserted into the bass line on this score? For many years, we sang the entire Mass in Gregorian chant—and I mean everything. As a result, it would be difficult to find a Gregorian hymn I don’t recognize instantly. Only decades later did I realize (with sadness) that this skill cannot be ‘monetized’… This particular melody is used for a very famous Gregorian hymn, printed in the LIBER USUALIS. Do you recognize it? Send me an email with the correct words, and I promise to tell everybody I meet about your prowess!
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski

Random Quote

“If you begin by telling a man that in a word like ‘Deus’ the first syllable corresponds to the weak beat, the second to the strong beat of a modern bar, the one thing that will succeed in accomplishing is to bewilder him thoroughly.”

— Father Heinrich Bewerunge writing to Dame Laurentia

Recent Posts

  • PDF Download • “Sprinkling Rite”
  • ‘Sarum’ Good Friday?
  • Gregorian Chant • The “Correct” Way of Singing ?
  • PDF Download • “Eb Organ Postlude”
  • Fulton J. Sheen • “24-Hour Catechism”

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