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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Why Should You Come to the Symposium?

Andrea Leal · February 25, 2020

VER the last few years I have been volunteering my time to help the FSSP apostolate in Los Angeles organize the Sacred Music Symposium. I have spoken to many Catholics in the process of accepting participants into the Symposium, and what I found quite striking was how many of them had either been suddenly thrust into a position of starting a choir, or could see it looming clearly on the horizon. I was astonished to realize that the renewal of the traditional liturgy and of authentic sacred music is a very real thing, and that it is developing rapidly all over America (indeed, all over the world).

In every parish there will always be that one person who is the most capable of starting a choir. Usually it’s someone who has had some musical training in the past or has a natural talent for music. They are not necessarily a highly qualified individual with a music degree, but they have a deep and abiding love for the Holy Mass and for beautiful music. They are the ones who end up in the trenches, so to speak, trying to gather up people and teach them to sing for the Mass – with little to no resources.

That is why this year’s Symposium (June 15 -June 19 in Los Angeles) is going to be particularly useful to all of us who are in the “trenches”. This year’s focus is on making your volunteer choir sound absolutely stunning. You will be trained in useful rehearsal techniques and you will be given real world advice for improving your choir. This is the kind of information you will be able to put into immediate use at your parish upon your return home.

But lest you think that this is only for directors of new choirs, rest assured that even if you are a seasoned music director, you will come away with excellent methods of improving your choir, even if they are already doing well. Dr. Horst Buchholz, Dr. Alfred Calabrese, Maestro Kevin Allen, and others will be present to share their professional secrets with you.

If you want to improve your volunteer choir, send an e-mail to dom.mocquereau@gmail.com to request an application (please be sure to include a phone number where we can reach you).

And if you aren’t sure that the Symposium is for you, you may witness for yourself the fruits of past Symposiums. Allow me introduce you to one of my singers, Karen (age 19), who has been attending the Symposium with me every year since she was 15. Here she was, just yesterday morning, training the next generation of singers. Incidentally, music is a family effort – Karen and four of her siblings all sing in our Schola! This is just one small example of the abundant fruits of attending the FSSP Sacred Music Symposium.

If you are one of those people who is tentatively stepping up into the role of leading a choir, be strong and carry on. You can absolutely do this, and we want to help you! Learn all about what to expect at the Symposium by visiting ccwatershed.org/symposium.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

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Filed Under: Articles Last Updated: February 26, 2020

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About Andrea Leal

Andrea Leal is a wife and homeschooling mother of 6 children. She serves as choir director for the Traditional Latin Mass in Las Vegas.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Dr. Mahrt explains the ‘Spoken’ Propers
    In 1970, the Church promulgated a new version of the Roman Missal. It goes by various names: Ordinary Form, Novus Ordo, MISSALE RECENS, and so on. If you examine the very first page, you’ll notice that Pope Saint Paul VI explains the meaning of the ‘Spoken Propers’ (which are for Masses without singing). A quote by Dr. William P. Mahrt is also included in that file. The SPOKEN PROPERS—used at Masses without music—are sometimes called The Adalbert Propers, because they were created in 1969 by Father Adalbert Franquesa Garrós, one of Hannibal Bugnini’s closest friends (according to Yves Chiron).
    —Jeff Ostrowski
    PDF • “Music List” (1st Sunday of Advent)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 30 November 2025, which is the 1st Sunday of Advent (Year A). If such a thing interests you, feel free to download it as a PDF file. The ENTRANCE CHANT is quite memorable, and the fauxbourdon setting of the COMMUNION is exquisite. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    “Music List” • Christ the King Sunday
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 23 November 2025, which is the 34th Sunday in Ordinary Time (Year C). If such a thing interests you, feel free to download it as a PDF file. In the 1970 Missal, this Sunday is known as: Domini Nostri Jesu Christi Universorum Regis (“Solemnity of Our Lord Jesus Christ, King of the Universe”). As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the magnificent feasts website alongside the official texts in Latin.
    —Jeff Ostrowski

Quick Thoughts

    “Translations Approved for Liturgical Use”
    According to the newsletter for USSCB’s Committee on Divine Worship dated September 1996, there are three (3) translations of the Bible which can be used in the sacred liturgy in the United States. You can read this information with your own eyes. It seems the USCCB and also Rome fully approved the so-called NRSV (“New Revised Standard Version”) on 13 November 1991 and 6 April 1992 but this permission was then withdrawn in 1994.
    —Corpus Christi Watershed
    Gospel Options for 2 November (“All Souls”)
    We’ve been told some bishops are suppressing the TLM because of “unity.” But is unity truly found in the MISSALE RECENS? For instance, on All Souls (2 November), any of these Gospel readings may be chosen, for any reason (or for no reason at all). The same is true of the Propria Missæ and other readings—there are countless options in the ORDINARY FORM. In other words, no matter which OF parish you attend on 2 November, you’ll almost certainly hear different propers and readings, to say nothing of different ‘styles’ of music. Where is the “unity” in all this? Indeed, the Second Vatican Council solemnly declared: “Even in the liturgy, the Church has no wish to impose a rigid uniformity in matters which do not implicate the faith or the good of the whole community.”
    —Corpus Christi Watershed
    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski

Random Quote

We should note that upon being opened up, the Scriptures proved to contain such “rich fare” that parts of the banquet were removed at once from the “table of God’s word,” lest they should prove indigestible to liberal stomachs. In twenty-two places the new lectionary expunges whole verses from the text of the Gospels used at Mass in order to remove references to the Last Judgment, the condemnation of the world, and sin.

— Fr. John Parsons (2001)

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