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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

In Which a Neo-Pagan Converts

Andrea Leal · January 29, 2020

My first encounter with God the Father was in a Renaissance cathedral in Tuscany in my early 20’s. In the overwhelming peace and beauty of this soaring, astonishing cathedral, He revealed himself to me. I dimly understood, even in the depths of my unbaptized, uncatechized spiritual darkness, that there was a Glory beyond understanding. I could feel that this Glory was immense, and mysterious, and real. But I could not quite grasp what that meant for me or what I should even do about it.

Several years later, after I had come to the understanding that God was real, I had my first serious exposure to the Mass. A chance encounter with some Dominican seminarians at a local pub led to an invitation to attend Easter Mass. My fiancé at the time, Phillip (now my husband), was a fallen away Catholic but felt that we should accept their invitation. I was not raised Catholic, so I wasn’t sure what chocolate bunnies and colored eggs had to do with going to church, but the seminarians were such a fun, cheerful bunch, how could we say no?

Seminarians at St. Albert’s Priory

When we arrived on Easter morning for Mass, those young seminarians, all dressed in white robes, solemnly prayed and chanted for the duration of the Mass. Their chanting impacted me so deeply that after that first Mass, I simply could not stay away. I attended Mass every Sunday following, no matter what, even though I didn’t really understand what everything meant. I just knew that when I was at Mass hearing the brothers chanting, I was hearing the very voice of God, and he was speaking directly to me. Mere words are too poor and insufficient to explain how these Masses altered me to the very core of my being. This experience of hearing Gregorian chant was incredibly transformative. It was transcendental, otherworldly, and astonishingly beautiful.

But unfortunately, the feeling would not last, because as soon as I left the Bay Area of California upon graduating from UC Berkeley, I could not find a Mass that came anywhere close to what I had experienced at the Priory. Now back in Los Angeles, I landed at a nearby LifeTeen Mass. It was a rough landing, and it hurt. In effect, it delayed my entry into the Catholic Church by several more years as I grappled to find my way back to a sense that the God of all creation was a personal God who cared about me. I was so desperate to find a way back to a sense of God that I even joined the LifeTeen choir and sang such classics as “Our God is an Awesome God” and “Rain Down Your Love on Me” as the teens crowded around the altar for the Consecration. Obviously, the experience did not give me what I had hoped for.

But those chanted Masses had done their work. Although this second experience of the Mass was radically different than the first one (and not in a good way), I was irrevocably changed. Gregorian chant had cracked open my heart to listen to the truths of the Catholic Church, even at a LifeTeen Mass. I slowly began to hear God’s voice again in the Mass readings and prayers, and I tried really hard to focus on the nuts and bolts of the faith without relying on feelings.

Think about that for a moment. Gregorian chant, even psalm tones and simple hymns as I heard at the Priory, contain within themselves such a transcendental beauty that it allows souls to hear God in a very unique way. Even a soul that is very far from God.

And I was indeed very, very far from God. I know those seminarians heard me in that pub cursing up a storm. I’ll humble myself to admit that in my pre-Catholic days I had a terrible habit of cursing and especially taking the Lord’s name in vain. And that was just the most apparent of my great and many hideous sins. But those young men did not shun me, even though to their ears it was surely quite unpleasant. They just invited Phillip and I to Mass, and probably prayed a lot for us.

The divine power of Gregorian chant to convert souls is why every Catholic parish should make serious effort to teach their choir how to chant the ancient hymns of our faith. If you are just starting out and worry that what you have is not enough, rest assured – it is enough. If you only have 2 or 3 singers and will to make it happen, God will multiply your efforts and pour out his graces over you and all who hear you sing at Mass. Ask the angels to sing with you and trust in the Lord to help you through your struggles. If hearing Gregorian chant could open up a soul as wretched as mine and make me willing to hear God’s voice, it will certainly do the same for others.

With my own drastic conversion in mind, I have felt called for some time now to record our Schola. Given that my home responsibilities and my children come first, I had to spend a lot of time pondering and waiting for the right moment when I would be able to dedicate the extra time to this project. I have a lot of little ones at home, including a set of 2 year old twins. I prayed a lot about it. I asked God to make straight my paths, and if it was His will, to show me the way forward. Patience is not my strongest quality, so it was a difficult wait. But about 6 weeks ago, we were finally able to make some recordings.

While we are just past Advent and Christmastide ends this Sunday, I would like to share the Rorate Caeli we recorded because it makes my point – that even very simple chant hymns can be quite heavenly. Please, share this video and my story far and wide – you never know when a soul will be waiting for this very moment to turn to Christ. But more importantly, if you feel God calling you to contribute to the Holy Mass by singing or starting a chant group, do not hesitate. You can do this! Have faith, trust the Lord, and work as though someone’s eternal salvation is on the line. Because it just might be.

Production: Cesar Santos
Audio: Derrich John

 

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Beauty, Beauty in the Catholic Liturgy, Gregorian Chant, Secular vs Sacred Music at Mass Last Updated: January 31, 2020

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About Andrea Leal

Andrea Leal is a wife and homeschooling mother of 6 children. She serves as choir director for the Traditional Latin Mass in Las Vegas.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    New Bulletin Article • “14 September 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 14 September 2025) discusses OFFERTORY ANTIPHONS and contains a wonderful quote by Archbishop Fulton J. Sheen.
    —Jeff Ostrowski
    PDF Download • Draft Copy (Pamphlet)
    A few days ago, I posted a draft copy of this 12-page pamphlet with citations about the laity’s “full, conscious, and active participation.” Its basic point or message is that choir directors should never feel embarrassed to teach real choral music because Vatican II explicitly ordered them to do that! We’ve received tons of mail regarding that pamphlet, with many excellent suggestions for improvement. Please feel free to chime in!
    —Jeff Ostrowski
    “Entrance Chant” • 23rd (Ordinary Time)
    This coming Sunday, 7 September 2025, is the 23rd Sunday in Ordinary Time (Year C). You can download the “Entrance Chant,” conveniently located at the feasts website. I also recorded a rehearsal video for it (freely available at the same website). The Communion Chant includes gorgeous verses in FAUXBOURDON. I attempted to create a rehearsal video for it, and it’s been posted at the feasts website, called by some: “church music’s best kept secret.”
    —Jeff Ostrowski

Quick Thoughts

    Karl Keating • “Canonization Questions”
    We were sent an internet statement (screenshot) that’s garnered significant attention, in which KARL KEATING (founder of Catholic Answers) speaks about whether canonizations are infallible. Mr. Keating seems unaware that canonizations are—in the final analysis—a theological opinion. They are not infallible, as explained in this 2014 article by a priest (with a doctorate in theology) who worked for multiple popes. Mr. Keating says: “I’m unaware of such claims arising from any quarter until several recent popes disliked by these Traditionalists were canonized, including John XXIII, Paul VI, and John Paul II. Usually Paul VI receives the most opprobrium.” Mr. Keating is incorrect; e.g. Father John Vianney, several centuries ago, taught clearly that canonizations are not infallible. Archbishop Fulton J. Sheen would be another example, although clearly much more recent than Saint John Vianney.
    —Corpus Christi Watershed
    Vatican II Changed Wedding Propers?
    It’s often claimed that the wedding propers were changed after Vatican II. As a matter of fact, that is a false claim. The EDITIO VATICANA propers (Introit: Deus Israel) remained the same after Vatican II. However, a new set of propers (Introit: Ecce Deus) was provided for optional use. The same holds true for the feast of Pope Saint Gregory the Great on 3 September: the 1943 propers (Introit: Si díligis me) were provided for optional use, but the traditional PROPRIA MISSAE (Introit: Sacerdótes Dei) were retained; they weren’t gotten rid of. The Ordo Cantus Missae (1970) makes this crystal clear, as does the Missal itself. There was an effort made in the post-conciliar years to eliminate so-called “Neo-Gregorian” chants, but (contrary to popular belief) most were retained: cf. the feast of Christ the King, the feast of the Immaculate Conception, and so forth.
    —Corpus Christi Watershed
    Solemn “Salve Regina” (Chant)
    How many “S” words can you think of using alliteration? How about Schwann Solemn Salve Score? You can download the SOLEMN SALVE REGINA in Gregorian Chant. The notation follows the official rhythm (EDITIO VATICANA). Canon Jules Van Nuffel, choirmaster of the Cathedral of Saint Rumbold, composed this accompaniment for it (although some feel it isn’t his best work).
    —Corpus Christi Watershed

Random Quote

By far, the event that caused the biggest increase in requests for indults from the morning Mass requirement was the Second World War. The unusual requirements of providing Mass during wartime led to some unique legislation accommodating the time of Mass. Already in 1940, Pope Pius XII issued a motu proprio addressing the situation of holding Mass in countries where a “Black-out” had been ordered.

— Father Shawn P. Tunink

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