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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

In Which a Neo-Pagan Converts

Andrea Leal · January 29, 2020

My first encounter with God the Father was in a Renaissance cathedral in Tuscany in my early 20’s. In the overwhelming peace and beauty of this soaring, astonishing cathedral, He revealed himself to me. I dimly understood, even in the depths of my unbaptized, uncatechized spiritual darkness, that there was a Glory beyond understanding. I could feel that this Glory was immense, and mysterious, and real. But I could not quite grasp what that meant for me or what I should even do about it.

Several years later, after I had come to the understanding that God was real, I had my first serious exposure to the Mass. A chance encounter with some Dominican seminarians at a local pub led to an invitation to attend Easter Mass. My fiancé at the time, Phillip (now my husband), was a fallen away Catholic but felt that we should accept their invitation. I was not raised Catholic, so I wasn’t sure what chocolate bunnies and colored eggs had to do with going to church, but the seminarians were such a fun, cheerful bunch, how could we say no?

Seminarians at St. Albert’s Priory

When we arrived on Easter morning for Mass, those young seminarians, all dressed in white robes, solemnly prayed and chanted for the duration of the Mass. Their chanting impacted me so deeply that after that first Mass, I simply could not stay away. I attended Mass every Sunday following, no matter what, even though I didn’t really understand what everything meant. I just knew that when I was at Mass hearing the brothers chanting, I was hearing the very voice of God, and he was speaking directly to me. Mere words are too poor and insufficient to explain how these Masses altered me to the very core of my being. This experience of hearing Gregorian chant was incredibly transformative. It was transcendental, otherworldly, and astonishingly beautiful.

But unfortunately, the feeling would not last, because as soon as I left the Bay Area of California upon graduating from UC Berkeley, I could not find a Mass that came anywhere close to what I had experienced at the Priory. Now back in Los Angeles, I landed at a nearby LifeTeen Mass. It was a rough landing, and it hurt. In effect, it delayed my entry into the Catholic Church by several more years as I grappled to find my way back to a sense that the God of all creation was a personal God who cared about me. I was so desperate to find a way back to a sense of God that I even joined the LifeTeen choir and sang such classics as “Our God is an Awesome God” and “Rain Down Your Love on Me” as the teens crowded around the altar for the Consecration. Obviously, the experience did not give me what I had hoped for.

But those chanted Masses had done their work. Although this second experience of the Mass was radically different than the first one (and not in a good way), I was irrevocably changed. Gregorian chant had cracked open my heart to listen to the truths of the Catholic Church, even at a LifeTeen Mass. I slowly began to hear God’s voice again in the Mass readings and prayers, and I tried really hard to focus on the nuts and bolts of the faith without relying on feelings.

Think about that for a moment. Gregorian chant, even psalm tones and simple hymns as I heard at the Priory, contain within themselves such a transcendental beauty that it allows souls to hear God in a very unique way. Even a soul that is very far from God.

And I was indeed very, very far from God. I know those seminarians heard me in that pub cursing up a storm. I’ll humble myself to admit that in my pre-Catholic days I had a terrible habit of cursing and especially taking the Lord’s name in vain. And that was just the most apparent of my great and many hideous sins. But those young men did not shun me, even though to their ears it was surely quite unpleasant. They just invited Phillip and I to Mass, and probably prayed a lot for us.

The divine power of Gregorian chant to convert souls is why every Catholic parish should make serious effort to teach their choir how to chant the ancient hymns of our faith. If you are just starting out and worry that what you have is not enough, rest assured – it is enough. If you only have 2 or 3 singers and will to make it happen, God will multiply your efforts and pour out his graces over you and all who hear you sing at Mass. Ask the angels to sing with you and trust in the Lord to help you through your struggles. If hearing Gregorian chant could open up a soul as wretched as mine and make me willing to hear God’s voice, it will certainly do the same for others.

With my own drastic conversion in mind, I have felt called for some time now to record our Schola. Given that my home responsibilities and my children come first, I had to spend a lot of time pondering and waiting for the right moment when I would be able to dedicate the extra time to this project. I have a lot of little ones at home, including a set of 2 year old twins. I prayed a lot about it. I asked God to make straight my paths, and if it was His will, to show me the way forward. Patience is not my strongest quality, so it was a difficult wait. But about 6 weeks ago, we were finally able to make some recordings.

While we are just past Advent and Christmastide ends this Sunday, I would like to share the Rorate Caeli we recorded because it makes my point – that even very simple chant hymns can be quite heavenly. Please, share this video and my story far and wide – you never know when a soul will be waiting for this very moment to turn to Christ. But more importantly, if you feel God calling you to contribute to the Holy Mass by singing or starting a chant group, do not hesitate. You can do this! Have faith, trust the Lord, and work as though someone’s eternal salvation is on the line. Because it just might be.

Production: Cesar Santos
Audio: Derrich John

 

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Beauty, Beauty in the Catholic Liturgy, Gregorian Chant, Secular vs Sacred Music at Mass Last Updated: January 31, 2020

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About Andrea Leal

Andrea Leal is a wife and homeschooling mother of 6 children. She serves as choir director for the Traditional Latin Mass in Las Vegas.—(Read full biography).

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President’s Corner

    Music List • (5th Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 5th Sunday of Lent (22 March 2026). If such a thing interests you, feel free to download it as a PDF file. Traditionally, this Sunday was called ‘Passion’ Sunday. Starting in 1956, certain church leaders attempted rename both ‘Passion’ Sunday and ‘Palm’ Sunday—but it didn’t work. For example, Monsignor Frederick McManus tried to get people to call PALM SUNDAY “Second Passion Sunday”—but the faithful rejected that. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski
    Music List • (Holy Thursday, 2026)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for Holy Thursday, which is 2 April 2026. If such a thing interests you, feel free to download it as a PDF file. I’m not sure I’ve ever heard a more piercingly beautiful INTROIT, and I have come to absolutely love the SATB version of ‘Ubi cáritas’ we are singing (joined by our burgeoning children’s choir). I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski
    “O Escam Viatorum” • (Holy Thursday)
    When I was very young, I erroneously believed the four psalms provided by the 1957 Liber Usualis—for Communion on Holy Thursday—were the “correct” music to sing on that first day of the TRIDUUM SACRUM. Those four psalms are: Psalm 22 (Dóminus regit me et nihil mihi déerit); Psalm 71 (Deus judícium tuum regi da); Psalm 103 (Bénedic ánima méa); and Psalm 150 (Laudáte Dóminum in sanctis ejus). It turns out I was way out in left field! While nothing forbids singing those psalms, many other options are equally valid. Our volunteer parish choir will sing this COMMUNION PIECE (joined by our burgeoning children’s choir) on Holy Thursday during Holy Communion. Needless to say, this will happen after the proper antiphon from the GRADUALE ROMANUM has been sung.
    —Jeff Ostrowski

Quick Thoughts

    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski
    Stumped by “Episcopalian Hymnal” (1910)
    Some consider Songs of Syon (1910) the greatest Episcopalian hymnal ever printed. As a Roman Catholic, I have no right to weigh in one way or the other. However, this particular page has me stumped. I just know I’ve heard that tune somewhere! If you can help, please email me. I’m talking about the text which begins: “This is the day the Lord hath made; In unbeclouded light array’d.” The book is by George Ratcliffe Woodward, and its complete title is: Songs of Syon: A Collection of Psalms, Hymns, and Spiritual Songs. Back in 2016, Corpus Christi Watershed scanned and uploaded this insanely rare book. For years our website was the sole place one could download it as a PDF file.
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski

Random Quote

Tournemire could be charming or he could bite your head off. One day I could not replace him at St. Clotilde because I had a wedding to play at another church. Tournemire played on Sunday, period—that was all. He did not play weddings and so forth. (He put all that on my back.) So I went to Tournemire’s house to tell him, “Master, I am sorry but, for once, I cannot replace you. I have another obligation to fulfill.” He said, “Get out of here!” I left for good.

— Testimony of Maurice Duruflé

Recent Posts

  • PDF Download • “Ubi Caritas” (SATB)
  • Summer 2026 • “Gregorian Chant Course” at Aquinas College (Nashville, TN)
  • Music List • (5th Sunday of Lent)
  • Music List • (Holy Thursday, 2026)
  • “O Escam Viatorum” • (Holy Thursday)

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