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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Photos! • Brébeuf Choral Supplement Has Arrived

Jeff Ostrowski · January 28, 2020

ODAY I received my copy of the Choral Supplement for the Brébeuf hymnal, which completes the set. (Organ accompaniments and the pew edition were released last year.) The dictionary defines “supplement” as: Something that completes or enhances something else when added to it. Some companies publish a “choir edition” that’s basically a pew edition with harmonies, but the Brébeuf approach is different. This larger book (1,192 pages!) carefully notates every single verse, which is a singer’s dream! As a supplement, it must be used in conjunction with the pew edition. Inclusion of all the pew edition material—literal translations, theological annotations, color plates, composer biographies, and so forth—would have made the Choral Supplement thousands of pages long and too heavy. The Brébeuf series is revolutionary. It was designed by and for priests and musicians serving in real-life parishes across the globe!

*  Purchase the Choral Supplement
—1,192 pages, Hardcover, Smyth-Sewn, 7.44×9.69.

The Choral Supplement must be used in conjunction with the pew edition.

The size of the Choral Supplement compared to similar publications:


The width of the Choral Supplement is spectacular:


It has been shrink-wrapped, to protect such a precious book:


The formatting must have taken years! There’s not an inch of wasted “blank” space. This was done to make the Choral Supplement as lightweight as possible:


Total number of hymns? No other publication even comes close to the Brébeuf hymnal:


It’s remarkable that the Brébeuf Choral Supplement has twice as many pages as the London Oratory Hymn Book, yet the Brébeuf is slightly less heavy:


Each verse in the Choral Supplement has been deliberately and meticulously written out in a brilliant and powerful way!!!  It’s truly astounding no other publication has done this before:

*  PDF Download • TESTIMONIALS
(Read what the experts have to say about this new Catholic hymn book.)

The Brébeuf hymnal was formulated based on the needs of practicing musicians.  Some elements which set the Brébeuf hymnal apart:

• Painstakingly formatted staves, making life easy for the singer;
• Writing out each verse, rather than “stacking” verses;
• “Common melodies” (explanation), which congregations absolutely love;
• Plenty of hymns for each season and feast, including e.g. the Baptism of the Lord;
• Theological and textual annotations;
• Major emphasis on translations by Catholic priests and bishops;
• Total avoidance of unnecessary page turns.

Visit the Brébeuf Website to hear SATB video recordings, download the hymn index, and much more!

Catholics who purchased the Brébeuf pew edition say:

(1) Church musician friends; Buy yourselves a copy of the Saint Brébeuf Hymnal. This is a revolution in Catholic hymnody. I am astounded into silence at the care put into this hymnal—its simplicity, its theological depth, everything. Just buy and swim in the theology!

(2) Hymnal received! You are right to be proud of your work, this is a treasure.

(3) Just wanted to let you know that a friend of mine got a Brébeuf Hymnal and is thrilled with it. She texted me: “I can’t stop looking at the contents”—and she had an emoji of a person happily dancing on a keyboard.

(4) Outstanding! From cover to cover is just phenomenal.

(5) Music at Mass should be an opportunity for worshiping God. May I suggest a movement to get the Saint Jean de Brébeuf Hymnal (published 24 December 2018) into your parish? I bought a copy because as a teen I was in five choirs: three constantly, two when they needed the young soprano. I love to sing. I had friends who graduated with degrees in sacred music/church music. I have sung a LOT of amazing church music, and the Catholic Church may be the One True Church but the hymnals…sigh! Sorry I probably sound like a commercial, but this hymnal is the most amazing one I have ever had my hands on, and I have a fair few on my bookshelves. It is designed to be a Catholic hymnal; the texts are theologically fabulous (I have a Masters in Theological Studies and am a Bible loving geek); and this is awesome—like having a catechism in the music! I also have a teaching certification, and this music would help teach the faith to children in a way they will never forget! “Sung learning” is internalized deeply as it is heard, read, and physically sung—so it sticks. This hymnal is full of SINGABLE tunes, many of them very old. The lyrics are translations of traditional songs that go way back—like 4th century—and they are just beautiful. The Latin is there, side by side with a more literal translation for understanding, and it tells you what tunes will fit the Latin. There are also carefully selected English translations—all footnoted so you can do research if you want—but there, and clear, and orthodox, and gorgeous! They limited the total number of tunes used to help a congregation to master the singing, so that they can gradually come to where they no longer have to struggle because the tunes will become familiar! This is better than any of the protestant hymnals. I keep spreading the word: THIS should be the hymnal in every Catholic parish; and just do all the singing from it! Everyone who is capable of singing will WANT to sing these songs.

(6) The Saint Jean de Brébeuf Hymnal is quite unlike any other (allegedly) Catholic hymnal you’ve ever seen. Because it actually is a Catholic hymnal—(so far as I know) no other so-called “Catholic hymnal” that’s currently published consists solely and exclusively of music that’s actually fully and completely Catholic in both origin and expression. Hymns selected from the Church’s wonderful tradition and glorious treasury of sacred music, dating back through the centuries to the time of Ambrose and Augustine. […] And alongside these beautiful Latin hymns are printed—and designated as “Assistance for comprehension”—the best literal English translations of these hymns I’ve ever seen. By these criteria, no other Catholic hymnal of which I’m aware comes close to the new standard set by the Saint Jean de Brébeuf Hymnal.

(7) I’m sure many of you are already familiar with this book, but I’ve never encountered such a prolific and astoundingly interesting hymnal, that includes researched and annotated writings as this one. It is just as much a lesson in theology, Christian tradition, the history of sacred hymnody, and inspiring Christian bio-epic of the North American martyrs as it is a hymnal. It could easily stand as a primary text to a course, and is almost overkill as a pew aid. Do yourself a favor…. buy a copy. I just read it for an hour and I’ve barely scratched the surface. I’m hanging on every word.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

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Filed Under: Articles Tagged With: Photographs Brebeuf Hymnal Last Updated: May 26, 2021

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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President’s Corner

    Responsorial Psalm Fauxbourdon?
    When it comes to singing Responsorial Psalms in Fauxbourdon, what does this sound like in practice? Can such a thing be done successfully with volunteer choirs in real Catholic parishes? Listen to this audio excerpt from Good Friday and see what you think. Our parish volunteer choir did so well this year—and the ceremonies were ‘standing room only’. For the record, that musical score can be downloaded (completely free of charge) from the flourishing feasts website.
    —Jeff Ostrowski
    Music List • (Easter Sunday, 2026)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for Easter Sunday—a.k.a. “Ad Missam in die Paschae”—which is 5 April 2026. Please feel free to download it as a PDF file if such a thing interests you. The Fauxbourdon for Communion is particularly moving.
    —Jeff Ostrowski
    PDF Download • “Sprinkling Rite”
    Liturgical reformers who gained power after Vatican II frequently caused great suffering to musicians. With the stroke of a pen, they sometimes make changes that would require thousands—or even millions—of man hours (work undertaken by composers and editors). The Sprinkling Rite during Eastertide is but one tiny example. The version given in that PDF document was the original melody for Roman Missal, Third Edition. Some still prefer that version. However, at the last moment, an “unknown hand” tinkered with a few notes in the antiphon. Those who examine the current edition can verify this with their own eyes.
    —Jeff Ostrowski

Quick Thoughts

    “Gregorian Chant Quiz” • 24 March 2026
    How well do you know your Gregorian hymns? Do you recognize the tune inserted into the bass line on this score? For many years, we sang the entire Mass in Gregorian chant—and I mean everything. As a result, it would be difficult to find a Gregorian hymn I don’t recognize instantly. Only decades later did I realize (with sadness) that this skill cannot be ‘monetized’… This particular melody is used for a very famous Gregorian hymn, printed in the LIBER USUALIS. Do you recognize it? Send me an email with the correct words, and I promise to tell everybody I meet about your prowess!
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski

Random Quote

“Thus, by the celebration of a single Mass (in which he offers Jesus Christ in sacrifice), a priest gives greater honor to the Lord than if all men by dying for God offered to him the sacrifice of their lives. By a single Mass, he gives greater honor to God than all the angels and saints—along with the Blessed Virgin Mary—have given or shall give to him; for their worship cannot be of infinite value, like that which the priest celebrating on the altar offers to God.”

— Saint Alphonsus Liguori

Recent Posts

  • Gregorian Chant … with Organ Accompaniment?
  • Responsorial Psalm Fauxbourdon?
  • Music List • (Easter Sunday, 2026)
  • PDF Download • “Sprinkling Rite”
  • ‘Sarum’ Good Friday?

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