• Skip to primary navigation
  • Skip to main content
  • Skip to primary sidebar

Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

  • Donate
  • Our Team
    • Our Editorial Policy
    • Who We Are
    • How To Contact Us
    • Sainte Marie Bulletin Articles
    • Jeff’s Mom Joins Fundraiser
    • “Let the Choir Have a Voice” (Essay)
  • Pew Resources
    • Brébeuf Catholic Hymnal
    • Jogues Illuminated Missal
    • Repository • “Spanish Music”
    • KYRIALE • Saint Antoine Daniel
    • Campion Missal, 3rd Edition
  • MUSICAL WEBSITES
    • René Goupil Gregorian Chant
    • Noël Chabanel Psalms
    • Nova Organi Harmonia (2,279 pages)
    • Roman Missal, 3rd Edition
    • Catechism of Gregorian Rhythm
    • Father Enemond Massé Manuscripts
    • Lalemant Polyphonic
    • Feasts Website
  • Miscellaneous
    • Site Map
    • Secrets of the Conscientious Choirmaster
    • “Wedding March” for lazy organists
    • Emporium Kevin Allen
    • Saint Jean de Lalande Library
    • Sacred Music Symposium 2023
    • The Eight Gregorian Modes
    • Gradual by Pothier’s Protégé
    • Seven (7) Considerations
Views from the Choir Loft

Photos! • Brébeuf Choral Supplement Has Arrived

Jeff Ostrowski · January 28, 2020

ODAY I received my copy of the Choral Supplement for the Brébeuf hymnal, which completes the set. (Organ accompaniments and the pew edition were released last year.) The dictionary defines “supplement” as: Something that completes or enhances something else when added to it. Some companies publish a “choir edition” that’s basically a pew edition with harmonies, but the Brébeuf approach is different. This larger book (1,192 pages!) carefully notates every single verse, which is a singer’s dream! As a supplement, it must be used in conjunction with the pew edition. Inclusion of all the pew edition material—literal translations, theological annotations, color plates, composer biographies, and so forth—would have made the Choral Supplement thousands of pages long and too heavy. The Brébeuf series is revolutionary. It was designed by and for priests and musicians serving in real-life parishes across the globe!

*  Purchase the Choral Supplement
—1,192 pages, Hardcover, Smyth-Sewn, 7.44×9.69.

The Choral Supplement must be used in conjunction with the pew edition.

The size of the Choral Supplement compared to similar publications:


The width of the Choral Supplement is spectacular:


It has been shrink-wrapped, to protect such a precious book:


The formatting must have taken years! There’s not an inch of wasted “blank” space. This was done to make the Choral Supplement as lightweight as possible:


Total number of hymns? No other publication even comes close to the Brébeuf hymnal:


It’s remarkable that the Brébeuf Choral Supplement has twice as many pages as the London Oratory Hymn Book, yet the Brébeuf is slightly less heavy:


Each verse in the Choral Supplement has been deliberately and meticulously written out in a brilliant and powerful way!!!  It’s truly astounding no other publication has done this before:

*  PDF Download • TESTIMONIALS
(Read what the experts have to say about this new Catholic hymn book.)

The Brébeuf hymnal was formulated based on the needs of practicing musicians.  Some elements which set the Brébeuf hymnal apart:

• Painstakingly formatted staves, making life easy for the singer;
• Writing out each verse, rather than “stacking” verses;
• “Common melodies” (explanation), which congregations absolutely love;
• Plenty of hymns for each season and feast, including e.g. the Baptism of the Lord;
• Theological and textual annotations;
• Major emphasis on translations by Catholic priests and bishops;
• Total avoidance of unnecessary page turns.

Visit the Brébeuf Website to hear SATB video recordings, download the hymn index, and much more!

Catholics who purchased the Brébeuf pew edition say:

(1) Church musician friends; Buy yourselves a copy of the Saint Brébeuf Hymnal. This is a revolution in Catholic hymnody. I am astounded into silence at the care put into this hymnal—its simplicity, its theological depth, everything. Just buy and swim in the theology!

(2) Hymnal received! You are right to be proud of your work, this is a treasure.

(3) Just wanted to let you know that a friend of mine got a Brébeuf Hymnal and is thrilled with it. She texted me: “I can’t stop looking at the contents”—and she had an emoji of a person happily dancing on a keyboard.

(4) Outstanding! From cover to cover is just phenomenal.

(5) Music at Mass should be an opportunity for worshiping God. May I suggest a movement to get the Saint Jean de Brébeuf Hymnal (published 24 December 2018) into your parish? I bought a copy because as a teen I was in five choirs: three constantly, two when they needed the young soprano. I love to sing. I had friends who graduated with degrees in sacred music/church music. I have sung a LOT of amazing church music, and the Catholic Church may be the One True Church but the hymnals…sigh! Sorry I probably sound like a commercial, but this hymnal is the most amazing one I have ever had my hands on, and I have a fair few on my bookshelves. It is designed to be a Catholic hymnal; the texts are theologically fabulous (I have a Masters in Theological Studies and am a Bible loving geek); and this is awesome—like having a catechism in the music! I also have a teaching certification, and this music would help teach the faith to children in a way they will never forget! “Sung learning” is internalized deeply as it is heard, read, and physically sung—so it sticks. This hymnal is full of SINGABLE tunes, many of them very old. The lyrics are translations of traditional songs that go way back—like 4th century—and they are just beautiful. The Latin is there, side by side with a more literal translation for understanding, and it tells you what tunes will fit the Latin. There are also carefully selected English translations—all footnoted so you can do research if you want—but there, and clear, and orthodox, and gorgeous! They limited the total number of tunes used to help a congregation to master the singing, so that they can gradually come to where they no longer have to struggle because the tunes will become familiar! This is better than any of the protestant hymnals. I keep spreading the word: THIS should be the hymnal in every Catholic parish; and just do all the singing from it! Everyone who is capable of singing will WANT to sing these songs.

(6) The Saint Jean de Brébeuf Hymnal is quite unlike any other (allegedly) Catholic hymnal you’ve ever seen. Because it actually is a Catholic hymnal—(so far as I know) no other so-called “Catholic hymnal” that’s currently published consists solely and exclusively of music that’s actually fully and completely Catholic in both origin and expression. Hymns selected from the Church’s wonderful tradition and glorious treasury of sacred music, dating back through the centuries to the time of Ambrose and Augustine. […] And alongside these beautiful Latin hymns are printed—and designated as “Assistance for comprehension”—the best literal English translations of these hymns I’ve ever seen. By these criteria, no other Catholic hymnal of which I’m aware comes close to the new standard set by the Saint Jean de Brébeuf Hymnal.

(7) I’m sure many of you are already familiar with this book, but I’ve never encountered such a prolific and astoundingly interesting hymnal, that includes researched and annotated writings as this one. It is just as much a lesson in theology, Christian tradition, the history of sacred hymnody, and inspiring Christian bio-epic of the North American martyrs as it is a hymnal. It could easily stand as a primary text to a course, and is almost overkill as a pew aid. Do yourself a favor…. buy a copy. I just read it for an hour and I’ve barely scratched the surface. I’m hanging on every word.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Follow the Discussion on Facebook

Filed Under: Articles Tagged With: Photographs Brebeuf Hymnal Last Updated: May 26, 2021

Subscribe

It greatly helps us if you subscribe to our mailing list!

* indicates required

About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

Primary Sidebar

Corpus Christi Watershed

President’s Corner

    Music List • (3rd Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 3rd Sunday of Lent (8 March 2026). If such a thing interests you, feel free to download it as a PDF file. This feast has magnificent propers. Its stern INTROIT (“Óculi mei semper ad Dóminum”) is breathtaking, and the COMMUNION (“Qui bíberit aquam”) with its fauxbourdon verses is wonderful. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski
    “Samaritánæ” (3rd Sunday of Lent)
    With regard to the COMMUNION for the 3rd Sunday of Lent (Year A), the Ordo Cantus Missae—which was published in 1969 by the Vatican, bearing Hannibal Bugnini’s signature and approbation in its PREFACE—inexplicably introduced a variant melody and slightly different words, as you can see by this comparison chart. When it comes to such items, they’re always done in secrecy by unnamed people. (Although it is known that Dom Eugène Cardine collaborated in the creation of the GRADUALE SIMPLEX, a book considered by some to be a travesty.)
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski

Quick Thoughts

    “Dies Irae” • A Monstrous Translation
    It isn’t easy to determine what Alice King MacGilton hoped to accomplish with her very popular book—A Study of Latin Hymns (1918)—which continued to be reprinted in new editions for at least 34 years. This PDF file shows her attempt to translate the DIES IRAE “in the fewest words possible.” There’s a place for dynamic equivalency, but this is repugnant. In particular, look what she does to “Quærens me sedísti lassus.”
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski
    Grotesque Pairing • “Passion Chorale”
    One of our rarest releases was undoubtably this PDF scan of the complete Pope Pius XII Hymnal (1959) by Father Joseph Roff, a student of Healey Willan. One of the scarcest titles in existence, this book was provided to us by Mr. Peter Meggison. Back in 2018, we scanned each page and uploaded it to our website, making it freely available to everyone. Readers are probably sick of hearing me say this, but just because we upload something that doesn’t necessarily mean it’s wonderful or worthy of imitation. We upload many publications precisely because they are ‘grotesque’, interesting, or revealing. Whereas the Brébeuf Catholic Hymnal had an editorial board that was careful and sensitive vis-à-vis pairing texts with tunes, the Pope Pius XII Hymnal (1959) seems to have been rather reckless in this regard. Please take a look at what they did with the PASSION CHORALE and see whether you agree.
    —Jeff Ostrowski

Random Quote

And since it is becoming that holy things be administered in a holy manner, and of all things this sacrifice is the most holy, the Catholic Church, to the end that it might be worthily and reverently offered and received, instituted many centuries ago the holy canon, which is so free from error that it contains nothing that does not in the highest degree savor of a certain holiness and piety and raise up to God the minds of those who offer.

— Council of Trent (1562)

Recent Posts

  • PDF Download • “Entrance Chant” for Holy Thursday (Plainsong in English)
  • “Dies Irae” • A Monstrous Translation
  • PDF Download • “Holy, Holy, Holy”
  • Music List • (3rd Sunday of Lent)
  • “National Survey” (Order of Christian Funerals) • By the USCCB Secretariat of Divine Worship

Subscribe

Subscribe

* indicates required

Copyright © 2026 Corpus Christi Watershed · Isaac Jogues on Genesis Framework · WordPress · Log in

Corpus Christi Watershed is a 501(c)3 public charity dedicated to exploring and embodying as our calling the relationship of religion, culture, and the arts. This non-profit organization employs the creative media in service of theology, the Church, and Christian culture for the enrichment and enjoyment of the public.