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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Biography • Patrick Torsell

Patrick Torsell · January 14, 2020

ATRICK TORSELL is the the second of four siblings, born and reared in the rolling hills of central Pennsylvania. After watching an episode of “The Joy of Music with Diane Bish” at age eight, he told his mother that he wanted to learn the pipe organ. Thanks to the devotion and sacrifices of his parents, he was able to take organ lessons and find a home practice organ, and by age 11 he was playing regularly for the local Catholic parish. Patrick’s father introduced him to the Traditional Latin Mass, which spurred on a deep love for Gregorian Chant, traditional hymnody, and sacred polyphony. His current full-time profession is in the ski resort industry in Colorado, where he also serves as a Staff Substitute Organist at the Cathedral Basilica of the Immaculate Conception in Denver, CO, and Associate Organist at Our Lady of Mt. Carmel in Littleton, CO, an apostolate of the Priestly Fraternity of St. Peter (FSSP).

*  PATRICK TORSELL • Publicity Photo

Patrick completed undergraduate studies in Ski Area Operations and has worked in the ski resort business for 12 years. He also spent two years of study and discernment at Our Lady of Guadalupe Seminary in Denton, NE, where much of his time was devoted to sacred music as a seminary organist, chant tutor, and member of the polyphonic choir. He served for two years as organist, and two more as Choirmaster, at Blessed Sacrament Church in Stowe, Vermont, a role once held by the famous Maria Von Trapp. He was later the organist at Our Lady of Mt. Carmel parish in Littleton, CO for four years. At Mater Dei he directed two adult choirs including an auditioned choir with professional section leaders, and an open-membership choir, in addition to a youth and children’s Chorister program comprising more than 80 students ages 7-18 who learn not only the fundamentals of singing, but also history, philosophy, and theory of Gregorian Chant and Sacred Music.

Patrick also produces Chant Talk, a YouTube series discussing Gregorian Chant, especially accompaniment and chironomy, and other sacred music topics. His focus has always been liturgical music, but he also maintains a leisurely organ performance schedule and enjoys playing jazz piano and fingerstyle guitar for fun. In his leisure time, Patrick enjoys skiing, classic cars, remodeling old homes, and smoking an occasional cigar with a single malt Scotch.

 

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Biographies Last Updated: May 31, 2023

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About Patrick Torsell

Patrick Torsell is a staff substitute organist at the Cathedral Basilica of the Immaculate Conception in Denver, CO, and associate organist at Our Lady of Mt. Carmel (FSSP), Littleton, CO—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Music List • (2nd Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday—1 March 2026—the 2nd Sunday of Lent (Year A). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the flourishing feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    Particularly Beautiful
    The 2nd Sunday of Lent has magnificent propers. Its INTROIT is particularly striking—using a haunting tonality—but the COMMUNION with fauxbourdon verses is also quite remarkable. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski
    Which Mass?
    In 1905, when the Vatican Commission on Gregorian Chant began publishing the EDITIO VATICANA—still the Church’s official edition— they assigned different Masses to different types of feasts. However, they were careful to add a note (which began with the words “Qualislibet cantus hujus Ordinarii…”) making clear “chants from one Mass may be used together with those from others.” Sadly, I sometimes worked for TLM priests who weren’t fluent in Latin. As a result, they stubbornly insisted Mass settings were ‘assigned’ to different feasts and seasons (which is false). To understand the great variety, one should examine the 1904 KYRIALE of Dr. Peter Wagner. One should also look through Dom Mocquereau’s Liber Usualis (1904), in which the Masses are all mixed up. For instance, Gloria II in his book ended up being moved to the ‘ad libitum’ appendix in the EDITIO VATICANA.
    —Jeff Ostrowski

Quick Thoughts

    Extreme Unction
    Those who search Google for “CCCC MS 079” will discover high resolution images of a medieval Pontificale (“Cambridge, Corpus Christi College, MS 079”). One of the pages contains this absolutely gorgeous depiction of the Sacrament of Extreme Unction.
    —Corpus Christi Watershed
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

“Père Joseph Gelineau represented everything that had gone wrong with the Church since the new liturgists had gained control.”

— Jean Langlais

Recent Posts

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  • Extreme Unction
  • Which Mass?

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