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Jesus said to them: “I have come into this world so that a sentence may fall upon it, that those who are blind should see, and those who see should become blind. If you were blind, you would not be guilty. It is because you protest, ‘We can see clearly,’ that you cannot be rid of your guilt.”

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Views from the Choir Loft

Biography • Patrick Torsell

Patrick Torsell · January 14, 2020

ATRICK TORSELL is the the second of four siblings, born and reared in the rolling hills of central Pennsylvania. After watching an episode of “The Joy of Music with Diane Bish” at age eight, he told his mother that he wanted to learn the pipe organ. Thanks to the devotion and sacrifices of his parents, he was able to take organ lessons and find a home practice organ, and by age 11 he was playing regularly for the local Catholic parish. Patrick’s father introduced him to the Traditional Latin Mass, which spurred on a deep love for Gregorian Chant, traditional hymnody, and sacred polyphony. His current full-time profession is in the ski resort industry in Colorado, where he also serves as a Staff Substitute Organist at the Cathedral Basilica of the Immaculate Conception in Denver, CO, and Associate Organist at Our Lady of Mt. Carmel in Littleton, CO, an apostolate of the Priestly Fraternity of St. Peter (FSSP).

*  PATRICK TORSELL • Publicity Photo

Patrick completed undergraduate studies in Ski Area Operations and has worked in the ski resort business for 12 years. He also spent two years of study and discernment at Our Lady of Guadalupe Seminary in Denton, NE, where much of his time was devoted to sacred music as a seminary organist, chant tutor, and member of the polyphonic choir. He served for two years as organist, and two more as Choirmaster, at Blessed Sacrament Church in Stowe, Vermont, a role once held by the famous Maria Von Trapp. He was later the organist at Our Lady of Mt. Carmel parish in Littleton, CO for four years. At Mater Dei he directed two adult choirs including an auditioned choir with professional section leaders, and an open-membership choir, in addition to a youth and children’s Chorister program comprising more than 80 students ages 7-18 who learn not only the fundamentals of singing, but also history, philosophy, and theory of Gregorian Chant and Sacred Music.

Patrick also produces Chant Talk, a YouTube series discussing Gregorian Chant, especially accompaniment and chironomy, and other sacred music topics. His focus has always been liturgical music, but he also maintains a leisurely organ performance schedule and enjoys playing jazz piano and fingerstyle guitar for fun. In his leisure time, Patrick enjoys skiing, classic cars, remodeling old homes, and smoking an occasional cigar with a single malt Scotch.

 

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Biographies Last Updated: May 31, 2023

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About Patrick Torsell

Patrick Torsell is a staff substitute organist at the Cathedral Basilica of the Immaculate Conception in Denver, CO, and associate organist at Our Lady of Mt. Carmel (FSSP), Littleton, CO—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Music List” • 5th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 5th Sunday of Easter (18 May 2025). If such a thing interests you, feel free to download it as a PDF file. The Communion Antiphon was ‘restored’ the 1970 Missale Romanum (a.k.a. MISSALE RECENS) from an obscure martyr’s feast. Our choir is on break this Sunday, so the selections are relatively simple in nature.
    —Jeff Ostrowski
    Communion Chant (5th Sunday of Easter)
    This coming Sunday—18 May 2025—is the 5th Sunday of Easter, Year C (MISSALE RECENS). The COMMUNION ANTIPHON “Ego Sum Vitis Vera” assigned by the Church is rather interesting, because it comes from a rare martyr’s feast: viz. Saint Vitalis of Milan. It was never part of the EDITIO VATICANA, which is the still the Church’s official edition. As a result, the musical notation had to be printed in the Ordo Cantus Missae, which appeared in 1970.
    —Jeff Ostrowski
    “Music List” • 4th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 4th Sunday of Easter (11 May 2025). If such a thing interests you, feel free to download it as a PDF file. I don’t know a more gorgeous ENTRANCE CHANT than the one given there: Misericórdia Dómini Plena Est Terra.
    —Jeff Ostrowski

Quick Thoughts

    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt
    The Funeral Rites of the Graduale Romanum
    Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.
    —Daniel Tucker

Random Quote

“To me nothing is so consoling, so piercing, so thrilling, so overcoming, as the Mass, said as it is among us. I could attend Masses for ever, and not be tired.”

— John Henry Cardinal Newman (1848)

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  • “Music List” • 5th Sunday of Easter (Year C)
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