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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Stepping off the hamster wheel

Wilfrid Jones · January 11, 2020

VEN IF WE DON’T take into account the years of training, we all know the investment of time and effort it takes to get to the point where we can offer our musical services in the sacred liturgy: not only the hours of practice and performance, but also the time taken selecting appropriate music, printing or buying scores, travelling to and from practice and so forth. Hopefully it isn’t as much of a burden, but music is an inherently social activity, relying on strong and trusting relationships between musicians, so making sure to spend time with other musicians while not playing or singing also requires a commitment measured in hours. Nearly all of us have other professional commitments during the week and families to whom we owe our time. It’s understandable, therefore, that many liturgical musicians simply don’t feel they have time to undertake serious study of theology or musicology alongside all of their other commitments.

My professional commitments are as a secondary school teacher. Teachers are often warned of the danger of getting trapped in the “hamster wheel” of professional practice. We can be so caught up in the cycle of planning, delivering and marking lessons, that we never have time to step back and consider the bigger picture in a way that would improve how we do our jobs. It strikes me that the same is true of parish musicians. As ministers and servants of the sacred liturgy, we need the opportunity to think about the theory of what, how and why we engage in our vocation.

Following the call of Sacrosanctum Concilium for musicians to receive “a genuine liturgical training” and for clergy and religious to have a musical formation (SC 115), we need to develop a reflexive practice in order to be able to offer the best of ourselves. That you’re reading Corpus Christi Watershed might suggest that you already think that this should be part of your vocation.

One of the great helps as a teacher is the growth of education and pedagogy blogs. The best of these publish short articles on one idea at a time, sometimes with an example or a practical application, in a quick and readable form. Over the next months I will be writing articles for Corpus Christi Watershed in the same vein. I hope that their format will allow busy liturgical musicians time to revisit ideas they already knew, and introduce some ideas that might be new.

The other great benefit of education blogs is their ability to spark debate and dialogue between differing points of view. In the same way, any feedback you can offer would be warmly welcomed and I hope that your lived experience can contribute to future posts.

 

Copyright © 2020 Wilfrid Jones

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

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Filed Under: Articles Tagged With: Stepping off the hamster wheel Last Updated: May 1, 2020

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About Wilfrid Jones

Wilfrid Jones is a PhD student in the theology faculty of the Albert-Ludwigs University of Freiburg, studying the theology and practice of sacred music.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Psalm Tone Challenge!
    Many readers know that Tone 1a3 is the most difficult PSALM TONE in the 1962 books (and isn’t called for very often). But what about very short verses—which is the absolute most concise you know? The shortest PSALM TONE segment I know would be the fourth verse (PDF) from Psalm 44, used during Matins at Christmas. It’s literally one word long. If you know a more minuscule one, please email me!
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski
    PDF • “Music List” (Sunday, 28 December)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for Feast of the Holy Family of Jesus, Mary, & Joseph (28 Dec. 2025). If such a thing interests you, feel free to download it as a PDF file. The FAUXBOURDON verses for the Communion Antiphon are particularly gorgeous. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski

Quick Thoughts

    PDF Download • “In Paradisum” in English
    We always sing the IN PARADISUM in Latin, as printed on this PDF score. I have an appallingly bad memory (meaning I’d be a horrible witness in court). In any event, it’s been brought to my attention that 15 years ago I created this organ accompaniment for the famous and beautiful ‘IN PARADISUM’ Gregorian chant sung in English according to ‘MR3’ (Roman Missal, Third Edition). If anyone desires such a thing, feel free to download and print. Looking back, I wish I’d brought the TENOR and BASS voices into a unison (on B-Natural) for the word “welcome” on the second line.
    —Jeff Ostrowski
    What does this mean? “Pre-Urbanite”
    Something informed critics have frequently praised vis-à-vis the Saint Jean de Brébeuf Hymnal is its careful treatment of the ancient hymns vs. the “Urbanite” hymns. This topic I had believed to be fairly well understood—but I was wrong. The reason I thought people knew about it is simple; in the EDITIO VATICANA 1908 Graduale Romanum (as well as the 1913 Liber Antiphonarius) both versions are provided, right next to each other. You can see what I mean by examining this PDF file from the Roman Gradual of 1908. Most people still don’t understand that the Urbanite versions were never adopted by any priests or monks who sang the Divine Office each day. Switching would have required a massive amount of effort and money, because all the books would need to be changed.
    —Jeff Ostrowski
    PDF Download • “Santo Santo Santo”
    Those searching for a dignified, brief, simple, bright setting of SANCTUS in Spanish (“Santo Santo Santo”) are invited to download this Setting in honor of Saint John Brébeuf (organist & vocalist). I wonder if there would be any interest in me recording a rehearsal video for this piece.
    —Jeff Ostrowski

Random Quote

“Our Christian people regard with great joy everything that contributes to the splendor of the ceremonies. Jesus—who was poor in His private life—received ointment on His feet. See Thomas Aquinas (Prima Secundae, q. 102, art. 5, ad 10) and the holy Curé of Ars. The Church has always loved beautiful churches, and so forth. We must preserve our sacred patrimony and make sure sacred objects do not become secular possessions.”

— Abbot & Council Father denouncing “noble simplicity” during Vatican II

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