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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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(Archive) • St. Edmund Campion Missal & Hymnal (2nd Edition)

Jeff Ostrowski · December 1, 2019

Foreword by Fr. Berg   —   Nine Images   —   2nd Edition Info

Table of Contents   —   Executive Summary

ORGAN ACCOMPANIMENTS (2 vols.)   —   “How do I open this book properly?” (VIDEOS)

INE ART: More than 300 traditional line art illustrations were collected from a special Benedictine archive and carefully digitally-enhanced for the Campion project. From these, we selected about seventy-five of the highest quality images for inclusion in our book. The pictures were then carefully placed according to the liturgical year and feast.

      * *  Sample of black and white line art image [pdf]

ASS PHOTOS: A distinguishing feature of our book is the inclusion of the complete Ordo Missae for both Solemn and Low Mass, along with 100+ color photographs, made possible by the Priestly Fraternity of Saint Peter, to help the congregation follow the prayers and ceremonies. All vestments used were 200+ years old. Here are some examples:

Solemn Mass   •   Qui Prídie:   1024×768
Solemn Mass   •   Offérimus:   1920×1200   1024×768
Low Mass   •   Confiteor:   1920×1200   1024×768   2560×1440
Low Mass   •   Introit:   1920×1200   1024×768   2560×1440
Low Mass   •   Credo:   1920×1200   1024×768   2560×1440
Low Mass   •   Consecration:   1920×1200   1024×768   2560×1440
Low Mass   •   Libera Nos:   1920×1200   1024×768   2560×1440
Solemn Mass   •   Introit:   1920×1200   1024×768   2560×1440
Solemn Mass   •   Credo:   1920×1200   1024×768   2560×1440
Solemn Mass   •   Subdeacon:   1920×1200   1024×768   2560×1440
Solemn Mass   •   Last Gospel:   1920×1200   1024×768   2560×1440

REGORIAN CHANT MASSES: For the first time since the 1950s, all eighteen Gregorian chant Masses from the Kyriale (Vatican Edition with Solesmes rythmic signs) and all six versions of the Credo have been carefully typeset and printed in a book for the congregation. The scores are presented in a large size, to facilitate congregational singing, and they are printed with amazing precision and clarity. Click here to view a sample.

ROPERS & READINGS: Our book contains the complete Propers and Readings in Latin & English for all Sundays, Holy Days, and First Class Feasts in the 1962 Missal. Also included are the Requiem Mass (Funerals), Nuptial Mass (Weddings), and Confirmation. Click here to view a sample page.

Click here to view a comparison chart (size) between our missal and some typical “daily missals.” Click here for a list of all the Propers included in our book.

ITURGICAL MANUSCRIPTS: For the first time in history, ancient manuscripts have been included alongside corresponding texts of the Mass Ordinary. We hope that other publishers will quickly follow our lead, so that all Christians may come to a greater appreciation of these sacred texts, preserved with such astonishing care for more than thirteen centuries.

      * *  Preview Page from the Second Edition

ATHOLIC HYMNODY: Our book contains 150 elegant, enduring, traditional, Catholic hymns in English for the congregation. In addition those that all traditional communities know and love, we have included exceptionally beautiful tunes like RUSTINGTON, ALL SAINTS, THAXTED, and REGENT SQUARE. Kevin Allen has also composed eleven stunning tunes exclusively for our book.

      Samples:         #860         #880         #889

With regard to the texts, we excluded sentimental poems of poor quality. Instead, we unearthed hidden treasures by St. Thomas More (†1535), St. Robert Southwell (†1595), St. Philip Howard (†1595), Bl. John Henry Cardinal Newman (†1890), and many others.

      * *  Essay on Hymn Criteria for the Campion Book

Literal translations were chosen, allowing the faithful to fully grasp the meaning of hundreds of ancient Latin prayers and poems of the Roman Liturgy. However, we also included many beautiful Latin hymns & poems, given beautiful yet faithful metrical translations into English. Click here to see an index of these only.

Articles about the Campion Missal:

6/6/12 • Initial Announcement
1/4/13 • Introduction by Vox Cantoris Blog
1/31/13 • Images of the 1st Edition
2/20/13 • Review by ChurchLatin.com
2/22/13 • Chant Café Review   (alt.)
2/25/13 • Announcement for Organ Accompaniments
2/26/13 • Review by Fr. John T. Zuhlsdorf
3/11/13 • Review by The Ictus
3/15/13 • Review by James T.M. Griffin
3/27/13 • Progress Report on NLM
4/04/13 • Guest Article by Jeff Ostrowski on Chant Café   (alt.)
4/23/13 • Review by Fr. Christopher Smith
5/28/13 • Review by The Hermeneutic of Continuity (Blog)
7/17/13 • Exclusive NLM Interview on the 2nd Edition   (alt.)
7/17/13 • Images of the 2nd Edition
8/12/13 • Fr. John Zuhlsdorf Reviews the 2nd Edition
8/12/13 • Reflections on the 2nd Edition by Dr. Kwasniewski
8/20/13 • Review of the 2nd Edition by Ben Yanke
9/12/13 • Reflections on the Campion Missal by Adam Wood
9/14/13 • Mater Misericordiae Mission
9/16/13 • Review by It’s All Straw (Blog)
12/5/13 • Review of the 1st Edition by A Catholic Life (Blog)
1/6/14 • Article: “How Artwork Should Be Inserted In Hand Missals”
11/16/14 • Review by Regina Magazine
2/4/14 • Review by Fr. Justin Nolan, FSSP
1/12/17 • Review by Fr. Michael Magiera, FSSP

Six-Part Series by Editor:   Part 1   |   Part 2   |   Part 3   |   Part 4   |   Part 5   |   Part 6

To read what people are saying, click here.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 26, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Liturgical Round (“Canon”) in C-Major
    Those who direct children’s choirs are always on the lookout for repertoire that’s dignified, inspired, and pleasing—yet still within reach of young choristers. Such directors will want to investigate this haunting liturgical round (PDF download) which has been married to the KYRIE from Mass VI (EDITIO VATICANA). I have provided an accompaniment, but it’s only for use during rehearsal; i.e. when teaching this round to your choristers. I also provided an organ accompaniment for the KYRIE—which some know by its trope (Kyrie Rex Genitor)—so that your congregation can take part when this round is used as a choral extension during Mass.
    —Jeff Ostrowski
    Latin Liturgy Association
    We note with pleasure that Mrs. Regina Morris, president of the Latin Liturgy Association, has featured—on page 4 of Volume CXXIX of their official newsletter—the three (3) terrific versions of the Stations of the Cross found in the Brébeuf Hymnal. One of the main authors for the blog of the Church Music Association of America said (6/10/2019) about this pew book: “It is such a fantastic hymnal that it deserves to be in the pews of every Catholic church.”
    —Corpus Christi Watershed
    “Music List” • 28th in Ordinary Time (Year C)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 12 October 2025, which is the 28th Sunday in Ordinary Time (Year C). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the dazzling feasts website alongside the official texts in Latin.
    —Jeff Ostrowski

Quick Thoughts

    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski
    “American Catholic Hymnal” (1991)
    The American Catholic Hymnal, with IMPRIMATUR granted (25 April 1991) by the Archdiocese of Chicago, is like a compendium of every horrible idea from the 1980s. Imagine being forced to stand all through Communion (even afterwards) when those self-same ‘enlightened’ liturgists moved the SEQUENCE before the Alleluia to make sure congregations wouldn’t have to stand during it. (Even worse, everything about the SEQUENCE—including its name—means it should follow the Alleluia.) And imagine endlessly repeating “Alleluia” during Holy Communion at every single Mass. It was all part of an effort to convince people that Holy Communion was historically a procession (which it wasn’t).
    —Jeff Ostrowski
    “Canonic” • Ralph Vaughan Williams
    Fifty years ago, Dr. Theodore Marier made available this clever arrangement (PDF) of “Come down, O love divine” by P. R. Dietterich. The melody was composed in 1906 by Ralph Vaughan Williams (d. 1958) and named in honor of of his birthplace: DOWN AMPNEY. The arrangement isn’t a strict canon, but it does remind one of a canon since the pipe organ employs “points of imitation.” The melody and text are #709 in the Brébeuf Catholic Hymnal.
    —Jeff Ostrowski

Random Quote

“If a pope were only ever applauded, he would have to ask himself whether or not he was doing things right.”

— Pope Emeritus Benedict XVI (2016)

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  • Latin Liturgy Association
  • Important Quote by a Church Musician

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