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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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(Archive) • St. Edmund Campion Missal & Hymnal (2nd Edition)

Jeff Ostrowski · December 1, 2019

Foreword by Fr. Berg   —   Nine Images   —   2nd Edition Info

Table of Contents   —   Executive Summary

ORGAN ACCOMPANIMENTS (2 vols.)   —   “How do I open this book properly?” (VIDEOS)

INE ART: More than 300 traditional line art illustrations were collected from a special Benedictine archive and carefully digitally-enhanced for the Campion project. From these, we selected about seventy-five of the highest quality images for inclusion in our book. The pictures were then carefully placed according to the liturgical year and feast.

      * *  Sample of black and white line art image [pdf]

ASS PHOTOS: A distinguishing feature of our book is the inclusion of the complete Ordo Missae for both Solemn and Low Mass, along with 100+ color photographs, made possible by the Priestly Fraternity of Saint Peter, to help the congregation follow the prayers and ceremonies. All vestments used were 200+ years old. Here are some examples:

Solemn Mass   •   Qui Prídie:   1024×768
Solemn Mass   •   Offérimus:   1920×1200   1024×768
Low Mass   •   Confiteor:   1920×1200   1024×768   2560×1440
Low Mass   •   Introit:   1920×1200   1024×768   2560×1440
Low Mass   •   Credo:   1920×1200   1024×768   2560×1440
Low Mass   •   Consecration:   1920×1200   1024×768   2560×1440
Low Mass   •   Libera Nos:   1920×1200   1024×768   2560×1440
Solemn Mass   •   Introit:   1920×1200   1024×768   2560×1440
Solemn Mass   •   Credo:   1920×1200   1024×768   2560×1440
Solemn Mass   •   Subdeacon:   1920×1200   1024×768   2560×1440
Solemn Mass   •   Last Gospel:   1920×1200   1024×768   2560×1440

REGORIAN CHANT MASSES: For the first time since the 1950s, all eighteen Gregorian chant Masses from the Kyriale (Vatican Edition with Solesmes rythmic signs) and all six versions of the Credo have been carefully typeset and printed in a book for the congregation. The scores are presented in a large size, to facilitate congregational singing, and they are printed with amazing precision and clarity. Click here to view a sample.

ROPERS & READINGS: Our book contains the complete Propers and Readings in Latin & English for all Sundays, Holy Days, and First Class Feasts in the 1962 Missal. Also included are the Requiem Mass (Funerals), Nuptial Mass (Weddings), and Confirmation. Click here to view a sample page.

Click here to view a comparison chart (size) between our missal and some typical “daily missals.” Click here for a list of all the Propers included in our book.

ITURGICAL MANUSCRIPTS: For the first time in history, ancient manuscripts have been included alongside corresponding texts of the Mass Ordinary. We hope that other publishers will quickly follow our lead, so that all Christians may come to a greater appreciation of these sacred texts, preserved with such astonishing care for more than thirteen centuries.

      * *  Preview Page from the Second Edition

ATHOLIC HYMNODY: Our book contains 150 elegant, enduring, traditional, Catholic hymns in English for the congregation. In addition those that all traditional communities know and love, we have included exceptionally beautiful tunes like RUSTINGTON, ALL SAINTS, THAXTED, and REGENT SQUARE. Kevin Allen has also composed eleven stunning tunes exclusively for our book.

      Samples:         #860         #880         #889

With regard to the texts, we excluded sentimental poems of poor quality. Instead, we unearthed hidden treasures by St. Thomas More (†1535), St. Robert Southwell (†1595), St. Philip Howard (†1595), Bl. John Henry Cardinal Newman (†1890), and many others.

      * *  Essay on Hymn Criteria for the Campion Book

Literal translations were chosen, allowing the faithful to fully grasp the meaning of hundreds of ancient Latin prayers and poems of the Roman Liturgy. However, we also included many beautiful Latin hymns & poems, given beautiful yet faithful metrical translations into English. Click here to see an index of these only.

Articles about the Campion Missal:

6/6/12 • Initial Announcement
1/4/13 • Introduction by Vox Cantoris Blog
1/31/13 • Images of the 1st Edition
2/20/13 • Review by ChurchLatin.com
2/22/13 • Chant Café Review   (alt.)
2/25/13 • Announcement for Organ Accompaniments
2/26/13 • Review by Fr. John T. Zuhlsdorf
3/11/13 • Review by The Ictus
3/15/13 • Review by James T.M. Griffin
3/27/13 • Progress Report on NLM
4/04/13 • Guest Article by Jeff Ostrowski on Chant Café   (alt.)
4/23/13 • Review by Fr. Christopher Smith
5/28/13 • Review by The Hermeneutic of Continuity (Blog)
7/17/13 • Exclusive NLM Interview on the 2nd Edition   (alt.)
7/17/13 • Images of the 2nd Edition
8/12/13 • Fr. John Zuhlsdorf Reviews the 2nd Edition
8/12/13 • Reflections on the 2nd Edition by Dr. Kwasniewski
8/20/13 • Review of the 2nd Edition by Ben Yanke
9/12/13 • Reflections on the Campion Missal by Adam Wood
9/14/13 • Mater Misericordiae Mission
9/16/13 • Review by It’s All Straw (Blog)
12/5/13 • Review of the 1st Edition by A Catholic Life (Blog)
1/6/14 • Article: “How Artwork Should Be Inserted In Hand Missals”
11/16/14 • Review by Regina Magazine
2/4/14 • Review by Fr. Justin Nolan, FSSP
1/12/17 • Review by Fr. Michael Magiera, FSSP

Six-Part Series by Editor:   Part 1   |   Part 2   |   Part 3   |   Part 4   |   Part 5   |   Part 6

To read what people are saying, click here.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 26, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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President’s Corner

    PDF Download • “Sprinkling Rite”
    Liturgical reformers who gained power after Vatican II frequently caused great suffering to musicians. With the stroke of a pen, they sometimes make changes that would require thousands—or even millions—of man hours (work undertaken by composers and editors). The Sprinkling Rite during Eastertide is but one tiny example. The version given in that PDF document was the original melody for Roman Missal, Third Edition. Some still prefer that version. However, at the last moment, an “unknown hand” tinkered with a few notes in the antiphon. Those who examine the current edition can verify this with their own eyes.
    —Jeff Ostrowski
    ‘Sarum’ Good Friday?
    Plainsong of the Roman Rite has many variants—i.e. slight ‘variations’ or ‘alterations’ made to the ancient melodies. Variants often thrive in particular religious orders. Likewise, before Henry VIII broke away from the Catholic Church, Gregorian Chant variants were frequently associated with individual cathedrals in England: Hereford, Lincoln, Salisbury, and so forth. In the early 20th century, the (Anglican) organist at Westminster Abbey married “Let All Mortal Flesh Keep Silence” to this beautiful variant melody from England. Those who sing Gregorian Chant on Good Friday will recognize the melody. What do you think of this pairing?
    —Jeff Ostrowski
    PDF Download • “Eb Organ Postlude”
    Gustav Adolf Merkel (d. 1885) was a German organist, teacher, and composer. Although a Lutheran himself, he held the appointment at the (Roman Catholic) Cathedral of Dresden from 1864 until his death. You can download his Organ Postlude in E-Flat, which I like very much. He has an interesting way of marking the pedal notes. What do you think?
    —Jeff Ostrowski

Quick Thoughts

    “Gregorian Chant Quiz” • 24 March 2026
    How well do you know your Gregorian hymns? Do you recognize the tune inserted into the bass line on this score? For many years, we sang the entire Mass in Gregorian chant—and I mean everything. As a result, it would be difficult to find a Gregorian hymn I don’t recognize instantly. Only decades later did I realize (with sadness) that this skill cannot be ‘monetized’… This particular melody is used for a very famous Gregorian hymn, printed in the LIBER USUALIS. Do you recognize it? Send me an email with the correct words, and I promise to tell everybody I meet about your prowess!
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski

Random Quote

“Life need not mean something. Life is something. And what is it? It is: —the present moment (the only one I really have); —my body and soul; —the task at hand; Almighty God, (source of everything) asks just one thing: that I put my body and my soul into this one moment, this one task … that I might do it as God desires it to be done.”

— Based on an article by Robert Keim

Recent Posts

  • PDF Download • “Sprinkling Rite”
  • ‘Sarum’ Good Friday?
  • Gregorian Chant • The “Correct” Way of Singing ?
  • PDF Download • “Eb Organ Postlude”
  • Fulton J. Sheen • “24-Hour Catechism”

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