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Views from the Choir Loft

(Archive) • St. Edmund Campion Missal & Hymnal (2nd Edition)

Jeff Ostrowski · December 1, 2019

Foreword by Fr. Berg   —   Nine Images   —   2nd Edition Info

Table of Contents   —   Executive Summary

ORGAN ACCOMPANIMENTS (2 vols.)   —   “How do I open this book properly?” (VIDEOS)

INE ART: More than 300 traditional line art illustrations were collected from a special Benedictine archive and carefully digitally-enhanced for the Campion project. From these, we selected about seventy-five of the highest quality images for inclusion in our book. The pictures were then carefully placed according to the liturgical year and feast.

      * *  Sample of black and white line art image [pdf]

ASS PHOTOS: A distinguishing feature of our book is the inclusion of the complete Ordo Missae for both Solemn and Low Mass, along with 100+ color photographs, made possible by the Priestly Fraternity of Saint Peter, to help the congregation follow the prayers and ceremonies. All vestments used were 200+ years old. Here are some examples:

Solemn Mass   •   Qui Prídie:   1024×768
Solemn Mass   •   Offérimus:   1920×1200   1024×768
Low Mass   •   Confiteor:   1920×1200   1024×768   2560×1440
Low Mass   •   Introit:   1920×1200   1024×768   2560×1440
Low Mass   •   Credo:   1920×1200   1024×768   2560×1440
Low Mass   •   Consecration:   1920×1200   1024×768   2560×1440
Low Mass   •   Libera Nos:   1920×1200   1024×768   2560×1440
Solemn Mass   •   Introit:   1920×1200   1024×768   2560×1440
Solemn Mass   •   Credo:   1920×1200   1024×768   2560×1440
Solemn Mass   •   Subdeacon:   1920×1200   1024×768   2560×1440
Solemn Mass   •   Last Gospel:   1920×1200   1024×768   2560×1440

REGORIAN CHANT MASSES: For the first time since the 1950s, all eighteen Gregorian chant Masses from the Kyriale (Vatican Edition with Solesmes rythmic signs) and all six versions of the Credo have been carefully typeset and printed in a book for the congregation. The scores are presented in a large size, to facilitate congregational singing, and they are printed with amazing precision and clarity. Click here to view a sample.

ROPERS & READINGS: Our book contains the complete Propers and Readings in Latin & English for all Sundays, Holy Days, and First Class Feasts in the 1962 Missal. Also included are the Requiem Mass (Funerals), Nuptial Mass (Weddings), and Confirmation. Click here to view a sample page.

Click here to view a comparison chart (size) between our missal and some typical “daily missals.” Click here for a list of all the Propers included in our book.

ITURGICAL MANUSCRIPTS: For the first time in history, ancient manuscripts have been included alongside corresponding texts of the Mass Ordinary. We hope that other publishers will quickly follow our lead, so that all Christians may come to a greater appreciation of these sacred texts, preserved with such astonishing care for more than thirteen centuries.

      * *  Preview Page from the Second Edition

ATHOLIC HYMNODY: Our book contains 150 elegant, enduring, traditional, Catholic hymns in English for the congregation. In addition those that all traditional communities know and love, we have included exceptionally beautiful tunes like RUSTINGTON, ALL SAINTS, THAXTED, and REGENT SQUARE. Kevin Allen has also composed eleven stunning tunes exclusively for our book.

      Samples:         #860         #880         #889

With regard to the texts, we excluded sentimental poems of poor quality. Instead, we unearthed hidden treasures by St. Thomas More (†1535), St. Robert Southwell (†1595), St. Philip Howard (†1595), Bl. John Henry Cardinal Newman (†1890), and many others.

      * *  Essay on Hymn Criteria for the Campion Book

Literal translations were chosen, allowing the faithful to fully grasp the meaning of hundreds of ancient Latin prayers and poems of the Roman Liturgy. However, we also included many beautiful Latin hymns & poems, given beautiful yet faithful metrical translations into English. Click here to see an index of these only.

Articles about the Campion Missal:

6/6/12 • Initial Announcement
1/4/13 • Introduction by Vox Cantoris Blog
1/31/13 • Images of the 1st Edition
2/20/13 • Review by ChurchLatin.com
2/22/13 • Chant Café Review   (alt.)
2/25/13 • Announcement for Organ Accompaniments
2/26/13 • Review by Fr. John T. Zuhlsdorf
3/11/13 • Review by The Ictus
3/15/13 • Review by James T.M. Griffin
3/27/13 • Progress Report on NLM
4/04/13 • Guest Article by Jeff Ostrowski on Chant Café   (alt.)
4/23/13 • Review by Fr. Christopher Smith
5/28/13 • Review by The Hermeneutic of Continuity (Blog)
7/17/13 • Exclusive NLM Interview on the 2nd Edition   (alt.)
7/17/13 • Images of the 2nd Edition
8/12/13 • Fr. John Zuhlsdorf Reviews the 2nd Edition
8/12/13 • Reflections on the 2nd Edition by Dr. Kwasniewski
8/20/13 • Review of the 2nd Edition by Ben Yanke
9/12/13 • Reflections on the Campion Missal by Adam Wood
9/14/13 • Mater Misericordiae Mission
9/16/13 • Review by It’s All Straw (Blog)
12/5/13 • Review of the 1st Edition by A Catholic Life (Blog)
1/6/14 • Article: “How Artwork Should Be Inserted In Hand Missals”
11/16/14 • Review by Regina Magazine
2/4/14 • Review by Fr. Justin Nolan, FSSP
1/12/17 • Review by Fr. Michael Magiera, FSSP

Six-Part Series by Editor:   Part 1   |   Part 2   |   Part 3   |   Part 4   |   Part 5   |   Part 6

To read what people are saying, click here.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 26, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Gloria in Spanish” • Free Accompaniment
    Several people have requested an organ accompaniment for the GLORY TO GOD which prints the Spanish words directly above the chords. The Spanish adaptation—Gloria a Dios en el cielo—as printed in Roman Misal, tercera edición was adapted from the “Glória in excélsis” from Mass XV (DOMINATOR DEUS). I used to feel that it’s a pretty boring chant … until I heard it sung well by a men’s Schola Cantorum, which changed my view dramatically. This morning, I created this harmonization and dedicated it to my colleague, Corrinne May. You may download it for free. Please let me know if you enjoy it!
    —Jeff Ostrowski
    How Well Does ICEL Know Latin?
    This year, the Feast of Saints Peter and Paul (29 June 2025) will fall on a Sunday. It’s not necessary to be an eminent Latin scholar to be horrified by examples like this, which have been in place since 1970. For the last 55 years, anyone who’s attempted to correct such errors has been threatened with legal action. It is simply unbelievable that the (mandatory) texts of the Holy Mass began being sold for a profit in the 1970s. How much longer will this gruesome situation last?
    —Jeff Ostrowski
    Is the USCCB trolling us?
    I realize I’m going to come across as a “Negative Nancy” … but I can’t help myself. This kind of stuff is beyond ridiculous. There are already way too many options in the MISSALE RECENS. Adding more will simply confuse the faithful even more. We seriously need to band together and start creating a “REFORM OF THE REFORM” Missale Romanum so it will be ready when the time comes.
    —Jeff Ostrowski

Quick Thoughts

    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt
    The Funeral Rites of the Graduale Romanum
    Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.
    —Daniel Tucker

Random Quote

Ralph Vaughan Williams “was an atheist during his later years at Charterhouse and at Cambridge, though he later drifted into a cheerful agnosticism: he was never a professing Christian.”

— Dr. William Mahrt, CMAA President (2021)

Recent Posts

  • “Can the Choir Sing Alone at Mass?” • Yes! And Here’s Why That Matters
  • “Gloria in Spanish” • Free Accompaniment
  • How Well Does ICEL Know Latin?
  • Nobody Cares About This! • 1887 Rheims-Cambrai Gradual included “Restored” Plainsong
  • Is the USCCB trolling us?

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