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Views from the Choir Loft

(Archive) • St. Edmund Campion Missal & Hymnal (2nd Edition)

Jeff Ostrowski · December 1, 2019

Foreword by Fr. Berg   —   Nine Images   —   2nd Edition Info

Table of Contents   —   Executive Summary

ORGAN ACCOMPANIMENTS (2 vols.)   —   “How do I open this book properly?” (VIDEOS)

INE ART: More than 300 traditional line art illustrations were collected from a special Benedictine archive and carefully digitally-enhanced for the Campion project. From these, we selected about seventy-five of the highest quality images for inclusion in our book. The pictures were then carefully placed according to the liturgical year and feast.

      * *  Sample of black and white line art image [pdf]

ASS PHOTOS: A distinguishing feature of our book is the inclusion of the complete Ordo Missae for both Solemn and Low Mass, along with 100+ color photographs, made possible by the Priestly Fraternity of Saint Peter, to help the congregation follow the prayers and ceremonies. All vestments used were 200+ years old. Here are some examples:

Solemn Mass   •   Qui Prídie:   1024×768
Solemn Mass   •   Offérimus:   1920×1200   1024×768
Low Mass   •   Confiteor:   1920×1200   1024×768   2560×1440
Low Mass   •   Introit:   1920×1200   1024×768   2560×1440
Low Mass   •   Credo:   1920×1200   1024×768   2560×1440
Low Mass   •   Consecration:   1920×1200   1024×768   2560×1440
Low Mass   •   Libera Nos:   1920×1200   1024×768   2560×1440
Solemn Mass   •   Introit:   1920×1200   1024×768   2560×1440
Solemn Mass   •   Credo:   1920×1200   1024×768   2560×1440
Solemn Mass   •   Subdeacon:   1920×1200   1024×768   2560×1440
Solemn Mass   •   Last Gospel:   1920×1200   1024×768   2560×1440

REGORIAN CHANT MASSES: For the first time since the 1950s, all eighteen Gregorian chant Masses from the Kyriale (Vatican Edition with Solesmes rythmic signs) and all six versions of the Credo have been carefully typeset and printed in a book for the congregation. The scores are presented in a large size, to facilitate congregational singing, and they are printed with amazing precision and clarity. Click here to view a sample.

ROPERS & READINGS: Our book contains the complete Propers and Readings in Latin & English for all Sundays, Holy Days, and First Class Feasts in the 1962 Missal. Also included are the Requiem Mass (Funerals), Nuptial Mass (Weddings), and Confirmation. Click here to view a sample page.

Click here to view a comparison chart (size) between our missal and some typical “daily missals.” Click here for a list of all the Propers included in our book.

ITURGICAL MANUSCRIPTS: For the first time in history, ancient manuscripts have been included alongside corresponding texts of the Mass Ordinary. We hope that other publishers will quickly follow our lead, so that all Christians may come to a greater appreciation of these sacred texts, preserved with such astonishing care for more than thirteen centuries.

      * *  Preview Page from the Second Edition

ATHOLIC HYMNODY: Our book contains 150 elegant, enduring, traditional, Catholic hymns in English for the congregation. In addition those that all traditional communities know and love, we have included exceptionally beautiful tunes like RUSTINGTON, ALL SAINTS, THAXTED, and REGENT SQUARE. Kevin Allen has also composed eleven stunning tunes exclusively for our book.

      Samples:         #860         #880         #889

With regard to the texts, we excluded sentimental poems of poor quality. Instead, we unearthed hidden treasures by St. Thomas More (†1535), St. Robert Southwell (†1595), St. Philip Howard (†1595), Bl. John Henry Cardinal Newman (†1890), and many others.

      * *  Essay on Hymn Criteria for the Campion Book

Literal translations were chosen, allowing the faithful to fully grasp the meaning of hundreds of ancient Latin prayers and poems of the Roman Liturgy. However, we also included many beautiful Latin hymns & poems, given beautiful yet faithful metrical translations into English. Click here to see an index of these only.

Articles about the Campion Missal:

6/6/12 • Initial Announcement
1/4/13 • Introduction by Vox Cantoris Blog
1/31/13 • Images of the 1st Edition
2/20/13 • Review by ChurchLatin.com
2/22/13 • Chant Café Review   (alt.)
2/25/13 • Announcement for Organ Accompaniments
2/26/13 • Review by Fr. John T. Zuhlsdorf
3/11/13 • Review by The Ictus
3/15/13 • Review by James T.M. Griffin
3/27/13 • Progress Report on NLM
4/04/13 • Guest Article by Jeff Ostrowski on Chant Café   (alt.)
4/23/13 • Review by Fr. Christopher Smith
5/28/13 • Review by The Hermeneutic of Continuity (Blog)
7/17/13 • Exclusive NLM Interview on the 2nd Edition   (alt.)
7/17/13 • Images of the 2nd Edition
8/12/13 • Fr. John Zuhlsdorf Reviews the 2nd Edition
8/12/13 • Reflections on the 2nd Edition by Dr. Kwasniewski
8/20/13 • Review of the 2nd Edition by Ben Yanke
9/12/13 • Reflections on the Campion Missal by Adam Wood
9/14/13 • Mater Misericordiae Mission
9/16/13 • Review by It’s All Straw (Blog)
12/5/13 • Review of the 1st Edition by A Catholic Life (Blog)
1/6/14 • Article: “How Artwork Should Be Inserted In Hand Missals”
11/16/14 • Review by Regina Magazine
2/4/14 • Review by Fr. Justin Nolan, FSSP
1/12/17 • Review by Fr. Michael Magiera, FSSP

Six-Part Series by Editor:   Part 1   |   Part 2   |   Part 3   |   Part 4   |   Part 5   |   Part 6

To read what people are saying, click here.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 26, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Luis Martínez Must Go!
    Sevilla Cathedral (entry dated 13 December 1564): The chapter orders Luis Martínez, a cathedral chaplain, to stay away from the choirbook-stand when the rest of the singers gather around it to sing polyphony—the reason being that “he throws the others out of tune.” [Excerpt from “The Life of Father Francisco Guerrero.”]
    —Jeff Ostrowski
    Urgent! • We Desperately Need Funds!
    A few days ago, the president of Corpus Christi Watershed posted this urgent appeal for funds. Please help us make sure we’re never forced to place our content behind a paywall. We feel it’s crucial that 100% of our content remains free to everyone. We’re a tiny 501(c)3 public charity, entirely dependent upon the generosity of small donors. We have no endowment and no major donors. We run no advertisements and have no savings. We beg you to consider donating $4.00 per month. Thank you!
    —Jeff Ostrowski
    “Booklet of Eucharistic Hymns” (16 pages)
    I was asked to create a booklet for my parish to use during our CORPUS CHRISTI PROCESSION on 22 June 2025. Would you be willing to look over the DRAFT BOOKLET (16 pages) I came up with? I tried to include a variety of hymns: some have a refrain; some are in major, others in minor; some are metered, others are plainsong; some are in Spanish, some are in Latin, but most are in English. Normally, we’d use the Brébeuf Hymnal—but we can’t risk having our congregation carry those heavy books all over the city to various churches.
    —Jeff Ostrowski

Quick Thoughts

    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed
    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed

Random Quote

“We being many are one bread and one body, All who share the one bread and one cup. Vs. Thou hast prepared of thy sweetness for the poor, O God, who makest us to dwell in one mind in thy house. All who share the one bread and one cup.”

— Responsory (Matins for Corpus Christi) transl. by Fortescue

Recent Posts

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  • Pope Pius XII Hymnal?
  • PDF Download • “Gospel Acclamation” for 29 June (Solemnity of Saints Peter and Paul, Apostles)
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  • Available! • Free Rehearsal Videos for Agnus Dei “Mille Regretz” after Gombert (d. 1560)

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