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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Fascinating! • Tridentine “Permission Slip” (1985)

Jeff Ostrowski · October 23, 2019

80973 holy family OLINESS IS SOMETHING each one of us must attain. We have no choice except to be a saint—unless we want to spend eternity suffering in Hell. One of the great enemies of holiness is gossip; especially since it wastes energy that could be spent on good works. We must guard against dwelling on the evils in the Church. That being said, we are never obligated to hide the truth. If someone forced me to compile a list of the most corrupt bishops ever to serve in the United States, Archbishop Rembert Weakland (Milwaukee, 1977-2002) would definitely make the top ten. Bishops, priests, and monks who knew him dubbed Weakland “rotten to the core.”

Through Twitter, we were sent this fascinating “permission” slip:

    * *  PDF Download • “Permission Slip” to attend Latin Mass (1985)

It references a document bravely promulgated by Pope Saint John Paul II:

    * *  PDF Download • “Quattuor abhinc annos” (1984) — Latin/English

There is great concern over whether someone might bring a son or daughter:

80980 permission slip LATIN MASS

According to that letter, a parent is forbidden to bring, for example, a handicapped child, unless the child applied for (and received in advance) a “permission” slip. Archbishop Weakland seems terrified a young Catholic might experience what the saints for 1,000 years experienced—but what harm is there in attending Holy Mass?  Wicked beyond a doubt!

From Google, I see that Mr. Greg DiPippo has posted another “Tridentine permission slip” from Texas:

    * *  PDF Download • Diocese of Austin (1988)

Do you see what Bishop John McCarthy says at the bottom? 1

While I hope that this arrangement is satisfactory to you, I would ask you to be aware that the vast, vast majority of our people prefer to pray in a language that they understand, and it is the teaching of the Universal Church, guided by the Holy Spirit, that they be allowed to do so. Please continue to pray that Christ’s Church will grow evermore united.

Bishop John McCarthy was not telling the truth:

(1) The Second Vatican Council mandated the use of Latin. It was not a suggestion. For example: Read what page 18 says about “servetur.”

(2) The Second Vatican Council mandated the use of Gregorian chant. Gregorian chant is sung in Latin.

(3) Bishops such as John McCarthy were remarkably poor judges of what “the vast, vast majority” of Catholics felt and knew about the Catholic Faith, to say nothing of their erroneous predictions about “a new springtime.” He was in no position to say what Catholics “prefer.”

(4) Assisting at the Sacred Mass has very little to do with what Catholics prefer. I might “prefer” to attend Mass while laying on the beach—but that doesn’t mean it’s good for my soul.

Bishop John McCarthy should have spent his energy dealing with goofy, uninspired, undignified, heavily syncopated, embarrassing music being used at 1980s Masses. I was a young child, but I’ll never forget the type of music being sung, such as this piece by Paul Inwood:

    * *  Mp3 Sample • “Church” Music by Paul Inwood

Why did Bishop John McCarthy lack the courage to censure such composers? Why did the bishops not spend energy restoring truly sacred and transcendent music such as plainsong, Palestrina, Morales, Lassus, Guerrero, and so forth? These days, I know four (4) dioceses which have spent more than 700 million dollars creating hideous, ugly, disgusting cathedrals—yet these same dioceses claim they have no money to create decent music programs.

Around the same time, an article appeared in Los Angeles (23 February 1985):

Father Arthur Holquin, director of the Office of Worship, estimated that “less than 1%” of the diocese’s 500,000 Catholics would be interested in attending Tridentine Masses.

I don’t know whether Father Arthur Holquin is still alive, but I can tell him this: They tried to kill the traditional Mass, but it wouldn’t die. We are back! And the Weakland “permission slip” now looks totally absurd and bizarre.

On the bright side, many “enemies” of Tradition ended up switching their views. For example, the bishop who tried to shut down Mother Angelica because of “ad orientem” a few years later fell in love with saying the Traditional Latin Mass. To give another example, a priest in a major city (which shall remain nameless) once fired his musician for using Latin—yet that same priest now offers Mass exclusively in the Extraordinary Form. I could cite more examples.



NOTES FROM THIS ARTICLE:

1   In contrast to Bishop McCarthy’s assertion that “the Universal Church, guided by the Holy Spirit” teaches that Catholic people are allowed “to pray [the Mass] in a language that they understand,” the Universal Church actually anathematizes those who say that the Mass ought only to be celebrated in the vernacular. Cf. Council of Trent (Session XXII, Canon IX): Si quis dixerit Ecclesiae Romanae ritum, quo submissa voce pars Canonis et verba Consecrationis proferuntur, damnandum esse: aut lingua tantum vulgari Missam celebrari debere; aut aquam non miscendam esse vino in Calice offerendo, eo quod sit contra Christi institutionem: anathema sit. [If anyone says that the rite of the Roman Church, by which a portion of the Canon and the words of the Consecration are pronounced in a quiet tone, is to be condemned: or that the Mass ought only to be celebrated in the common language; or that water is not to be mixed with the wine when offering the Chalice, for it is contrary to the institution of Christ, let him be accursed.] Furthermore, those who wish to understand Latin can learn the language—just as they can Spanish or Vietnamese.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Paul Inwood Composer, Tridentine Permission Slip Last Updated: September 1, 2021

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Good Friday Flowers
    Good Friday has a series of prayers for various parties: the pope, catechumens, pagans, heretics, schismatics, and so forth. In the old liturgical books, there was no official ‘name’ for these prayers. (This wasn’t unusual as ‘headers’ and ‘titles’ for each section is a rather modern idea.) The Missal simply instructed the priest to go to the Epistle side and begin. In the SHERBORNE MISSAL, each prayer begins with a different—utterly spectacular—flower. This PDF file shows the first few prayers. Has anyone counted the ‘initial’ drop-cap flowers in the SHERBORNE MISSAL? Surely there are more than 1,000.
    —Jeff Ostrowski
    Music List • (3rd Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 3rd Sunday of Lent (8 March 2026). If such a thing interests you, feel free to download it as a PDF file. This feast has magnificent propers. Its stern INTROIT (“Óculi mei semper ad Dóminum”) is breathtaking, and the COMMUNION (“Qui bíberit aquam”) with its fauxbourdon verses is wonderful. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski

Quick Thoughts

    “Dies Irae” • A Monstrous Translation
    It isn’t easy to determine what Alice King MacGilton hoped to accomplish with her very popular book—A Study of Latin Hymns (1918)—which continued to be reprinted in new editions for at least 34 years. This PDF file shows her attempt to translate the DIES IRAE “in the fewest words possible.” There’s a place for dynamic equivalency, but this is repugnant. In particular, look what she does to “Quærens me sedísti lassus.”
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski
    Grotesque Pairing • “Passion Chorale”
    One of our rarest releases was undoubtably this PDF scan of the complete Pope Pius XII Hymnal (1959) by Father Joseph Roff, a student of Healey Willan. One of the scarcest titles in existence, this book was provided to us by Mr. Peter Meggison. Back in 2018, we scanned each page and uploaded it to our website, making it freely available to everyone. Readers are probably sick of hearing me say this, but just because we upload something that doesn’t necessarily mean it’s wonderful or worthy of imitation. We upload many publications precisely because they are ‘grotesque’, interesting, or revealing. Whereas the Brébeuf Catholic Hymnal had an editorial board that was careful and sensitive vis-à-vis pairing texts with tunes, the Pope Pius XII Hymnal (1959) seems to have been rather reckless in this regard. Please take a look at what they did with the PASSION CHORALE and see whether you agree.
    —Jeff Ostrowski

Random Quote

“A vigorous search is instituted for the best tenor and bass singers to be found in the realm. Luys de Villafranca, master of the altar boys and instructor of plainchant, petitions on November 27 that the boy-bishop festivities be combined this year with those for the Feast of St. Nicholas.” [From “The Life of Father Francisco Guerrero.”]

— Sevilla: Chapter Resolution (20 November 1562)

Recent Posts

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  • PDF Download • “Entrance Chant” for Holy Thursday (Plainsong in English)
  • “Dies Irae” • A Monstrous Translation
  • PDF Download • “Holy, Holy, Holy”

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