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Jesus said to them: “I have come into this world so that a sentence may fall upon it, that those who are blind should see, and those who see should become blind. If you were blind, you would not be guilty. It is because you protest, ‘We can see clearly,’ that you cannot be rid of your guilt.”

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Views from the Choir Loft

Pope Francis’ Address on Sacred Music: “Liturgy is the first ‘teacher’ of catechism.”

Richard J. Clark · October 4, 2019

OPE FRANCIS recently addressed the Scholae Cantorum of the Italian Santa Cecilia Association. I urge you to read it in its entirety. There are many gems, and it is not long!

      * *  Pope Francis’ Address to the Scholae Cantorum of the Italian Santa Cecilia Association

Francis notes the historic continuity from Pope Saint Pius X through the present day. Francis makes direct reference to Pius X’s 1903 Motu Proprio on sacred music, Tra le Sollecitudini which was the true catalyst for Vatican II reforms in music. Pius X is specifically named in Section VI on Sacred Music in the Constitution on the Sacred Liturgy. (see §112)

As such, he is mindful of Pius X’s call for sacred music in the liturgy to possess three characteristics: beautiful, holiness, and universality. Francis’ address is filled with gems, but this stands out as a guiding light.:

Not just any music, but holy music, because rituals are holy; endowed with the nobility of art, because God must be given the best; universal, so that everyone can understand and celebrate. Above all, clearly distinct and different from that used for other purposes.

Perhaps most important of all is this reminder from Pope Francis:

“[Y]our dedication to the liturgy and its music represents a way of evangelization at all levels, from children to adults. In fact, the liturgy is the first ‘teacher’ of catechism. Do not forget this: the liturgy is the first ‘teacher’ of catechism.”

IKE BENEDICT XVI and John Paul II, Pope Francis reaffirms upholding both our treasury of sacred music alongside new compositions, using Gregorian Chant as the “first model.” But while contemplating the wide tent that is sacred music in the Universal Church, I would ask we consider these important questions (perhaps among others) in light of the liturgy being the “first teacher of catechism.”

1 • Is the theology in our music truly Roman Catholic?

2 • Are we singing scripture or personal thoughts and impressions? (There will be a follow-up article to this question!)

3 • Are we singing the Mass or singing songs at Mass?

4 • Regardless of style, is the music and its presentation reverent and prayerful?

5 • Are we preparing adequately and giving God our best as Pope Francis asks?

INALLY Pope Francis acknowledges the preparation, sacrifice, and hard work of church musicians. It is often a thankless and relentless job! I know I am nothing without my hardworking volunteers (and professionals who don’t get paid nearly enough!) Let us all be thankful for each other, be mindful that we are working towards the same goals: to praise God and uplift our communities in spirit and prayer.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Pope Francis Last Updated: January 1, 2020

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About Richard J. Clark

Richard J. Clark is the Director of Music of the Archdiocese of Boston and the Cathedral of the Holy Cross.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Music List” • 5th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 5th Sunday of Easter (18 May 2025). If such a thing interests you, feel free to download it as a PDF file. The Communion Antiphon was ‘restored’ the 1970 Missale Romanum (a.k.a. MISSALE RECENS) from an obscure martyr’s feast. Our choir is on break this Sunday, so the selections are relatively simple in nature.
    —Jeff Ostrowski
    Communion Chant (5th Sunday of Easter)
    This coming Sunday—18 May 2025—is the 5th Sunday of Easter, Year C (MISSALE RECENS). The COMMUNION ANTIPHON “Ego Sum Vitis Vera” assigned by the Church is rather interesting, because it comes from a rare martyr’s feast: viz. Saint Vitalis of Milan. It was never part of the EDITIO VATICANA, which is the still the Church’s official edition. As a result, the musical notation had to be printed in the Ordo Cantus Missae, which appeared in 1970.
    —Jeff Ostrowski
    “Music List” • 4th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 4th Sunday of Easter (11 May 2025). If such a thing interests you, feel free to download it as a PDF file. I don’t know a more gorgeous ENTRANCE CHANT than the one given there: Misericórdia Dómini Plena Est Terra.
    —Jeff Ostrowski

Quick Thoughts

    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt
    The Funeral Rites of the Graduale Romanum
    Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.
    —Daniel Tucker

Random Quote

“Today the Church has made a big mistake, turning the clock back 500 years with guitars and popular songs. I don’t like it at all. Gregorian Chant is a vital and important tradition of the Church and to waste this—by having guys mix religious words with profane, Western songs—is hugely grave, hugely grave.”

— Maestro Ennio Morricone (10 Sept 2009)

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