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Jesus said to them: “I have come into this world so that a sentence may fall upon it, that those who are blind should see, and those who see should become blind. If you were blind, you would not be guilty. It is because you protest, ‘We can see clearly,’ that you cannot be rid of your guilt.”

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Views from the Choir Loft

Announcing: Saint Rita Choral Academy!

Dr. Lucas Tappan · July 30, 2019

83540 sperabo N THE WAKE of my cri de coeur last week to American choir directors, asking them to push forward the musical and liturgical training of our children, it gives me great pleasure to highlight such a program opening this fall at St. Rita’s Catholic Church in Dallas, Texas. The parish’s new venture, the St. Rita Choral Academy, is the brainchild of Dr. Alfred Calabrese, one of Corpus Christi Watershed’s many great writers.

Calabrese, who holds a doctorate in choral conducting from Indiana University, took the reigns of the parish youth choir in 2014, which at that time had approximately 14 students in grades 4 through 8—a small number considering the church is the spiritual home to 3,500 families. By the end of last school year, the choir boasted an enrollment of 65 children, boys and girls, in kindergarten through the eighth grade.

    * *  PDF Download • Saint Rita Choral Academy

As currently constituted, the choir consists of three groups, the first of which is the Cherub Choir. These children in kindergarten and first grade attend a 25 minute weekly session similar to kindermusik, where they move to music, play rhythm instruments and work on unison singing.

    * *  Listen: “Adam lay ybounden” (Peter Warlock)

83542 SAINT RITA ACADEMY The second group, the Seraphim Choir, meet for an hour once per week and focus on unison repertoire, although they make the occasional foray into part-singing with wonderful little works like Praetorius’ Jubilate Deo. The Voice For Life workbooks from the Royal School of Church Music provide choristers with helpful instruction in music theory.

Beginning in the fifth grade, students graduate to the Jubilate Deo Choir. These children, all with unchanged voices, meet for an hour-and-a-half each week and focus  their efforts on more advanced repertoire in order to join the treble ranks of the church’s very fine adult choir. Two part treble repertoire as well as Adam Bartlett’s Simple English Propers are also familiar to the singers.

Each Advent the Cherub and Seraphim Choirs perform a simplified Lessons and Carols, while the Jubilate Deo and adult choirs sing the full version. Later in the month the Seraphim Choir is given the opportunity to sing alongside the Jubilate Deo and adult choirs for the Christmas Eve Mass. Dr. Calabrese was especially pleased last year when the the Jubilate Deo Choir lead the singing entirely on their own for Holy Mass on the Feast of Divine Mercy.

Enter the St. Rita Choral Academy.

83541 sperabo Beginning in the fall, the St. Rita Choral Academy will expand the scope of Calabrese’s current work by offering students a chance to augment their training via weekly music history and theory classes and private or group piano and voice instruction, all focused on developing musicianship skills and deepening the child’s knowledge of the beauty of the Catholic Church’s sacred heritage. Calabrese is join by a talented faculty who will, no doubt, offer choristers a wide variety of musical experiences.

It is my hope and prayer that more Catholic musicians take such bold steps, each of which will provide another brick toward the rebuilding of Christendom in a world more in need of it than ever. Please keep Dr. Calabrese, his colleagues and their work in your prayers and be sure to watch for great things coming from the St. Rita Choral Academy in the coming years.

LMT St. Rita Choral Academy

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Dr. Lucas Tappan

Dr. Lucas Tappan is a conductor and organist whose specialty is working with children. He lives in Kansas with his wife and four children.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Music List” • 6th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 6th Sunday of Easter (25 May 2025). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and propers for this Sunday are provided at the the feasts website.
    —Jeff Ostrowski
    “Gloria in Spanish” • Free Accompaniment
    Several people have requested an organ accompaniment for the GLORY TO GOD which prints the Spanish words directly above the chords. The Spanish adaptation—Gloria a Dios en el cielo—as printed in Roman Misal, tercera edición was adapted from the “Glória in excélsis” from Mass XV (DOMINATOR DEUS). I used to feel that it’s a pretty boring chant … until I heard it sung well by a men’s Schola Cantorum, which changed my view dramatically. This morning, I created this harmonization and dedicated it to my colleague, Corrinne May. You may download it for free. Please let me know if you enjoy it!
    —Jeff Ostrowski
    How Well Does ICEL Know Latin?
    This year, the Feast of Saints Peter and Paul (29 June 2025) will fall on a Sunday. It’s not necessary to be an eminent Latin scholar to be horrified by examples like this, which have been in place since 1970. For the last 55 years, anyone who’s attempted to correct such errors has been threatened with legal action. It is simply unbelievable that the (mandatory) texts of the Holy Mass began being sold for a profit in the 1970s. How much longer will this gruesome situation last?
    —Jeff Ostrowski

Quick Thoughts

    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt
    The Funeral Rites of the Graduale Romanum
    Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.
    —Daniel Tucker

Random Quote

“The Lord’s Prayer, among the Greeks, is said by all the people; among us, by the priest alone.”

— Pope Saint Gregory the Great

Recent Posts

  • “Music List” • 6th Sunday of Easter (Year C)
  • “Can the Choir Sing Alone at Mass?” • Yes! And Here’s Why That Matters
  • “Gloria in Spanish” • Free Accompaniment
  • How Well Does ICEL Know Latin?
  • Nobody Cares About This! • 1887 Rheims-Cambrai Gradual included “Restored” Plainsong

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