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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Chant any Psalms and Antiphons

Veronica Brandt · July 13, 2019

E ALL NEED TO PRAY MORE. Liturgical Prayer isn’t confined to the Holy Sacrifice of the Mass. For centuries saints of all stripes have sung the Psalms throughout the day. At first it would take years to memorize the psalms. Then came the Printing Press. Now we have online tools which provide the psalms notated, ready to sing!

This tutorial will help you on any occasion when you would like to sing a psalm in the style of the Liber Usualis and Antiphonale and other liturgical books from last century. This still assumes you can read square notes. If this is an issue, you might like to read An Idiot’s Guide to Square Notes by Arlene Oost-Zinner and Jeffrey Tucker.

First step is to find your psalm. You may have a printed copy of your Office of choice, or you may access the amazing riches of the website: Divinum Officium. Take note of the Psalm Number.


Divinum Officium Screenshot

Usually a psalm is preceded by an Antiphon in Latin. Take note of the first few words then head over to that amazing database of chant that is GregoBase. You can find your antiphon “by incipit” – you may have to scroll a bit through all the pieces starting with the same letter. Yellow boxes signify Antiphons.


Gregobase Scores

Notice each Antiphon has a Mode Number, usually appearing above the Big Drop Cap at the beginning of the Antiphon. It should be a number from 1-8, possibly followed by a letter. This describes the flavour of the antiphon so that the psalm tone tune can be chosen to match.

Now open yet another tab, this time with the tremendous Psalm Tone Tool.


Psalm Tone Tool with Marks

Select your Psalm from the drop down menu on the right. That menu defaults to the Magnificat – there are quite a few more Canticles in the collection for when you need them. Select your Mode on the left – there are modifications to most numbers named after the letter name of the ending note, taking Do as C. I’ve managed thus far without knowing how these variations are determined – some antiphons will specify which variation – ask your superior (and if you don’t have a superior, then it probably doesn’t matter too much.)

When everything seems to be in place, hit the “Hide Editor” link in the lower part of the screen. If all has gone according to plan, you should see the psalm all laid out ready to chant! With the Antiphon from GregoBase open in another Tab, you’re all set to sing!

Is this helpful to you? Drop us a comment on the Facebook comments, or contact me.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Veronica Brandt

Veronica Brandt holds a Bachelor Degree in Electrical Engineering. She lives near Sydney, Australia, with her husband and six children.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “American Catholic Hymnal” (1991)
    The American Catholic Hymnal, with IMPRIMATUR granted (25 April 1991) by the Archdiocese of Chicago, is like a compendium of every horrible idea from the 1980s. Imagine being forced to stand all through Communion (even afterwards) when those self-same ‘enlightened’ liturgists moved the SEQUENCE before the Alleluia to make sure congregations wouldn’t have to stand during it. (Even worse, everything about the SEQUENCE—including its name—means it should follow the Alleluia.) And imagine endlessly repeating “Alleluia” during Holy Communion at every single Mass. It was all part of an effort to convince people that Holy Communion was historically a procession (which it wasn’t).
    —Jeff Ostrowski
    “Music List” • 27th in Ordinary Time (Year C)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 5 October 2025, which is the 27th Sunday in Ordinary Time (Year C). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the spectacular feasts website alongside the official texts in Latin. Readers will want to check out the ENTRANCE CHANT posted there, which has a haunting melody (in the DEUTERUS MODE) and extremely powerful text.
    —Jeff Ostrowski
    Kids’ Choir Sings Thomas Aquinas
    Last Sunday, a children’s choir I’m teaching sang with us for the very first time at Sunday Mass. Females from our main choir sang along with them. If you’re curious to hear how they sounded, you can listen to a ‘live’ recording. That’s an English version of TANTUM ERGO by Saint Thomas Aquinas. That haunting melody is called GAUFESTRE and was employed for this 2-Voice Arrangement of a special hymn for 9 November (“Feast of the Dedication of the Lateran Basilica in Rome”) which replaces a Sunday this year.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of September (2025)
    Those who don’t sign up for our free EMAIL NEWSLETTER miss important notifications. Last week, for example, I sent a message about this job opening for a music director paying $65,000 per year plus benefits (plus weddings & funerals). Notice the job description says: “our vision for sacred music is to move from singing at Mass to truly singing the Mass wherein … especially the propers, ordinaries, and dialogues are given their proper place.” Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    “Canonic” • Ralph Vaughan Williams
    Fifty years ago, Dr. Theodore Marier made available this clever arrangement (PDF) of “Come down, O love divine” by P. R. Dietterich. The melody was composed in 1906 by Ralph Vaughan Williams (d. 1958) and named in honor of of his birthplace: DOWN AMPNEY. The arrangement isn’t a strict canon, but it does remind one of a canon since the pipe organ employs “points of imitation.” The melody and text are #709 in the Brébeuf Catholic Hymnal.
    —Jeff Ostrowski
    Did they simplify these hymn harmonies?
    Choirs love to sing the famous & splendid tune called “INNSBRUCK.” Looking through a (Roman Catholic) German hymnal printed in 1952, I discovered what appears to be a simplified version of that hymn. In other words, their harmonization is much less complex than the version found in the Saint Jean de Brébeuf Hymnal (which is suitable for singing by SATB choir). Please download their 1952 harmonization (PDF) and let me know your thoughts. I really like the groovy Germanic INTRODUCTION they added.
    —Jeff Ostrowski

Random Quote

“It will not be Rome to tell you what you should do, no: because you have the charism. …you have the Holy Spirit for this. If Rome were to begin to make the decisions it would be a blow to the Holy Spirit, who works in the particular Churches.”

— Pope Francis (27 March 2023)

Recent Posts

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  • “Toward a More Sacred Style With Pastoral Charity” • Guest Article by Dr. Myrna Keough
  • “Music List” • 27th in Ordinary Time (Year C)
  • Kids’ Choir Sings Thomas Aquinas

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