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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Chant any Psalms and Antiphons

Veronica Brandt · July 13, 2019

E ALL NEED TO PRAY MORE. Liturgical Prayer isn’t confined to the Holy Sacrifice of the Mass. For centuries saints of all stripes have sung the Psalms throughout the day. At first it would take years to memorize the psalms. Then came the Printing Press. Now we have online tools which provide the psalms notated, ready to sing!

This tutorial will help you on any occasion when you would like to sing a psalm in the style of the Liber Usualis and Antiphonale and other liturgical books from last century. This still assumes you can read square notes. If this is an issue, you might like to read An Idiot’s Guide to Square Notes by Arlene Oost-Zinner and Jeffrey Tucker.

First step is to find your psalm. You may have a printed copy of your Office of choice, or you may access the amazing riches of the website: Divinum Officium. Take note of the Psalm Number.


Divinum Officium Screenshot

Usually a psalm is preceded by an Antiphon in Latin. Take note of the first few words then head over to that amazing database of chant that is GregoBase. You can find your antiphon “by incipit” – you may have to scroll a bit through all the pieces starting with the same letter. Yellow boxes signify Antiphons.


Gregobase Scores

Notice each Antiphon has a Mode Number, usually appearing above the Big Drop Cap at the beginning of the Antiphon. It should be a number from 1-8, possibly followed by a letter. This describes the flavour of the antiphon so that the psalm tone tune can be chosen to match.

Now open yet another tab, this time with the tremendous Psalm Tone Tool.


Psalm Tone Tool with Marks

Select your Psalm from the drop down menu on the right. That menu defaults to the Magnificat – there are quite a few more Canticles in the collection for when you need them. Select your Mode on the left – there are modifications to most numbers named after the letter name of the ending note, taking Do as C. I’ve managed thus far without knowing how these variations are determined – some antiphons will specify which variation – ask your superior (and if you don’t have a superior, then it probably doesn’t matter too much.)

When everything seems to be in place, hit the “Hide Editor” link in the lower part of the screen. If all has gone according to plan, you should see the psalm all laid out ready to chant! With the Antiphon from GregoBase open in another Tab, you’re all set to sing!

Is this helpful to you? Drop us a comment on the Facebook comments, or contact me.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Veronica Brandt

Veronica Brandt holds a Bachelor Degree in Electrical Engineering. She lives near Sydney, Australia, with her husband and six children.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski
    PDF • “Cantus Mariales” (192 pages)
    Andrea Leal has posted an absolutely pristine scan of CANTUS MARIALES (192 pages) which can be downloaded as a PDF file. To access this treasure, navigate to the frabjous article Andrea posted Monday. The file is being offered completely free of charge. The beginning pages of the book have something not to be missed: viz. a letter from Pope Saint Pius X to Dom Pothier, in which the pope calls Abbat Pothier “a man versed above all others in the science of liturgy, and to whom the cause of Gregorian chant is greatly indebted.”
    —Jeff Ostrowski
    Music List • (2nd Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 2nd Sunday of Lent (1 March 2026). If such a thing interests you, feel free to download it as a PDF file. This feast has magnificent propers. Its somber INTROIT is particularly striking—using a haunting tonality—but the COMMUNION with its fauxbourdon verses is also quite remarkable. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski

Quick Thoughts

    Extreme Unction
    Those who search Google for “CCCC MS 079” will discover high resolution images of a medieval Pontificale (“Cambridge, Corpus Christi College, MS 079”). One of the pages contains this absolutely gorgeous depiction of the Sacrament of Extreme Unction.
    —Corpus Christi Watershed
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

“All those who take part in sacred music, as composers, organists, choir directors, singers, or musicians should above all give good example of Christian life to the rest of the faithful because they directly or indirectly participate in the sacred liturgy.”

— Directive issued under Pope Pius XII on 3 Sept. 1958

Recent Posts

  • PDF Download • “Ubi Caritas” (SATB)
  • PDF • “Cantus Mariales” (192 pages)
  • PDF Download • Fourteen (14) Versions of the Splendid Hymn: “Salve Mater Misericordiae”
  • Fulton J. Sheen • “24-Hour Catechism”
  • Music List • (2nd Sunday of Lent)

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