• Skip to primary navigation
  • Skip to main content
  • Skip to primary sidebar

Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

  • Donate
  • Our Team
    • Our Editorial Policy
    • Who We Are
    • How To Contact Us
    • Sainte Marie Bulletin Articles
    • Jeff’s Mom Joins Fundraiser
  • Pew Resources
    • Brébeuf Catholic Hymnal
    • Jogues Illuminated Missal
    • Repository • “Spanish Music”
    • KYRIALE • Saint Antoine Daniel
    • Campion Missal, 3rd Edition
  • MUSICAL WEBSITES
    • René Goupil Gregorian Chant
    • Noël Chabanel Psalms
    • Nova Organi Harmonia (2,279 pages)
    • Roman Missal, 3rd Edition
    • Catechism of Gregorian Rhythm
    • Father Enemond Massé Manuscripts
    • Lalemant Polyphonic
    • Feasts Website
  • Miscellaneous
    • Site Map
    • Secrets of the Conscientious Choirmaster
    • “Wedding March” for lazy organists
    • Emporium Kevin Allen
    • Saint Jean de Lalande Library
    • Sacred Music Symposium 2023
    • The Eight Gregorian Modes
    • Gradual by Pothier’s Protégé
    • Seven (7) Considerations
Views from the Choir Loft

“Sarum Rite” • Did it exist? What is it?

Jeff Ostrowski · March 14, 2019

85181 FATHER ADRIAN FORTESCUE HERE IS NO SUCH THING as the Sarum Rite. However, there was once such a thing as the “SARUM USE.” During the Middle Ages, practically every diocese (as well as each cathedral and religious order) made small modifications to the Roman Rite. If you attended Mass in Southern England in the year 1450AD, you probably would have encountered the Sarum Use. Father Fortescue wrote in 1912:

In everything of any importance at all, Sarum (and all other mediæval rites) was simply Roman, the rite which we still use. Not only was the whole order and arrangement the same, all the important prayers were the same too.

If you regularly attend Mass in the Extraordinary Form, you would feel right at home with the Sarum Use, even though it has some minor differences. For example, the Extraordinary Form doesn’t allow choir boys to toss unconsecrated hosts on Palm Sunday, whereas Sarum did. We must be on our guard against erroneous internet articles which misrepresent Sarum. I have encountered uninformed authors who believe Sarum was in English! (Sarum was, of course, completely in Latin.)

Fr. Adrian Fortescue explains that Sarum was basically the same as the Extraordinary Form, just like all the other medieval uses:

85182-Sarum-Rite-Sarum-Use-Summary-200

85182-Sarum-Rite-Sarum-Use-Summary-202

85182-Sarum-Rite-Sarum-Use-Summary-204

85182-Sarum-Rite-Sarum-Use-Summary-206

85182-Sarum-Rite-Sarum-Use-Summary-208

WHEN I STILL LIVED IN TEXAS, I got into a heated argument with a young man about whether the Anglican Ordinariate “preserved elements of the Sarum Use.” In the end, this young man was unable to point to a single “Sarum” element in the Ordinariate Missal. I would still love to know if there are any major instances. From what I know, the Ordinariate doesn’t toss unconsecrated hosts at the choir boys. The Ordinariate doesn’t call the Introit “Officium.” The Ordinariate doesn’t celebrate Mass in Latin, as Sarum did. The Ordinariate doesn’t use the Sarum Lectionary (which differed slightly from the Extraordinary Form pericopes); it uses the Novus Ordo Lectionary. I’m told the Ordinariate does number “Sundays after Trinity”—but that’s an insignificant detail, hardly worth mentioning. (Nor is that unique to Sarum.) Furthermore, my understanding is that the Ordinariate adapted some Sarum collects.

We must avoid calling things “Sarum” if they were also found in other medieval uses. Let me try to explain what I mean: it would be silly to call mountains “American”—because mountains are found in many countries. It would be silly to call water “European”—because water is found in many continents. In the same way, referring to certain items—round-neck surplices, rood screens, saffron vestments, and so on—as “Sarum” doesn’t make any sense.



NOTES FROM THIS ARTICLE:

*   The “Sarum Use” was based on the particular way the liturgy was celebrated at Salisbury Cathedral in Wiltshire (constructed in the 13th century). Salisbury Cathedral is absolutely stunning in every way. It was originally Roman Catholic, but (alas!) was appropriated by Anglicans in the 16th century. It would be difficult to name a more beautiful Cathedral. If you have never seen it, please google it immediately; it’s breathtaking.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Ordinariate Sarum, Sarum Rite Last Updated: January 1, 2020

Subscribe

It greatly helps us if you subscribe to our mailing list!

* indicates required

About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

Primary Sidebar

Corpus Christi Watershed

President’s Corner

    “In Paradisum” • Gregorian Chant
    As a RECESSIONAL on All Souls’ Day (November 2nd), we will sing In Paradísum Dedúcant Te Ángeli (PDF). When it comes to Gregorian Chant, this is one of the most popular “songs.” Frankly, all the prayers and chants from the traditional REQUIEM MASS (Missa exsequialis or Missa pro defunctis) are incredibly powerful and never should’ve been scuttled. Click here to hear “In Paradisum” in a recording I made this afternoon.
    —Jeff Ostrowski
    “Music List” • All Souls (2 November)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 2 November 2025, which is the Commemoration of All the Faithful Departed (“All Souls”). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the top-notch feasts website alongside the official texts in Latin. In my humble opinion, it’s weird to have the feast of All Saints on a Sunday. No wonder the close associate of Pope Saint Paul VI said the revised KALENDAR was “the handiwork of a trio of maniacs.” However, I can’t deny that sometimes the sacred liturgy consists of elements that are seemingly contradictory: e.g. the Mode 7 “De Profúndis” ALLELUIA, or the Mode 8 “Dulce lignum” ALLELUIA on the various ancient feasts of the Holy Cross (3 May, 14 September, and so on).
    —Jeff Ostrowski
    2-Voice Arr. • “Creator of the Starry Height”
    Do you direct a choir consisting of women or children only? (Some call this a “treble” choir.) Download a two-voice arrangement of Creator of the Starry Height set to the tune of IOANNES by clicking here and then scrolling to the bottom. In our times, this hymn is normally used during ADVENT, and the Latin title is: Cónditor alme síderum. It’s important to say “cónditor”—placing the accent on the antepenult—because ‘condítor’ in Latin means “one who embalms the dead.”
    —Jeff Ostrowski

Quick Thoughts

    Gospel Options for 2 November (“All Souls”)
    We’ve been told some bishops are suppressing the TLM because of “unity.” But is unity truly found in the MISSALE RECENS? For instance, on All Souls (2 November), any of these Gospel readings may be chosen, for any reason (or for no reason at all). The same is true of the Propria Missæ and other readings—there are countless options in the ORDINARY FORM. In other words, no matter which OF parish you attend on 2 November, you’ll almost certainly hear different propers and readings, to say nothing of different ‘styles’ of music. Where is the “unity” in all this? Indeed, the Second Vatican Council solemnly declared: “Even in the liturgy, the Church has no wish to impose a rigid uniformity in matters which do not implicate the faith or the good of the whole community.”
    —Corpus Christi Watershed
    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski
    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski

Random Quote

“The Humanists abominated the rhythmical poetry of the Middle Ages from an exaggerated enthusiasm for ancient classical forms and meters. Hymnody then received its death blow as, on the revision of the Breviary under Pope Urban VIII, the medieval rhythmical hymns were forced into more classical forms by means of so-called corrections.”

— Father Clemens Blume, S.J.

Recent Posts

  • “In Paradisum” • Gregorian Chant
  • The Beauty of the Propers for All Souls’ Day (and the Requiem Mass)
  • Gospel Options for 2 November (“All Souls”)
  • “Music List” • All Souls (2 November)
  • 2-Voice Arr. • “Creator of the Starry Height”

Subscribe

Subscribe

* indicates required

Copyright © 2025 Corpus Christi Watershed · Isaac Jogues on Genesis Framework · WordPress · Log in

Corpus Christi Watershed is a 501(c)3 public charity dedicated to exploring and embodying as our calling the relationship of religion, culture, and the arts. This non-profit organization employs the creative media in service of theology, the Church, and Christian culture for the enrichment and enjoyment of the public.