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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

“Sarum Rite” • Did it exist? What is it?

Jeff Ostrowski · March 14, 2019

85181 FATHER ADRIAN FORTESCUE HERE IS NO SUCH THING as the Sarum Rite. However, there was once such a thing as the “SARUM USE.” During the Middle Ages, practically every diocese (as well as each cathedral and religious order) made small modifications to the Roman Rite. If you attended Mass in Southern England in the year 1450AD, you probably would have encountered the Sarum Use. Father Fortescue wrote in 1912:

In everything of any importance at all, Sarum (and all other mediæval rites) was simply Roman, the rite which we still use. Not only was the whole order and arrangement the same, all the important prayers were the same too.

If you regularly attend Mass in the Extraordinary Form, you would feel right at home with the Sarum Use, even though it has some minor differences. For example, the Extraordinary Form doesn’t allow choir boys to toss unconsecrated hosts on Palm Sunday, whereas Sarum did. We must be on our guard against erroneous internet articles which misrepresent Sarum. I have encountered uninformed authors who believe Sarum was in English! (Sarum was, of course, completely in Latin.)

Fr. Adrian Fortescue explains that Sarum was basically the same as the Extraordinary Form, just like all the other medieval uses:

85182-Sarum-Rite-Sarum-Use-Summary-200

85182-Sarum-Rite-Sarum-Use-Summary-202

85182-Sarum-Rite-Sarum-Use-Summary-204

85182-Sarum-Rite-Sarum-Use-Summary-206

85182-Sarum-Rite-Sarum-Use-Summary-208

WHEN I STILL LIVED IN TEXAS, I got into a heated argument with a young man about whether the Anglican Ordinariate “preserved elements of the Sarum Use.” In the end, this young man was unable to point to a single “Sarum” element in the Ordinariate Missal. I would still love to know if there are any major instances. From what I know, the Ordinariate doesn’t toss unconsecrated hosts at the choir boys. The Ordinariate doesn’t call the Introit “Officium.” The Ordinariate doesn’t celebrate Mass in Latin, as Sarum did. The Ordinariate doesn’t use the Sarum Lectionary (which differed slightly from the Extraordinary Form pericopes); it uses the Novus Ordo Lectionary. I’m told the Ordinariate does number “Sundays after Trinity”—but that’s an insignificant detail, hardly worth mentioning. (Nor is that unique to Sarum.) Furthermore, my understanding is that the Ordinariate adapted some Sarum collects.

We must avoid calling things “Sarum” if they were also found in other medieval uses. Let me try to explain what I mean: it would be silly to call mountains “American”—because mountains are found in many countries. It would be silly to call water “European”—because water is found in many continents. In the same way, referring to certain items—round-neck surplices, rood screens, saffron vestments, and so on—as “Sarum” doesn’t make any sense.



NOTES FROM THIS ARTICLE:

*   The “Sarum Use” was based on the particular way the liturgy was celebrated at Salisbury Cathedral in Wiltshire (constructed in the 13th century). Salisbury Cathedral is absolutely stunning in every way. It was originally Roman Catholic, but (alas!) was appropriated by Anglicans in the 16th century. It would be difficult to name a more beautiful Cathedral. If you have never seen it, please google it immediately; it’s breathtaking.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Ordinariate Sarum, Sarum Rite Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    New Bulletin Article • “14 September 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 14 September 2025) discusses OFFERTORY ANTIPHONS and contains a wonderful quote by Archbishop Fulton J. Sheen.
    —Jeff Ostrowski
    PDF Download • Draft Copy (Pamphlet)
    A few days ago, I posted a draft copy of this 12-page pamphlet with citations about the laity’s “full, conscious, and active participation.” Its basic point or message is that choir directors should never feel embarrassed to teach real choral music because Vatican II explicitly ordered them to do that! We’ve received tons of mail regarding that pamphlet, with many excellent suggestions for improvement. Please feel free to chime in!
    —Jeff Ostrowski
    “Entrance Chant” • 23rd (Ordinary Time)
    This coming Sunday, 7 September 2025, is the 23rd Sunday in Ordinary Time (Year C). You can download the “Entrance Chant,” conveniently located at the feasts website. I also recorded a rehearsal video for it (freely available at the same website). The Communion Chant includes gorgeous verses in FAUXBOURDON. I attempted to create a rehearsal video for it, and it’s been posted at the feasts website, called by some: “church music’s best kept secret.”
    —Jeff Ostrowski

Quick Thoughts

    Karl Keating • “Canonization Questions”
    We were sent an internet statement (screenshot) that’s garnered significant attention, in which KARL KEATING (founder of Catholic Answers) speaks about whether canonizations are infallible. Mr. Keating seems unaware that canonizations are—in the final analysis—a theological opinion. They are not infallible, as explained in this 2014 article by a priest (with a doctorate in theology) who worked for multiple popes. Mr. Keating says: “I’m unaware of such claims arising from any quarter until several recent popes disliked by these Traditionalists were canonized, including John XXIII, Paul VI, and John Paul II. Usually Paul VI receives the most opprobrium.” Mr. Keating is incorrect; e.g. Father John Vianney, several centuries ago, taught clearly that canonizations are not infallible. Archbishop Fulton J. Sheen would be another example, although clearly much more recent than Saint John Vianney.
    —Corpus Christi Watershed
    Vatican II Changed Wedding Propers?
    It’s often claimed that the wedding propers were changed after Vatican II. As a matter of fact, that is a false claim. The EDITIO VATICANA propers (Introit: Deus Israel) remained the same after Vatican II. However, a new set of propers (Introit: Ecce Deus) was provided for optional use. The same holds true for the feast of Pope Saint Gregory the Great on 3 September: the 1943 propers (Introit: Si díligis me) were provided for optional use, but the traditional PROPRIA MISSAE (Introit: Sacerdótes Dei) were retained; they weren’t gotten rid of. The Ordo Cantus Missae (1970) makes this crystal clear, as does the Missal itself. There was an effort made in the post-conciliar years to eliminate so-called “Neo-Gregorian” chants, but (contrary to popular belief) most were retained: cf. the feast of Christ the King, the feast of the Immaculate Conception, and so forth.
    —Corpus Christi Watershed
    Solemn “Salve Regina” (Chant)
    How many “S” words can you think of using alliteration? How about Schwann Solemn Salve Score? You can download the SOLEMN SALVE REGINA in Gregorian Chant. The notation follows the official rhythm (EDITIO VATICANA). Canon Jules Van Nuffel, choirmaster of the Cathedral of Saint Rumbold, composed this accompaniment for it (although some feel it isn’t his best work).
    —Corpus Christi Watershed

Random Quote

“It is the choir that can make the most valuable contribution to the liturgy; it is through the choir that significant numbers of the congregation can make a significant and valuable offering in the community’s act of worship. The choir links directly academic excellence, artistic creation, disciplined attention and self expression in the making of something fitting for the worship of God.”

— Father Daniel Higgins, Choirmaster at Saint Edmund’s College, Ware

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