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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

“Sarum Rite” • Did it exist? What is it?

Jeff Ostrowski · March 14, 2019

85181 FATHER ADRIAN FORTESCUE HERE IS NO SUCH THING as the Sarum Rite. However, there was once such a thing as the “SARUM USE.” During the Middle Ages, practically every diocese (as well as each cathedral and religious order) made small modifications to the Roman Rite. If you attended Mass in Southern England in the year 1450AD, you probably would have encountered the Sarum Use. Father Fortescue wrote in 1912:

In everything of any importance at all, Sarum (and all other mediæval rites) was simply Roman, the rite which we still use. Not only was the whole order and arrangement the same, all the important prayers were the same too.

If you regularly attend Mass in the Extraordinary Form, you would feel right at home with the Sarum Use, even though it has some minor differences. For example, the Extraordinary Form doesn’t allow choir boys to toss unconsecrated hosts on Palm Sunday, whereas Sarum did. We must be on our guard against erroneous internet articles which misrepresent Sarum. I have encountered uninformed authors who believe Sarum was in English! (Sarum was, of course, completely in Latin.)

Fr. Adrian Fortescue explains that Sarum was basically the same as the Extraordinary Form, just like all the other medieval uses:

85182-Sarum-Rite-Sarum-Use-Summary-200

85182-Sarum-Rite-Sarum-Use-Summary-202

85182-Sarum-Rite-Sarum-Use-Summary-204

85182-Sarum-Rite-Sarum-Use-Summary-206

85182-Sarum-Rite-Sarum-Use-Summary-208

WHEN I STILL LIVED IN TEXAS, I got into a heated argument with a young man about whether the Anglican Ordinariate “preserved elements of the Sarum Use.” In the end, this young man was unable to point to a single “Sarum” element in the Ordinariate Missal. I would still love to know if there are any major instances. From what I know, the Ordinariate doesn’t toss unconsecrated hosts at the choir boys. The Ordinariate doesn’t call the Introit “Officium.” The Ordinariate doesn’t celebrate Mass in Latin, as Sarum did. The Ordinariate doesn’t use the Sarum Lectionary (which differed slightly from the Extraordinary Form pericopes); it uses the Novus Ordo Lectionary. I’m told the Ordinariate does number “Sundays after Trinity”—but that’s an insignificant detail, hardly worth mentioning. (Nor is that unique to Sarum.) Furthermore, my understanding is that the Ordinariate adapted some Sarum collects.

We must avoid calling things “Sarum” if they were also found in other medieval uses. Let me try to explain what I mean: it would be silly to call mountains “American”—because mountains are found in many countries. It would be silly to call water “European”—because water is found in many continents. In the same way, referring to certain items—round-neck surplices, rood screens, saffron vestments, and so on—as “Sarum” doesn’t make any sense.



NOTES FROM THIS ARTICLE:

*   The “Sarum Use” was based on the particular way the liturgy was celebrated at Salisbury Cathedral in Wiltshire (constructed in the 13th century). Salisbury Cathedral is absolutely stunning in every way. It was originally Roman Catholic, but (alas!) was appropriated by Anglicans in the 16th century. It would be difficult to name a more beautiful Cathedral. If you have never seen it, please google it immediately; it’s breathtaking.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Ordinariate Sarum, Sarum Rite Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Why A “Fugue” Here?
    I believe I know why this plainsong harmonizer created a tiny fugue as the INTRODUCTION to his accompaniment. Take a look (PDF) and tell me your thoughts about what he did on the feast of the Flight of Our Lord Jesus Christ into Egypt (17 February). And now I must go because “tempus fugit” as they say!
    —Jeff Ostrowski
    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski
    “Reminder” — Month of October (2025)
    Those who don’t sign up for our free EMAIL NEWSLETTER miss important notifications. Last week, for example, I sent a message about this job opening for a music director paying $65,000 per year plus benefits (plus weddings & funerals). Notice the job description says: “our vision for sacred music is to move from singing at Mass to truly singing the Mass wherein … especially the propers, ordinaries, and dialogues are given their proper place.” Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski

Quick Thoughts

    “American Catholic Hymnal” (1991)
    The American Catholic Hymnal, with IMPRIMATUR granted (25 April 1991) by the Archdiocese of Chicago, is like a compendium of every horrible idea from the 1980s. Imagine being forced to stand all through Communion (even afterwards) when those self-same ‘enlightened’ liturgists moved the SEQUENCE before the Alleluia to make sure congregations wouldn’t have to stand during it. (Even worse, everything about the SEQUENCE—including its name—means it should follow the Alleluia.) And imagine endlessly repeating “Alleluia” during Holy Communion at every single Mass. It was all part of an effort to convince people that Holy Communion was historically a procession (which it wasn’t).
    —Jeff Ostrowski
    “Canonic” • Ralph Vaughan Williams
    Fifty years ago, Dr. Theodore Marier made available this clever arrangement (PDF) of “Come down, O love divine” by P. R. Dietterich. The melody was composed in 1906 by Ralph Vaughan Williams (d. 1958) and named in honor of of his birthplace: DOWN AMPNEY. The arrangement isn’t a strict canon, but it does remind one of a canon since the pipe organ employs “points of imitation.” The melody and text are #709 in the Brébeuf Catholic Hymnal.
    —Jeff Ostrowski
    Did they simplify these hymn harmonies?
    Choirs love to sing the famous & splendid tune called “INNSBRUCK.” Looking through a (Roman Catholic) German hymnal printed in 1952, I discovered what appears to be a simplified version of that hymn. In other words, their harmonization is much less complex than the version found in the Saint Jean de Brébeuf Hymnal (which is suitable for singing by SATB choir). Please download their 1952 harmonization (PDF) and let me know your thoughts. I really like the groovy Germanic INTRODUCTION they added.
    —Jeff Ostrowski

Random Quote

“There is no music worth hearing save that written in the last 40 years.”

— Johannes Tinctoris (1477)

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