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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

“Sarum Rite” • Did it exist? What is it?

Jeff Ostrowski · March 14, 2019

85181 FATHER ADRIAN FORTESCUE HERE IS NO SUCH THING as the Sarum Rite. However, there was once such a thing as the “SARUM USE.” During the Middle Ages, practically every diocese (as well as each cathedral and religious order) made small modifications to the Roman Rite. If you attended Mass in Southern England in the year 1450AD, you probably would have encountered the Sarum Use. Father Fortescue wrote in 1912:

In everything of any importance at all, Sarum (and all other mediæval rites) was simply Roman, the rite which we still use. Not only was the whole order and arrangement the same, all the important prayers were the same too.

If you regularly attend Mass in the Extraordinary Form, you would feel right at home with the Sarum Use, even though it has some minor differences. For example, the Extraordinary Form doesn’t allow choir boys to toss unconsecrated hosts on Palm Sunday, whereas Sarum did. We must be on our guard against erroneous internet articles which misrepresent Sarum. I have encountered uninformed authors who believe Sarum was in English! (Sarum was, of course, completely in Latin.)

Fr. Adrian Fortescue explains that Sarum was basically the same as the Extraordinary Form, just like all the other medieval uses:

85182-Sarum-Rite-Sarum-Use-Summary-200

85182-Sarum-Rite-Sarum-Use-Summary-202

85182-Sarum-Rite-Sarum-Use-Summary-204

85182-Sarum-Rite-Sarum-Use-Summary-206

85182-Sarum-Rite-Sarum-Use-Summary-208

WHEN I STILL LIVED IN TEXAS, I got into a heated argument with a young man about whether the Anglican Ordinariate “preserved elements of the Sarum Use.” In the end, this young man was unable to point to a single “Sarum” element in the Ordinariate Missal. I would still love to know if there are any major instances. From what I know, the Ordinariate doesn’t toss unconsecrated hosts at the choir boys. The Ordinariate doesn’t call the Introit “Officium.” The Ordinariate doesn’t celebrate Mass in Latin, as Sarum did. The Ordinariate doesn’t use the Sarum Lectionary (which differed slightly from the Extraordinary Form pericopes); it uses the Novus Ordo Lectionary. I’m told the Ordinariate does number “Sundays after Trinity”—but that’s an insignificant detail, hardly worth mentioning. (Nor is that unique to Sarum.) Furthermore, my understanding is that the Ordinariate adapted some Sarum collects.

We must avoid calling things “Sarum” if they were also found in other medieval uses. Let me try to explain what I mean: it would be silly to call mountains “American”—because mountains are found in many countries. It would be silly to call water “European”—because water is found in many continents. In the same way, referring to certain items—round-neck surplices, rood screens, saffron vestments, and so on—as “Sarum” doesn’t make any sense.



NOTES FROM THIS ARTICLE:

*   The “Sarum Use” was based on the particular way the liturgy was celebrated at Salisbury Cathedral in Wiltshire (constructed in the 13th century). Salisbury Cathedral is absolutely stunning in every way. It was originally Roman Catholic, but (alas!) was appropriated by Anglicans in the 16th century. It would be difficult to name a more beautiful Cathedral. If you have never seen it, please google it immediately; it’s breathtaking.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Ordinariate Sarum, Sarum Rite Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Good Friday Flowers
    Good Friday has a series of prayers for various parties: the pope, catechumens, pagans, heretics, schismatics, and so forth. In the old liturgical books, there was no official ‘name’ for these prayers. (This wasn’t unusual as ‘headers’ and ‘titles’ for each section is a rather modern idea.) The Missal simply instructed the priest to go to the Epistle side and begin. In the SHERBORNE MISSAL, each prayer begins with a different—utterly spectacular—flower. This PDF file shows the first few prayers. Has anyone counted the ‘initial’ drop-cap flowers in the SHERBORNE MISSAL? Surely there are more than 1,000.
    —Jeff Ostrowski
    Music List • (3rd Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 3rd Sunday of Lent (8 March 2026). If such a thing interests you, feel free to download it as a PDF file. This feast has magnificent propers. Its stern INTROIT (“Óculi mei semper ad Dóminum”) is breathtaking, and the COMMUNION (“Qui bíberit aquam”) with its fauxbourdon verses is wonderful. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski

Quick Thoughts

    “Dies Irae” • A Monstrous Translation
    It isn’t easy to determine what Alice King MacGilton hoped to accomplish with her very popular book—A Study of Latin Hymns (1918)—which continued to be reprinted in new editions for at least 34 years. This PDF file shows her attempt to translate the DIES IRAE “in the fewest words possible.” There’s a place for dynamic equivalency, but this is repugnant. In particular, look what she does to “Quærens me sedísti lassus.”
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski
    Grotesque Pairing • “Passion Chorale”
    One of our rarest releases was undoubtably this PDF scan of the complete Pope Pius XII Hymnal (1959) by Father Joseph Roff, a student of Healey Willan. One of the scarcest titles in existence, this book was provided to us by Mr. Peter Meggison. Back in 2018, we scanned each page and uploaded it to our website, making it freely available to everyone. Readers are probably sick of hearing me say this, but just because we upload something that doesn’t necessarily mean it’s wonderful or worthy of imitation. We upload many publications precisely because they are ‘grotesque’, interesting, or revealing. Whereas the Brébeuf Catholic Hymnal had an editorial board that was careful and sensitive vis-à-vis pairing texts with tunes, the Pope Pius XII Hymnal (1959) seems to have been rather reckless in this regard. Please take a look at what they did with the PASSION CHORALE and see whether you agree.
    —Jeff Ostrowski

Random Quote

“One can still have silence even during the Canon, since one is not obliged to recite the Canon audibly at all times. A quieter, less powerful tone of voice will always permit an opportunity for personal, silent prayer.”

— Joseph Cardinal Frings (25-jan-1968), patron of “Consociatio Internationalis Musicae Sacrae” (papal church music association)

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  • “Dies Irae” • A Monstrous Translation

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