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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Archives for March 2019

Fr. David Friel · March 31, 2019

Sacred Music US • Website for Fr. Weber’s Resources

A website exists to disseminate Fr. Samuel Weber’s sacred music resources

Veronica Brandt · March 30, 2019

How to Install Compline in Your Home

A first step to planting the timeless prayer of the Universal Church in your home. Plus a four part setting of the prayer just because.

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Dr. Gregory Hamilton · March 27, 2019

Beauty in the Service of the Lord

“Recently, playing a prelude before a Mass, I thought of the preeminence of beauty in our faith.” —Dr. Hamilton

Fr. David Friel · March 26, 2019

Flash Mob • Franz Biebl’s “Ave Maria”

A special celebration of the Annunciation 2019

Fr. David Friel · March 24, 2019

New Musical Settings for the Blessing of the Holy Oils

The USCCB has provided freely downloadable versions of the musical settings of these newly translated texts.

Veronica Brandt · March 23, 2019

Upgrading to a Missa Cantata for Singers

One of those fantastic diagrams of the structure of the Mass, expostulated in under 9 minutes.

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Richard J. Clark · March 22, 2019

Funerals: The Most Challenging Pastoral Responsibility

The centrality of Christ in the Funeral Mass is a priceless gem, a lifeline urgently needed in grief.

Jeff Ostrowski · March 19, 2019

A Short Piece We’re Singing For Lent

A few weeks ago, I had the opportunity to sit down with one of the smartest Catholic priests alive.

Fr. David Friel · March 17, 2019

The Lorica of St. Patrick

A fifth-century hymn preserved in an eleventh-century manuscript

Veronica Brandt · March 16, 2019

A German Franciscan Soldier who Sang

Excerpts from the life of Fr Gereon Goldmann – bombs, concentration camps, espionage and Gregorian chant.

Jeff Ostrowski · March 14, 2019

“Sarum Rite” • Did it exist? What is it?

“To contrast Ancient Sarum with Modern Roman is absurd.” —Fr. Adrian Fortescue (1912)

Jeff Ostrowski · March 13, 2019

Offensive Music in Germany • Ash Wednesday (2019)

Have you ever seen a liturgical “instrument” like this?

Fr. David Friel · March 10, 2019

Square Notes: The Sacred Music Podcast

Dedicated to exploring the teaching and vision of the Church on the topic of liturgical music

Veronica Brandt · March 9, 2019

Every Church Musician Deserves Music Lessons

In which Veronica describes some unexpected benefits of taking up music lessons.

Jeff Ostrowski · March 7, 2019

“The New Mass” • Discussed by Michael Davies, Malachi Martin, Msgr. Champlin, and William F. Buckley

Fascinating debate recorded 22 April 1980.

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Corpus Christi Watershed

President’s Corner

    Typo in the “Missale Romanum” (1962)
    The 1962 MISSALE ROMANUM was a transitional missal. It was on its way to becoming the 1970 version, but wasn’t there yet. It eliminated certain duplications, downplayed the Prayers at the Foot of the Altar, expanded the role of laymen, minimized the Last Gospel, made many items optional, and so forth. Father Valentine Young spotted many typos in the 1962 MISSALE ROMANUM, especially incorrect accents. The Offertory Antiphon for this coming Sunday (OF kalendar) contains an error, citing the wrong verse from Psalm 118. It should be 118:107b, not 118:154. If you read verse 154, you’ll understand how that error crept in. [In this particular case, the error pre-dates the 1962 Missal, since the 1940s hand-missal by Father Lasance also gets it wrong.]
    —Jeff Ostrowski
    “Music List” • 30th in Ordinary Time (Year C)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 26 October 2025, which is the 30th Sunday in Ordinary Time (Year C). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the top-notch feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    Little Encouragement?
    In the Gospel, our Savior tells about 10 lepers who were healed. Only one went back to give thanks. Precious few express gratitude, yet many have endless energy to complain. For that reason, I deeply appreciate receiving messages like the following, which arrived a few days ago (about the parish where I direct in Michigan): “Last Sunday, a couple I knew from Grand Rapids was at Mass at 10:00 a.m. I got a chance to talk to them after Mass. I wanted to let you know what they said about the choir. They were absolutely floored by our sound!!!!! They both said they could continuously listen to our choir and the beauty of it. They asked me: “Do you always sound like that?” And they were also very surprised at how packed the church was. They said it was nice for them to be in such a full church. I just thought you would be interested to know their thoughts about our choir.”
    —Jeff Ostrowski

Quick Thoughts

    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski
    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski
    “American Catholic Hymnal” (1991)
    The American Catholic Hymnal, with IMPRIMATUR granted (25 April 1991) by the Archdiocese of Chicago, is like a compendium of every horrible idea from the 1980s. Imagine being forced to stand all through Communion (even afterwards) when those self-same ‘enlightened’ liturgists moved the SEQUENCE before the Alleluia to make sure congregations wouldn’t have to stand during it. (Even worse, everything about the SEQUENCE—including its name—means it should follow the Alleluia.) And imagine endlessly repeating “Alleluia” during Holy Communion at every single Mass. It was all part of an effort to convince people that Holy Communion was historically a procession (which it wasn’t).
    —Jeff Ostrowski

Random Quote

“It is profitable for me that shame hath covered my face so I may seek consolation in Thee rather than in men.” (From the Imitation of Christ by Father Thomas à Kempis)

— Cardinal Merry del Val’s Prayer-Book

Recent Posts

  • Typo in the “Missale Romanum” (1962)
  • “Music List” • 30th in Ordinary Time (Year C)
  • “Our Father” • Musical Setting?
  • Little Encouragement?
  • Children’s Repertoire • Mueller’s Recommendations

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