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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Archives for March 2019

Fr. David Friel · March 31, 2019

Sacred Music US • Website for Fr. Weber’s Resources

A website exists to disseminate Fr. Samuel Weber’s sacred music resources

Veronica Brandt · March 30, 2019

How to Install Compline in Your Home

A first step to planting the timeless prayer of the Universal Church in your home. Plus a four part setting of the prayer just because.

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Dr. Gregory Hamilton · March 27, 2019

Beauty in the Service of the Lord

“Recently, playing a prelude before a Mass, I thought of the preeminence of beauty in our faith.” —Dr. Hamilton

Fr. David Friel · March 26, 2019

Flash Mob • Franz Biebl’s “Ave Maria”

A special celebration of the Annunciation 2019

Fr. David Friel · March 24, 2019

New Musical Settings for the Blessing of the Holy Oils

The USCCB has provided freely downloadable versions of the musical settings of these newly translated texts.

Veronica Brandt · March 23, 2019

Upgrading to a Missa Cantata for Singers

One of those fantastic diagrams of the structure of the Mass, expostulated in under 9 minutes.

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Richard J. Clark · March 22, 2019

Funerals: The Most Challenging Pastoral Responsibility

The centrality of Christ in the Funeral Mass is a priceless gem, a lifeline urgently needed in grief.

Jeff Ostrowski · March 19, 2019

A Short Piece We’re Singing For Lent

A few weeks ago, I had the opportunity to sit down with one of the smartest Catholic priests alive.

Fr. David Friel · March 17, 2019

The Lorica of St. Patrick

A fifth-century hymn preserved in an eleventh-century manuscript

Veronica Brandt · March 16, 2019

A German Franciscan Soldier who Sang

Excerpts from the life of Fr Gereon Goldmann – bombs, concentration camps, espionage and Gregorian chant.

Jeff Ostrowski · March 14, 2019

“Sarum Rite” • Did it exist? What is it?

“To contrast Ancient Sarum with Modern Roman is absurd.” —Fr. Adrian Fortescue (1912)

Jeff Ostrowski · March 13, 2019

Offensive Music in Germany • Ash Wednesday (2019)

Have you ever seen a liturgical “instrument” like this?

Fr. David Friel · March 10, 2019

Square Notes: The Sacred Music Podcast

Dedicated to exploring the teaching and vision of the Church on the topic of liturgical music

Veronica Brandt · March 9, 2019

Every Church Musician Deserves Music Lessons

In which Veronica describes some unexpected benefits of taking up music lessons.

Jeff Ostrowski · March 7, 2019

“The New Mass” • Discussed by Michael Davies, Malachi Martin, Msgr. Champlin, and William F. Buckley

Fascinating debate recorded 22 April 1980.

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Corpus Christi Watershed

President’s Corner

    (Part 2) • Did they simplify this hymn?
    Choirs love to sing the resplendent tune called “INNSBRUCK.” Looking through a (Roman Catholic) German hymnal printed in 1929, I discovered what appears to be a simplified version of that hymn. Their harmonization is much less complex than the version found in the Father Brébeuf Hymnal (which is suitable for singing by SATB choir). Please download their 1929 harmonization (PDF) and let me know your thoughts. As always, the Germans added an organ INTRODUCTION. For the record, I posted a different harmonization a few months ago which was downloaded more than 2,000 times.
    —Jeff Ostrowski
    PDF • “Lectionary Comparison Chart”
    Various shell corporations (in an effort to make money selling Sacred Scripture) have tinkered with the LECTIONARY texts in a way that’s shameful. It’s no wonder Catholics in the pews know so few Bible passages by heart. Without authorization, these shell corporations pervert the official texts. Consider the Responsorial Psalm for the 1st Sunday of Advent (Year A). If you download this PDF comparison chart you’ll notice each country randomly omits certain sections. Such tinkering has gone on for 60+ years—and it’s reprehensible.
    —Corpus Christi Watershed
    Monsignor Klaus Gamber Speaks!
    An interesting quotation from the eminent liturgist, Monsignor Klaus Gamber (d. 1989): “According to canon law, a person’s affiliation with a particular liturgical rite is determined by that person’s rite of baptism. Given that the liturgical reforms of Pope Paul VI created a de facto new rite, one could assert that those among the faithful who were baptized according to the traditional Roman rite have the right to continue following that rite; just as priests who were ordained according to the traditional Ordo have the right to exercise the very rite that they were ordained to celebrate.”
    —Jeff Ostrowski

Quick Thoughts

    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski
    “American Catholic Hymnal” (1991)
    The American Catholic Hymnal, with IMPRIMATUR granted (25 April 1991) by the Archdiocese of Chicago, is like a compendium of every horrible idea from the 1980s. Imagine being forced to stand all through Communion (even afterwards) when those self-same ‘enlightened’ liturgists moved the SEQUENCE before the Alleluia to make sure congregations wouldn’t have to stand during it. (Even worse, everything about the SEQUENCE—including its name—means it should follow the Alleluia.) And imagine endlessly repeating “Alleluia” during Holy Communion at every single Mass. It was all part of an effort to convince people that Holy Communion was historically a procession (which it wasn’t).
    —Jeff Ostrowski
    “Canonic” • Ralph Vaughan Williams
    Fifty years ago, Dr. Theodore Marier made available this clever arrangement (PDF) of “Come down, O love divine” by P. R. Dietterich. The melody was composed in 1906 by Ralph Vaughan Williams (d. 1958) and named in honor of his birthplace: DOWN AMPNEY. The arrangement isn’t a strict canon, but it does remind one of a canon since the pipe organ employs “points of imitation.” The melody and text are #709 in the Brébeuf Catholic Hymnal.
    —Jeff Ostrowski

Random Quote

Using the shoddiest, sleaziest material we have for the purpose of glorifying God is not very sound theology or even very good common sense. […] (In general, when you see a diminished seventh chord in a hymn, run.) And these chords are usually used in bad hymns in precisely the same order in which they occur in “Sweet Adeline.”

— Paul Hume (1956)

Recent Posts

  • PDF Download • “Marian Antiphon Booklet” (4 pages) + Five Rhythmic Considerations
  • False Accusations
  • (Part 2) • Did they simplify this hymn?
  • PDF • “Lectionary Comparison Chart”
  • “Can Choral Music Survive?” • 3 Reasons It Will

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