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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

New Resource! • Chant Videos for Treble Voices

Fr. David Friel · February 23, 2019

OUNTLESS schola directors and choristers make regular use of the thousands of practice videos published freely here at Corpus Christi Watershed. Among the practice videos are recordings of the complete Kyriale (all 18 Gregorian Masses), the Ordinary of ICEL’s 2011 translation of the Roman Missal, the Simple English Propers, as well as an astonishing collection of polyphonic pieces. The wealth of assistance now available to parish musicians is truly remarkable.

Thanks to the contributions of a start-up website that went live in early 2019, those resources continue to grow.

Entitled Chant for Trebles, this new site is the work of Mrs. Sipkje Price, a Catholic convert, music educator, and director of a women’s chant schola in Jackson, MI. Working with her singers, Sipkje found that many of them expressed difficulty matching pitch with practice videos featuring a male voice a full octave below their own. Thus was born the concept of Chant for Trebles.

The goal of the project is ambitious: to create practice videos for the full Gregorian chant Propers for each Sunday (and select feasts) of the liturgical year, based on the 1962 calendar. The videos will feature sound recordings paired with the printed version of each chant.

Sipkje has begun with the pre-Lenten season. The chants for Septuagesima, Sexagesima, and Quinquagesima are presently available on the site, and the plan is to add each week’s videos in time for local singers to rehearse with them. To see an example video, check out the communion chant for next Sunday (Quinquagesima) on YouTube:


The approach Sipkje takes to the musicality of these videos is closely considered. The recordings are being made with high quality equipment in a real acoustic, with no added reverberation and minimal editing. With respect to interpretation, she intends to take a relatively conservative approach, aiming for solid pitches and straightforward rhythmic readings, in order to allow schola directors to shape the chant phrases as they wish.

OT TERRIBLY LONG ago, resources to assist parish musicians in singing the treasury of Catholic sacred music were often crude, sometimes expensive, rarely accessible, and otherwise non-existent. So much has changed in the last decade or two. The Internet, alone, boasts a richness of resources that are free, easily available, and often of exceptional quality, for both the Ordinary and Extraordinary Forms of the Roman Rite.

Chant for Trebles fills a need and expands these resources. We look forward to the completion of the full year of videos!

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Catholic Youth Choirs, Extraordinary Form 1962 Missal, Gregorian Chant, Liturgy For Children, Resources for training in Church music Last Updated: January 1, 2020

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About Fr. David Friel

Ordained in 2011, Father Friel is a priest of the Archdiocese of Philadelphia and serves as Director of Liturgy at Saint Charles Borromeo Seminary. —(Read full biography).

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President’s Corner

    “Music List” • 14 September (Holy Cross)
    Readers have expressed interest in perusing the ORDER OF MUSIC I prepared for 14 September 2025, which is the Feast of Exaltation of the Holy Cross. If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the spectacular feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    New Bulletin Article • “14 September 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 14 September 2025) discusses OFFERTORY ANTIPHONS and contains a wonderful quote by Archbishop Fulton J. Sheen.
    —Jeff Ostrowski
    PDF Download • Draft Copy (Pamphlet)
    A few days ago, I posted a draft copy of this 12-page pamphlet with citations about the laity’s “full, conscious, and active participation.” Its basic point or message is that choir directors should never feel embarrassed to teach real choral music because Vatican II explicitly ordered them to do that! We’ve received tons of mail regarding that pamphlet, with many excellent suggestions for improvement. Please feel free to chime in!
    —Jeff Ostrowski

Quick Thoughts

    Karl Keating • “Canonization Questions”
    We were sent an internet statement (screenshot) that’s garnered significant attention, in which KARL KEATING (founder of Catholic Answers) speaks about whether canonizations are infallible. Mr. Keating seems unaware that canonizations are—in the final analysis—a theological opinion. They are not infallible, as explained in this 2014 article by a priest (with a doctorate in theology) who worked for multiple popes. Mr. Keating says: “I’m unaware of such claims arising from any quarter until several recent popes disliked by these Traditionalists were canonized, including John XXIII, Paul VI, and John Paul II. Usually Paul VI receives the most opprobrium.” Mr. Keating is incorrect; e.g. Father John Vianney, several centuries ago, taught clearly that canonizations are not infallible. Archbishop Fulton J. Sheen would be another example, although clearly much more recent than Saint John Vianney.
    —Corpus Christi Watershed
    Vatican II Changed Wedding Propers?
    It’s often claimed that the wedding propers were changed after Vatican II. As a matter of fact, that is a false claim. The EDITIO VATICANA propers (Introit: Deus Israel) remained the same after Vatican II. However, a new set of propers (Introit: Ecce Deus) was provided for optional use. The same holds true for the feast of Pope Saint Gregory the Great on 3 September: the 1943 propers (Introit: Si díligis me) were provided for optional use, but the traditional PROPRIA MISSAE (Introit: Sacerdótes Dei) were retained; they weren’t gotten rid of. The Ordo Cantus Missae (1970) makes this crystal clear, as does the Missal itself. There was an effort made in the post-conciliar years to eliminate so-called “Neo-Gregorian” chants, but (contrary to popular belief) most were retained: cf. the feast of Christ the King, the feast of the Immaculate Conception, and so forth.
    —Corpus Christi Watershed
    Solemn “Salve Regina” (Chant)
    How many “S” words can you think of using alliteration? How about Schwann Solemn Salve Score? You can download the SOLEMN SALVE REGINA in Gregorian Chant. The notation follows the official rhythm (EDITIO VATICANA). Canon Jules Van Nuffel, choirmaster of the Cathedral of Saint Rumbold, composed this accompaniment for it (although some feel it isn’t his best work).
    —Corpus Christi Watershed

Random Quote

From 1827 until the last month of his life, Liszt gave lessons in composition and piano playing. He wrote in 1829 that his schedule was “so full of lessons that each day, from half-past eight in the morning till 10 at night, I have scarcely breathing time”

— Re: Abbé Franz Liszt

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