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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Fulton Sheen on the Priesthood of the Baptized

Fr. David Friel · November 4, 2018

ECENTLY, I delivered a paper at the annual conference of the Society for Catholic Liturgy. The theme of the conference was Romano Guardini, in honor of the centenary of his classic book, The Spirit of the Liturgy (1918). The title of my presentation was “Romano Guardini and the Priesthood of the Baptized.”

In researching this topic, I have grown more keenly aware of the need for renewal in the common understanding of the baptismal priesthood. The Second Vatican Council speaks very clearly about the subject in Lumen gentium, nos. 10–11. Too often, however, it seems that we are hesitant to speak about the priesthood of the baptized, for fear that it might somehow denigrate or take away from the ministerial priesthood. A healthier view might see the necessity of understanding both forms of the priesthood together.

Disclaimer: I may be the only member of the millennial generation who still regularly uses cassette tapes. Most of the cassettes I own are retreats and catechism talks by Servant of God Fulton J. Sheen. While listening to one of his retreats, given to the presbyterate of Gary, Indiana in 1973, I was struck by a section in which he speaks forcefully, albeit indirectly, about the need for the laity to recover a sense of their share in the baptismal priesthood.

Although the retreat was directed chiefly at priests, there were also religious sisters and members of the laity present for the conferences. Here is my transcription of Sheen’s comments directed toward the laity:

Lay people: you are Christ. You belong to the royal priesthood. The royal priesthood differs from the hierarchical priesthood in two ways. First of all, you make spiritual offerings, we [ministerial priests] make a Eucharistic offering. Secondly, we are directly united with Christ the Head, you are in the Body and then are united to Christ the Head through His priests. But that we need not stress.

What I wish to emphasize is that, simply because you have the faith, you offer something. You are not just coming here and offering Mass, offering something in the collection. You’ve also got to be victims! And this we’ve forgotten. . . . We are all victims. . . . We are tied up to Christ, Who offers Himself. 1

In Sheen’s view, the difference between the baptismal and ministerial priesthoods was not in need of stress. It was, rather, the commonality between them—namely, the ability to unite oneself to the sacrifice of Christ—that required attention.

In Ratzinger’s book, The Spirit of the Liturgy, titled in homage to Guardini’s text, the future pontiff argues that, during the canon, the human action steps back in order to allow the divine action to take priority. Ratzinger goes even so far as to observe: “In this real ‘action,’ in this prayerful approach to participation, there is no difference between priests and laity. . . . Participation in that which no human being does, that which the Lord himself and only he can do—that is equally for everyone.” 2

Renewal of this sense among the faithful, I have found, was a prevailing goal of the Liturgical Movement of the early twentieth century. Even now, in the early twenty-first century, such renewal remains a largely unfulfilled goal.

HILE composing this blog, I discovered that Sheen’s retreat for the Diocese of Gary, IN is now available on CD. I would highly recommend this retreat, as well as his famous Dublin retreat, to priests and seminarians. I have found much spiritual profit—as well as homiletic material—in these retreats.

Details of next year’s conference of the Society for Catholic Liturgy have already been announced. The theme will be The Sacred Liturgy and the Family, and it will be held at the Cathedral of Ss. Peter and Paul in Providence, RI from September 26–28, 2019. The call for papers is posted on the SCL website.




NOTES FROM THIS ARTICLE:

1   Fulton J. Sheen, Bishop Sheen Retreat for Clergy, cassette 1, side 2, “Christ, Priest and Victim” (North Haledon, NJ: Keep the Faith, Inc., 1973).

2   Joseph Ratzinger, The Spirit of the Liturgy, trans. John Saward (San Francisco: Ignatius Press, 2000), 174.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Bishop Fulton J Sheen Last Updated: January 1, 2020

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About Fr. David Friel

Ordained in 2011, Father Friel is a priest of the Archdiocese of Philadelphia and serves as Director of Liturgy at Saint Charles Borromeo Seminary. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Epiphany Hymn • “New 2-Voice Arrangement”
    The Von Trapp Family Singers loved a melody that was featured heavily (perhaps even “too heavily”) in the Brébeuf Hymnal. It goes by many names, including ALTONA, VOM HIMMEL HOCH, and ERFURT. If you only have one man and one woman singing, you will want to download this arrangement for two voices. It really is a marvelous tune—and it’s especially fitting during the season of Christmas and Epiphany.
    —Jeff Ostrowski
    Simplified Accompaniment (Epiphany Hymn)
    About a month ago, I created a simplified keyboard accompaniment for “Come, Thou Long-Expected Jesus”—the famous ADVENT hymn—using a melody called CROSS OF JESUS. It was soon downloaded more than 1,000 times. As of this morning, you can download a simplified keyboard accompaniment for the belovèd Epiphany hymn “Bethlehem! Of noblest cities” (O Sola Magnarum Urbium) by clicking on this link (PDF file). Many organists are forced to serve simultaneously as both CANTOR and ACCOMPANIST. In spite of what some claim, this can be difficult, which explains why choirmasters appreciate these simplified keyboard accompaniments.
    —Jeff Ostrowski
    Psalm Tone Challenge!
    Many readers know that Tone 1a3 is the most difficult PSALM TONE in the 1962 books (and isn’t called for very often). But what about very short verses—which is the absolute most concise you know? The shortest PSALM TONE segment I know would be the fourth verse (PDF) from Psalm 44, used during Matins at Christmas. It’s literally one word long. If you know a more minuscule one, please email me!
    —Jeff Ostrowski

Quick Thoughts

    PDF Download • “In Paradisum” in English
    We always sing the IN PARADISUM in Latin, as printed on this PDF score. I have an appallingly bad memory (meaning I’d be a horrible witness in court). In any event, it’s been brought to my attention that 15 years ago I created this organ accompaniment for the famous and beautiful ‘IN PARADISUM’ Gregorian chant sung in English according to ‘MR3’ (Roman Missal, Third Edition). If anyone desires such a thing, feel free to download and print. Looking back, I wish I’d brought the TENOR and BASS voices into a unison (on B-Natural) for the word “welcome” on the second line.
    —Jeff Ostrowski
    What does this mean? “Pre-Urbanite”
    Something informed critics have frequently praised vis-à-vis the Saint Jean de Brébeuf Hymnal is its careful treatment of the ancient hymns vs. the “Urbanite” hymns. This topic I had believed to be fairly well understood—but I was wrong. The reason I thought people knew about it is simple; in the EDITIO VATICANA 1908 Graduale Romanum (as well as the 1913 Liber Antiphonarius) both versions are provided, right next to each other. You can see what I mean by examining this PDF file from the Roman Gradual of 1908. Most people still don’t understand that the Urbanite versions were never adopted by any priests or monks who sang the Divine Office each day. Switching would have required a massive amount of effort and money, because all the books would need to be changed.
    —Jeff Ostrowski
    PDF Download • “Santo Santo Santo”
    Those searching for a dignified, brief, simple, bright setting of SANCTUS in Spanish (“Santo Santo Santo”) are invited to download this Setting in honor of Saint John Brébeuf (organist & vocalist). I wonder if there would be any interest in me recording a rehearsal video for this piece.
    —Jeff Ostrowski

Random Quote

“And thus, when we renounce for Thee | Its restless aims and fears, | The tender mem’ries of the past, | The hopes of coming years, | Poor is our sacrifice, whose eyes | Are lighted from above; | We offer what we cannot keep, | What we have ceased to love.”

— Blessed John Henry Cardinal Newman

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