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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Mark Dwyer • Concert to Benefit the E. & G. G. Hook & Hastings (1875) Organ at the Cathedral of the Holy Cross

Richard J. Clark · October 23, 2018

ARK DWYER, Organist and Choirmaster of the Church of the Advent and one of the finest church musicians in the country, will have the distinction of shining the light on two glorious Hook organs in Boston all at the same time — and in one concert.

With the Cathedral of the Holy Cross currently under renovation, fundraising for the Cathedral’s historic 101-rank E. & G. G. Hook & Hastings Organ, Opus 801 (1875) continues with a concert at Saint John’s Seminary:

Sunday, October 28, 2018, 3:00pm
St. John’s Seminary • 127 Lake St., Boston, MA 02135 Dwyer will play works by Sowerby, Franck, Handel, and Whitlock on the beautiful Hook & Hastings — 1902, Opus 1833 restored by the Andover Organ Company in 2015.

• Download concert poster and info here.
• Download concert program here.
• Suggested donation: $20. Boston AGO members, Seniors, and Students: $10.
• Parking is available at Saint John’s Seminary.
• The Seminary is accessible by the MBTA Green Line “B Train” outbound to Boston College (end of the line).

The Cathedral of the Holy Cross in Boston, Massachusetts contains one of the most notable historic pipe organs, the 101-rank E. & G. G. Hook & Hastings Organ, Opus 801 (1875). Quite distinctive and rare is not that it is Hook’s largest organ, or that it was the largest organ built in America at that time, but that it is still nearly tonally intact from 1875. It is a concrete link to many generations who have worshipped in Boston. It is a living and breathing connection to sacred art and to our treasured traditions. These in turn elevate our minds and hearts to God and remind us of who we are today.

• Listen to several brilliant improvisations by Mark Dwyer on the Cathedral Opus 801 organ here.

• Listen to Janet Hunt perform on the Seminary’s Opus 1833 organ here.

ALL PROCEEDS GO ENTIRELY to the Cathedral Organ Restoration Fund for the E. & G. G. Hook, Opus 801. While the instrument has come a very long way in recent decades, there is much more restoration work that needs to be done. I hope to prioritize additional restoration projects in collaboration with the Andover Organ Company.

Another happy development is that with the removal of a great deal of carpeting and the addition of marble floors, the glorious sound will be further enhanced. Any funds contributed will be supported by an improved acoustic! We wish to keep it playing more beautifully than ever and for years to come.

The main sanctuary of the Cathedral of the Holy Cross is scheduled to reopen in time for Holy Week of 2019. (The Cathedral’s Blessed Sacrament Chapel and Our Lady’s Chapel are still open and continue to serve the Cathedral Parish.) I also greatly look forward to Leo Abbott’s rededication recital of the E. & G. G. Hook, Opus 801. As Music Director and Organist of the Cathedral for thirty-three years, it is truly his voice and he makes it sing like no one can.

E OWE AN ENORMOUS DEBT OF GRATITUDE to Leo Abbott, FAGO, ChM. for nearly singlehandedly driving the ongoing restoration of this beautiful instrument that was in disrepair (and at times silent) for parts of the Twentieth Century. It has been a labor of love that began with cleaning pipes in the basement and doing a number of improvements on a shoestring budget. My intention is to build upon Abbott’s legacy and allow this instrument to continue to serve the greater glory of God.

This concert is co-sponsored by the Boston Chapter of the American Guild of Organists. In addition, Many thanks to Janet Hunt, Director of Music and Organist at St. John’s Seminary for hosting this benefit concert two years in a row. Such collaboration for the sake of sacred music, art, and beauty is rare and very special!

Soli Deo gloria

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Pipe Organ Last Updated: January 1, 2020

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About Richard J. Clark

Richard J. Clark is the Director of Music of the Archdiocese of Boston and the Cathedral of the Holy Cross.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Music List • (5th Sund. Ordinary Time)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for this coming Sunday, 8 February 2026, which is the 5th Sunday in Ordinary Time (Year A). If such a thing interests you, feel free to download it as a PDF file. You will probably notice it isn’t as ‘complete’ or ‘spiffy’ as usual, owing to some difficulties which took place this week.
    —Jeff Ostrowski
    PDF • “Communion” (5th Sunday in Ordin.)
    The COMMUNION ANTIPHON for this coming Sunday, 8 February 2026—which is the 5th Sunday in Ordinary Time (Year A)—is truly delightful. You can download the musical score completely free of charge. This text will be familiar to altar boys, because it’s PSALM 42. The Feder Missal makes the following claim about that psalm: “A hymn of a temple musician from Jerusalem: he is an exile in a heathen land, and he longs for the holy city and his ministry in the Temple there. The Church makes his words her own.”
    —Jeff Ostrowski
    Funeral Music “Template” • For Families
    Many have requested the MUSICAL TEMPLATE for funerals we give to families at our parish. The family of the deceased is usually involved in selecting Number 12 on that sheet. This template was difficult to assemble, because the “Ordo Exsequiarum” has never been translated into English, and the assigned chants and hymns are given in different liturgical books (Lectionary, Gradual, Order of Christian Funerals, and so on). Please notify me if you spot errors or broken links. Readers will be particularly interested in some of the plainsong musical settings, which are truly haunting in their beauty.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of Febr. (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

“Some of our younger parish clergy read their sermons. This should not be done except for some very special reason. The priest who is not capable of preparing and delivering a brief, clear instruction on Catholic teaching to his people is not fit to be in parish work. The people as a rule do not want to listen to a sermon reader.”

— Archbishop of Baltimore (9 July 1929)

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