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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Mark Dwyer • Concert to Benefit the E. & G. G. Hook & Hastings (1875) Organ at the Cathedral of the Holy Cross

Richard J. Clark · October 23, 2018

ARK DWYER, Organist and Choirmaster of the Church of the Advent and one of the finest church musicians in the country, will have the distinction of shining the light on two glorious Hook organs in Boston all at the same time — and in one concert.

With the Cathedral of the Holy Cross currently under renovation, fundraising for the Cathedral’s historic 101-rank E. & G. G. Hook & Hastings Organ, Opus 801 (1875) continues with a concert at Saint John’s Seminary:

Sunday, October 28, 2018, 3:00pm
St. John’s Seminary • 127 Lake St., Boston, MA 02135 Dwyer will play works by Sowerby, Franck, Handel, and Whitlock on the beautiful Hook & Hastings — 1902, Opus 1833 restored by the Andover Organ Company in 2015.

• Download concert poster and info here.
• Download concert program here.
• Suggested donation: $20. Boston AGO members, Seniors, and Students: $10.
• Parking is available at Saint John’s Seminary.
• The Seminary is accessible by the MBTA Green Line “B Train” outbound to Boston College (end of the line).

The Cathedral of the Holy Cross in Boston, Massachusetts contains one of the most notable historic pipe organs, the 101-rank E. & G. G. Hook & Hastings Organ, Opus 801 (1875). Quite distinctive and rare is not that it is Hook’s largest organ, or that it was the largest organ built in America at that time, but that it is still nearly tonally intact from 1875. It is a concrete link to many generations who have worshipped in Boston. It is a living and breathing connection to sacred art and to our treasured traditions. These in turn elevate our minds and hearts to God and remind us of who we are today.

• Listen to several brilliant improvisations by Mark Dwyer on the Cathedral Opus 801 organ here.

• Listen to Janet Hunt perform on the Seminary’s Opus 1833 organ here.

ALL PROCEEDS GO ENTIRELY to the Cathedral Organ Restoration Fund for the E. & G. G. Hook, Opus 801. While the instrument has come a very long way in recent decades, there is much more restoration work that needs to be done. I hope to prioritize additional restoration projects in collaboration with the Andover Organ Company.

Another happy development is that with the removal of a great deal of carpeting and the addition of marble floors, the glorious sound will be further enhanced. Any funds contributed will be supported by an improved acoustic! We wish to keep it playing more beautifully than ever and for years to come.

The main sanctuary of the Cathedral of the Holy Cross is scheduled to reopen in time for Holy Week of 2019. (The Cathedral’s Blessed Sacrament Chapel and Our Lady’s Chapel are still open and continue to serve the Cathedral Parish.) I also greatly look forward to Leo Abbott’s rededication recital of the E. & G. G. Hook, Opus 801. As Music Director and Organist of the Cathedral for thirty-three years, it is truly his voice and he makes it sing like no one can.

E OWE AN ENORMOUS DEBT OF GRATITUDE to Leo Abbott, FAGO, ChM. for nearly singlehandedly driving the ongoing restoration of this beautiful instrument that was in disrepair (and at times silent) for parts of the Twentieth Century. It has been a labor of love that began with cleaning pipes in the basement and doing a number of improvements on a shoestring budget. My intention is to build upon Abbott’s legacy and allow this instrument to continue to serve the greater glory of God.

This concert is co-sponsored by the Boston Chapter of the American Guild of Organists. In addition, Many thanks to Janet Hunt, Director of Music and Organist at St. John’s Seminary for hosting this benefit concert two years in a row. Such collaboration for the sake of sacred music, art, and beauty is rare and very special!

Soli Deo gloria

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Pipe Organ Last Updated: January 1, 2020

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About Richard J. Clark

Richard J. Clark is the Director of Music of the Archdiocese of Boston and the Cathedral of the Holy Cross.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Music List • (2nd Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 2nd Sunday of Lent (1 March 2026). If such a thing interests you, feel free to download it as a PDF file. This feast has magnificent propers. Its somber INTROIT is particularly striking—using a haunting tonality—but the COMMUNION with its fauxbourdon verses is also quite remarkable. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski
    Like! Like! Like!
    You won’t believe who recently gave us a “like” on the Corpus Christi Watershed FACEBOOK PAGE. Click here (PDF) to see who it was. We were not only sincerely honored, we were utterly flabbergasted. This was truly a resounding endorsement and unmistakable stamp of approval.
    —Jeff Ostrowski
    Which Mass?
    In 1905, when the Vatican Commission on Gregorian Chant began publishing the EDITIO VATICANA—still the Church’s official edition— they assigned different Masses to different types of feasts. However, they were careful to add a note (which began with the words “Qualislibet cantus hujus Ordinarii…”) making clear “chants from one Mass may be used together with those from others.” Sadly, I sometimes worked for TLM priests who weren’t fluent in Latin. As a result, they stubbornly insisted Mass settings were ‘assigned’ to different feasts and seasons (which is false). To understand the great variety, one should examine the 1904 KYRIALE of Dr. Peter Wagner. One should also look through Dom Mocquereau’s Liber Usualis (1904), in which the Masses are all mixed up. For instance, Gloria II in his book ended up being moved to the ‘ad libitum’ appendix in the EDITIO VATICANA.
    —Jeff Ostrowski

Quick Thoughts

    Extreme Unction
    Those who search Google for “CCCC MS 079” will discover high resolution images of a medieval Pontificale (“Cambridge, Corpus Christi College, MS 079”). One of the pages contains this absolutely gorgeous depiction of the Sacrament of Extreme Unction.
    —Corpus Christi Watershed
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

The union of Christians can only be promoted by promoting the return to the one true Church of Christ of those who are separated from it, for in the past they have unhappily left it.

— Pope Pius XI (6 January 1928)

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  • Extreme Unction
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