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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Incredible News! • Re: Mæstro Richard J. Clark

Jeff Ostrowski · October 22, 2018

87289 RICHARD J CLARK UR VERY OWN contributor has been appointed to one of America’s most prominent sacred music positions! Richard J. Clark has been named DIRECTOR OF MUSIC of the Archdiocese of Boston and the Cathedral of the Holy Cross.

One of the most sought after liturgical musicians and composers, it is no wonder Richard has been asked to lead music for the fourth largest Archdiocese in the United States. A dedicated servant of the church, Clark’s compositions range from humble settings (for simple parishes) to works performed by the finest choir and musicians in the world. In addition to being a husband and father, he maintains a pretty nifty website.

In some ways, his path to becoming a church musician was unlikely. At age nine, my understanding is that he declared, “being a church musicians has to be the lowest musical aspiration possible.” Instead of beginning studies at a conservatory, be began at Berklee College of Music. Interestingly, it was there he discovered composition in the styles of J. S. Bach and Palestrina. Somewhat late in life he began playing the organ—not until his early twenties. Yet, he fell in love with the instrument so instantly, he quickly become one of Boston’s most notable organists, performing in the Boston Symphony Hall, St. Patrick’s Cathedral (New York), Saint-Eustache (Paris), and so forth.

87279 Richard


Richard is at ease with a vast array of musical styles; from Gregorian Chant to classical to jazz and pop. This eclectic background informs his unique voice as a composer. Always filtered through the prism of reverence and prayer, any influence Clark draws from results in a work surging with emotion and spirit. Perhaps most importantly, Richard’s experience of working in parishes for decades makes him eminently qualified to guide an archdiocese. While he is devoted to and respects the traditional music of the Church, Richard’s hand in many musical styles affords him the ability to see multiple points of view. He has had a gift for unifying musicians and people (no mater how diverse) in prayer through sacred music. By the way, several of Richard’s hymn settings were chosen to be in the Brébeuf hymnal, and they’re absolutely marvelous—I think people will really enjoy them.

87286 Fenway Park in 2017. 87287-Richard-Clark-Organ 87288-Orchestra-Rehearsal-2017

Never doubt one thing: Richard is a man of INTEGRITY. 1

I was blessed to make his acquaintance through a mutual friend, Edmund G. Murray (who is also a phenomenal church musician). About half a decade ago, I served on the faculty of the CMAA Colloquium, and we both ended up stranded in the same airport for a few hours. We had a wonderful talk, and I’m happy to say we’ve been friends ever since. In light of this sensational appointment, wherein he’s now the musical leader of the Archdiocese of Boston, I can only say one thing: “Please don’t forget the little people, Richard!”



NOTES FROM THIS ARTICLE:

1   How many people can you say that about these days? Honestly?

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    A Nice Hymn In Spanish
    In my humble opinion, this is a really beautiful hymn in Spanish. If I practice diligently, I’ll be able to pronounce all the words properly. If you’re someone who’s interested in obtaining a melody only version (suitable for your congregational ORDER OF WORSHIP) you can steal that from this.
    —Jeff Ostrowski
    “Music List” • 21st in Ordinary Time (Year C)
    Our choir returns on Sunday, 24 August 2025. Some have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for it, which is the 21st Sunday in Ordinary Time (Year C). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the spectacular feasts website. When it comes to the feast of the Assumption (15 August 2025), I have uploaded the music list for that Mass—but not the “bi-lingual” Mass in the evening (Spanish, Latin, and English) which has completely different music.
    —Jeff Ostrowski
    “Entrance Chant” • 21st Sunday Ordin. Time
    You can download the ENTRANCE ANTIPHON in English for the 21st Sunday in Ordinary Time (Year C) which is coming up on 24 August 2025. Corresponding to the vocalist score is this free organ accompaniment. It’s set in a melancholy mode, but if you heard my choir’s female voices singing it your soul would be uplifted beyond belief. If you’re someone who enjoys rehearsal videos, this morning I tried to sing it while simultaneously accompanying my voice on the pipe organ.
    —Jeff Ostrowski

Quick Thoughts

    Solemn “Salve Regina” (Chant)
    How many “S” words can you think of using alliteration? How about Schwann Solemn Salve Score? You can download the SOLEMN SALVE REGINA in Gregorian Chant. The notation follows the official rhythm (EDITIO VATICANA). Canon Jules Van Nuffel, choirmaster of the Cathedral of Saint Rumbold, composed this accompaniment for it (although some feel it isn’t his best work).
    —Corpus Christi Watershed
    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed

Random Quote

The “jolly good guy” kind of pastor can be an irritant. […] Ministers of the Gospel are not used car salesmen whose heartiness is a mile wide and an inch deep. A bemused layman told me that a bishop joked with him, but turned away like a startled deer when asked an important question…

— Fr. George Rutler (7 August 2017)

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