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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

New Catholic Choral School…in Detroit!

Dr. Lucas Tappan · August 31, 2018

LMT Blessed Sacrament Cathedral Detroit O SING WELL IS TO PRAY TWICE. There is such musicality in the Latin original—Qui bene cantat… St. Augustine might not have said it, but he should have. If one takes the phrase “to sing well” both in a literal sense and in a spiritual sense, it then encompasses the vocation of the Christian, to praise God in the quiet of his heart and as well as in the actions of his life. It reminds me of the blessing given to cantors by decree of the Council of Carthage (c. 398AD): 

Vide, ut quod ore cantas, corde credas, et quod corde credis, operibus comprobes

“See that what thou singest with thy lips thou dost believe in thine heart, and that what thou believest in thine heart thou dost show forth in thy works.”

To sing well is to pray twice. We have all heard the phrase bantered about by well meaning, but exasperated Christians, whether it comes from a pastor whose congregation won’t sing or a mother whose sons refuse to sway to the churchy tunes (perhaps in our secularized world most young people prefer not to pray, much less pray twice). Unfortunately the emphasis is always on the outward act of singing, with little attention given to the interior formation that must take place before the outward forms mean anything. Fortunately for the Church in America, the Archdiocese of Detroit recently announced a plan to cultivate the sweet vintage of sanctity (interior) and sacred music (exterior) via the creation of an archdiocesan choral foundation at the Cathedral of the Most Blessed Sacrament in the tradition of the English choir school. As I understand it, this is the fruition of a long held dream of Archbishop Vigneron and I firmly believe the Church in Michigan will be better for it.

Officially named the Cathedral Choir Academy of Detroit and open to students in grades 3-9, its mission is “to provide an experience in which choristers encounter Christ through sacred music, grow in faith and musical excellence, and give witness to the Word Incarnate.  The program is clearly rooted in faith formation and in step with the New Evangelization.” It is hoped that within five years the program will be expanded to serve youth in the first and second grades (pre-chorister music training) through high school. Susan Lindquist, a veteran music teacher in the archdiocese of Detroit will lead the program, working in concert with Cathedral Rector Fr. J. J. Mech and Cathedral Music Director, Joe Balistreri. I have been privileged to know Susan for a couple of years and can testify to her orthodox faith and love for sacred music as well as her ability to teach children and communicate the choir school’s mission and vision to others. Her enthusiasm really is quite infectious and it was through her that I learned one of my favorite phrases regarding the importance of teaching children good music… “The fact that children can make beautiful music is less significant than the fact that music can make beautiful children” (attributed to Cheryl Lavender).

    * *  Notes on the Cathedral Choir Academy of Detroit

Susan took over the cathedral children’s choir last year, which until then had been comprised of children primarily from the cathedral parish, and grew the program to three times its size while expecting the choristers to hold their own alongside the cathedral’s fine adult choir. In its current form, the program consists of a training choir as well as a children’s choir, which sings once a month. This allows choristers to continue singing in their own parish choirs as well as at the cathedral. By partnering with children choirs across the archdiocese the Cathedral Choir Academy hopes to share its work with individual parishes, fostering Faith and music in all the youth. Balistreri (cathedral music director) also sought out and secured a partnership between the Choir Academy and the Sistine Chapel Choir, and while the particular details of that relationship are currently being hashed out, it shows the desire of Joe Balistreri, Susan Lindquist and the entire cathedral community to foster the Church’s musical heritage to a high degree, especially in the youth, and drawing them ever more closely to Christ.

Please join your prayers to mine for the success of this new venture, perhaps even offering up a Te Deum in the fullest sense of actual participation.

Qui bene cantat bis orat.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Dr. Lucas Tappan

Dr. Lucas Tappan is a conductor and organist whose specialty is working with children. He lives in Kansas with his wife and four children.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Music List • (3rd Sund. Ordinary Time)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for this coming Sunday: the 3rd Sunday in Ordinary Time (Year A). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the monumental feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    “Holy Name Hymn” (2-Voice Arrangement)
    When we post a direct URL link, we frequently get thousands of downloads. But when scrolling is required, very few take the time. I mention this because those who click on this URL link and scroll to the bottom can download—completely free of charge—a clever 2-voice arrangement for a famous hymn to the Most Holy Name of Jesus. In a pinch, it can be nicely sung by one male and one female! It will be of interest to those who seek arrangements for two voices.
    —Jeff Ostrowski
    PDF Download • Introit (3rd Sn. Ord.)
    This coming Sunday, 25 January 2026, is the 3rd Sunday in Ordinary Time (Year A). The ENTRANCE CHANT (“Dóminus secus mare”) is somewhat rare because it comes from the New Testament. The authentic version in Latin—of astounding antiquity—was jettisoned in 1955 but restored in 1970. This rehearsal video has me attempting to sing the melody while simultaneously accompanying myself on the organ. I encourage you to print off the organ accompaniment (PDF) and play through it because it has extremely ‘happy’ harmonies.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of January (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski
    PDF Download • “In Paradisum” in English
    We always sing the IN PARADISUM in Latin, as printed on this PDF score. I have an appallingly bad memory (meaning I’d be a horrible witness in court). In any event, it’s been brought to my attention that 15 years ago I created this organ accompaniment for the famous and beautiful ‘IN PARADISUM’ Gregorian chant sung in English according to ‘MR3’ (Roman Missal, Third Edition). If anyone desires such a thing, feel free to download and print. Looking back, I wish I’d brought the TENOR and BASS voices into a unison (on B-Natural) for the word “welcome” on the second line.
    —Jeff Ostrowski

Random Quote

“Edwin Fischer was, on the concert platform, a short, leonine, resilient figure, whose every fibre seemed to vibrate with elemental musical power.”

— Daniel Barenboim (1960)

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