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Jesus said to them: “I have come into this world so that a sentence may fall upon it, that those who are blind should see, and those who see should become blind. If you were blind, you would not be guilty. It is because you protest, ‘We can see clearly,’ that you cannot be rid of your guilt.”

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Views from the Choir Loft

Precious in the Eyes of the Lord is the Death of His Faithful One

Dr. Lucas Tappan · August 7, 2018

88002 SAINT PETER IN CHAINS (Rome) VERYONE EXPERIENCES certain events which he remembers with incredible fondness and nostalgia, perhaps even with a bit of longing. Perhaps it is best that God created man to live in time, continually moving toward eternity, lest he become comfortable “here below” and fail to keep his eyes lifted heavenward. Nevertheless, certain moments in this valley of tears remind us to raise our eyes again to the Father Who loves us and to strive for Heaven with all of our being. These experiences provide strength for those who are persecuted—strength to remain faithful to their call. They also call the lost back to faithfulness. I am reminded of Christ’s Transfiguration on Mount Tabor, where He gave His apostles a glimpse of His heavenly glory to fortify them against His coming Passion and to both comfort and challenge them after His Resurrection.

One such personal experience of mine took place at the Basilica of St. Peter in Chains on 2 January, 2016. The Most Pure Heart of Mary Schola Cantorum was on pilgrimage to Rome and in that capacity sang for Sunday Mass in the basilica. It was early in the morning, perhaps too early for most Italians, and the sun had just burst forth along the horizon of a beautiful and crisp winter morning. The choristers had vested and made the short walk from the bus to the church. As choir director I really had no idea what to expect as we arrived. The sacristan motioned for the singers to proceed to the ancient choir stalls surrounding the altar and confessio, shortly after which, Holy Mass began. The Missa cum iubilo rolled down the nave and back again as the Eternal Sacrifice resounded about us. We sang in view of the creche, not far from the chains that held St. Peter both in Jerusalem and in Rome, ever watched over by Michaelangelo’s Moses. There we were in the Eternal City where St. Peter stood as pontifex between the Old and New Testaments, announcing the Kingdom of God to what was then the greatest kingdom mankind had ever known. Two thousand years later the great Roman Empire had been consigned to history, while the Church, ruled by the Lord of history, stretched across the entire globe as a sign to all people that God, in His Son, has redeemed mankind and opened again the gates of Heaven to all below. In our parish back home, the inquisitive sojourner in our Perpetual Adoration Chapel might have noticed inscribed around the monstrance the Latin phrase Ecce panis angelorum factus cibus viatorum (Behold the Bread of angels, made the food of travelers). There in the creche in the Basilica of St. Peter in Chains was a small likeness the Infant-King, Who in that Mass became the Living Bread, the Holy Eucharist for each of us, food for us travelers. To this day everyone who traveled with the choir remembers this Mass as the crowning moment of the entire trip.

We have all encountered these moments that sustain us along our pilgrim way and I assume the same could be said of all the Holy Martyrs. I have often wondered what went through the heart and mind of the Maccabean mother, who, “being filled with wisdom: and joining a man’s heart to a woman’s thought” (2 Maccabees: 7:21) not only beheld, but counseled her seven sons to remain faithful to the God of their fathers and to the laws of Moses, even if when it meant torture and death at the hands of Antiochus IV Epiphanes. Surely there were moments she remembered from her life that, along with her prayer and confidence in God, emboldened her to watch the deaths of her sons with every hope that their sacrifices would be rewarded in eternal life. I also imagine that her husband, who I assume was deceased by this point, inculcated a love for God and His Law in his family that helped sustain them as well. I am moved by this story every time I hear it and I pray that I might be given the grace to endure such a test if, God forbid, it should ever happen to me and my family.

Imagine my surprise this morning as I read through a portion of the Roman Martyrology to discover that in the old Roman Calendar both the Feast of St. Peter in Chains and the Feast of the Maccabean mother and her sons shared the same calendar day (tomorrow, 1 August) and that this family are traditionally thought to be buried in the Basilica of St. Peter in Chains. How fitting it is that St. Peter in Chains, by no means the most beautiful and opulent in Rome, houses Michaelangelo’s Moses, a symbol of the Law to which this family was so faithful. It is a poignant reminder to me to constantly pray for the gift of fortitude. May we pray for such witnesses to be raised again in the western world, and we pray for the intercession of those Christians who have been martyred in various parts of the globe this century. May their prayers and example bring us to the Gates of Heaven and may Mary, Queen of all Martyrs, give each of us such strength and courage.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Dr. Lucas Tappan

Dr. Lucas Tappan is a conductor and organist whose specialty is working with children. He lives in Kansas with his wife and four children.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Music List” • 6th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 6th Sunday of Easter (25 May 2025). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and propers for this Sunday are provided at the the feasts website.
    —Jeff Ostrowski
    “Gloria in Spanish” • Free Accompaniment
    Several people have requested an organ accompaniment for the GLORY TO GOD which prints the Spanish words directly above the chords. The Spanish adaptation—Gloria a Dios en el cielo—as printed in Roman Misal, tercera edición was adapted from the “Glória in excélsis” from Mass XV (DOMINATOR DEUS). I used to feel that it’s a pretty boring chant … until I heard it sung well by a men’s Schola Cantorum, which changed my view dramatically. This morning, I created this harmonization and dedicated it to my colleague, Corrinne May. You may download it for free. Please let me know if you enjoy it!
    —Jeff Ostrowski
    How Well Does ICEL Know Latin?
    This year, the Feast of Saints Peter and Paul (29 June 2025) will fall on a Sunday. It’s not necessary to be an eminent Latin scholar to be horrified by examples like this, which have been in place since 1970. For the last 55 years, anyone who’s attempted to correct such errors has been threatened with legal action. It is simply unbelievable that the (mandatory) texts of the Holy Mass began being sold for a profit in the 1970s. How much longer will this gruesome situation last?
    —Jeff Ostrowski

Quick Thoughts

    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt
    The Funeral Rites of the Graduale Romanum
    Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.
    —Daniel Tucker

Random Quote

“It would be a grave error to imagine that the principle orientation of the sacrificial action is towards the community. If the priest celebrates «VERSUS POPULUM», which is legitimate and often advisable, his spiritual attitude ought always to be «VERSUS DEUM PER JESUM CHRISTUM», as representative of the entire Church.”

— Official Vatican Statement (25 September 2000)

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