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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Impressions from Sacred Music Colloquium 2018

Dr. Lucas Tappan · July 3, 2018

88369 BISHOP PERRY N CATHOLIC CIRCLES we often joke that not even God Himself knows how much money the Jesuits really have, the truth of which I witnessed on parade at the beautiful Loyal University waterfront campus in Chicago, host for the CMAA’s 2018 Sacred Music Colloquium last week. I thought today I would share with readers some of my impressions of the wonderful events that took place.

Holiness and Friendship: Saints tend to come in batches, one friend encouraging another, which I found no less true for those I met at the Colloquium. Men and women, priests and religious from all backgrounds and walks of life (my roommate was a priest from Nigeria!), arrived in Chicago, but all were animated by the common goal of Heaven. All were striving for holiness, a witness so important for the world today. Pope Benedict once mentioned that Beauty, especially in the lives of the saints would convert the world, and I was both edified and encouraged by the desire for holiness I saw in so many at the colloquium. This naturally resulted in the deepening of old friendships and the creation of new, lasting friendships built on and in Christ—friendships that will endure.

Beauty and Transcendence: If the Holy Eucharist truly is the source and summit of our Catholic Faith and if all we do as Christians and as musicians comes from and returns to the God the Father, through Christ and in the Holy Spirit in the Sacred Liturgy, then our worship of almighty God is of primary and paramount importance, and so it follows that how we pray affects how we believe, and how we believe affects how we act. The beauty and solemnity in the way the priests celebrated the Holy Masses and the Divine Office spoke not only to a hermeneutic of continuity with all the Church has taught and professed throughout Her 2000 year history, but also spoke to what they themselves believed about God. I found this both inspiring and challenging.

As an aside, it always strikes me that the more we try to make the Mass understandable, the more we try to bring it down to the level of “common humanity,” the harder time I have remembering that Christ is all holy and all powerful and that He loves me with a love so  deep that He willingly endured His Passion and Death in order to open the gates of Heaven to me. The beauty and transcendence of the Sacred Liturgies at the Colloquium reminded me of just how all powerful Christ is and how much He must have loved mankind to willingly step down from His thrown, so to speak, and do what He did. When Christ is presented and worshipped as if He were a mix between Ralph Nader and Maya Angelou (I think these are Peter Kreeft’s words) prayer becomes difficult for me, but the Masses and Divine Office of the Colloquium truly flooded my soul with peace, and yet challenged me to confront my sinfulness and open myself to God’s healing and Almighty Hand.

Awe for the Workers in God’s Vineyard: I was truly edified by those who work so hard in the field of Sacred Music. I met men and women who chose to attend the Colloquium because they wanted to learn how to make this music in order to transform their parishes and they realized the task fell to them alone to make that happen. I was also surprised and edified by the number of young men and women who are entering the field of Sacred Music professionally and who desire to be supremely competent in their craft. As we know, there is often a false dichotomy presented in the Church today between the professional musician and the faithful disciple, and many participants I met were living proof that professional competency and discipleship are both possible and necessary.

Hope: I realize there is a lot of confusion in the Church today, most of it self-inflicted, and while it is easy to become discouraged, don’t despair. I see so many reasons to hope for the future. At the same time, the musicians I met realized that this hope must be grounded in a healthy acknowledgment that the survival and ultimate flourishing of the Faith in the western world is by no means assured, only possible if we continue to pray and work and spend our lives in the service of God’s Holy Will. There is a healthy dose of very potent leaven in the world today, but it is up to us to kneed the dough and and bring to fruition the bread that God desires. Of course, this is only possible if we are grounded deeply in prayer, especially in the prayer of the Sacred Liturgy.

Fun: I confess wholeheartedly to being a musical geek and that the most fun I had at the Colloquium was on the last day when a number of folks had already left and the choirs needed extra male singers to fill the choral ranks. Mass was celebrated in the Extraordinary Form for the Commemoration of St. Paul and the choirs sang Palestrina’s Missa Aeteran Christi munera. I had never sung this Mass before, which meant sight-singing with no chance of a “do-over.” Scott Turkington joined the choir to my left and Peter Carter of St. John the Baptist Latin Mass Community joined to my right and the sound was glorious! I could have done that all day.

If you have never been I strongly encourage you to do so—you won’t regret it.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Dr. Lucas Tappan

Dr. Lucas Tappan is a conductor and organist whose specialty is working with children. He lives in Kansas with his wife and four children.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Offertory” at Catholic Funerals
    I have argued that the OFFERTORY—at least in its ancient form—is more of a responsory than an antiphon. The 1962 Missal specifically calls it “Antiphona ad Offertorium.” From now on, I plan to use this beautiful setting (PDF) at funerals, since it cleverly inserts themes from the absolution of the body. Tons more research needs to be done on the OFFERTORY, which often is a ‘patchwork’ stitching together various beginnings and endings of biblical verses. For instance, if you examine the ancient verses for Dómine, vivífica me (30th Sunday in Ordinary Time) you’ll discover this being done in a most perplexing way. Rebecca Maloy published a very expensive book on the OFFERTORY, but it was a disappointment. Indeed, I can’t think of a single valuable insight contained in her book. What a missed opportunity!
    —Jeff Ostrowski
    “In Paradisum” • Gregorian Chant
    As a RECESSIONAL on All Souls’ Day (November 2nd), we will sing In Paradísum Dedúcant Te Ángeli (PDF). When it comes to Gregorian Chant, this is one of the most popular “songs.” Frankly, all the prayers and chants from the traditional REQUIEM MASS (Missa exsequialis or Missa pro defunctis) are incredibly powerful and never should’ve been scuttled. Click here to hear “In Paradisum” in a recording I made this afternoon. Professor Louis Bouyer spoke of the way Bugnini “scuttled the office of the dead” in this fascinating excerpt from his memoirs. In his book, La riforma litugica (1983), Bugnini bragged—in quite a shameful way—about eliminating the ancient funeral texts, and even admitted those venerable texts were “beloved” (his word) by Catholics.
    —Jeff Ostrowski
    “Music List” • All Souls (2 November)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 2 November 2025, which is the Commemoration of All the Faithful Departed (“All Souls”). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the top-notch feasts website alongside the official texts in Latin. In my humble opinion, it’s weird to have the feast of All Saints on a Sunday. No wonder the close associate of Pope Saint Paul VI said the revised KALENDAR was “the handiwork of a trio of maniacs.” However, I can’t deny that sometimes the sacred liturgy consists of elements that are seemingly contradictory: e.g. the Mode 7 “De Profúndis” ALLELUIA, or the Mode 8 “Dulce lignum” ALLELUIA on the various ancient feasts of the Holy Cross (3 May, 14 September, and so on).
    —Jeff Ostrowski

Quick Thoughts

    Gospel Options for 2 November (“All Souls”)
    We’ve been told some bishops are suppressing the TLM because of “unity.” But is unity truly found in the MISSALE RECENS? For instance, on All Souls (2 November), any of these Gospel readings may be chosen, for any reason (or for no reason at all). The same is true of the Propria Missæ and other readings—there are countless options in the ORDINARY FORM. In other words, no matter which OF parish you attend on 2 November, you’ll almost certainly hear different propers and readings, to say nothing of different ‘styles’ of music. Where is the “unity” in all this? Indeed, the Second Vatican Council solemnly declared: “Even in the liturgy, the Church has no wish to impose a rigid uniformity in matters which do not implicate the faith or the good of the whole community.”
    —Corpus Christi Watershed
    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski
    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski

Random Quote

“If I could only make the faithful sing the Kyrie, the Gloria, the Credo, the Sanctus, and the Agnus Dei…that would be to me the finest triumph sacred music could have, for it is in really taking part in the liturgy that the faithful will preserve their devotion. I would take the Tantum Ergo, the Te Deum, and the Litanies sung by the people over any piece of polyphony.”

— ‘Giuseppe Cardinal Sarto, Letter to Msgr. Callegari (1897)’

Recent Posts

  • “Offertory” at Catholic Funerals
  • “In Paradisum” • Gregorian Chant
  • The Beauty of the Propers for All Souls’ Day (and the Requiem Mass)
  • Gospel Options for 2 November (“All Souls”)
  • “Music List” • All Souls (2 November)

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