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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

“Arundel Catholic Hymns” • Hymns Chosen and Edited by the Duke of Norfolk

Jeff Ostrowski · July 23, 2018

88134 ARUNDEL HYMNS NTIL the Westminster Hymnal appeared, the “best” Catholic hymnal for English-speakers was probably ARUNDEL HYMNS, with an Introductory Letter by Pope Leo XIII. It appeared around the year 1899, after several experimental versions. The official title was:

Arundel Hymns. Chosen and Edited by
Henry, Duke of Norfolk, and Charles P. Gatty.

In 1900, a fascinating review of “Arundel Hymns” was published in a Jesuit Magazine:

HAT THESE HYMNS will achieve immediate popularity with the Catholic masses can hardly be expected. The musical settings to the hymns at present in vogue in our churches are for the most part greatly inferior to those in this volume, but they have obtained a hold upon the affection of the congregations. Their sentimentality, their “sweetness,” their catching rhythms, appeal to the multitude; they are regarded as appropriate at popular services. To the musician, the lover of art, the man of cultivated taste, they are displeasing, and in some cases even offensive; and yet one hesitates to speak harshly of them. They are often the work of earnest, pious amateurs, and they would seem to stir genuine religious emotion in simple hearts.

Nevertheless our sympathy is with the Editors of the Arundel Hymns, who hope to introduce dignified, well-written hymns into our services. Most of the tunes in the collection are old, and their arrangement and adaptation is the work of musicians. We recommend them to the clergy, who, we trust, will not be discouraged if at first they hear complaints that the “new” hymns are drier and colder than the “old.” After all, the public likes what it is accustomed to, and hitherto, in the matter of hymns in our churches, it has too often been given sentimentality and violent rhythmic effects. Possibly it can be taught to appreciate solid worth and artistic restraint; in any case these are more suitable to divine service.

This review almost sounds like it was written in 2018—and I am being very serious!

There is quite a history behind the Arundel Hymnal, and I believe the one who paid for it was a relative of St. Philip Howard, who was martyred in 1595AD. The person to ask about “Arundel Hymns” is probably Veronica Brandt, who has made available a reprint.

Once upon a time, THE MONTH published some really awesome stuff. For example, “Dream of Gerontius” by Cardinal Newman first appeared in its pages. Later, an interesting Jesuit named Fr. Philip Caraman (d. 1998) became the Editor. We have often mentioned Caraman, who edited the Fulton J. Sheen Missal.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: May 11, 2021

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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President’s Corner

    PDF • “Music List” (Sunday, 28 December)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for Feast of the Holy Family of Jesus, Mary, & Joseph (28 Dec. 2025). If such a thing interests you, feel free to download it as a PDF file. The FAUXBOURDON verses for the Communion Antiphon are particularly gorgeous. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    PDF • “Music List” (Xmas Midnight Mass)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for Christmas Midnight Mass (“Ad Missam In Nocte”). If such a thing interests you, feel free to download it as a PDF file. The ENTRANCE CHANT is simple, but quite beautiful. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    PDF • “Music List” (4th Sunday of Advent)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 21 December 2025, which is the 4th Sunday of Advent (Year A). If such a thing interests you, feel free to download it as a PDF file. The ENTRANCE CHANT is the famous “Roráte Coeli” and the fauxbourdon setting of the COMMUNION is exquisite. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski

Quick Thoughts

    What does this mean? “Pre-Urbanite”
    One of the things informed critics have frequently praised vis-à-vis the Saint Jean de Brébeuf Hymnal has to do with its careful treatment of the ancient hymns vs. the “Urbanite” hymns. This topic I had believed to be fairly well understood—but I was wrong. The reason I thought people knew about it is simple; in the EDITIO VATICANA 1908 Graduale Romanum (as well as the 1913 Liber Antiphonarius) both versions are provided, right next to each other. You can see what I mean by examining this PDF file from the Roman Gradual of 1908. Most people still don’t understand that the Urbanite versions were never adopted by any priests or monks who sang the Divine Office each day. Switching would have required a massive amount of effort and money, because all the books would need to be changed.
    —Jeff Ostrowski
    PDF Download • “Santo Santo Santo”
    Those searching for a dignified, brief, simple, bright setting of SANCTUS in Spanish (“Santo Santo Santo”) are invited to download this Setting in honor of Saint John Brébeuf (organist & vocalist). I wonder if there would be any interest in me recording a rehearsal video for this piece.
    —Jeff Ostrowski
    Pope Leo XIV on Sacred Music
    On 5 December 2025, Pope Leo XIV made this declaration with regard to liturgical music.
    —Corpus Christi Watershed

Random Quote

“And thus, when we renounce for Thee | Its restless aims and fears, | The tender mem’ries of the past, | The hopes of coming years, | Poor is our sacrifice, whose eyes | Are lighted from above; | We offer what we cannot keep, | What we have ceased to love.”

— Blessed John Henry Cardinal Newman

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  • PDF • “Music List” (Xmas Midnight Mass)
  • What does this mean? “Pre-Urbanite”

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