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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Society for Catholic Liturgy Conference 2018

Fr. David Friel · July 15, 2018

OMANO Guardini will be the unifying theme among all of the papers delivered at this year’s Society for Catholic Liturgy (SCL) conference. Guardini was one of the most influential figures in the Liturgical Movement during its early-twentieth-century phase. This year (2018) marks the centenary of the publication of Guardini’s classic book, Vom Geist der Liturgie (The Spirit of the Liturgy).

The SCL conference will be held 27–29 September 2018 at the Cathedral of Saint Mary in Miami, FL. The event will feature a solemn Mass in the Ordinary Form on Friday, as well as a solemn pontifical Mass in the Extraordinary Form on Saturday.

Numerous papers will be presented during the days of this conference, but the three keynote address will include:

Gerhard Cardinal Müller, former Prefect of the CDF (“Lex orandi, lex credendi”)

Archbishop Thomas Wenski, Archbishop of Miami (Topic TBA)

Secretariat of the USCCB Committee on Divine Worship (Topic TBA)

More details about the conference—including registration information and titles of papers to be delivered—are available here. I am pleased to be presenting a conference paper entitled, “Romano Guardini and the Priesthood of the Baptized.”

OUNDED in 1995, the Society for Catholic Liturgy is a unique organization that brings together faithful Catholic scholars and artists from around the world to recover, discuss, and promote the rich liturgical tradition of the Church. The Society holds an annual three-day conference and publishes Antiphon: A Journal for Liturgical Renewal, which deals with important theoretical and practical questions in the fields of liturgy and sacramental theology.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Antiphon Journal, Authentic Liturgical Renewal Reform, Liturgical Movement, Romano Guardini, Society for Catholic Liturgy, USCCB Secretariat of Divine Worship Last Updated: January 22, 2021

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About Fr. David Friel

Ordained in 2011, Father Friel is a priest of the Archdiocese of Philadelphia and serves as Director of Liturgy at Saint Charles Borromeo Seminary. —(Read full biography).

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President’s Corner

    PDF • “Music List” (Sunday, 28 December)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for Feast of the Holy Family of Jesus, Mary, & Joseph (28 Dec. 2025). If such a thing interests you, feel free to download it as a PDF file. The FAUXBOURDON verses for the Communion Antiphon are particularly gorgeous. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    PDF • “Music List” (Xmas Midnight Mass)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for Christmas Midnight Mass (“Ad Missam In Nocte”). If such a thing interests you, feel free to download it as a PDF file. The ENTRANCE CHANT is simple, but quite beautiful. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    PDF • “Music List” (4th Sunday of Advent)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 21 December 2025, which is the 4th Sunday of Advent (Year A). If such a thing interests you, feel free to download it as a PDF file. The ENTRANCE CHANT is the famous “Roráte Coeli” and the fauxbourdon setting of the COMMUNION is exquisite. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski

Quick Thoughts

    What does this mean? “Pre-Urbanite”
    One of the things informed critics have frequently praised vis-à-vis the Saint Jean de Brébeuf Hymnal has to do with its careful treatment of the ancient hymns vs. the “Urbanite” hymns. This topic I had believed to be fairly well understood—but I was wrong. The reason I thought people knew about it is simple; in the EDITIO VATICANA 1908 Graduale Romanum (as well as the 1913 Liber Antiphonarius) both versions are provided, right next to each other. You can see what I mean by examining this PDF file from the Roman Gradual of 1908. Most people still don’t understand that the Urbanite versions were never adopted by any priests or monks who sang the Divine Office each day. Switching would have required a massive amount of effort and money, because all the books would need to be changed.
    —Jeff Ostrowski
    PDF Download • “Santo Santo Santo”
    Those searching for a dignified, brief, simple, bright setting of SANCTUS in Spanish (“Santo Santo Santo”) are invited to download this Setting in honor of Saint John Brébeuf (organist & vocalist). I wonder if there would be any interest in me recording a rehearsal video for this piece.
    —Jeff Ostrowski
    Pope Leo XIV on Sacred Music
    On 5 December 2025, Pope Leo XIV made this declaration with regard to liturgical music.
    —Corpus Christi Watershed

Random Quote

Participation at Mass must be “above all internal” (§15), and: “The faithful must be taught to unite themselves interiorly to what the ministers or choir sing, so that by listening to them they may raise their minds to God.”

— Musicam Sacram (5 March 1967)

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  • PDF • “Music List” (Xmas Midnight Mass)
  • What does this mean? “Pre-Urbanite”
  • “He never had a single day of conflict with anyone.”

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