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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

I Was Wrong to Dread the “Pre-1955” Holy Week

Jeff Ostrowski · April 2, 2018

89657 • Pre-1955 Holy Week N A STAGGERING turn of events, Rome gave permission this year for certain parishes to use the ancient rites of Holy Week—the so-called “Pre-1955 version.” If everything goes well for three years, the permission might be broadened. Until last week, I had only experienced the 1962 version, which is done according to Pius XII reforms that became mandatory in 1955.

When permission from Rome was first announced, I smiled—but deep down was worried. My most precious memories were from the 1962 Holy Week. Moreover, several priests who remembered the ancient version always spoke bad things about it: e.g. how the priest had to quietly read all twelve Prophecies while they were proclaimed by another minister. I simply couldn’t imagine how all this stuff worked, and my biggest concern was the timing of the ceremonies. Traditionally, they took place in the morning; whereas Pius XII changed them to evening. But I loved Holy Thursday happening in the evening, when our Savior was betrayed by Judas…and now this was being taken away?

It turns out I was dead wrong.

The ancient rites blew me away!  To examine all the differences—leaving aside their vast history and theological connotations—would require years, but allow me a few reflections:

(1) I was wrong about the “Morning/Evening” controversy. The times are immaterial to the substance of the ancient rites. Indeed, Rome has stipulated they are to be done in the evening. (At least, that is my understanding.) The precise time they take place, I have come to understand, is insignificant. Moreover, it is a simpleminded and anti-liturgical person who is incapable of calling to mind the Exsultet’s “blessed night” unless it’s dark outside.

(2) Whoever created the 1955 version (Annibale Bugnini seems to have been prime mover) was often sloppy and arbitrary. These faults are highlighted when one experiences the ancient version. Fr. John Parsons and others have already pointed out, for example, sloppy typos which ended up wreaking havoc. Something I’ve not seen mentioned is the “short form” of the 1955 Palm distribution, which is horrific in terms of antiphon placement, and I’m convinced the rubric in question was a typo nobody caught. The three antiphons in the 1955 Good Friday Communion service—all in different modes, with no psalms—are bizarre from a musical standpoint. And so forth and so on.

But the ancient rites “flow.” For example, the music assigned for the Veneration of the Cross doesn’t have to be crammed and condensed because it was designed for the ancient manner of veneration. (Pope Saint John XXIII famously chose the ancient version, though it was against the rubrics in force at the time.) Even as a boy, I sensed something inadequate about placing the Footwashing in the middle of Holy Thursday Mass, and this innovation happened in 1955. And likewise for the other ceremonies. The biggest difference, in other words, is how the ancient rites “flow” naturally and logically.

(3) I had previously believed certain items to be “aesthetic” (unimportant), such as the weird vestments—Broad Stole and Folded Chasubles—but I was wrong. I now understand the vestments to be incredibly powerful reminders of the antiquity of the sacred rites, because they go back so many centuries.

(4) I was worried the congregation would hate having twelve (12) long Prophecies at the Easter Vigil; but again I was wrong. It is a sacred time to sit quietly in Church and ponder one’s relationship with Almighty God. It is a sacred time to examine one’s conscience and contemplate eternity.

(5) The “weeping tone” after our Lord dies is haunting and breathtaking. I had only heard it on recordings before last week. And there were so many other awesome moments…such as the priests lying prostrate for the Litany, the “Missa Sicca” on Palm Sunday, and so forth and so on.

HE CURRENT SITUATION could never have been imagined by those of us who began attending the Traditional Mass in the 1990s. These days, I see countless newly-ordained priests choosing the Extraordinary Form: with beautiful vestments, young families, and traditional sacred music. This is something that drives progressive liturgists bonkers, because they hate the Traditional Mass. Indeed, their golden age was the 1980s, followed closely by the primitive Church (which they misunderstand and distort). They abhor anything Medieval, and especially anything admired by saints from the Middle Ages. Such people increasingly struggle to hide their rage at what is happening.

And let’s be honest: who could have anticipated what’s happening? Young priests are voluntarily choosing the ancient rites of Holy Week, even though it requires tons more work. Leave aside all the preparations: booklets, special vestments, tridents, and so on. To offer the ancient rites requires them to stand on their feet and quietly pray boatloads of Sacred Scripture eliminated in 1955. I cannot help but recall an excerpt from the life of St. Jean de Brébeuf:

In addition to the spiritual exercises prescribed by the Society, Brébeuf performed many other devotions and penances, and was careful to do so in as great privacy as possible. “To the continual sufferings,” wrote his spiritual director, “which are inseparable from the duties which he had in the missions, on the journeys, in whatever place he was; and to those which charity caused him to embrace, often above his strength—although below his courage—he added many voluntary mortifications… And after all these, his heart could not be satiated with sufferings, and he believed that he had never endured aught.”

I would never compare the ancient Holy Week to what St. Brébeuf endured.

But did you notice that sentence?

“…his heart could not be satiated with sufferings…”

These holy priests put forth that extra effort because they want to do more for Jesus Christ. My family is so blessed to be exposed to such men.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Pre-1955 Holy Week Last Updated: March 16, 2021

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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President’s Corner

    “Music List” • 14 September (Holy Cross)
    Readers have expressed interest in perusing the ORDER OF MUSIC I prepared for 14 September 2025, which is the Feast of Exaltation of the Holy Cross. If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the spectacular feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    New Bulletin Article • “14 September 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 14 September 2025) discusses OFFERTORY ANTIPHONS and contains a wonderful quote by Archbishop Fulton J. Sheen.
    —Jeff Ostrowski
    PDF Download • Draft Copy (Pamphlet)
    A few days ago, I posted a draft copy of this 12-page pamphlet with citations about the laity’s “full, conscious, and active participation.” Its basic point or message is that choir directors should never feel embarrassed to teach real choral music because Vatican II explicitly ordered them to do that! We’ve received tons of mail regarding that pamphlet, with many excellent suggestions for improvement. Please feel free to chime in!
    —Jeff Ostrowski

Quick Thoughts

    Karl Keating • “Canonization Questions”
    We were sent an internet statement (screenshot) that’s garnered significant attention, in which KARL KEATING (founder of Catholic Answers) speaks about whether canonizations are infallible. Mr. Keating seems unaware that canonizations are—in the final analysis—a theological opinion. They are not infallible, as explained in this 2014 article by a priest (with a doctorate in theology) who worked for multiple popes. Mr. Keating says: “I’m unaware of such claims arising from any quarter until several recent popes disliked by these Traditionalists were canonized, including John XXIII, Paul VI, and John Paul II. Usually Paul VI receives the most opprobrium.” Mr. Keating is incorrect; e.g. Father John Vianney, several centuries ago, taught clearly that canonizations are not infallible. Archbishop Fulton J. Sheen would be another example, although clearly much more recent than Saint John Vianney.
    —Corpus Christi Watershed
    Vatican II Changed Wedding Propers?
    It’s often claimed that the wedding propers were changed after Vatican II. As a matter of fact, that is a false claim. The EDITIO VATICANA propers (Introit: Deus Israel) remained the same after Vatican II. However, a new set of propers (Introit: Ecce Deus) was provided for optional use. The same holds true for the feast of Pope Saint Gregory the Great on 3 September: the 1943 propers (Introit: Si díligis me) were provided for optional use, but the traditional PROPRIA MISSAE (Introit: Sacerdótes Dei) were retained; they weren’t gotten rid of. The Ordo Cantus Missae (1970) makes this crystal clear, as does the Missal itself. There was an effort made in the post-conciliar years to eliminate so-called “Neo-Gregorian” chants, but (contrary to popular belief) most were retained: cf. the feast of Christ the King, the feast of the Immaculate Conception, and so forth.
    —Corpus Christi Watershed
    Solemn “Salve Regina” (Chant)
    How many “S” words can you think of using alliteration? How about Schwann Solemn Salve Score? You can download the SOLEMN SALVE REGINA in Gregorian Chant. The notation follows the official rhythm (EDITIO VATICANA). Canon Jules Van Nuffel, choirmaster of the Cathedral of Saint Rumbold, composed this accompaniment for it (although some feel it isn’t his best work).
    —Corpus Christi Watershed

Random Quote

“The creed at baptism may be said in either Greek or Latin, at the convert’s discretion, according to the Gelasian Sacramentary.”

— Father Adrian Fortescue

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