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Views from the Choir Loft

PDF Download • Organ Accompaniment for “Vexilla Regis” (Hymn) by Fr. Adrian Fortescue

Jeff Ostrowski · March 27, 2018

89742 Church of St Hugh of Lincoln in Letchworth 1916 T IS NOT EASY FOR US to understand how long it took for some to abandon the Major-minor system when accompanying plainsong and to adopt instead a “modal” system similar to what was pioneered by Jacques-Nicolas Lemmens (d. 1881). Around 1916, Fr. Adrian Fortescue created a magnificent organ book, described by Fr. Aidan Nichols. In 2013, Charles Cole posted several photographs of the book itself. 1 The accompaniment Fortescue provides for the hymn “Vexilla Regis Prodeunt” is not very impressive:

* *  PDF Download • “Vexilla Regis Prodeunt” (Organ Accompaniment)

Not all of the accompaniments were composed by Fortescue. Some were copied from publications by Dr. Franz Xavier Mathias—and this “Vexilla” strikes me as potentially belonging in that category. Either way, it doesn’t really matter; because the very fact that Fortescue spent time placing it in pencil (and then ink) shows he valued it. I’ll never forget how scandalized I was to discover the Mathias accompaniment books: dreadful stuff. The sad part is, those by Mathias are among the better specimens from that era—and one reason CCWatershed spent so much time uploading thousands of pages of historical plainsong accompaniments (by Mathias, Springer, Wagner, Ebner, etc.) was to demonstrate how terrible some were!

When I saw this page, my opinion of Fortescue went down. But then I remembered there really weren’t better options available in those years. And I must say, the falsobordone verses he provides are lovely, although the perfect fourth in the bass at the end of the version by Gino Visonà (d. 1954) strikes me as questionable.

REGARDING THE CEREMONY on Good Friday referred to as the “Solemn Veneration of the Cross” or the “Adoration of the Cross,” I would like to share two statements which—in my humble opinion—are helpful and should be borne in mind. The first is from an 1845 Missal, with an 1845 IMPRIMATUR by the Cardinal Archbishop of Westminster:

89745 Adoration Cross GOOD FRIDAY

The second statement comes from a much less obscure source:

89743 Adoration of the Cross GOOD FRIDAY


The (Roman Catholic) Office of the Holy Week, According to the Roman Missal and Breviary; In Latin and English; With an Explanation of the Mysteries Represented in the Office and Ceremonies of the Holy Week (1796) says the following on page ix:

Next, both Priest and people adore Jesus Christ crucified,
expressing their adoration by kneeling thrice before they kiss
the sacred wounds represented by the figure on the cross.
This ceremony is a great stumbling-block to Protestants,
who think us guilty of idolatry by it, especially when the Rubrick
calls it, the Adoration of the Cross, and the Choir at the same time
sing, We adore thy Cross, O Lord, &c.
But we presume they will give us leave to know
the meaning of our own words and actions, and believe us,
when we tell them, that our genuflexion, and kissing of the cross,
are no more than outward expressions of the love and adoration
which we bear in our hearts to Jesus Christ crucified;
and that the words adoration and adore, as applied to the Cross,
signify only that respect and veneration which is due
to things relating to God and his service.

Here is a section from the Imitation of Christ by Thomas à Kempis (d. 1471):

HY FEAREST THOU then to take up the cross which leadeth to a kingdom? In the Cross is health, in the Cross is life, in the Cross is protection from enemies, in the Cross is heavenly sweetness, in the Cross strength of mind, in the Cross joy of the spirit, in the Cross the height of virtue, in the Cross perfection of holiness. There is no health of the soul, no hope of eternal life, save in the Cross. Take up therefore, thy cross and follow Jesus and thou shalt go into eternal life.

The hymn for Palm Sunday and Good Friday:

1. Vexílla Regis pródeunt:
Fulget Crucis mystérium,
Quo carne carnis Cónditor
Suspénsus est patíbulo.

2. Quo vulnerátus ínsuper
Mucróne diro lánceae,
Ut nos laváret crímine,
Manávit unda et sánguine.

3. Impléta sunt quae cóncinit
David fidéli cármine,
Dicens: In natiónibus
Regnávit a ligno Deus.

4. Arbor decóra et fúlgida,
Ornáta Regis púrpura,
Elécta digno stípite
Tam sancta membra tángere.

5. Beáta, cujus bráchiis
Saecli pepéndit prétium,
Statéra facta córporis,
Praedémque tulit tártari.

6. O Crux, ave, spes única,
Hoc Passiónis témpore,
Auge piis justítiam,
Reísque dona véniam.

7. Te summa, Deus, Trínitas,
Colláudet omnis spíritus:
Quos per Crucis mystérium
Salvas, rege per saécula.

English translation by Fr. Matthew Britt, OSB:

1. The banners of the King come forth;
brightly gleams the mystery of the Cross,
on which Life suffered death,
and by His death, obtained for us life.

2. He was wounded
by the cruel point of a spear,
and there issued forth water and blood
to cleanse us from the defilements of sin.

3. Now is fulfilled
what David foretold in faithful song,
saying to the nations:
“God has reigned from a Tree.”

4. O beautiful and resplendent Tree
adorned with the purple of the King,
chosen to bear
on thy worthy trunk, limbs so holy.

5. O blessed Tree upon whose branches
hung the ransom of the world;
it was made the balance of the body,
and snatched away the (expected) prey of hell.

6. Hail, O Cross, our only hope!
In this Passiontide
(*mutable)
increase grace in the just,
and for sinners, blot out their sins.

7. May every spirit praise Thee,
O Trinity, Thou fount of salvation;
to whom Thou gavest the victory of the Cross,
grant also the reward.

 

 


NOTES FROM THIS ARTICLE:

1   Charles Cole is a famous conductor—but you might not realize he’s also a fabulous photographer. The 2013 article URL can be found here.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, PDF Download Last Updated: March 15, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Bugnini’s Statement (6 November 1966)
    With each passing day, more is revealed about how the enemies of the liturgy accomplished their goals. For instance, Hannibal Bugnini deeply resented the way Vatican II said Gregorian Chant “must be given first place in liturgical services.” On 6 November 1966, his cadre wrote a letter attempting to justify the elimination of Gregorian Chant with this brazen statement: “What really gives a Mass its tone is not so much the songs as it is the prayers and readings.” Bugnini’s cadre then attacked the very heart of Gregorian Chant (viz. the Proprium Missae), bemoaning how the Proprium Missae “is completely new each Sunday and feast day.” There is much more to be said about this topic. Stay tuned.
    —Jeff Ostrowski
    Luis Martínez Must Go!
    Sevilla Cathedral (entry dated 13 December 1564): The chapter orders Luis Martínez, a cathedral chaplain, to stay away from the choirbook-stand when the rest of the singers gather around it to sing polyphony—the reason being that “he throws the others out of tune.” [Excerpt from “The Life of Father Francisco Guerrero.”]
    —Jeff Ostrowski
    Urgent! • We Desperately Need Funds!
    A few days ago, the president of Corpus Christi Watershed posted this urgent appeal for funds. Please help us make sure we’re never forced to place our content behind a paywall. We feel it’s crucial that 100% of our content remains free to everyone. We’re a tiny 501(c)3 public charity, entirely dependent upon the generosity of small donors. We have no endowment and no major donors. We run no advertisements and have no savings. We beg you to consider donating $4.00 per month. Thank you!
    —Jeff Ostrowski

Quick Thoughts

    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed
    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed

Random Quote

“Unfortunately, on the one hand a deadly error in judgment placed the official leadership of this committee into the hands of a man who—though generous and brave—was not very knowledgeable: Cardinal Lercaro. He was utterly incapable of resisting the maneuvers of the mealy-mouthed scoundrel that the Neapolitan Vincentian, Bugnini, a man as bereft of culture as he was of basic honesty, soon revealed himself to be.”

— ‘Fr. Louis Bouyer, an important member of the Consilium’

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