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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Cardinal Sarah to celebrate TLM on 21 May 2018

Jeff Ostrowski · December 22, 2017

OBERT CARDINAL SARAH was appointed by Pope Francis as Prefect for the Vatican’s CONGREGATION FOR DIVINE WORSHIP on 23 November 2014. According to a press release (18 December 2017) by the Remnant Newspaper, Cardinal Sarah will celebrate the Traditional Mass on 21 May 2018:

They claim this will be an Extraordinary Form Pontifical Mass:

90939 REMNANT


Their headline says “Cardinal Sarah to Celebrate TLM.” And they placed the same wording on their poster (above).

Here’s the full statement posted on the official website of the Remnant:

Cardinal Sarah to Celebrate TLM, Chartres Pilgrimage 2018

Notre-Dame de Chretiente (NDC)—the organization responsible for what the late, great Michael Davies described as the ‘most important annual event in Christendom’—the Chartres Pilgrimage from Paris to Chartres, France—has announced that Robert Cardinal Sarah will offer the Pontifical High Mass in the Cathedral of Notre Dame de Chartres at the next pilgrimage to Chartres, May 21, 2018.

A NDC statement announcing this most welcome development, reads: “We sincerely thank Cardinal Sarah, Prefect of the Congregation for Divine Worship and the Discipline of the Sacraments, for having accepted to come and join us on pilgrimage. We are happy to organize this event, which will be an important landmark in the history of our pilgrimage.”

The Remnant Tours—which has partnered with Notre Dame de Chretiente in organizing the U.S. contingent on the Pilgrimage to Chartres for the past 27 years—is delighted with this news and shares in NDC’s joy that such a high-ranking curial cardinal will show such high-profile support for the Traditional Latin Mass movement, not just in France, but throughout the whole world by taking on such a key role in the next Chartres Pilgrimage.

The Remnant Tours is currently accepting registrations for this event, which will be the heart of our pilgrimage package (to also include Tours, the Loire Valley, the site of the Holy Face apparition Lisbon and Fatima).

I hope this is not a hoax—but friends of mine have confirmed that it will indeed happen. If so, I say: DEO GRATIAS!

From a “church politics” point of view, this might not be the smartest move—but Cardinal Sarah is someone who often goes without food and water for three days straight, and doesn’t seem overly concerned about political maneuvering.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Liturgical Round (“Canon”) in C-Major
    Those who direct children’s choirs are always on the lookout for repertoire that’s dignified, inspired, and pleasing—yet still within reach of young choristers. Such directors will want to investigate this haunting liturgical round (PDF download) which has been married to the KYRIE from Mass VI (EDITIO VATICANA). I have provided an accompaniment, but it’s only for use during rehearsal; i.e. when teaching this round to your choristers. I also provided an organ accompaniment for the KYRIE—which some know by its trope (Kyrie Rex Genitor)—so that your congregation can take part when this round is used as a choral extension during Mass.
    —Jeff Ostrowski
    Latin Liturgy Association
    We note with pleasure that Mrs. Regina Morris, president of the Latin Liturgy Association, has featured—on page 4 of Volume CXXIX of their official newsletter—the three (3) terrific versions of the Stations of the Cross found in the Brébeuf Hymnal. One of the main authors for the blog of the Church Music Association of America said (6/10/2019) about this pew book: “It is such a fantastic hymnal that it deserves to be in the pews of every Catholic church.”
    —Corpus Christi Watershed
    “Music List” • 28th in Ordinary Time (Year C)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 12 October 2025, which is the 28th Sunday in Ordinary Time (Year C). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the dazzling feasts website alongside the official texts in Latin.
    —Jeff Ostrowski

Quick Thoughts

    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski
    “American Catholic Hymnal” (1991)
    The American Catholic Hymnal, with IMPRIMATUR granted (25 April 1991) by the Archdiocese of Chicago, is like a compendium of every horrible idea from the 1980s. Imagine being forced to stand all through Communion (even afterwards) when those self-same ‘enlightened’ liturgists moved the SEQUENCE before the Alleluia to make sure congregations wouldn’t have to stand during it. (Even worse, everything about the SEQUENCE—including its name—means it should follow the Alleluia.) And imagine endlessly repeating “Alleluia” during Holy Communion at every single Mass. It was all part of an effort to convince people that Holy Communion was historically a procession (which it wasn’t).
    —Jeff Ostrowski
    “Canonic” • Ralph Vaughan Williams
    Fifty years ago, Dr. Theodore Marier made available this clever arrangement (PDF) of “Come down, O love divine” by P. R. Dietterich. The melody was composed in 1906 by Ralph Vaughan Williams (d. 1958) and named in honor of of his birthplace: DOWN AMPNEY. The arrangement isn’t a strict canon, but it does remind one of a canon since the pipe organ employs “points of imitation.” The melody and text are #709 in the Brébeuf Catholic Hymnal.
    —Jeff Ostrowski

Random Quote

“The cemeteries are full of people who thought they were indispensable.”

— Fr. Alan Heet, OFM

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