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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

The Marvels of Choral Singing

Andrew Leung · December 21, 2017

CTL The Marvels of Choral Singing ONG KONG is probably one of the most crowded and busiest cities in the world. To be honest, that is not something that I enjoy so much. However, Hong Kong is also one of the best-known international cities, and many artists like to visit this “Pearl of the Orient”. In the past few months, I have had the privilege to work with world-class musicians like John Rutter, Peter Philips and Paul Phoenix in Hong Kong. I also got to listen to The Sixteen and the Choir of King’s College; and I am very looking forward to see the Choir of St. John’s College next spring. It is wonderful to be able to sing and hear beautiful choral music!

As I give thanks to God for these amazing opportunities, I also ponder on the marvels of choral singing. Listening to these world’s best choirs was a “heavenly” experience; it must be the best human experience one can get on earth! After experiencing the perfect harmonies of choral singing, it would only make sense that human voice be the principle instrument in worship. The human voice is more powerful than any other instruments on earth because it can pray, sing and communicate to God in such a direct and clear manner; it is also the most fragile because one could loss his voice easily due to accidents or bad health. And choral singing requires even more efforts and teamwork. If one person in the group sings flat, losses the rhythm, sing too soon or cut off too late, the mistake will ruin the moment.

As I meditate deeper into the mystery of choral singing, I see an image of the Church in choirs: people, with different voice ranges, tone colors, etc., coming together united through singing. Our voices are all so unique that it can even be used to identify each of us; and yet people can disregard the differences and try to blend with one another, just like people with different talents come together in Christ.

The key to accomplishing the perfect harmonies and blending is by “constant conversion”. We must do self-reflection, then modify and perfect our singing. A good choral singer doesn’t compete with his teammates, but competes with himself. Each time when he sings, he tries to sing better than the last time. It is like the personal sanctification that all followers of Christ are called to do. A good singer also accepts humbly the assistance and guidance from the director and his fellow singers; just as we receive grace and strength from God. Through self-modification and humility, one can advance in choral techniques and produce the “heavenly” music.

In case some of you are curious of the beauty I have experienced, here is an example on Facebook. And of course, there are many more examples and we can all be one of them.

Soli Deo Gloria!

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Andrew Leung

Andrew Leung currently serves the music director of Vox Antiqua, conductor of the Cecilian Singers, and music director at Our Lady of China Church.—(Read full biography).

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President’s Corner

    PDF • “Music List” (Sunday, 28 December)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for Feast of the Holy Family of Jesus, Mary, & Joseph (28 Dec. 2025). If such a thing interests you, feel free to download it as a PDF file. The FAUXBOURDON verses for the Communion Antiphon are particularly gorgeous. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    PDF • “Music List” (Xmas Midnight Mass)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for Christmas Midnight Mass (“Ad Missam In Nocte”). If such a thing interests you, feel free to download it as a PDF file. The ENTRANCE CHANT is simple, but quite beautiful. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    PDF • “Music List” (4th Sunday of Advent)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 21 December 2025, which is the 4th Sunday of Advent (Year A). If such a thing interests you, feel free to download it as a PDF file. The ENTRANCE CHANT is the famous “Roráte Coeli” and the fauxbourdon setting of the COMMUNION is exquisite. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski

Quick Thoughts

    What does this mean? “Pre-Urbanite”
    One of the things informed critics have frequently praised vis-à-vis the Saint Jean de Brébeuf Hymnal has to do with its careful treatment of the ancient hymns vs. the “Urbanite” hymns. This topic I had believed to be fairly well understood—but I was wrong. The reason I thought people knew about it is simple; in the EDITIO VATICANA 1908 Graduale Romanum (as well as the 1913 Liber Antiphonarius) both versions are provided, right next to each other. You can see what I mean by examining this PDF file from the Roman Gradual of 1908. Most people still don’t understand that the Urbanite versions were never adopted by any priests or monks who sang the Divine Office each day. Switching would have required a massive amount of effort and money, because all the books would need to be changed.
    —Jeff Ostrowski
    PDF Download • “Santo Santo Santo”
    Those searching for a dignified, brief, simple, bright setting of SANCTUS in Spanish (“Santo Santo Santo”) are invited to download this Setting in honor of Saint John Brébeuf (organist & vocalist). I wonder if there would be any interest in me recording a rehearsal video for this piece.
    —Jeff Ostrowski
    Pope Leo XIV on Sacred Music
    On 5 December 2025, Pope Leo XIV made this declaration with regard to liturgical music.
    —Corpus Christi Watershed

Random Quote

“The Pope is not an absolute monarch whose thoughts and desires are law. On the contrary: the Pope’s ministry is a guarantee of obedience to Christ and to his Word. He must not proclaim his own ideas, but rather constantly bind himself and the Church to obedience to God’s Word, in the face of every attempt to adapt it or water it down, and every form of opportunism.”

— ‘His Holiness, Pope Benedict XVI (11 May 2005)’

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  • PDF • “Music List” (Xmas Midnight Mass)
  • What does this mean? “Pre-Urbanite”

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