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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

The Marvels of Choral Singing

Andrew Leung · December 21, 2017

CTL The Marvels of Choral Singing ONG KONG is probably one of the most crowded and busiest cities in the world. To be honest, that is not something that I enjoy so much. However, Hong Kong is also one of the best-known international cities, and many artists like to visit this “Pearl of the Orient”. In the past few months, I have had the privilege to work with world-class musicians like John Rutter, Peter Philips and Paul Phoenix in Hong Kong. I also got to listen to The Sixteen and the Choir of King’s College; and I am very looking forward to see the Choir of St. John’s College next spring. It is wonderful to be able to sing and hear beautiful choral music!

As I give thanks to God for these amazing opportunities, I also ponder on the marvels of choral singing. Listening to these world’s best choirs was a “heavenly” experience; it must be the best human experience one can get on earth! After experiencing the perfect harmonies of choral singing, it would only make sense that human voice be the principle instrument in worship. The human voice is more powerful than any other instruments on earth because it can pray, sing and communicate to God in such a direct and clear manner; it is also the most fragile because one could loss his voice easily due to accidents or bad health. And choral singing requires even more efforts and teamwork. If one person in the group sings flat, losses the rhythm, sing too soon or cut off too late, the mistake will ruin the moment.

As I meditate deeper into the mystery of choral singing, I see an image of the Church in choirs: people, with different voice ranges, tone colors, etc., coming together united through singing. Our voices are all so unique that it can even be used to identify each of us; and yet people can disregard the differences and try to blend with one another, just like people with different talents come together in Christ.

The key to accomplishing the perfect harmonies and blending is by “constant conversion”. We must do self-reflection, then modify and perfect our singing. A good choral singer doesn’t compete with his teammates, but competes with himself. Each time when he sings, he tries to sing better than the last time. It is like the personal sanctification that all followers of Christ are called to do. A good singer also accepts humbly the assistance and guidance from the director and his fellow singers; just as we receive grace and strength from God. Through self-modification and humility, one can advance in choral techniques and produce the “heavenly” music.

In case some of you are curious of the beauty I have experienced, here is an example on Facebook. And of course, there are many more examples and we can all be one of them.

Soli Deo Gloria!

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Andrew Leung

Andrew Leung currently serves the music director of Vox Antiqua, conductor of the Cecilian Singers, and music director at Our Lady of China Church.—(Read full biography).

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President’s Corner

    “Sanctus VIII” • Organ Accompaniment
    A few days ago, I composed this organ harmonization for SANCTUS VIII. This Mass is traditionally called Missa de ángelis or “Mass of the angels.” In French, it is Messe de Anges. You can evaluate my attempt to simultaneously accompany myself on the pipe organ (click here) while singing the melody. My parish is currently singing this setting.
    —Jeff Ostrowski
    Music List • (5th Sund. Ordinary Time)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for this coming Sunday, 8 February 2026, which is the 5th Sunday in Ordinary Time (Year A). If such a thing interests you, feel free to download it as a PDF file. You will probably notice it isn’t as ‘complete’ or ‘spiffy’ as usual, owing to some difficulties which took place this week.
    —Jeff Ostrowski
    PDF • “Communion” (5th Sunday in Ordin.)
    The COMMUNION ANTIPHON for this coming Sunday, 8 February 2026—which is the 5th Sunday in Ordinary Time (Year A)—is truly delightful. You can download the musical score completely free of charge. This text will be familiar to altar boys, because it’s PSALM 42. The Feder Missal makes the following claim about that psalm: “A hymn of a temple musician from Jerusalem: he is an exile in a heathen land, and he longs for the holy city and his ministry in the Temple there. The Church makes his words her own.”
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of Febr. (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

“To me it is a most inspiring reflection that, while empires and kingdoms have tumbled down, while language and custom of every kind have changed beyond recognition, still day by day the humblest Catholic priest in the remotest mission stands at his altar dressed in the garb of old Rome.”

— Father Adrian Fortescue (8 February 1912)

Recent Posts

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  • PDF Download • Sanctus VIII Organ Accompaniment (“Mass of the Angels”)
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  • “Let the Choir Have a Voice” • Jeff Ostrowski’s Essay on Choral Music in the Catholic Mass
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