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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Archives for November 2017

Jeff Ostrowski · November 16, 2017

“23rd” {repeat} Sunday after Pentecost (3rd in November)

“…and without parables He did not speak to them; that it might be fulfilled which was spoken by the prophet, saying, I will open my mouth in parables, I will utter things hidden from the foundation of the world.”

Jeff Ostrowski · November 16, 2017

A Hymn That Just Keeps Popping Up

Bach’s music inhabits “a still and serious world…without color, without light, without motion” from which we cannot break away.

Jeff Ostrowski · November 15, 2017

The Man Who Thrice Rejected Knighthood

Excerpt from a documentary on “St. Thomas More” (Paul Scofield) which in 1966 won six Oscars at the Academy Awards.

Jeff Ostrowski · November 13, 2017

SATB “Alleluia” (Fr. Morales) • for both OF and EF

This piece is perfect for “stealthily” adding polyphony to the Ordinary Form.

Dr. Lucas Tappan · November 13, 2017

Music and Evangelization

It’s an incredibly refreshing and dare I say beautiful movement within the Church today…

Jeff Ostrowski · November 10, 2017

Fulton J. Sheen • “Hints On Public Speaking”

We choirmasters are frequently called upon to speak in public.

Jeff Ostrowski · November 9, 2017

23rd Sunday after Pentecost (2nd in November)

“Amen I say to you, whatsoever, you ask when you pray, believe that you shall receive, and it shall be done to you.”

Jeff Ostrowski · November 9, 2017

Image • Francisco Guerrero (d. 1599)

It’s based on Pacheco’s version, created the year Guerrero died.

Andrew Leung · November 9, 2017

Vox Antiqua’s Debut

My new choir made its debut on the Feast of Christ the King.

Dr. Alfred Calabrese · November 8, 2017

The Real Reason We Sing

Let’s not make this about ourselves.

Jeff Ostrowski · November 7, 2017

New English Hymnal • Voice-Leading

Constant critics are corrosive.

Jeff Ostrowski · November 6, 2017

Archbishop Sheen Played The Organ!

Sheen told Ferris that he wanted a classical repertoire at the cathedral in Rochester, including Gregorian chant.

Jeff Ostrowski · November 6, 2017

6 Suggestions • “Promoting The Latin Mass”

Msgr. Charles Pope has several sagacious suggestions!

Fr. David Friel · November 5, 2017

Prayers of Preparation and Farewell

Two prayers for improving one’s liturgical disposition

Jeff Ostrowski · November 3, 2017

Never Print With Adobe Acrobat

It’s remarkable that owning fully-updated software and pristine hardware makes no difference…

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Corpus Christi Watershed

President’s Corner

    Music List • “Ascension of the Lord”
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for the The Ascension of the Lord—“Festum Ascensionis Domini”—which is transferred to 17 May 2026 in our diocese. Please feel free to download it as a PDF file if such a thing interests you. The OFFERTORY (“Ascéndit Deus in jubilatióne”) is particularly beautiful and the ENTRANCE CHANT is simply splendid. As always, readers may go directly to the flourishing feasts website, where the complete Propria Missae may be downloaded free of charge.
    —Jeff Ostrowski
    PDF Download • “For Pentecost Sunday”
    Yesterday morning, I recorded myself singing the ENTRANCE CHANT for Pentecost Sunday while simultaneously accompanying myself on the pipe organ. Click here to see how that came out. At the end of the antiphon, there’s a triple Allelúja and I just love the chord at the end of the 2nd iteration. The organ accompaniment—along with the musical score for singers—can be downloaded free of charge at the flourishing feasts website. For the record, the antiphon on Pentecost Sunday doesn’t come from a psalm; it comes from the book of Wisdom.
    —Jeff Ostrowski
    PDF Download • “Organ Accompaniment”
    Over the past few years, I’ve been harmonizing all the vernacular plainsong Introit settings by the CHAUMONOT COMPOSERS GROUP. This coming Sunday—10 May 2026—is the 6th Sunday of Easter (Year A). The following declaration will probably smack of “blowing my own horn.” However, I’d rank this accompaniment as my best yet. In this rehearsal video, I attempt to sing it while simultaneously accompanying myself on the pipe organ. The musical score [for singers] as well as my organ accompaniment can be downloaded free of charge from the flourishing feasts website.
    —Jeff Ostrowski

Quick Thoughts

    “Thee” + “Thou” + “Thine”
    Few musicians realize that various English translations of Sacred Scripture were granted formal approval by the USCCB and the Vatican for liturgical use in the United States of America. But don’t take my word for it! Here are four documents proving this, which you can examine with your own eyes. Some believe the words “Thine” and “Thou” and “Thee” were forbidden after Vatican II—but that’s incorrect. For example, they’re found in the English translation of the ‘Our Father’ at Mass. Moreover, the Revised Standard Version (Catholic Edition) mentioned in those four documents employs “Thine” and “Thou” and “Thee.” It was published with a FOREWORD by Westminster’s Roman Catholic Archbishop (John Cardinal Heenan).
    —Jeff Ostrowski
    “Reminder” — Month of May (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    Simplified Version • “Canon in D” (Pachelbel)
    I published an article on 11 November 2023 called Wedding March For The Lazy Organist, which rather offhandedly made reference to a simplified version I created in 2007 for Pachelbel’s Canon. I often use it as a PROCESSIONAL for weddings and quinceañeras. Many organists say they “hate” Pachelbel’s Canon. But I love it. I think it’s bright and beautiful. I created that ‘simplified version’ for musicians coming to grips with playing the pipe organ. It can be downloaded as a free PDF if you visit Andrea Leal’s article dated 15 August 2022: Manuals Only: Organ Interludes Based on Plainsong. Specifically, it is page 84 in that collection—generously offered as a free PDF download. Johann Pachelbel (d. 1706) was a renowned German organist, violinist, teacher, and composer of over 500 works. A friend of Bach’s family, he taught Johann Christoph Bach (Sebastian Bach’s eldest brother) and lived in his house. Those who read Pachelbel’s biography will notice his connection to two German cities adopted as famous hymn tune names: EISENACH and ERFURT.
    —Jeff Ostrowski

Random Quote

The representative Protestant collection, entitled “Hymns, Ancient and Modern”—in substance a compromise between the various sections of conflicting religious thought in the Establishment—is a typical instance. That collection is indebted to Catholic writers for a large fractional part of its contents. If the hymns be estimated which are taken from Catholic sources, directly or imitatively, the greater and more valuable part of its contents owes its origin to the Church.

— Orby Shipley (1884)

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