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Views from the Choir Loft

Archives for November 2017

Jeff Ostrowski · November 16, 2017

“23rd” {repeat} Sunday after Pentecost (3rd in November)

“…and without parables He did not speak to them; that it might be fulfilled which was spoken by the prophet, saying, I will open my mouth in parables, I will utter things hidden from the foundation of the world.”

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Jeff Ostrowski · November 16, 2017

A Hymn That Just Keeps Popping Up

Bach’s music inhabits “a still and serious world…without color, without light, without motion” from which we cannot break away.

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Jeff Ostrowski · November 15, 2017

The Man Who Thrice Rejected Knighthood

Excerpt from a documentary on “St. Thomas More” (Paul Scofield) which in 1966 won six Oscars at the Academy Awards.

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Jeff Ostrowski · November 13, 2017

SATB “Alleluia” (Fr. Morales) • for both OF and EF

This piece is perfect for “stealthily” adding polyphony to the Ordinary Form.

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Dr. Lucas Tappan · November 13, 2017

Music and Evangelization

It’s an incredibly refreshing and dare I say beautiful movement within the Church today…

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Jeff Ostrowski · November 10, 2017

Fulton J. Sheen • “Hints On Public Speaking”

We choirmasters are frequently called upon to speak in public.

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Jeff Ostrowski · November 9, 2017

23rd Sunday after Pentecost (2nd in November)

“Amen I say to you, whatsoever, you ask when you pray, believe that you shall receive, and it shall be done to you.”

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Jeff Ostrowski · November 9, 2017

Image • Francisco Guerrero (d. 1599)

It’s based on Pacheco’s version, created the year Guerrero died.

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Andrew Leung · November 9, 2017

Vox Antiqua’s Debut

My new choir made its debut on the Feast of Christ the King.

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Dr. Alfred Calabrese · November 8, 2017

The Real Reason We Sing

Let’s not make this about ourselves.

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Jeff Ostrowski · November 7, 2017

New English Hymnal • Voice-Leading

Constant critics are corrosive.

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Jeff Ostrowski · November 6, 2017

Archbishop Sheen Played The Organ!

Sheen told Ferris that he wanted a classical repertoire at the cathedral in Rochester, including Gregorian chant.

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Jeff Ostrowski · November 6, 2017

6 Suggestions • “Promoting The Latin Mass”

Msgr. Charles Pope has several sagacious suggestions!

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Fr. David Friel · November 5, 2017

Prayers of Preparation and Farewell

Two prayers for improving one’s liturgical disposition

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Jeff Ostrowski · November 3, 2017

Never Print With Adobe Acrobat

It’s remarkable that owning fully-updated software and pristine hardware makes no difference…

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Corpus Christi Watershed

President’s Corner

    Proportionalist Plainchant • (Documented)
    On this website, we believe: “If we don’t know where we came from, we can’t know where we’re going.” As a result, we often spend hours scanning old books of GREGORIAN CHANT (and organ accompaniments). We don’t claim those items are useful or desirable for today’s circumstances; the goal is understanding where we came from. Here is a fascinating musical score from the 19th century. At that time, it was believed that MENSURALISM (a.k.a. “proportionalism”) was the historically correct way to sing plainsong.
    —Jeff Ostrowski
    Garnier Alleluias • “Have They Moved?”

    We received an email asking whether the “Garnier Gospel Acclamations website” has…

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    —Jeff Ostrowski
    Absolutely ‘Perfect’ Voice-Leading?

    This brief passage seems (in my humble opinion) to be a delightful specimen.

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    —Jeff Ostrowski

Quick Thoughts

    “Predictable Rhymes?” • A Follow Up
    We received considerable correspondence regarding my article, Two Ways to Defile a Hymn. More specifically, what really raised certain people’s hackles was its follow-up article dealing with the keyboard accompaniment for the CHRIST THE KING HYMNAL. But to quote Eliza Doolittle: “Have I said anything I oughtn’t?” Please examine this PDF file and see whether you agree. Were the editors of the BRÉBEUF HYMNAL incorrect to insist upon sophisticated and clever rhymes, rather than mind-numbingly predictable rhymes?
    —Jeff Ostrowski
    ‘Ould’ But Not Good
    Dom Samuel Gregory Ould (note the spelling) was a Benedictine monk at FORT AUGUSTUS ABBEY in Scotland. As musician, organist, and composer, Dom Ould was highly regarded. Moreover, he was considered an authority on Gregorian Chant. But not everything found in an old book—or, in this case, an “Ould” book—is necessarily praiseworthy. Consider this page from Dom Ould’s hymnal. Do you see the rhymes? They offend severely by ABR (“Abuse By Reuse”) and are utterly predictable. In my recent article—Two Ways to Defile a Hymn—I addressed this topic.
    —Jeff Ostrowski
    “Reader Feedback” • 22 June 2026
    A reader wrote to us from Virginia: “I really appreciate the 23 harmonizations that you posted on CORPUS CHRISTI WATERSHED for the Daily, Daily, Sing to Mary hymn. I hope to find willing voices in our small Schola Cantorum to try the three-voice version. Carry on, sir! You’re doing the Lord’s work.” While we don’t know this gentleman personally, we note that he earned a Ph.D. (which demonstrates that our blog has something for everybody). 😊
    —Corpus Christi Watershed

Random Quote

“If a pope were only ever applauded, he would have to ask himself whether or not he was doing things right.”

— Pope Emeritus Benedict XVI (2016)

Recent Posts

  • “Plainsong Propers” • Fascinating 1980s Recordings
  • Proportionalist Plainchant • (Documented)
  • “First Things First” • The Order We’ve Reversed: Seven (7) Points for Consideration
  • Garnier Alleluias • “Have They Moved?”
  • PDF Download • 1950s Hand Missal including “Priest Photographs” at Mass (944 pages)

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