Views from the Choir Loft

PDF Download • “O Esca Viatorum”

Jeff Ostrowski · August 18, 2017

VEN AFTER ALL these years, some readers still don’t know how to download the individual rehearsal videos and PDF files. Click on the blue link called #4687.

Pardon my squeaky high notes, but I wanted to demonstrate how it sounds—so I recorded all the voice parts:

REHEARSAL VIDEOS for each individual voice await you at #4687.
The full PDF score can be downloaded there.

The complete score (English and Latin) is also there. I am deeply saddened that some people still don’t know where these items are located.

IT IS QUITE A POPULAR Eucharistic hymn. Indeed, it’s hard to find a single Catholic hymnal not containing it. A few examples, from the Brébeuf hymn website:

Cantate Omnes (1952)
Cantiones Sacrae (1878)
Laudate Hymnal (1942)
New Westminster Hymnal (1939)
De La Salle Hymnal (1913)
St. Rose Hymnal (1938) … combines it with “Tantum Ergo”
New Saint Basil Hymnal (1958)
Pius X Hymnal (1953)
St. Gregory Hymnal (1920)

Here’s how the melody appears in the 1912 hymn book created by Sir Richard Terry:

4632 Sir Richard Terry HYMNAL

British editors tend not to place the words under the notes. As someone who works with amateur choirs, I feel there are some disadvantages to this approach, along with certain undeniable positive aspects.

Here’s a translation by Msgr. Hugh Thomas Henry (d. 1946), who taught Gregorian chant at St. Charles Borromeo Seminary in Overbrook, Pennsylvania:

1. O Food to pilgrims given,
Bread of the hosts of heaven,
Thou Manna of the sky!
Feed with the blessed sweetness
Of Thy divine completeness
The hearts that for Thee sigh.

2. O Fountain ruby-glowing,
O Stream of love outflowing
From Jesus’ piercèd side!
This thought alone shall bless us,
This one desire possess us,
To drink of Thy sweet tide.

3. We love Thee, Jesus tender,
Who hid’st Thine awful splendor
Beneath these veils of grace:
Oh, let the veils be riven,
And our clear eye in heaven
Behold Thee face to face!

TAGS:

“Amazing Eucharistic Hymn”

“O Esca Viatorum”

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

Simplest “Agnus Dei” Ever Published

Our choir is on break during the month of July. I needed a relatively simple “Agnus Dei,” so I composed this setting for organ & voice in honor of Saint René Goupil. It has been called the simplest setting ever composed. I love CARMEN GREGORIANUM (“Gregorian Chant”), especially the ALLELUIAS, INTROITS, and COMMUNION ANTIPHONS. That being said, some have pointed out that certain sections of the Kyriale aren’t as strong as the Graduale or Vesperale. There’s a reason for this—but it would be too complicated to explain at this moment.

—Jeff Ostrowski

14th Sunday in Ordinary Time (Year C)

Our choir is on break during the month of July. However, on the feasts website, the chants have been posted for the 14th Sunday in Ordinary Time (Year C), which is this coming Sunday: 6 July 2025.

—Jeff Ostrowski

Bugnini’s Statement (6 November 1966)

With each passing day, more is revealed about how the enemies of the liturgy accomplished their goals. For instance, Hannibal Bugnini deeply resented the way Vatican II said Gregorian Chant “must be given first place in liturgical services.” On 6 November 1966, his cadre wrote a letter attempting to justify the elimination of Gregorian Chant with this brazen statement: “What really gives a Mass its tone is not so much the songs as it is the prayers and readings.” Bugnini’s cadre then attacked the very heart of Gregorian Chant (viz. the Proprium Missae), bemoaning how the Proprium Missae “is completely new each Sunday and feast day.” There is much more to be said about this topic. Stay tuned.

—Jeff Ostrowski

Pope Pius XII Hymnal?

Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.

—Corpus Christi Watershed

“Hybrid” Chant Notation?

Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.

—Corpus Christi Watershed

Antiphons Don’t Match?

A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).

—Corpus Christi Watershed